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An Actor's Life and Backstage Strife During WWII
Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful. -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
ANNUAL REPORT of the UNIVERSITY Docx
ANNUAL REPORT OF THE UNIVERSITY THEATRE SYNDICATE, 2008 – 9 This year, as well as being one of celebration for the University, was also a year of celebration for the ADC Theatre, as it reflected on the completion of many long-term objectives. October 2008 saw the completion of the redevelopment that had started in 2003 and the beginning of a new set of opportunities for the Theatre. The last phase of the building work included the rebuilding of the workshop and dressing rooms, and the creation of a rehearsal and performance studio (The Larkum Studio, named for former Sidney Sussex Bursar and Chairman of the ADC Theatre Executive Committee Charles Larkum). It also saw the installation of a platform lift which allows disabled access to the stage area for the first time in the theatre’s history. The changes were evidently popular with the theatre’s audience, with audience figures breaking the momentous 50,000 mark for the first time in the theatre’s history, as it welcomed 53,000 visitors over 353 performances. Programme Review The Autumn season once again opened with a production from the Cambridge University American Stage Tour: Henry V , which claimed an unprecedented six stars from Varsity. Also back from tour was the Edinburgh sell-out, Devils , written and performed by the Cambridge Footlights. The redeveloped building was re-opened to a selection of alumni and current students with a performance of an exciting new musical written by Cambridge students called Hero , which had also enjoyed a successful run at the Edinburgh Festival. The gala evening was attended by Sir Peter Hall (guest of honour) and Sir Trevor Nunn, and a number of volunteers involved in the building project were invited. -
The Force That Can Be Explained Is Not the True Force
100 / DIALOGUE: A Journal of Mormon Thought cipal issue, there are choices to be below; a fellow bird whom you made between better and worse, can look after and find bugs and bad and better, good and good. seeds for; one who will patch your bruises and straighten your ruffled The truest vision of life I know is that bird in the Venerable Bede feathers and mourn over your that flutters from the dark into a hurts when you accidently fly into lighted hall, and after a while flut- something you can't handle. ters out again into the dark. But Ruth [his wife] is right. It is some- If one can overlook the sexism im- thing—it can be everything—to plicit in this idea, The Spectator Bird is have found a fellow bird with a comforting book in that it reaffirms an whom you can sit among the raf- idea which is the basis for faith: that in ters while the drinking, boating, the end, the best in life will not be at the and reciting and fighting go on mercy of the worst. The Force That Can Be Explained Is Not the True Force BENJAMIN URRUTIA Star Wars; from the Adventures of nemesis, Darth Vader, he bears exactly Luke Skywalker. George Lucas. New the same title, "Dark Lord", as the un- York: Ballantine Books, 1976. 220 pp., seen villain of The Lord of the Rings. $1.95 Tolkien's friend and colleague, C. S. Star Wars. Starring Mark Hamill, Lewis, probably deserves some credit Harrison Ford, Carrie Fisher, Peter Cush- also. -
PLANNING COMMITTEE 10 January 2018 Application Number 17/1541
