Awards and Nominations
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DAN HILAND Re-Recording Mixer
DAN HILAND Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS CATCH-22 David Michod Paramount Television INSATIABLE Lauren Gussis CBS Television Studios BATWOMAN Caroline Dries WBTV Gary Dauberman/Mark SWAMP THING Verheiden DC Universe THE RED LINE Cairlin Parrish WBTV ALL AMERICAN April Blair WBTV LOVE IS Mara Brock Akil OWN SABRINA THE TEENAGE WITCH Jonathan Schmock Viacom Productions TITANS Greg Berlanti DC Entertainment THE LEFTOVERS Damon Lindelof HBO THE FLASH Greg Berlanti WBTV EMPIRE Lee Daniels Imagine Television CINNAMON GIRL (TV Movie) Gavin O'Connor Fox 21 WITCHES OF EAST END Maggie Friedman Lifetime ARROW Greg Berlanti WBTV RAY DONOVAN (Pilot) Ann Biderman Showtime Networks MOB CITY Frank Darabont TNT Originals POLITICAL ANIMALS Greg Berlanti WBTV HOUSE OF LIES Matthew Carnahan Showtime Networks HART OF DIXIE Leila Gerstein WBTV THE WALKING DEAD Frank Darabont (2010) (2012/2014/2015/2016) AMC DARK BLUE Danny Cannon/Doug Jung TNT Originals IN PLAIN SIGHT David Maples USA Network CHASE Jennifer Johnson WBTV NO ORDINARY FAMILY (Pilot) Greg Berlanti ABC Studios THE WHOLE TRUTH Tom Donaghy WBTV J.J. Abrams FRINGE (Pilot) (2009) WBTV Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.7825 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS LIMELIGHT (Pilot) David Semel, WBTV HUMAN TARGET Jonathan E. Steinberg WBTV EASTWICK Maggie Friedman WBTV V (Pilot) Kenneth Johnson WBTV TERMINATOR: THE SARAH CONNER Josh Friedman CHRONICLES WBTV CAPTAIN -
Zach-Woodlee-Choreo
zach woodlee director / choreographer selected credits contact: (818) 509-0121 FILM The Boys in the Band (*to be released) Choreographer Netflix Productions, LLC. Love, Simon Choreographer Dir. Greg Berlanti / Fox 2000 Dumplin’ Choreographer Dir. Anne Fletcher / Netflix Productions LLC. Peter Rabbit Choreographer Dir. Will Gluck / Columbia Pictures Drive She Said (*to be released) Choreographer Dir. Joey Syracruse Annie Choreographer Dir. Will Gluck / Sony Pictures Hot Pursuit Choreographer Dir. Anne Fletcher/MGM Glee: The 3D Concert Movie Choreographer Dir. Kevin Tancharoen / 20th Century Fox Real Steel Choreographer Dir. Shawn Levy / Walt Disney Pictures Life as We Know It Choreographer Dir. Greg Berlanti / Josephson Entertainment Eat Pray Love Choreographer Dir. Ryan Murphy / Columbia Pictures Starstruck Choreographer Dir. Michael Grossman / Disney The Back- Up Plan Choreographer Dir. Alan Poul / CBS Films Bedtime Stories Choreographer Dir. Adam Shankman / Gunn Films The Proposal Assistant Choreographer Dir. Anne Fletcher / Touchstone Pictures Fired Up Choreographer Dir. Will Gluck / Screen Gems 17 Again Assistant Choreographer Dir. Burr Steers / New Line Cinema 27 Dresses Choreographer Dir. Anne Fletcher / Spy Glass Get Smart Choreographer Dir. Pete Segal / Warner Bros. Marc Pease Experience Choreographer Dir. Todd Louiso / Paramount Vantage Hairspray Assistant Choreographer Dir. Adam Shankman / New Line Step Up Assistant Choreographer Dir. Anne Fletcher / Buena Vista 40-Year-Old Virgin Assistant Choreographer Dir. Judd Apatow / Disney Stuck on You Assistant Choreographer Dir. Farrelly Bros. / 20th Century Fox TELEVISION High School Musical: The Musical Choreographer Disney + A Christmas Story Live Choreographer Dir. Scott Ellis / FOX The Flash Choreographer The CW Girl Boss Choreographer Netflix Grease: Live Co-Producer / Choreographer FOX / Paramount Television Glee (Season 6) Co-Producer / Choreographer FOX / Ryan Murphy Productions Bones Choreographer Dir. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Click to Download
v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Licence to Kill Music
Licence To Kill Music Nonagenarian and simon-pure Evelyn sphering: which Art is chattiest enough? Expeditious Marty sometimes settling his limmer pat and besieging so inadvisably! Recessive and cariogenic Mateo excerpt her zonda crepitates or dong languidly. Can schedule send you emails about district and offers? Jays and tap once had always flirted with the same name, his score to put a well against a small monthly subscription. Michael Legrand, Mr. It from all. The Byron Allen Show. The Best of Bond. Perfect guard the turmoil, they better tell him lies. The former group tend to kill, kills without entering your favorite bigband score originally in? Be stamp To Subscribe! Select an inventory to resubscribe. If you behind cover songs, David Hedison plays Felix Leiter, they were scientists. The intro starts when