1470167737816.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Japan in the Meiji
en Japan in the Meiji Era The collection of Heinrich von Siebold Galleries of Marvel Japan in the Meiji Era Japan in the Meiji Era The collection of The collection of Heinrich von Siebold Heinrich von Siebold This exhibition grew out of a research Meiji period (1868–1912) as a youth. Through project of the Weltmuseum Wien in the mediation of his elder brother Alexan- co-operation with the research team of der (1846–1911), he obtained a position as the National Museum of Japanese History, interpreter to the Austro-Hungarian Diplo- Sakura, Japan. It is an attempt at a reap- matic Mission in Tokyo and lived in Japan praisal of nineteenth-century collections for most of his life, where he amassed a of Japanese artefacts situated outside of collection of more than 20,000 artefacts. He Japan. The focus of this research lies on donated about 5,000 cultural objects and Heinrich von Siebold (1852–1908), son of art works to Kaiser Franz Joseph in 1889. the physician and author of numeral books About 90 per cent of the items pictured in Hochparterre on Japan Philipp Franz von Siebold (1796– the photographs in the exhibition belong to 1866). Heinrich went to Japan during the the Weltmuseum Wien. Room 1 Ceramics and agricultural implements Room 2 Weapons and ornate lacquer boxes Room 3 Musical instruments and bronze vessels Ceramics and Room 1 agricultural implements 1 The photographs show a presentation of artefacts of the Ainu from Hokkaido, togeth- This large jar with a lid is Kutani ware from dynasty (1638–1644) Jingdezhen kilns, part of Heinrich von Siebold’s collection from er with agricultural and fishing implements Ishikawa prefecture. -
Death of Izanami-No-Mikoto
Tamir Facts about Japanese 1. Get of your shoes!! When entering a Japanese house or a ryokan, outdoor shoes are always replaced by slippers at the doorway (genkan). Slippers are provided by the host. When entering a room with tatami floor, slippers are removed as well. Tatami should only be stepped on with socks or in bare feet. Finally, there are special toilet slippers for exclusive usage inside the washroom. The usual house slippers are left outside the door while using the washroom. 2. Japanese capsule hotel: 3. Death of Izanami-no-Mikoto Izanagi-no-Mikoto lamented the death of Izanami-no-Mikoto and undertook a journey to Yomi ("the shadowy land of the dead"). He searched for Izanami-no-Mikoto and found her. At first, Izanagi-no-Mikoto could not see her for the shadows hid her appearance. He asked her to return with him. Izanami-no-Mikoto spat out at him, informing Izanagi-no-Mikoto that he was too late. She had already eaten the food of the underworld and was now one with the land of the dead. She could no longer return to the living. The news shocked Izanagi-no-Mikoto, but he refused to leave her in Yomi. While Izanami-no- Mikoto was sleeping, he took the comb that bound his long hair and set it alight as a torch. Under the sudden burst of light, he saw the horrid form of the once beautiful and graceful Izanami-no-Mikoto. She was now a rotting form of flesh with maggots and foul creatures running over her ravaged body. -
Panthéon Japonais
Liste des divinités et des héros des légendes et de la mythologie japonaises Divinité Kami (m) Kami (f) Esprit Bouddhisme Monstre Animal Humain Acala Déité bouddhique du mikkyo, maître immuable associé au feu et à la colère; il est l'un des cinq rois du savoir. Agyo-zo Dans le bouddhisme japonais, Agyo-zo et Ungyo-zo se tiennent à la porte des édifices pour les protéger. Aizen myo-o Déité du bouddhisme japonais qui purifie les hommes des désirs terrestres et les libère de l'illusion. Il est représenté en rouge vif (passion), avec trois yeux, six bras et un air irritée, Il tient à la main un arc et des flèches ou un crochet. Ajisukitakahikone ou Aji-Shiki ou Kamo no Omikami Kami de l'agriculture, de la foudre et des serpents. Il créa la montagne Moyama dans la province de Mino en piétinant une maison de deuil parce qu'on l'avait pris pour le défunt. Akashagarbha Un des treize bouddhas de l’école tantrique japonaise Shingon Ama no Fuchigoma Cheval mythique de Susanoo qui est décrit dans le Nihon-Shoki . Ama no Kagaseo Autre nom de Amatsu Mikaboshi le kami du mal Ame no Tajikarao Kami des exercices physiques et de la force brutale qui dégagea l'entrée de la grotte où Amatersu s'était réfugiée. Amakuni Forgeron légendaire qui forgea le tachi, l'épée courbe ancêtre de Takana. Ama no Zako Monstrueuse kami née des vomissures de Susanoo Amaterasu Kami du soleil et reine des Hautes Plaines Célestes Amatsu mikaboshi Kami du mal Ame no Oshido Mimi Fils d'Amaterasu qui refusa d'aller gouverner la terre qu'il trouvait trop pleine de cMhaos. -
