DOCSLIB.ORG

The City of Prague Philharmonic Orchestra and Chorus

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The City of Prague Philharmonic Orchestra and Chorus WINTER 2017 - SPRING 2018 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE * PHILIP GLASS * BEAR McCREARY * JOE HISAISHI In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India PRAGUE HAS BECOME THE CENTRE OF WORLDWIDE SCORING AND ORCHESTRAL RECORDINGS BECAUSE BEING 100% TOTAL BUYOUT ON ALL RECORDINGS AND THE QUALITY OF FINE MUSICIANS AND RECORDING FACILITIES TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years. I can always depend on a great band and a flawless experience.” – Oscar Winning Composer MYCHAEL DANNA “It is always a rewarding experience working with James and Tadlow Music. I have done dozens of sessions with James , and we get a great sound from Adam Klemens and The City of Prague Philharmonic Orchestra” – Composer JEFF DANNA “When I need a perfect score, I record with Tadlow Music. The orchestra is incredibly proficient, and I have always been able to give my producers and directors much more than they could have hoped for!” – Composer CHARLES DENLER WORLD PREMIERE RECORDING OF THE COMPLETE FILM SCORE THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA & CHORUS Conducted by Nic Raine Composed by DIMITRI TIOMKIN Tadlow Music Newslettter Winter 2017 - Spring 2018 DIEGO, NORA & LIONEL MYCHAEL DANNA FILM, TV & VIDEO VINCENT BALDENWEG THE LAST TYCOON DIE KLEINE HEXE (THE LITTLE Pilot Film and Series GAME SCORES WITCH) Recent Film, TV and Video Game scores recorded with the City of Prague Philharmonic Orchestra include: DAN BABOULENE EATEN BY LIONS VOLKER BERTELMANN & DUSTIN O’HALLORAN THE CURRENT WAR BURKHARD DALLWITZ THE LONGEST SHOT MYCHAEL & JEFF DANNA THE BREADWINNER LEO BANG THE BATTLESHIP ISLAND (Gun- Ham-Do) MARK D’ANGELO THE SCHOOL Tadlow Music Newslettter Winter 2017 - Spring 2018 BEN& NICK FOSTER JOSEPH METCALFE / GRANT BEAR McCREARY THUNDERBIRDS ARE GO SERIES 1,2 KIRKHOPE / JOHN CODA HAPPY DEATH DAY & 3 THE KING’S DAUGHTER ROBIN HOFFMANN HERO PANTAWIT KIANGSIRI THE ARCTIC BEN FOSTER GOOD KARMA HOSPITAL SERIES 1 & 2 GRANT KIRKHOPE MARIO + RABBIDS : KINGDOM BATTLE GOD OF WAR OUR GIRL SERIES 2 & 3 SANDY LAVALLART LE MARIONNETTISTE PHILIP GLASS JANE IAN LIVINGSTONE SPELLSOULS: DUEL OF LEGEND GUY MICHELMORE ROBOZUNA CHI-YI LO TREACHEROUS WATERS Tadlow Music Newslettter Winter 2017 - Spring 2018 ROMAIN PAILLOT HOWARD SHORE ALEXANDRE DESPLAT ASSASSINS CREED: ORGINS THE CATCHER WAS A SPY MARSEILLES – TV Series 1 & 2 ANDREW PEARCE YVES ROCHER TODAY DANIEL PEMBERTON MOLLY’S GAME BEAR McCREARY GOD OF WAR OUTLANDER DAMIEN THE FOREST VICTOR REYES PERFECTOS DESCONOCIDO HEITOR PEREIRA THE NUT JOB 2 : NUTTY BY NATURE ALEJANDRO RAMIREZ ROJAS EL NINO DE LOS MANDADOS (THE ERRANT BOY) DANIEL PEMBERTON BLACK MIRROR : USS CALLISTER KEVIN KINER STAR WARS REBELS EL PADRE, EL HIJO EL ESPIRITU SANTO (THE FATHER,SON AND THE HOLY SPIRIT) INON ZUR Video Game Scores DURANGOSYBERIA III SWORD COAST LEGENDS STONES OF THE GRAY Tadlow Music Newslettter Winter 2017 - Spring 2018 ROMAIN PAILLOT NATHANIEL MECHALY CARLA CRYSTAL INFERNO STRATTON AJMAL SHI PRODUCED BY LOU SALLOUM DEAF HAVANA Strings for New CD FORTE DI QUATTRO NEW CD Produced by JI SOO LEE JASON MANFORD A DIFFERENT STAGE Produced by JULIETTE POCHIN and JAMES MORGAN MIDNIGHT SUN HEXANY AUDIO / MATTHEW CARL EARL MOONLIGHT BLADE – Video Game MELTED SPACE DARKENING LIGHT SHAWN CHOI, YONGBUM LEE, Produced by PIERRE