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DRESSING a GALAXY 10/25/05 5:25 PM Page 46
000-000_29.1 DRESSING A GALAXY 10/25/05 5:25 PM Page 46 Dressing a Galaxy The Costumes of Star Wars Patt Diroll “You know, sometimes I even amaze myself.” — Han Solo hat famous line from the first Star Wars film might well serve as the mantra for the imaginative genius who leads the costume design team for George Lucas’s blockbuster space operas. Whipping up duds worn a long time ago by the denizens of galaxies far, far away twould be a daunting challenge for any designer, but for the amazing Trisha Biggar, it is all in a day’s work. “Her ability to manage, move, design, build, locate and scrounge was a rare find,”says Star Wars producer, Rick McCallum. The unflappable Glasgow native takes it all in stride, crediting Lucas’s own vision and hands-on involvement with her success. Having trained at Wimbledon School of Art, Biggar worked in the United Kingdom in noted theater companies such as the Glasgow Citizens’ Theatre and Opera North in Leeds. Her film credits include Silent Scream, Wild West, and The Magdalene Sisters. She has also designed for numerous television series; among them Moll Flanders for which she received a BAFTA nomination for Best Costume Design, and The Young Indiana Jones ANAKIN SKYWALKER AND PADMÉ AMIDALA in Wedding Ensembles, from Attack of the Clones. Photographs courtesy of © 2005 Lucasfilm Ltd. & TM, except where noted. All Rights Reserved. Used under authorization. 000-000_29.1 DRESSING A GALAXY 10/25/05 5:25 PM Page 47 Chronicles. However, she was unknown to Lucas and McCallum For an alien species, the costumes proved to be much until she was discovered quite by happenstance. -
Digital Dialectics: the Paradox of Cinema in a Studio Without Walls', Historical Journal of Film, Radio and Television , Vol
Scott McQuire, ‘Digital dialectics: the paradox of cinema in a studio without walls', Historical Journal of Film, Radio and Television , vol. 19, no. 3 (1999), pp. 379 – 397. This is an electronic, pre-publication version of an article published in Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio and Television is available online at http://www.informaworld.com/smpp/title~content=g713423963~db=all. Digital dialectics: the paradox of cinema in a studio without walls Scott McQuire There’s a scene in Forrest Gump (Robert Zemeckis, Paramount Pictures; USA, 1994) which encapsulates the novel potential of the digital threshold. The scene itself is nothing spectacular. It involves neither exploding spaceships, marauding dinosaurs, nor even the apocalyptic destruction of a postmodern cityscape. Rather, it depends entirely on what has been made invisible within the image. The scene, in which actor Gary Sinise is shown in hospital after having his legs blown off in battle, is noteworthy partly because of the way that director Robert Zemeckis handles it. Sinise has been clearly established as a full-bodied character in earlier scenes. When we first see him in hospital, he is seated on a bed with the stumps of his legs resting at its edge. The assumption made by most spectators, whether consciously or unconsciously, is that the shot is tricked up; that Sinise’s legs are hidden beneath the bed, concealed by a hole cut through the mattress. This would follow a long line of film practice in faking amputations, inaugurated by the famous stop-motion beheading in the Edison Company’s Death of Mary Queen of Scots (aka The Execution of Mary Stuart, Thomas A. -
Notes De Production
Notes de production Red Tails est un film d’action et d’aventure inspiré par les exploits de la première unité de combat aérien afro-américaine de la Seconde Guerre mondiale. Ce film emmène tour à tour le public dans les cockpits des avions de combat au beau milieu des combats aériens, dans les couloirs tendus du Pentagone où les pontes de l’armée débattent du risque de l’utilisation de pilotes noirs au combat, et révèle la camaraderie des jeunes héros de Tuskegee qui servirent leur nation avec bravoure et excellence. C’est un hommage exaltant à un fait réel de l’histoire américaine, raconté dans un style rythmé et passionnant. « C’est l’histoire d’une bande de jeunes hommes qui se retrouvent dans une situation incroyable et qui, malgré les dangers, font un travail extraordinaire et reviennent en héros… Ce sont de vrais chevaliers des temps modernes », raconte George Lucas. Le producteur délégué, George Lucas, a mis 23 ans à développer cette histoire, accompagné au fil du temps des producteurs Rick McCallum et Charles Floyd Johnson, des scénaristes John Ridley et Aaron McGruder, du réalisateur Anthony Hemingway et d’acteurs talentueux incluant Cuba Gooding Jr. (lauréat aux Oscar®), Terrence Howard (nominé aux Oscar®), David Oyelowo et Nate Parker. Dans la tradition des aventures époustouflantes et intrigues passionnantes dont Lucasfilm a le secret, Red Tails peut se vanter d’une production détaillée, d’effets spéciaux high-tech et d’un son à couper le souffle. Red Tails est un hommage passionnant à de véritables héros, un film créé par des centaines de gens talentueux, dont l’équipe de Skywalker Sound et celle d’Industrial Light & Magic qui a supervisé sept studios d’effets spéciaux autour du monde. -