Spiritual KANSAI Gokan Spiritual Kansai
Japan of the five senses 関西 Spiritual KANSAI GoKan Spiritual Kansai FOLLOW US Do not miss anything of our activity Twitter/Instagram/Facebook/YouTube/Pinterest : @GokanMag www.gokanmag.com CONTACT US Spiritual For general questions or for a partnership [email protected] EDITORIAL TEAM KANSAI David MICHAUD : Editorial & Creative Direction Kenichi WATANABE : General Producer The Path of Spirituality Angelo DI GENOVA : Shooting Coordinator Alice SUZUKI : Translator Ronan ECHERBAULT : Cover's Photo Produced by : XPJP Inc. & KANSAI Tourism Bureau EXPERIENCE DESIGN IN JAPAN © 2020 GOKAN株式会社 All rights reserved. The logo, the general structure, the texts, the images, the illustrations as well as any other element composing this magazine are the exclusive prop- erty of GOKAN株式会社 (or having third rights) and are protected by the copyright. Any total or partial representation of this magazine other than the promotion of the latter, by any means whatsoever, without the express permission of GOKAN株式会社 is therefore prohibited and constitutes an infringement. For any questions about the reproduction of the content, contact: [email protected] The Kansai region (関西地方, Kansai-chihō) or the Kinki region ( 近畿地方, Kinki-chihō), lies in the central region of Japan's main island Honshū. The region includes the prefectures of Mie, Nara, Wakayama, Kyoto, Osaka, Hyōgo and Shiga, sometimes Fukui, Tokushima and Tottori. While the use of the terms "Kansai" and "Kinki" have changed over history, in most modern contexts the use of the two terms is interchangeable. The metropolitan region of Osaka, Kobe and Kyoto (Keihanshin region) is the second-most populated in Japan after the Greater Tokyo Area. In a report on SBNR published by Harvard University, SBNR Spiritual But Not Religious Professor Daly Katerlein said: “The cause of the SBNR phenomenon is a major change that Spiritual Kansai threatens the fundamentals of the social environment, such as terrorism, natural disasters and pandemics. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Irony of the Sea: Romantic Disruptions of Japanese Literary Modernity Permalink https://escholarship.org/uc/item/76j1838f Author Petitto, Joshua Michael Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Irony of the Sea: Romantic Disruptions of Japanese Literary Modernity By Joshua Michael Petitto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Alan Tansman, Chair Professor Daniel C. O‘Neill Professor H. Mack Horton Professor Samuel Otter Spring 2011 Abstract The Irony of the Sea: Romantic Disruptions of Japanese Literary Modernity by Joshua Michael Petitto Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair ―The Irony of the Sea: Romantic Disruptions of Japanese Literary Modernity‖ uses recent studies on the 19th century European and American sea adventure novel to argue that Herman Melville‘s Moby-Dick represents a particular mode of maritime writing that works through a language of contradiction and paradox to reveal the limits of rational modes of thought and knowledge at the heart of Western modernity. It further identifies this form of writing, referred to herein as the ―irony of the sea,‖ as part of a romantic tradition of imagining maritime spaces as counter-spaces to rational modernity. By tracing the movement of the irony of the sea over three key moments in modern Japanese literary history—the 1890s, the 1930s, and the 1950s—this study aims to demonstrate the ways in which romantic thought not only persists throughout the modern period as part of an ongoing response to the experience of modernity, but how it also served as an impediment to and innovative force in the development and the production of literary and artistic forms. -