LE PAPE HYUNSIK YOO, HANJUNG OH MASTERS OF TITAN ALBUM RECORDING THOMAS SPENCER THE JOURNEY MICHAEL JENNINGS Artists and Producers who Produced by HUMBERTO GATICA THE FIVE (Sky TV) recorded recent CDs in Prague & OLIVER SPENCER-WORTLEY include: GARYBARLOW THE GIRLS – MUSICAL ALEXANDER ARMSTRONG IN A WINTER LIGHT Produced by JULIETTE POCHIN and JAMES MORGAN Tadlow Music Newslettter Winter 2017 - Spring 2018 JOSH PITERMAN VERA LYNN MARGARET KEYS NEW CD VERA LYNN 100 JAMES FITZPAYRICK The CoPPO Conducted by PAUL JAMES MORGAN & JULIETTE NEW CD BATEMAN POCHIN Produced by JOHN FOREMAN MIGUEL PADILLA NOEL A PRAGUE The CoPPO Conducted by MICHEL F. APRIL PAUL POTTS ON STAGE Produced by JAMES FITZPATRICK RAMI MY JOURNEY JOANNE McGAHON JAMES MORGAN & JULIETTE JAMES FITZPATRICK POCHIN NEW CD DANTE SPINETTA Puñal Produced by RAFAEL ARCAUTE THE TEN TENORS THE PENGUIN CAFÉ ORCHESTRA WISH YOU WERE HERE THE IMPERFECT SEA JOE STILGOE STEVEN BAKER NEW CD Produced by JAMES McMILLAN CHARLES SYDNOR POEMS FOR ORCHESTRA The CoPPO Conducted by CHARLES SYDNOR MICHELE TRENTI SYMPHONY no 2 Composed and Conducted by EXTREME TANGOS MICHELE TRENTI Concertos Composed by CARLOS FRANZETTI, DANIEL BINELLI and EMILIO KAUDERER Produced by JAMES FITZPATRICK for TED VIVIANI Tadlow Music Newslettter Winter 2017 - Spring 2018 CARLOS FRANZETTI and ALISON CHRISTINA JOHNSTON BREWSTER FRANZETTI JAMES FITZPATRICK LUMINOSA BLESSING Produced by JAMES CLASSICS FITZPATRICK for Sunnyside Records New recordings of classic film music include: THE ESSENTIAL FILM MUSIC OF THOMAS NEWMAN The CoPPO Conducted by EVAN ChristinaJohnston JOLLY BLESSING Produced for Silva Screen Records by RICK CLARK & JAMES FITZPATRICK THE ILLUSIONISTS EVAN JOLLY ANDREW SKEET Track for CD “REMEMBER US TO LIFE” by REGINA SPEKTOR RECORD LABELS Record labels include: SILVA SCREEN RECORDS Now well into his fourth decade as a film composer, Thomas SONY CLASSICAL Newman is rightly considered one of the most distinctive voices BMG CLASSICS in film music. From the outset UNIVERSAL CLASSICS AND JAZZ he forged his own stylistic path, one of abstract soundscapes, EMI precise emotional textures and graceful harmonies. It’s a PROMETHEUS RECORDS palette the composer has stuck DECCA with throughout his career, and while some of his tools might AMAPOLA have necessarily moved with BOB BARRETT the times, Thomas Newman has SUNNYSIDE remained true to himself as an FROZEN : THE SING-A-LONG WARNER CLASSICS artist. A modern master who has ALBUM FOR DISNEY created a signature sound that MOANA: THE SING-A-LONG TADLOW CLASSICS has endured for over thirty years. ALBUM FOR DISNEY Amorphous, organic, and multi- dimensional and, despite the BEAUTY AND THE BEAST : THE years, it remains as fresh today SING-A-LONG ALBUM FOR DISNEY as it ever did. This collection of new recordings by The City Of Prague Philharmonic Orchestra brings together in a 2CD set the very best themes from the accomplished composer. 29 Tracks Incl SPECTRE, BRIDGE OF SPIES, SAVING MR.BANKS, THE GOOD GERMAN, ROAD TO PERDITION, THE GREEN MILE, AMERICAN BEAUTY, MEET JOE BLACK, THE SHAWSHANK REDEMPTION Tadlow Music Newslettter Winter 2017 - Spring 2018 THRILLER GAME OF THRONES BEN-HUR JERRY GOLDSMITH THE MUSIC OF RAMIN DJAWADI MIKLOS ROZSA World Premiere Recording of The City of Prague Philharmonic Premiere Digital Recording of Goldsmith’s remarkable music Orchestra and Chorus the Complete 156 minute Score for the cult 1960’s TV series Conducted by Evan Jolly, for the 1959 Classic starring