Bank's Rates Ana Call Now
SCOTCH PLAINSTH—E Serving Scotch PlainsTIME and Fanwood Since 1959 — S \R USK4UJM rjurwooD SMM4 Chi. rmUf N« M CcMdi fW«, N J. Thursday, February 2,1995 FORTY CENTS AN ADDITIONAL MLSM WAS CUT IN QTHKB School District Has One Month To Determine Impact from Loss Of $351,833 in State Aid Monies Board of Education Urges Legislature to Give Districts Sixty Days to Submit Budgets to County Superintendents By ELLEN RADIN Sprcially Writunfor 7*» Timei superintendent. The Scotch Plains-Fanwood School District will lose $351,833 in state aid and $82,500 in other rev- enues in the coming school year, ac- cording to Richard J. Marshall, As- sistant Superintendent for Business and Board Secretary. The $82,500 decrease is due to the pealing the decrease. district's receiving only two special —s said. Transportation aid will de- crease by $ 105,884 and transition aid Board member Albert J. Sy vertsen education pupils. stated that the cost and time delay of will decrease by $249,638 the appeals process rendered it inef- The board now has one month to Out of the $249,638, a total of consider how this reduction will af- fective. The board will have several meet- ings in February regarding the bud- get. The public hearing will be on These administrativecosts, accord- Tuesday, Mtarch 28. Mr. Marshall's remarks came at ing to the state formula, include the The board accepted the November the regular public meeting of the costs of attendance officers, health 22 report of Dr. Choye on enrollment district's Board of Education on Janu- services, guidance counselors, child and facilities. -
To Download Rupert Christiansen's Interview
Collection title: Behind the scenes: saving and sharing Cambridge Arts Theatre’s Archive Interviewee’s surname: Christiansen Title: Mr Interviewee’s forename(s): Rupert Date(s) of recording, tracks (from-to): 9.12.2019 Location of interview: Cambridge Arts Theatre, Meeting Room Name of interviewer: Dale Copley Type of recorder: Zoom H4N Recording format: WAV Total no. of tracks: 1 Total duration (HH:MM:SS): 00:31:25 Mono/Stereo: Stereo Additional material: None Copyright/Clearance: Assigned to Cambridge Arts Theatre. Interviewer’s comments: None Abstract: Opera critic/writer and Theatre board member, Rupert Christiansen first came the Theatre in 1972. He was a regular audience member whilst a student at Kings College, Cambridge and shares memories of the Theatre in the 1970s. Christiansen’s association was rekindled in the 1990s when he was employed to author a commemorative book about the Theatre. He talks about the research process and reflects on the redevelopment that took place at this time. He concludes by explaining how he came to join the Theatre’s board. Key words: Oxford and Cambridge Shakespeare Company, Elijah Moshinsky, Sir Ian McKellen, Felicity Kendall, Contemporary Dance Theatre, Andrew Blackwood, Judy Birdwood, costume, Emma Thompson, Hugh Laurie, Stephen Fry, Peggy Ashcroft and Alec Guinness, Cambridge Footlights, restaurant, The Greek Play, ETO, Kent Opera and Opera 80, Festival Theatre, Sir Ian McKellen, Eleanor Bron. Picturehouse Cinema, File 00.00 Christiansen introduces himself. His memories of the Theatre range from 1972 to present, he is now on the Theatre’s board of trustees. Christiansen describes his first experience of the Theatre seeing a production of ‘As You Like It’ featuring his school friend Sophie Cox as Celia, by the Oxford and Cambridge Shakespeare Company and directed by Elijah Moshinsky [b. -
The Force That Can Be Explained Is Not the True Force
100 / DIALOGUE: A Journal of Mormon Thought cipal issue, there are choices to be below; a fellow bird whom you made between better and worse, can look after and find bugs and bad and better, good and good. seeds for; one who will patch your bruises and straighten your ruffled The truest vision of life I know is that bird in the Venerable Bede feathers and mourn over your that flutters from the dark into a hurts when you accidently fly into lighted hall, and after a while flut- something you can't handle. ters out again into the dark. But Ruth [his wife] is right. It is some- If one can overlook the sexism im- thing—it can be everything—to plicit in this idea, The Spectator Bird is have found a fellow bird with a comforting book in that it reaffirms an whom you can sit among the raf- idea which is the basis for faith: that in ters while the drinking, boating, the end, the best in life will not be at the and reciting and fighting go on mercy of the worst. The Force That Can Be Explained Is Not the True Force BENJAMIN URRUTIA Star Wars; from the Adventures of nemesis, Darth Vader, he bears exactly Luke Skywalker. George Lucas. New the same title, "Dark Lord", as the un- York: Ballantine Books, 1976. 220 pp., seen villain of The Lord of the Rings. $1.95 Tolkien's friend and colleague, C. S. Star Wars. Starring Mark Hamill, Lewis, probably deserves some credit Harrison Ford, Carrie Fisher, Peter Cush- also. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
SHIRLEY MACLAINE to RECEIVE 40Th AFI LIFE ACHIEVEMENT AWARD