PLANNING COMMITTEE 10th January 2018 Application 17/1541/FUL Agenda Number Item Date Received 5th October 2017 Officer Michael Hammond Target Date 4th January 2018 Ward Market Site Cambridge Union Society 9A Bridge Street Cambridge CB2 1UB Proposal Demolition of ancillary buildings and removal of 1930's facade at the Grade II listed Cambridge Union Society. Construction of replacement facade, reinstatement and refurbishment of historic features and internal and external access and refurbishment works including enlargement of existing cafe (Use Class A3) and reopening of 'footlight's' entertainment space (sui generis). Demolition of squash courts and un-listed 3-5 Round Church Street in the conservation area. Construction of new link building for access and ancillary uses for the Union Society. Construction of adjacent new building with ground floor restaurant (Use Class A3) with 45 room post-graduate student accommodation above (Use Class C2) together with basement storage and services. Applicant Cambridge Union Society and Trinity College SUMMARY The development accords with the Development Plan for the following reasons: The principle of demolition and development has been established under the previously permitted application (16/0673/FUL). In comparison with the previously permitted plans (16/0673/FUL) the proposal is not considered to exacerbate the level of harm caused to heritage assets. The proposed changes compared to the previously approved development would not impact on the accessibility of the building. RECOMMENDATION APPROVAL 1.0 SITE DESCRIPTION/AREA CONTEXT 1.1 The Cambridge Union Society is located in the historic core of the City Centre. It occupies a large site on the south-west corner of Park Street and Round Church Street. -
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
Aaa Worldwise
AAA FALL 2017 WORLDWISE Route 66 Revival p. 32 Dressing for Access p. 38 South Africa: A Tale of Two Cities p. 48 TWO OF A KIND: THE ORIGINAL COLLEGE TOWNS Cambridge MASSACHUSETTS Just north of Boston and home to Harvard University and the Massachusetts Institute of Technology, this city oozes intellectualism and college spirit. COURTESY OF HARVARD UNIVERSITY HARVARD OF COURTESY Harvard and the Charles River STAY SEE When celebs come to Harvard, they’re put up at Harvard University’s three venerable art the AAA Four Diamond Charles Hotel. Just museums were brought under one roof in minutes from Harvard Yard, The Charles has a 2014 and collectively dubbed the Harvard well-stocked in-house library and one of the best Art Museums. Their collections include some breakfasts in town at Henrietta’s Table. The 250,000 art works dating from ancient times to 31-room luxury Hotel Veritas—described by the present and spanning the globe. The MIT a GQ magazine review as “a classic Victorian Museum, not surprisingly, focuses on science and mansion that went to Art Deco finishing technology. It includes the Polaroid Historical school”—boasts 24-hour concierge service Collection of cameras and photographs, the COURTESY OF HOTEL VERITAS HOTEL OF COURTESY and a location in Harvard Square. Those who MIT Robotics Collection and the world’s Hotel Veritas prefer to bed down near the Massachusetts most comprehensive holography collection. Institute of Technology (MIT) should check in Beyond the universities, visit the Longfellow at The Kendall Hotel, which brings boutique House–Washington’s Headquarters, the accommodations to a converted 19th-century preserved, furnished home of 19th-century poet firehouse. -
Philipp Blaubach BSC Director of Photography
Philipp Blaubach BSC Director Of Photography Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Television Production Company Notes BRIDGERTON Shondaland / Netflix Dir: Sheree Folkson, Alrick Riley 2020 DAS BOOT II Sky / Sonar Entertainment / Dir: Rick Ostermann Episodes 5 - 8 Stillking Films / Bavaria Fiction 2019 COUNTERPART 2 Fireglory Pictures / Anonymous Dir: Charles Martin 2018 Content / Gilbert Films / Studio Babelsberg WHEN BOWIE MET BOLAN Sky Arts Dir: Jim O'Hanlon 2017 GUNPOWDER Kudos Dir: J Blakeson 2017 Producer: Laurie Borg United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE NIGHT MANAGER (2nd BBC / Ink Factory Dir: Susanne Bier Unit - Morocco) Featuring Tom Hiddleston and Hugh Laurie 2016 HOUDINI AND DOYLE Big Talk Productions / ITV Dir: Stephen Hopkins, Daniel 2015 O'Hara, David Shore WHAT OUR FATHERS DID: A Wildgaze Films / Oscilloscope Dir: David Evans NAZI LEGACY (doc) Tribeca Film Festival 2015 Premiere Official Selection, London Film Festival Winner, Best Film, Jerusalem Film Festival MR STINK BBC Dir: Declan Lowney 90 Minute Film 2012 THE TUNNEL Kudos Dir: Philip Martin (Episode 7) 2013 WHATEVER HAPPENED TO C4 / Lucky Features Ltd Dir: Harry Hill HARRY HILL? Producer: Adrian Sturges 2012 ALIVE, ALONE Ruby Films Dir: Khurram Longi TEASER FILM Producer: Laura Hastings-Smith 2012 WHAT IF? Vertigo Films Dir: Max & Dania -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Flf~S~ THESIS COMMITTEE CHAIR SIGNATURE DATE
