100 Piano Classics
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Download the Digital Booklet
1 MAIN TITLE 2 THE SMOKING FROG 3 BEDTIME AT BLYE HOUSE 4 NEW CLOTHES FOR QUINT 5 THE CHILDREN'S HOUR 6 PAS DE DEUX 7 LIKE A CHICKEN ON A SPIT 8 ALL THAT PAIN 9 SUMMER ROWING 10 QUINT HAS A KITE 11 PUB PIANO 12 ACT TWO PRELUDE: MYLES IN THE AIR 13 UPSIDE DOWN TURTLE 14 AN ARROW FOR MRS. GROSE 15 FLORA AND MISS JESSEL 16 TEA IN THE TREE 17 THE FLOWER BATH 18 PIG STY 19 MOVING DAY 20 THE BIG SWIM 21 THROUGH THE LOOKING GLASS 22 BURNING DOLLS 23 EXIT PETER QUINT, ENTER THE NEW GOVERNESS; RECAPITULATION AND POSTLUDE MUSIC COMPOSED AND CONDUCTED BY JERRY FIELDING WE DISCOVER WHAT When Marlon Brando arrived in THE NIGHTCOMERS had allegedly come HAPPENED TO THE Cambridgeshire, England, during January into being because Michael Winner wanted to of 1971, his career literally hung in the direct “an art film.” Michael Hastings, a well- GARDENER PETER QUINT balance. Deemed uninsurable, too troubled known London playwright, had constructed a and difficult to work with, the actor had run kind of “prequel” to Henry James’ famous novel, AND THE GOVERNESS out of pictures, steam, and advocates. A The Turn of the Screw, which had been filmed couple of months earlier he had informed in 1961, splendidly, as THE INNOCENTS. MARGARET JESSEL author Mario Puzo in a phone conversation In Hastings’ new story, we discover what that he was all washed up, that no one was happened to the gardener Peter Quint and going to hire him again, least of all to play the governess Margaret Jessel: specifically Don Corleone in the upcoming film version how they influenced the two evil children, of Puzo’s runaway best-seller, The Godfather. -
Closing Credits
CLOSING CREDITS The Tennessee Arts Academy gratefully acknowledges the generous support of the following individuals, businesses, and organizations whose contributions have helped make the 2011 Academy possible. MAJOR FUNDING SUPPORT ADVERTISERS Tennessee Department of Education Beacon Financial Group, LLC Tennessee Arts Commission Center of Excellence for the Creative Arts Tennessee Arts Academy Foundation at Austin Peay State University Belmont University Crystal Productions Earl Swensson Associates, Inc. MAJOR SPONSORSHIP SUPPORT Eldridge Plays & Musicals Delores Kinsolving Frist Center for the Visual Arts Milton T. Schaeffer Memphis College of Art Pat and Thane Smith Memphis Music Foundation Mid South Business Furniture, Inc. Nashville Symphony BREAK SPONSORS Scott Schrecker Photography Belmont University College of Visual and Performing Arts Steinway Piano Gallery of Nashville Cumberland University School of Music and Art Tennesseans For The Arts Macmillan/McGraw-Hill Tennessee Art Education Association Mayfield Dairy Farms Tennessee Arts Academy Foundation Tennessee Educational Theatre Association Tennessee Music Education Association Theatrical Rights Worldwide Tennessee Shakespeare Company Thomas Tours Vanderbilt University Blair School of Music QuaverMusic.com Watkins College of Art, Design & Film Yamaha Corporation of America GOODS AND SERVICES Alliance Music Publications TENNESSEE ARTS ACADEMY PROGRAM BOOK Barfield Elementary School (Rutherford County) Graphic Designer: Ron Watson Hinshaw Music Photographer: Michael Krouskop ImageQuest Proofreaders: Lori Anne Parker, Susan Ramsay MorningStar Music Publishers Printer: Douglas Printing, Inc. ORNL Federal Credit Union Production Coordinator: Frank Bluestein Jack Parnell Peripole Bergerault Pilot Oil SunTrust Bank Tennessee Art Education Association A Program of the Tennessee Department of Education Additional support for the Tennessee Arts Academy is provided by the Tennessee Arts Commission, the Tennessee Arts Academy Foundation, and Belmont University. -
Spirit of Africa