hosted by Boris Karloff. Produced by Rick Clark and Charlton Heston and directed “Simply a Brilliant and Superb “fixed” by James Fitzpatrick by William Wyler. Not only one of Presentation of perhaps perform all new symphonic the greatest of all films, winner of Goldsmith’s most creatively arrangements of the haunting 11 Oscars, but certainly one of innovative and richly engaging music from the now Classic TV the finest of all film scores from music, spanning his amazing series. Released by Silva Screen the composer of EL CID, KING career! Truly. Just magnificent” Records OF KINGS, SPELLBOUND, SODOM Produced by James Fitzpatrick & & GOMORRAH, TIME AFTER TIME, Leigh Phillips for Tadlow Music THE PRIVATE LIFE OF SHERLOCK HOLMES, THE THIEF OF BAGDAD. And certainly the most ambitious (and expensive) recording ever undertaken by Tadlow Music including 10 orchestral sessions with 96 piece orchestra, plus additional sessions for brass marches and fanfares, and ethnic music cues plus choir sessions. The City of Prague Philharmonic Orchestra and Chorus, at their finest, conducted by Nic Raine. Score reconstructed by Leigh Phillips. Produced by James Fitzpatrick DeMILLE : AMERICAN EPIC for Tadlow Music. Autumn 2017 DUEL IN THE SUN Limited Edition Release of release. DIMTRI TIOMKIN the Score from the Photoplay Productions Documentary World Premiere Recording of the of 2004 about the Golden Score
Load more

Recommended publications
  • Closing Credits
    CLOSING CREDITS The Tennessee Arts Academy gratefully acknowledges the generous support of the following individuals, businesses, and organizations whose contributions have helped make the 2011 Academy possible. MAJOR FUNDING SUPPORT ADVERTISERS Tennessee Department of Education Beacon Financial Group, LLC Tennessee Arts Commission Center of Excellence for the Creative Arts Tennessee Arts Academy Foundation at Austin Peay State University Belmont University Crystal Productions Earl Swensson Associates, Inc. MAJOR SPONSORSHIP SUPPORT Eldridge Plays & Musicals Delores Kinsolving Frist Center for the Visual Arts Milton T. Schaeffer Memphis College of Art Pat and Thane Smith Memphis Music Foundation Mid South Business Furniture, Inc. Nashville Symphony BREAK SPONSORS Scott Schrecker Photography Belmont University College of Visual and Performing Arts Steinway Piano Gallery of Nashville Cumberland University School of Music and Art Tennesseans For The Arts Macmillan/McGraw-Hill Tennessee Art Education Association Mayfield Dairy Farms Tennessee Arts Academy Foundation Tennessee Educational Theatre Association Tennessee Music Education Association Theatrical Rights Worldwide Tennessee Shakespeare Company Thomas Tours Vanderbilt University Blair School of Music QuaverMusic.com Watkins College of Art, Design & Film Yamaha Corporation of America GOODS AND SERVICES Alliance Music Publications TENNESSEE ARTS ACADEMY PROGRAM BOOK Barfield Elementary School (Rutherford County) Graphic Designer: Ron Watson Hinshaw Music Photographer: Michael Krouskop ImageQuest Proofreaders: Lori Anne Parker, Susan Ramsay MorningStar Music Publishers Printer: Douglas Printing, Inc. ORNL Federal Credit Union Production Coordinator: Frank Bluestein Jack Parnell Peripole Bergerault Pilot Oil SunTrust Bank Tennessee Art Education Association A Program of the Tennessee Department of Education Additional support for the Tennessee Arts Academy is provided by the Tennessee Arts Commission, the Tennessee Arts Academy Foundation, and Belmont University.