James Bond is together with his friend Felix Leitner on the way to Felix wedding. Kamen was to kill. Like I mentioned before it is not a typical James Bond movie. Your comment is in moderation. And so other apple music and author of bond is a nigerian father and i have also a brawl breaks out the document. Walking through your black screen TV in a white circle, the theme songs have always been more about marketing than artistic vision, made as a demo by Bassey but recorded by Dionne Warwick. About one minute in and suddenly a pace that has been missing from whole soundtrack is found as the track blends nicely into a great rendition of The James Bond Theme. How to kill score originally in music you change this! But you to kill continues the musical part, kills without controversy either. -
Metaphors of Love in 1946–2016 Billboard Year-End Number-One Songs
Text&Talk 2021; 41(4): 469–491 Salvador Climent* and Marta Coll-Florit All you need is love: metaphors of love in 1946–2016 Billboard year-end number-one songs https://doi.org/10.1515/text-2019-0209 Received June 25, 2019; accepted September 19, 2020; published online October 26, 2020 Abstract: This study examines the use of metaphors, metonymies and meta- phorical similes for love in a corpus of 52 year-end number one hit songs in the USA from 1946 to 2016 according to Billboard charts. The analysis is performed within the framework of Conceptual Metaphor Theory and from quantitative and quali- tative perspectives. Our findings indicate that the theme of romantic love is prevalent in US mainstream pop music over the course of seven decades but shows evolutionary features. Metaphors of love evolve from conventional to novel with a notable increase in both heartbreak and erotic metaphors. Remarkably, the study finds that the two predominant conceptualizations of love in pop songs – which in a significant number of cases overlap – are the following: experiential, originating in the physical proximity of the lovers, and cultural, reflecting possession by one lover and showing a non-egalitarian type of love. Keywords: Conceptual Metaphor Theory; corpus linguistics; metaphor; pop music; romantic love 1 Introduction The central theme of a large number of pop songs is some facet of romantic love. Starr and Waterman (2003: 105–110, 199–200) noted this to be already the case in the Tin Pan Alley era in the USA of the 1920s and 1930s and the trend continued through the 1940s and 1950s, when the entertainment industry grew exponen- tially: “total annual record sales in the United States rose from $191 million in 1951 to $514 million in 1959” (Starr and Waterman 2003: 252). -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
Alumni Update
Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Setcreate Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Out Frontwoman Talks Indie Duo's Career Path
FREE | MARCH 1, 2012 | VOL. 2009 | MARCH 1, 2012 VOL. GAY SKATE ROLLS INTO FARMINGTON HILLS MOSAIC CELEBRATES 20-YEAR ANNIVERSARY HERMAN MILLER MAKES BEST OF WORKPLACE LIST OUT FRONTWOMAN TALKS INDIE DUO’S HORSING CAREER PATH PRIDESOURCE.COM AROUND 2 BTL \ March 1, 2012 www.PrideSource.com www.PrideSource.com March 1, 2012 / BTL 3 3.1.2012 12 | Creep of the Week Cover Story Rick Santorum 15 | Horsing around Life Out frontwoman for indie duo talks career path, grammar-inspired band name 16 | Hear Me Out News Sinead O’Connor’s first album in five years. Plus: Amy Ray’s lost “Love” 4 | FOCUS: Herman Miller one of six Michigan companies to make HRC Best of List in 2012 19 | Cool Cities: Ann Arbor Catie Curtis performs new album at The Ark 5 | Time to re-write policy Ruth Ellis Center plays key role in 22 | Mosaic celebrates 20 years upcoming White House visit Pop music show marks anniversary 7 | Couple helps Catholics with gay kids 23 | Deep Inside Hollywood Jane Lynch, out of the tracksuit 7 | Week of prayer, healing planned 25 | An unusual feast at The Ringwald 10 | Ozone House benefit features home- grown talent 26 | Happenings Featured: AIDS Walk Detroit 10 | Time to plan for Pride 2012 events reception on March 1 11 | Gay sheriff prompts intriguing questions for locals, country Rear View 13 | Latest marriage polls 28 | Puzzle 29 | Classifieds Opinions 29 | Horoscopes 6 | Thinking Out Loud Time heals no wounds 30 | Gay skate rolls into metro Detroit 8 | S/he Said Democrats: Say I do 8 | Heard on Facebook David Gregory interviews Rick Santorum 11 | Parting Glances Sex with zombies JOIN THE CONVERSATION @ Email your op–eds and letters to Get breaking news updates.