SHIRLEY MACLAINE TO RECEIVE 40th AFI LIFE ACHIEVEMENT AWARD America’s Highest Honor for a Career in Film to be Presented June 7, 2012 LOS ANGELES, CA, October 9, 2011 – Sir Howard Stringer, Chair of the American Film Institute’s Board of Trustees, announced today the Board’s decision to honor Shirley MacLaine with the 40th AFI Life Achievement Award, the highest honor for a career in film. The award will be presented to MacLaine at a gala tribute on Thursday, June 7, 2012 in Los Angeles, CA. TV Land will broadcast the 40th AFI Life Achievement Award tribute on TV Land later in June 2012. The event will celebrate MacLaine’s extraordinary life and all her endeavors – movies, television, Broadway, author and beyond. "Shirley MacLaine is a powerhouse of personality that has illuminated screens large and small across six decades," said Stringer. "From ingénue to screen legend, Shirley has entertained a global audience through song, dance, laughter and tears, and her career as writer, director and producer is even further evidence of her passion for the art form and her seemingly boundless talents. There is only one Shirley MacLaine, and it is AFI’s honor to present her with its 40th Life Achievement Award." Last year’s AFI Tribute brought together icons of the film community to honor Morgan Freeman. Sidney Poitier opened the tribute, and Clint Eastwood presented the award at evening’s end. Also participating were Casey Affleck, Dan Aykroyd, Matthew Broderick, Don Cheadle, Bill Cosby, David Fincher, Cuba Gooding, Jr., Samuel L. Jackson, Ashley Judd, Matthew McConaughey, Helen Mirren, Rita Moreno, Tim Robbins, Chris Rock, Hilary Swank, Forest Whitaker, Betty White, Renée Zellweger and surprise musical guest Garth Brooks. -
Films for Exploring Peace and Justice Themes
Films for Exploring Peace and Justice Themes Many youth and adult groups have discovered the value of films for education and outreach. Films may be shown singly or as part of a series. One group organized a “Tuesday Evenings at the Movies” series, served popcorn, and had a great time. Most of these films have short segments that can be used to teach specific peace and justice insights or skills, and can encourage folks to see the rest of the film. Below are films that we’ve found to be especially effective. (Well-known stars and directors are in parentheses.) All the President’s Men, young reporters, step-by- Missing, wife and father pursue the truth of a young step, uncover the Watergate conspiracy (Dustin journalist missing during the bloody US-backed Hoffmann, Robert Redford, Jason Robards) coup in Chile (Sissy Spacek, Jack Lemon, Oscar) Beyond Rangoon, grieving young American woman Norma Rae, moving story of a young woman’s is transformed by the heroic human rights efforts efforts to win better working conditions in textile of Aung San Suu Kyi in Burma (Patricia Arquette) plant in the South (Sally Field, Oscar) Cry Freedom, a journalist’s friendship with Steven Northern Lights, rich chronicle of Swedish farmers Biko, the South African nonviolent hero (Denzel in the Dakotas in the early twentieth century Washington, Kevin Kline; dir. by Attenborough) Romero, heartfelt struggle for human rights by the Dave, an average guy hired to impersonate the presi- courageous archbishop of El Salvador (Raul Julia) dent wants to do good in this wise comedy (Kevin Shindler's List, one man’s struggle to save the lives Kline, Sigourney Weaver, Ben Kingsley) of 1000 Jews during the holocaust (Liam Neeson, Dead Man Walking, illuminating story of a nun’s Ben Kingsley, Ralph Fines; dir. -
RELATIONS "This Is My Commandment, That You Love One Another (Ἀγαπᾶτε) As I Have Loved (Ἠγάπησα) You
RELATIONS "This is my commandment, that you love one another (ἀγαπᾶτε) as I have loved (ἠγάπησα) you. No one has greater love (ἀγάπην) than this, to lay down one's life for one's friends. John 15:12f There are several words in Greek for the one English word, “love”. I thought I would illustrate their meaning with reference to Hollywood. The first two words are Eros (ἔρως) which means to be infatuated with a person, an object or an idea, and storge (στοργή), which is familial love, the love of parents (and grandparents) for their children. Then two other words: φιλέω and ἀγαπάω. The first means to have a warm affection for another and the second, to wish one well. The ancient Greeks considered Eros to be dangerous and frightening as it involved a “loss of control,” as though to say, “I couldn’t help myself.” It is the appreciation of beauty both external and within. It’s what we view frequently on the silver screen. I would guess that most movies at the moment are romances. To be a success in my book they need to have a memorable musical score and demonstrate that “the path of true love never did run smooth.”1 The lovers need to fight, separate, or even die. I have chosen West Side Story (1957), Leonard Bernstein’s adaptation of Shakespeare’s Romeo and Juliet.2 The Jets and the Sharks are two gangs who are bitter enemies, fighting for turf in New York City. Tony and Maria, members of rival gangs, fall in love and sing: “Make of our hands one hand; make of our hearts one heart.” After the rumble, Chino who was engaged to marry Maria shoots Tony and he dies in his lover’s arms. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................