FULL SCORE Spirit of Africa For Soprano Soloist, SATB Choir and Chamber Orchestra Photo: David Fanshawe, East Africa Music: Liz Lane Words: Jennifer Henderson Spirit of Africa Programme note Spirit of Africa is written as a companion piece to David Fanshawe’s African Sanctus and is inspired by the colours and symbolic meanings of the flags of Egypt, Sudan, Uganda and Kenya, the countries visited by David during his travels recording music for African Sanctus in 1969-1973. The words and music of the five movements trace a journey through the day, with the colour white for daybreak mist, green for morning freshness, red for midday heat, gold for sunset and black for night; each with its own mood and character, hopes and fears. Spirit of Africa is dedicated to David and his wife Jane. Liz Lane and Jennifer Henderson, May 2012 www.lizlane.co.uk 1. Promise of daybreak veiled in the early mist, hidden in shadows that cling to the night; Earth turning slowly toward a new journey into the morning, unknown, beyond sight. Birdsong dispelling the silence of waiting, lifting the darkness with wings taking flight; spray from the waterfall showering diamonds, carving the rock face with ribbons of white. Sweet is the air in the breath of the morning, spirit of purity, radiant light! 2. Dance, my friends, dance with the Earth, dance with the spring time of the year’s rebirth; dance with the sunshine, dance with the breeze, dance with the butterflies, dance with the bees. Sing, my friends, sing with the hills, sing with the river the rain cloud fills; sing with the green grass, sing with the trees, sing with the birds and the fish in the seas. -
Blade II" (Luke Goss), the Reapers Feed Quickly
J.antie Lissow- knocks Starbucks, offers funny anecdotes By Jessica Besack has been steadily rising. stuff. If you take out a whole said, you might find "Daddy's bright !)ink T -shirt with the Staff Writer He is now signed under the shelf, it will only cost you $20." Little Princess" upon closer sparkly words "Daddy's Little Gersh Agency, which handles Starbucks' coffee was another reading. Princess" emblazoned across the Comedian Jamie Lissow other comics such as Dave object of Lissow's humor. He In conclusion to his routine, front. entertained a small audience in Chappele, Jim Breuer and The warned the audience to be cau Lissow removed his hooded You can read more about the Wolves' Den this past Friday Kids in the Hall. tious when ordering coffee there, sweatshirt to reveal a muscular Jamie Lissow at evening joking about Starbucks Lissow amused the audience since he has experienced torso bulging out of a tight, http://www.jamielissow.com. coffee, workout buffs, dollar with anecdotes of his experi mishaps in the process. stores and The University itself. ences while touring other col "I once asked 'Could I get a Lissow, who has appeared on leges during the past few weeks. triple caramel frappuccino "The Tonight Show with Jay At one college, he performed pocus-mocha?"' Lissow said, Leno" and NBC's "Late Friday," on a stage with no microphone "and the coffee lady turned into a opened his act with a comment after an awkward introduction, newt. I think I said it wrong." about the size of the audience, only to notice that halfway Lissow asked audience what saying that when he booked The through his act, students began the popular bars were for University show, he presented approaching the stage carrying University students. -
John Carpenter Halloween (Original Soundtrack) Mp3, Flac, Wma
John Carpenter Halloween (Original Soundtrack) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Stage & Screen Album: Halloween (Original Soundtrack) Country: Japan Released: 1979 Style: Soundtrack, Score, Experimental, Minimal, Ambient MP3 version RAR size: 1282 mb FLAC version RAR size: 1373 mb WMA version RAR size: 1461 mb Rating: 4.9 Votes: 758 Other Formats: AIFF AAC DTS AHX DMF DXD APE Tracklist A1 Main Theme From "Halloween" A2 Boyfriend And Susan A3 Illinois Smith's Grove A4 Myers' House A5 At School Yard B1 Behind The Bush B2 Row 18 Lot 20 B3 Doctor And Sheriff In The Myer's House B4 Doyle Residence B5 The Night He Came Home B6 End Title Companies, etc. Made By – Nippon Columbia Co., Ltd. Credits Composed By – John Carpenter Performer – Bowling Green Jr. Philharmonic Orchestra Notes Limited pressing with "Spacesizer 360 System Recording". LP housed in poly bag, cover included OBI strip. Includes 4 page insert. Back cover states "Joy Pack Film" presents. Labels states date of August 1979 "℗ '79. 