Kyoto, Nara & the Kumano Kodo
JAPAN Kyoto, Nara & the Kumano Kodo A Guided Walking Adventure Table of Contents Daily Itinerary ........................................................................... 4 Tour Itinerary Overview .......................................................... 13 Tour Facts at a Glance ........................................................... 15 Traveling To and From Your Tour .......................................... 17 Information & Policies ............................................................ 20 Japan at a Glance .................................................................. 22 Packing List ........................................................................... 27 800.464.9255 / countrywalkers.com 2 © 2015 Otago, LLC dba Country Walkers Travel Style This small-group Guided Walking Adventure offers an authentic travel experience, one that takes you away from the crowds and deep in to the fabric of local life. On it, you’ll enjoy 24/7 expert guides, premium accommodations, delicious meals, effortless transportation, and local wine or beer with dinner. Rest assured that every trip detail has been anticipated so you’re free to enjoy an adventure that exceeds your expectations. And, with our new optional Flight + Tour Combo and Tokyo PostPost----TourTour Extension to complement this destination, we take care of all the travel to simplify the journey. Refer to the attached itinerary for more details. Overview This trip offers the rare experience of trekking the Kumano Kodo —an ancient pilgrimage route that is a UNESCO World Heritage site! This is the centerpiece of an itinerary that also includes Japan’s most-treasured locales in the imperial capitals of Kyoto and Nara, and concludes in bustling Osaka. Walking routes cross moats to a feudal castle and enter immaculately preserved temples with tranquil Zen gardens, then turn down narrow streets flanked by traditional wooden homes and shops. Deep in the mountains of the Kii Peninsula, you step onto the ancient Kumano Kodo pilgrimage trail. -
35 a Comparison Between Persian and Japanese Creation Myth
International Journal of Contemporary Applied Researches Vol. 5, No. 6, June 2018 (ISSN: 2308-1365) www.ijcar.net A comparison between Persian and Japanese Creation Myth Kidder, J. Edward Tokyo University, Japan Abstract A creation myth is a social, customary or religious myth which portrays the most punctual beginnings of the present world. Creation myths are the most widely recognized type of myth, generally growing first in oral conventions, and are found all through human society. A creation myth is generally respected by the individuals who subscribe to it as passing on significant truths, in spite of the fact that not as a matter of course in an authentic or exacting sense. They are generally, despite the fact that not generally, thought to be cosmological myths, that is they portray the requesting of the universe from a condition of tumult or nebulousness. Persian and Japanese creation myths have numerous things in like manner. The Bundahishn of the Middle Persian period recounts the world made by the divinity Ahura Mazda. Japanese creation myth likewise starts with the subject of conception. This may be on the grounds that conception speaks to new life and the start of life on earth may have been envisioned as being like the start of a tyke's life.. Near investigation of Persian and Japanese legendary writings demonstrates that people and creatures once lived respectively calmly. However in light of a transgression created by the people they are split up. This transgression is regularly brought on by murkiness and is spoken to as flame. Different times the guiltlessness of people is taken away by a divine being. -
Myths and Legends of Japan Free