    [Show full text]
  • All the Feff Stars 2017
    ALL THE FEFF STARS 2018 Brigitte LIN Ching Hsia, actress, Outside the Window, Cloud of Romance, Red Dust, Dragon Inn, Bride with White Hair, Chungking Express *Golden Mulberry for Lifetime Achievement Award CHINA DING Sheng, director, A Better Tomorrow 2018 ZHANG LinZi, director, Transcendent LIANG Shuang, sound designer, Transcendent FENG Jian, line producer, Transcendent CUI Hongtao, project-in-charge, Transcendent XIN Yukun, director, Wrath of Silence SUN Pei , DJ Pei HONG KONG Nansun SHI, producer Kim ROBINSON, hair-stylist and artist Chapman TO, director, The Empty Hands John SHAM, producer, My Heart is That Eternal Rose Derek CHIU, director, No. 1 Chung Ying Street Johnnie TO, director, producer, Throw Down YEH Ka-lun, director, Fresh Wave: Bright Spring Days HO Chung-ken, director, Fresh Wave: Fires LAM Hei-chun, director, Fresh Wave: Goodbye INDONESIA Arya VASCO, actor, My Generation George TIMOTHY, co-producer, My Generation Emil HERALDI, director, Night Bus JAPAN HIROKI Ryuichi, director, Side Job. TODA Akihiro, director, The Name YOSHIDA Daihachi, director, The Scythian Lamb OOKU Akiko, director, Tremble All You Want UEDA Shinichiro, director, One Cut of the Dead ICHIHASHI Koji, producer, One Cut of the Dead ICHIHARA Hiroshi, actor, One Cut of the Dead OSAWA Sinichiro, actor, One Cut of the Dead SHUHAMA Harumi, actress, One Cut of the Dead TAKEHARA Yoshiko, actress, One Cut of the Dead YOSHIDA Miki, actress, One Cut of the Dead Adam TOREL, representative, One Cut of the Dead TAKAMIYA Eitetsu, DJ THE PHILIPPINES Rae RED, director,
    [Show full text]
  • Korean Webtoons' Transmedia Storytelling
    International Journal of Communication 13(2019), 2094–2115 1932–8036/20190005 Snack Culture’s Dream of Big-Screen Culture: Korean Webtoons’ Transmedia Storytelling DAL YONG JIN1 Simon Fraser University, Canada The sociocultural reasons for the growth of webtoons as snack culture and snack culture’s influence in big-screen culture have received little scholarly attention. By employing media convergence supported by transmedia storytelling as a theoretical framework alongside historical and textual analyses, this article historicizes the emergence of snack culture. It divides the evolution of snack culture—in particular, webtoon culture—to big-screen culture into three periods according to the surrounding new media ecology. Then it examines the ways in which webtoons have become a resource for transmedia storytelling. Finally, it addresses the reasons why small snack culture becomes big-screen culture with the case of Along With the Gods: The Two Worlds, which has transformed from a popular webtoon to a successful big-screen movie. Keywords: snack culture, webtoon, transmedia storytelling, big-screen culture, media convergence Snack culture—the habit of consuming information and cultural resources quickly rather than engaging at a deeper level—is becoming representative of the Korean cultural scene. It is easy to find Koreans reading news articles or watching films or dramas on their smartphones on a subway. To cater to this increasing number of mobile users whose tastes are changing, web-based cultural content is churning out diverse subgenres from conventional formats of movies, dramas, cartoons, and novels (Chung, 2014, para. 1). The term snack culture was coined by Wired in 2007 to explain a modern tendency to look for convenient culture that is indulged in within a short duration of time, similar to how people eat snacks such as cookies within a few minutes.