8" Other versions Category Artist Title (Format) Label Category Country Year Halloween (Original John Motion Picture STV 81176 Varèse Sarabande STV 81176 US Unknown Carpenter Soundtrack) (LP, Album, Club) John Halloween (Original VSC-81176 Varèse Sarabande VSC-81176 US 1983 Carpenter Soundtrack) (Cass) Halloween (Original John Motion Picture STV 81176 Varèse Sarabande STV 81176 US 1983 Carpenter Soundtrack) (LP, Album) Halloween (Original John CL 0008 Filmmusik) (LP, Celine Records CL 0008 Germany 1989 Carpenter Album, RE) Halloween (Original John 115980 Soundtrack) (CD, Marketing-Film 115980 Germany 2003 Carpenter Album, Ltd) Comments about Halloween (Original Soundtrack) - John Carpenter Pryl Interesting...I don't think the value of the OG presses will go down though. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
To Download Rupert Christiansen's Interview
Collection title: Behind the scenes: saving and sharing Cambridge Arts Theatre’s Archive Interviewee’s surname: Christiansen Title: Mr Interviewee’s forename(s): Rupert Date(s) of recording, tracks (from-to): 9.12.2019 Location of interview: Cambridge Arts Theatre, Meeting Room Name of interviewer: Dale Copley Type of recorder: Zoom H4N Recording format: WAV Total no. of tracks: 1 Total duration (HH:MM:SS): 00:31:25 Mono/Stereo: Stereo Additional material: None Copyright/Clearance: Assigned to Cambridge Arts Theatre. Interviewer’s comments: None Abstract: Opera critic/writer and Theatre board member, Rupert Christiansen first came the Theatre in 1972. He was a regular audience member whilst a student at Kings College, Cambridge and shares memories of the Theatre in the 1970s. Christiansen’s association was rekindled in the 1990s when he was employed to author a commemorative book about the Theatre. He talks about the research process and reflects on the redevelopment that took place at this time. He concludes by explaining how he came to join the Theatre’s board. Key words: Oxford and Cambridge Shakespeare Company, Elijah Moshinsky, Sir Ian McKellen, Felicity Kendall, Contemporary Dance Theatre, Andrew Blackwood, Judy Birdwood, costume, Emma Thompson, Hugh Laurie, Stephen Fry, Peggy Ashcroft and Alec Guinness, Cambridge Footlights, restaurant, The Greek Play, ETO, Kent Opera and Opera 80, Festival Theatre, Sir Ian McKellen, Eleanor Bron. Picturehouse Cinema, File 00.00 Christiansen introduces himself. His memories of the Theatre range from 1972 to present, he is now on the Theatre’s board of trustees. Christiansen describes his first experience of the Theatre seeing a production of ‘As You Like It’ featuring his school friend Sophie Cox as Celia, by the Oxford and Cambridge Shakespeare Company and directed by Elijah Moshinsky [b. -
Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes. -
AFRICAN SANCTUS Für Sopran, Chor, Instrumentalensemble Und Tonband Yvonne Friedli • Ölberg-Chor • Ingo Schulz Livemitschnitt Vom 19
David Fanshawe (*1942) AFRICAN SANCTUS für Sopran, Chor, Instrumentalensemble und Tonband Yvonne Friedli • Ölberg-Chor • Ingo Schulz www.emmaus.de Livemitschnitt vom 19. u. 20.5.2006, Emmaus-Kirche, Berlin-Kreuzberg „One World, one Music“ David Fanshawe (*1942): African Sanctus für Sopran, Chor, Instrumentalensemble und Tonband David Fanshawe ist Komponist, Forscher, Musikethnologe, Fotograf und Autor. Er hat zahlreiche internationale Auszeichnungen erhalten. Begonnen hat seine Karriere mit der Filmmontage, später dann wandte er sich am Royal College of Music mit John Lambert dem Studium der Komposition zu. 1970 fand er internationale Anerkennung mit Salaams, einem Werk, das auf Rhythmen der Perlenfischer von Bahrain aufbaut. Andere Konzertstücke: Fantasy on Dover Castle, Requiem for the Children of Aberfan, The Awakening, Dona Nobis Pacem. Neben Gesangsstücken hat er auch die Filmmusik für über 30 Filme und TV-Produktionen komponiert. Eine geglückte Mischung aus Musik und Reisen prägt seine sehr eigenen Werke. Seiner 10 Jahre dauernden Odyssee durch die Inseln des Pazifischen Ozeans verdanken wir unzählige Filme, Dias und handgeschriebene Hefte, die uns die Musik und mündlich überlieferten Traditionen Polynesiens, Mikronesiens und Melanesiens vermitteln. Heute lebt er in Wiltshire / Großbritannien................................ African Sanctus ist eine unorthodoxe Fassung der lateinischen Messe, in Einklang gebracht mit traditioneller afrikanischer Musik, die der Komponist auf seinen Nilreisen (1969-1973) aufgenommen hat. David Fanshawe reiste 1960 das erste Mal nach Afrika. Ihn bewegte die Idee, ein großes Werk zu komponieren, das seine Liebe zum Reisen, zum Abenteuer und zur Tonbanddokumentation vereinen sollte..................... In Kairo, auf dem Hügel der Zitadelle stehend und über den Nil blickend, hatte er zum ersten Mal die Vorstellung einer ungewöhnlichen Kombination von westlicher Chormusik mit dem Gebetsruf des islamischen Muezzin. -