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATURE PAGE THESIS SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERATURE AND WRITING STUDIES THESIS TITLE: Queer Narrative Prosthesis: Disability and Sexuality in Richard III and House M.D. AUTHOR: Gina M Altavilla DATE OF SUCCESSFUL DEFENSE: November 30,2010 THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. II-fO-If) Martha Stoddard-Holmes, PhD flf~S~ THESIS COMMITTEE CHAIR SIGNATURE DATE Dawn Formo, PhD ~. 1- ~~-to-tU THESIS COMMITTEE MEMBER ~ DATE Aneil Rallin, PhD ~t.~ ~\\l't-l n. 30, ~O THESIS COMMITTEE MEMBER SIGNATURE DATE In order to critically rethink overlapping theoretical frameworks for considering identity, embodiment and "normalcy" offered by Disability Studies and Queer Studies, this paper explores the relationship and dissonance of both through the medium of popular culture. In an overarching sense, I am informed by scholars like Lennard Davis and Eve Kosofsky Sedgwick. According to Davis in Bending Over Backwards, the focus of Disability Studies is to re-imagine the body from the "ideology of normalcy" to a "vision of the body as changeable, unperfectable, unruly, and untidy" (39).1 In a similar drive to question normalcy, according to Kosofsky Sedgwick in Tendencies, Queer Studies is an antihomophobic inquiry that examines sexuality and gender as unstable categories that "aren't made (or can't be made) to signify monolithically"(8). These fields share the practice of interrogating identities that are written on the body through cultural inscriptions of "normalcy." In a culture mediated by film, television and print media, I seek to understand how stereotypical notions of sexuality as "straight/normal" and "gay/abnormal" are perpetuated, and likewise, . -
“Revenge in Shakespeare's Plays”
“REVENGE IN SHAKESPEARE’S PLAYS” “OTHELLO” – LECTURE/CLASS WRITTEN: 1603-1604…. although some critics place the date somewhat earlier in 1601- 1602 mainly on the basis of some “echoes” of the play in the 1603 “bad” quarto of “Hamlet”. AGE: 39-40 Years Old (B.1564-D.1616) CHRONO: Four years after “Hamlet”; first in the consecutive series of tragedies followed by “King Lear”, “Macbeth” then “Antony and Cleopatra”. GENRE: “The Great Tragedies” SOURCES: An Italian tale in the collection “Gli Hecatommithi” (1565) of Giovanni Battista Giraldi (writing under the name Cinthio) from which Shakespeare also drew for the plot of “Measure for Measure”. John Pory’s 1600 translation of John Leo’s “A Geographical History of Africa”; Philemon Holland’s 1601 translation of Pliny’s “History of the World”; and Lewis Lewkenor’s 1599 “The Commonwealth and Government of Venice” mainly translated from a Latin text by Cardinal Contarini. STRUCTURE: “More a domestic tragedy than ‘Hamlet’, ‘Lear’ or ‘Macbeth’ concentrating on the destruction of Othello’s marriage and his murder of his wife rather than on affairs of state and the deaths of kings”. SUCCESS: The tragedy met with high success both at its initial Globe staging and well beyond mainly because of its exotic setting (Venice then Cypress), the “foregrounding of issues of race, gender and sexuality”, and the powerhouse performance of Richard Burbage, the most famous actor in Shakespeare’s company. HIGHLIGHT: Performed at the Banqueting House at Whitehall before King James I on 1 November 1604. AFTER: The play has been performed steadily since 1604; for a production in 1660 the actress Margaret Hughes as Desdemona “could have been the first professional actress on the English stage”. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................