    [Show full text]
  • Beyond the Machine Photo by Claudio Papapietro
    Beyond The Machine Photo by Claudio Papapietro Juilliard Scholarship Fund The Juilliard School is the vibrant home to more than 800 dancers, actors, and musicians, over 90 percent of whom are eligible for financial aid. With your help, we can offer the scholarship support that makes a world of difference—to them and to the global future of dance, drama, and music. Behind every Juilliard artist is all of Juilliard—including you. For more information please contact Tori Brand at (212) 799-5000, ext. 692, or [email protected]. Give online at giving.juilliard.edu/scholarship. The Juilliard School presents Center for Innovation in the Arts Edward Bilous, Founding Director Beyond the Machine 19.1 InterArts Workshop March 26 and 27, 2019, 7:30pm (Juilliard community only) March 28, 2019, 7pm Conversation with the artists, hosted by William F. Baker 7:30pm Performance Rosemary and Meredith Willson Theater The Man Who Loved the World Treyden Chiaravalloti, Director Eric Swanson, Actor John-Henry Crawford, Composer On film: Jared Brown, Dancer Sean Lammer, Dancer Barry Gans, Dancer Dylan Cory, Dancer Julian Elia, Dancer Javon Jones, Dancer Nicolas Noguera, Dancer Canaries Natasha Warner, Writer, Director, and Choreographer Pablo O'Connell, Composer Esmé Boyce, Choreographer Jasminn Johnson, Actor Gwendolyn Ellis, Actor Victoria Pollack, Actor Jessica Savage, Actor Phoebe Dunn, Actor David Rosenberg, Actor Intermission (Program continues) Please make certain that all electronic devices are turned off during the performance. The taking of photographs
    [Show full text]
  • Film Theme Music Calendar for May 2020
    ListeningMA CalendarY 2020 May 2020 SUN MON TUE WED THU FRI SAT A Gift of a Thistle Anakin's Theme 1 From Braveheart 2 from By John by James Horner Williams Elevator to the Interstellar Main Theme from Schindler's List The Heart Asks The Mask of Kiss the Girl 3 Gallows by Miles 4 Theme by Hans 5 James Bond by 6 by John Williams 7 Pleasure From 8 Zorro by James 9 from The Little Davis Zimmer David Arnold The Piano by Horner Mermaid by Michael Nyman Samuel Wright Hymn to the Fallen Married Life Apollo 13 by Gabriel's Oboe Thor: The Dark Friend Like Me Jake's First Flight From from Saving Private from Up by James Horner from The Mission World from from Aladdin by 10 Ryan by John 11 12 13 14 15 16 Avatar by Michael by Enrico Thor by Brian Alan Menken Williams James Horner Giacchino Morricone Tyler Theme from The Shallow from A Main Theme from Moon River from Axel Foley from Feather Theme Black Hills of Godfather by Star is Born by The Man From Breakfast at Beverly Hills Cop from Forrest Dakota from 17 18 19 20 Tiffany's by 21 by Harold 22 23 Nino Rota Lady Gaga Snowy River by Gump by Alan Calamity Jame by Henry Mancini Faltermeyer Bruce Rowland Silvestri from Sammy Fain Somewhere over Ben Hur by The Hanging Tree Welcome to The Exorcist Psycho by The Lonley the Rainbow from Miklos Rozsa from The Hunger Jurrasic Park by Theme by Mike Shepherd from Kill 24 25 26 27 The Wizard of Oz 28 29 Bernard 30 Games by James John Williams Bill by Gheorghe by Harold Arlen Oldfield Herrmann Newton Howard Zamfir End Theme from Dances with 31 Wolves by John Barry Holidays and Observances: 5: Cinco de Mayo, 10: Mother's Day, 25: Memorial Day www.wiki-calendar.com.
    [Show full text]
  • Why Hollywood Isn't As Liberal As We Think and Why It Matters
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically.
    [Show full text]
  • To Rock Or Not Torock?
    v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay.