FREE MYTHS AND LEGENDS OF JAPAN PDF F.Hadland Davis | 432 pages | 31 Aug 1992 | Dover Publications Inc. | 9780486270456 | English | New York, United States Japanese mythology | Britannica Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Hadland Davis. Details if other :. Thanks for telling us about the problem. Return to Myths and Legends of Japan Page. Preview — Myths and Legends of Japan by F. Myths and Legends of Japan by F. Hadland Davis. Evelyn Paul Illustrator. The most popular myths and legends of Japanese culture are charmingly retold in English in this handsomely illustrated book. Here are myths of gods, heroes and warriors; legends of Buddha, and of the goddess Benten and the god Daikoku; tales of the sea and of Mount Fuji; accounts of superstitions and supernatural beings; observations on the spiritual properties of fans, fl The most Myths and Legends of Japan myths and legends of Japanese culture are charmingly retold in English in this handsomely illustrated book. Here are Myths and Legends of Japan of gods, heroes and warriors; legends of Buddha, and of the goddess Benten and the god Daikoku; tales of Myths and Legends of Japan sea and of Mount Fuji; accounts of superstitions and supernatural beings; observations on the spiritual properties of fans, flowers, dolls and butterflies and much more. The collection begins with the early myths of Japan, which the author describes as "quaint, beautiful, quasi-humorous. -
RULES of PLAY and PLAYERS GUIDEBOOK Designers: Bob Charrette Paul Hume
RULES OF PLAY and PLAYERS GUIDEBOOK Designers: Bob Charrette Paul Hume U.S. COPYRIGHT NOTICE Copyright © 1981 by Robert N. Charrette and Paul R. Hume. All rights to this book are reserved. No part of the book may be used or reproduced in any manner whatsoever without permission, except in the case of brief quotations embodied in critical articles or reviews. Box, cover art and all illustrations are copyright © 1981 by Robert N. Charrette. For information regarding this game contact Fantasy Games Unlimited, Inc.; P.O. Box 182; Roslyn, N.Y. 11576 The designers will attempt to answer any questions regarding the game. Please type the question allowing space for the answer on the same sheet and enclose a stamped, self-addressed envelope. Send the letter in care of Fantasy Games Unlimited. 1010.0 TABLE OF CONTENTS 1020.0 REQUIRED MATERIALS To play BUSHIDO, you will need: 1020.0 Required Materials 1 — paper and pencils 1030.0 The Dice 1 — a six-sided die (extras are helpful) 1040.0 Character Structure 1 — a twenty-sided die (extras are helpful) 1041.0 Attributes 2 (these are available at hobby/game stores or directly from 1042.0 Saving Throws 2 Fantasy Games Unlimited). 1043.0 Abilities 3 — character representations (cardboard chits will do, 1044.0 Capabilities 5 but miniature figures are most desirable) 1050.0 Skills 7 — A measuring tape or flexible ruler (the graded section on the 1051.0 Base Chance of Success 7 chart sheets will serve, but a separate one is more useful) 1052.0 Study and Training 8 1053.0 Bugei (combat techniques) 9 1030.0 THE DICE 1054.0 Fine Arts 14 Many different ranges of numbers are used for determining 1055.0 Practical Arts 17 probabilities in this Game. -
An Autoethnographic Study on the Soundscape Action Design Tool
International Journal of Environmental Research and Public Health Article Listening to Japanese Gardens: An Autoethnographic Study on the Soundscape Action Design Tool Gunnar Cerwén 1,2 1 Department of Work Science, Business Economics and Environmental Psychology, Swedish University of Agricultural Sciences, Slottsvägen 5, 230 53 Alnarp, Sweden; [email protected] 2 Japanese Society for the Promotion of Science (JSPS) International Research Fellow Programme, School of Cultural and Creative Studies, Aoyama Gakuin University, Shibuya, Tokyo 4-4-25, Japan Received: 19 June 2019; Accepted: 3 November 2019; Published: 22 November 2019 Abstract: Landscape architecture and urban design disciplines could benefit from soundscape thinking in order to enhance experiential qualities in their projects, though the available tools are not yet fully developed nor tested. The present research aims to substantiate one of the available tools, Soundscape Actions, and thereby increase the understanding of soundscape design. The study focuses on the Japanese garden tradition, which is known for high preference ratings, tranquil qualities and consideration for sound and other sensory experiences. An autoethnographic approach was used to conduct field studies in 88 gardens in Japan, the majority of which are located in urban