This Week's Essential Reading
10 Friday, December 3, 2010 www.thenational.ae The N!tion!l thereview The N!tion!l thereview Friday, December 3, 2010 www.thenational.ae 11 this week’s essential reading ‘From Rising Skirt Lengths to the If ‘mood polarity’ is negative, then markets falter. Horror movies are popular, people buy Collapse of World Powers’ by Michelle drab cars and governments favour protectionist policies. That’s socionomics, so-called } music { Baddeley, Times Higher Education playlist " From Halim El-Dabh to the theremin – a look back into early incarnations of synthesised sound Resonant freq uencies Halim El-Dabh Crossing into the Electric Magnetic Without Fear (2000) The Egyptian composer’s electronic experiments include A new book details the history of the ess, whether that be a composer recordings from the Columbia- writing down notes or a musi- Princeton Electronic Music BBC Radiophonic Workshop and its cian playing them. Few people hear a soaring string quartet and Studios in the 1950s, and boundary-breaking adventures in attribute its power merely to a material made in a Cairo radio maestro’s fleeting moods, or the station 1944, which may be the electronic music, writes Andy Battaglia wood and steel of a violin. But first treated music in history. even fewer of us can hear a work El-Dabh’s curiosity has led him For all the ways they can sound The broadcast in question was an of electronic music and even try along many low-tech paths, too. strange now, it’s hard to imagine experimental spoken-word show to guess at its origins – at its real how alien the earliest electronic called Private Dreams and Public causes and effects. -
Experiments of Transpiration Cooling Inspired Panel Cooling on a Turbine Blade Yielding Film Effectiveness Levels Over 95% †
International Journal of Turbomachinery Propulsion and Power Article Experiments of Transpiration Cooling Inspired Panel Cooling on a Turbine Blade Yielding Film Effectiveness Levels over 95% † Augustin Wambersie 1,*, Holt Wong 1 , Peter Ireland 1 and Ignacio Mayo 2 1 Department of Engineering Science, University of Oxford, Oxford OX1 3PJ, UK; [email protected] (H.W.); [email protected] (P.I.) 2 Rolls-Royce PLC, Derby DE24 8BJ, UK; [email protected] * Correspondence: [email protected] † This paper is an extended version of our meeting paper published in the 14th European Turbomachinery Conference, Gdansk, Poland, 12–16 April 2021. Abstract: Panels were tested at different locations around the turbine blade, on both suction and pressure surfaces. Three different surface porosities were also tested. Results demonstrated that the approach can be very successful with high levels of film cooling effectiveness, exceeding 95%, achieved using low coolant mass flow rates. Increasing the surface porosity also proved to be an important parameter in the panel’s performance. Additionally, staggering the film holes lead to signif- icant positive interactions between individual films, resulting in much improved panel performance. Keywords: transpiration cooling; turbine blade; film cooling; pressure sensitive paint Citation: Wambersie, A.; Wong, H.; Ireland, P.; Mayo, I. Experiments of 1. Introduction Transpiration Cooling Inspired Panel The need to design turbine blades able to endure the ever increasing temperatures Cooling on a Turbine Blade Yielding found in the next generation of turbine engines has long motivated continuous improve- Film Effectiveness Levels over 95% . ment in cooling and material technology. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.