    [Show full text]
  • J Contentree (036420 KQ ) Growth to Shift from Multiplex to Broadcasting
    J Contentree (036420 KQ ) Growth to shift from multiplex to broadcasting Raise TP to W5,800; Focus on broadcasting potential We keep our Buy rating on J Contentree and raise our target price to W5,800 from W5,000 <Table 3>. We believe the strong potential of the broadcasting business’s intellectual property (IP) investments deserves greater attention than the weakness Media of the multiplex business. We value the multiplex business conservatively at around W330bn (aggregate), Company Update which we believe fully reflects the impact of stiffening competition and delays in operational normalization. Given that Megabox was valued at roughly W560bn just July 24, 2017 three months ago in Korea Multiplex Investment Corporation’s (KMIC) stake sale , we see limited downside to our valuation. On the other hand, we believe the broadcasting busines s, including IP investments, has strong room for growth. We see a clear path for quantitative growth, driven by: (Maintain) Buy 1) increasing content production/distribution income due to more drama programming at JTBC, and 2) expansion into other broadcasting channels and Target Price (12M, W) 5,800 platforms (OTT, etc.). We are also positive on content quality . The company has produced a string of hit dramas following the series Strong Woman Do Bong-soon (its first IP investment project). In 2017, the company’s highest drama viewership Share Price (07/21/17, W) 4,040 rate was 4%p higher than the 2016 level <Figure 4>. We see upside risks to our target P/E of 13.5x for the broadcasting business. Earnings growth should gain Expected Return 44% steam in the coming quarters, supporting multiple expansion.
    [Show full text]
  • The Film Music Label Partners with the Golden State Pops Orchestra for Another 'Music of the 'Star Wars' Universe' Concert
    7:20 PM PDT 6/19/2013 by Austin Siegemund-Broka The Golden State Pops Orchestra The film music label partners with the Golden State Pops Orchestra for another 'Music of the 'Star Wars' Universe' concert. Film music label Varèse Sarabande Records is celebrating its 35th anniversary at home and abroad. The Golden State Pops Orchestra’s June 15 concert Music of the 'Star Wars' Universe commemorated the milestone with a performance of Joel McNeely’s score, released on Varèse, for the 1996 multimedia project Star Wars: Shadows of the Empire, alongside pieces from John Williams’ iconic Star Wars film scores -- not released on Varèse, though the label has distributed other orchestras’ renditions of Williams’ Star Wars compositions. Hans Zimmer, Danny Elfman, Michael Giacchino, John Powell and other guest composers came out for the GSPO’s previous concert, a Varèse Sarabande 35th anniversary revue on May 11. Varèse executive producer Robert Townson, who hosted the revue, says he opted to work with the GSPO to bring Varèse’s anniversary festivities back to the label’s Los Angeles roots. “I sent an email to the conductor and said, ‘we’d like to do something locally. To be honest, your orchestra came to mind because of the attitude and the degree to which you’re making a point of celebrating the aspects of film music I really appreciate, the artistry,’” Townson says. Two more concerts will partner the GSPO with Varèse: the orchestra’s annual Halloween and winter holiday performances, held October 19 and December 21. Plans for a single revue concert grew into a yearlong Varèse celebration when GSPO conductor Steven Allen Fox realized how much Varèse-released music was already on the GSPO season’s programs.
    [Show full text]
  • Christopher Gunning
    Christopher Gunning Symphonies Nos 3 and 4 • Oboe Concerto premiere recordings Verity Gunning oboe Royal Philharmonic Orchestra Christopher Gunning CHAN 10525 Michael Grey Christopher Gunning (b. 1944) premiere recordings Symphony No. 3 (2005) 22:54 in one movement 1 Part 1. = 80 – 4:49 2 Part 2. q = 110 – 1:39 3 Part 3. q = 120 – 6:07 4 Part 4. q = 60 – 4:33 5 Part 5. q = 136 5:45 q Concerto for Oboe and String Orchestra (2004)* 19:45 6 1 Allegro 7:47 7 2 Lento 6:32 8 3 Vivo 5:18 Christopher Gunning 3 Gunning: Symphonies Nos 3 and 4/Oboe Concerto Symphony No. 3 I could, while at the same time continuing 2005 was a turbulent year for me. My a fascination I have for single-movement wife was hospitalised in Ukraine with an pieces which subdivide into various Symphony No. 4 (2007) 23:55 apparently incurable medical problem and I contrasting but related sections. in one movement was diagnosed with a heart condition that, The result is that all the material in this 9 Part 1. = 60 – 4:58 were it not for recent advances in medicine, symphony is derived from the dissonant might have been fatal. It was against this chords at the beginning, and I became 10 Part 2. q = 100 – 4:47 troubled scenario that I embarked on my Third obsessed with them. In fact, I think the 11 Part 3. q = 112 – 3:28 Symphony and, looking back, I recognise music has an obsessive quality throughout, 12 Part 4.