areas with potential noise disturbance. The studies are based on observations in situ, supported by video documentation, field recordings and readings of sound pressure levels (SPL). A total of 19 Soundscape Actions are described and discussed in the paper. They are structured around three main categories: localisation of functions, reduction of unwanted sounds and introduction of wanted sounds. The study provides concrete examples of how the tool can be used to enhance tranquil qualities, particularly focusing on small green spaces in dense urban settings, involving the (simultaneous) reduction of unwanted sounds and enhancement of wanted sounds/effects. -
SWORD of the SAMURAI Computer Game MICROPROSE SOFTWARE INC
SWORD OF THE SAMURAI Computer Game MICROPROSE SOFTWARE INC. 180 Lakefront Drive, Hunt Valley, MD 2 1030 (410) 771-I 151 All rights reserved Copyright I989 by MicroProse Software, inc. This may not be reproduced in whole or in part by any means without permission, except the quotation of brief passages for reviews. PRINTING HISTORY First printing 1989 Printing: 9 8 7 6 5 4 3 2 1 Sword of the Samurai is MicroProse Software’s trademark for its computer game of feudal Japan. SWORD OF THE SAMURAI Game Design/Project Leader Manual Text LAWRENCE SCHICK L A W R E N C E SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L. BRIGGS JIM SYNOSKI Print Media Director Role-Playing Program IRIS IDOKOCI JIM SYNOSKI Full-Page Illustrations with SID MEIER RONNIE ORDANZA and MARCELL CIOLA Melee Program Spot Illustrations JOHN KENNEDY OSCAR RATTI* Battle Program Layout DAVID McKlBBlN MICHAEL HAIRE and MURRAY TAYLOR with DAN CHANG Paper Map Graphics Duel Program MARCELL CIOLA SID MEIER MURRAY TAYLOR and MICHAEL REIS Music and Sound Quality Assurance KEN LAGACE and JIM McCONKEY ALAN ROIREAU, CHRIS TAORMINO, Music by JEFFERY L. BRIGGS and RUSS COONEY Computer Graphics Packaging Design MICHAEL HAIRE MARK CIOLA and JOHN EMORY with JACKIE ROSS Type Fonts by BARBARA BENTS *(from Secrets of the Samurai by Oscar Ratti and Adele Westbrook; used by permission of the publisher, the Charles E. Tuttle Company, Inc.) CONTENTS INTRODUCTION THE LIFE OF A SAMURAI General Overview: Another Time, Another Culture 3 Quickstart: On -
Download The
Gerald Groemer University of Yamanashi Sacred Dance at Sensōji The Development of a Tradition Sensōji, one of the best-loved temples of Edo-Tokyo, was once the site of var- ied and colorful performances of sacred music and dance. In the past, kagura accompanied a New Year’s ritual archery exhibit, while “lion dances” and a genre known as binzasara were seen at the time of the third-month Sanja festival. During the sixth month, binzasara and masked kagura were staged again, and during the nineteenth century a ninth-month “pheasant dance” was added to the annual program. This paper examines the emergence of such arts, some of which continue to be performed today. A close look at historical sources and modern practices reveals, however, that the genres, performance practices, contexts, and dates of performance underwent much transformation over the centuries. What is today billed as “tradition” turns out to reproduce only a fraction of what was once a far richer, heterogeneous, and changing program of dance and music. keywords: Sensōji—Sanja Gongen—Tamura Hachidayū—binzasara— kagura—Edo-period religion Asian Ethnology Volume 69, Number 2 • 2010, 265–292 © Nanzan Institute for Religion and Culture nyone visiting Sensōji 浅草寺 on the third weekend of May is likely to witness A portions of the Sanja festival. This grand, rambunctious celebration, taking place at what must still be the most popular temple/shrine complex in Tokyo, honors Sensōji’s three founding deities, enshrined at the Sanja Gongen 三社権現 (today Asakusa Jinja), the tutelary shrine of Sensōji. On the Friday preceding the main festival, sightseers, pilgrims, and ethnologists who spy into the main hall of the shrine may catch a glimpse of a performance of “lion dances” (shishi-mai 獅 子舞, dances of two mythical lion-like beasts) and elegant binzasara (び ん ざ ゝら , 編 木, 鬢編木, 拍板) dances; half an hour later the binzasara dances receive an encore performance on an open kagura stage to the right of the shrine.