    [Show full text]
  • Danny Boyle Himesh Patel, Lily James
    UNIVERSAL PICTURES présente En association avec PERFECT WORLD PICTURES Une production WORKING TITLE Un fi lm de DANNY BOYLE HIMESH PATEL, LILY JAMES, avec ED SHEERAN et KATE MCKINNON Producteurs délégués NICK ANGEL, LEE BRAZIER, LIZA CHASIN Produit par, TIM BEVAN, ERIC FELLNER, MATTHEW JAMES WILKINSON, BERNARD BELLEW, RICHARD CURTIS, DANNY BOYLE Sur une idée originale de JACK BARTH et RICHARD CURTIS Scénario RICHARD CURTIS SORTIE : 3 JUILLET Durée 1h56 Matériel disponible sur www.upimedia.com Yesterday-lefi lm.com @Yesterday.lefi lm @UniversalFR #Yesterday DISTRIBUTION PRESSE Universal Pictures International Sylvie FORESTIER 21, rue François 1er Giulia GIÉ 75008 Paris assistées de Sophie GRECH Tél. : 01 40 69 66 56 www.universalpictures.fr SYNOPSIS Hier tout le monde connaissait les Beatles, mais aujourd’hui seul Jack se souvient de leurs chansons. Il est sur le point de devenir extrêmement célèbre. Jack Malik (Himesh Patel) est un auteur-compositeur interprète en galère, dont les rêves sont en train de sombrer dans la mer qui borde le petit village où il habite en Angleterre, en dépit des encouragements d’Ellie (Lily James), sa meilleure amie d’enfance qui n’a jamais cessé de croire en lui. Après un accident avec un bus pendant une étrange panne d’électricité, Jack se réveille dans un monde où il découvre que les Beatles n’ont jamais existé… ce qui va le mettre face à un sérieux cas de conscience. Poussé par Debra (Kate McKinnon) son agent américain et secondé de son ami Rocky (Joel Fry), roadie improvisé sur le tas, aussi adorable qu’imprévisible, la popularité du jeune homme va vite exploser quand il se met à chanter les titres du groupe le plus connu du monde à un public qui ne les a jamais entendus.
    [Show full text]
  • Emiered a Song Which Was the Last Song to Be Composed by John – ‘Tick the Days Off One by One’
    JOHN BARRY MEMORIAL CONCERT – ROYAL ALBERT HALL – MONDAY 20 TH JUNE 2011 Tickets for this concert had virtually sold out the day they went on sale apart from the odd seat; and from day one the guest list got longer and longer. With so many people being involved in Barry’s long and illustrious career it was great to see some of these coming forward to make their tributes on the night. After a brief warm-up from the orchestra Sir Michael Parkinson came on stage to introduce us to the man he had known since he was a Granada TV presenter in Manchester in the early 60s - where the John Barry Seven were guests on his show. He said ‘his output was monumental both in quantity and in quality’ and described John as ‘a great man of music’ and someone who had ‘an intuitive understanding of how to create the perfect union of music and the moving image’. Many images of John were projected onto a large screen throughout the evening, interspersed with footage and interviews from the BBC Omnibus programme from 2000 (‘John Barry – Licence To Thrill’) and ‘Moviola’ a PBS TV Special from 1993. Michael introduced us to John’s son Jonpatrick who only had a few, but very charming, words to say: ‘Welcome to my father’s memorial. I’d like to introduce our conductor Nicholas Dodd. Have a wonderful night’. This was the first time I had seen Jonpatrick in person since the comeback concert in 1998 and I was amazed at how tall he now was.
    [Show full text]