Spotlight: 3Rd Annual How DE&I Drives Innovation
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DAN HILAND Re-Recording Mixer
DAN HILAND Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS CATCH-22 David Michod Paramount Television INSATIABLE Lauren Gussis CBS Television Studios BATWOMAN Caroline Dries WBTV Gary Dauberman/Mark SWAMP THING Verheiden DC Universe THE RED LINE Cairlin Parrish WBTV ALL AMERICAN April Blair WBTV LOVE IS Mara Brock Akil OWN SABRINA THE TEENAGE WITCH Jonathan Schmock Viacom Productions TITANS Greg Berlanti DC Entertainment THE LEFTOVERS Damon Lindelof HBO THE FLASH Greg Berlanti WBTV EMPIRE Lee Daniels Imagine Television CINNAMON GIRL (TV Movie) Gavin O'Connor Fox 21 WITCHES OF EAST END Maggie Friedman Lifetime ARROW Greg Berlanti WBTV RAY DONOVAN (Pilot) Ann Biderman Showtime Networks MOB CITY Frank Darabont TNT Originals POLITICAL ANIMALS Greg Berlanti WBTV HOUSE OF LIES Matthew Carnahan Showtime Networks HART OF DIXIE Leila Gerstein WBTV THE WALKING DEAD Frank Darabont (2010) (2012/2014/2015/2016) AMC DARK BLUE Danny Cannon/Doug Jung TNT Originals IN PLAIN SIGHT David Maples USA Network CHASE Jennifer Johnson WBTV NO ORDINARY FAMILY (Pilot) Greg Berlanti ABC Studios THE WHOLE TRUTH Tom Donaghy WBTV J.J. Abrams FRINGE (Pilot) (2009) WBTV Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.7825 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS LIMELIGHT (Pilot) David Semel, WBTV HUMAN TARGET Jonathan E. Steinberg WBTV EASTWICK Maggie Friedman WBTV V (Pilot) Kenneth Johnson WBTV TERMINATOR: THE SARAH CONNER Josh Friedman CHRONICLES WBTV CAPTAIN -
Zach-Woodlee-Choreo
zach woodlee director / choreographer selected credits contact: (818) 509-0121 FILM The Boys in the Band (*to be released) Choreographer Netflix Productions, LLC. Love, Simon Choreographer Dir. Greg Berlanti / Fox 2000 Dumplin’ Choreographer Dir. Anne Fletcher / Netflix Productions LLC. Peter Rabbit Choreographer Dir. Will Gluck / Columbia Pictures Drive She Said (*to be released) Choreographer Dir. Joey Syracruse Annie Choreographer Dir. Will Gluck / Sony Pictures Hot Pursuit Choreographer Dir. Anne Fletcher/MGM Glee: The 3D Concert Movie Choreographer Dir. Kevin Tancharoen / 20th Century Fox Real Steel Choreographer Dir. Shawn Levy / Walt Disney Pictures Life as We Know It Choreographer Dir. Greg Berlanti / Josephson Entertainment Eat Pray Love Choreographer Dir. Ryan Murphy / Columbia Pictures Starstruck Choreographer Dir. Michael Grossman / Disney The Back- Up Plan Choreographer Dir. Alan Poul / CBS Films Bedtime Stories Choreographer Dir. Adam Shankman / Gunn Films The Proposal Assistant Choreographer Dir. Anne Fletcher / Touchstone Pictures Fired Up Choreographer Dir. Will Gluck / Screen Gems 17 Again Assistant Choreographer Dir. Burr Steers / New Line Cinema 27 Dresses Choreographer Dir. Anne Fletcher / Spy Glass Get Smart Choreographer Dir. Pete Segal / Warner Bros. Marc Pease Experience Choreographer Dir. Todd Louiso / Paramount Vantage Hairspray Assistant Choreographer Dir. Adam Shankman / New Line Step Up Assistant Choreographer Dir. Anne Fletcher / Buena Vista 40-Year-Old Virgin Assistant Choreographer Dir. Judd Apatow / Disney Stuck on You Assistant Choreographer Dir. Farrelly Bros. / 20th Century Fox TELEVISION High School Musical: The Musical Choreographer Disney + A Christmas Story Live Choreographer Dir. Scott Ellis / FOX The Flash Choreographer The CW Girl Boss Choreographer Netflix Grease: Live Co-Producer / Choreographer FOX / Paramount Television Glee (Season 6) Co-Producer / Choreographer FOX / Ryan Murphy Productions Bones Choreographer Dir. -
A Generation Without Representation How Young People Are Severely Underrepresented Among Legislators
A Generation Without Representation How Young People Are Severely Underrepresented Among Legislators By: Maggie Thompson and Anisha Singh September 2018 A Generation Without Representation How Young People Are Severely Underrepresented Among Legislators By: Maggie Thompson and Anisha Singh Contents 1 Introduction and Summary 3 Methodology 4 Historically Old Legislators 5 Older Means Less Diverse Race and Ethnicity Gender and Sexual Orientation Disability Religion Education, Military Experience, and Family 12 Young Legislators Are More Conservative Than Young Voters 13 An Overall Lack of Power 14 Why This Matters 16 What Can Be Done 20 Acknowledgments 21 Endnotes Introduction and Summary For a representative democracy to function, it is essential that government reflects its people—whether by race, ethnicity, gender, sexual orientation, experience, age, or background. Diversity in leadership roles results in a more effective and fair government.1 By this measure, our democracy is dramatically failing younger Americans. Approximately 62 million Millennials were of voting age during the 2016 general election, according to Pew Research Center.2 In 2018, young voters, namely Millennials and Generation Z, are set to make up 34 percent of the eligible voting population.3 This gives young voters a larger share of the potential electorate than any other single generation.4 Yet, despite making up the largest potential voting bloc5 in the country today, young people are severely underrepresented at both the state and federal level. This representation gap impacts young people, and the issues they care about, directly. When elected officials aren’t representative of their constituents, this can lead to policies that are not responsive to the needs of the governed. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Columbia University Task Force on Climate: Report
COLUMBIA UNIVERSITY TASK FORCE ON CLIMATE: REPORT Delivered to President Bollinger December 1, 2019 UNIVERSITY TASK FORCE ON CLIMATE FALL 2019 Contents Preface—University Task Force Process of Engagement ....................................................................................................................... 3 Executive Summary: Principles of a Climate School .............................................................................................................................. 4 Introduction: The Climate Challenge ..................................................................................................................................................... 6 The Columbia University Response ....................................................................................................................................................... 7 Columbia’s Strengths ........................................................................................................................................................................ 7 Columbia’s Limitations ...................................................................................................................................................................... 8 Why a School? ................................................................................................................................................................................... 9 A Columbia Climate School ................................................................................................................................................................. -
Left Media Bias List
From -https://mediabiasfactcheck.com NEWS SOURCES NEWS SOURCES NEWS SOURCES LEFT LEANING LEFT CENTER LEFT CENTER These media sources are moderately to These media sources have a slight to These media sources have a slight to strongly biased toward liberal causes through moderate liberal bias. They often publish factual moderate liberal bias. They often publish factual story selection and/or political affiliation. They information that utilizes loaded words (wording information that utilizes loaded words (wording may utilize strong loaded words (wording that that attempts to influence an audience by using that attempts to influence an audience by using attempts to influence an audience by using appeal appeal to emotion or stereotypes) to favor liberal appeal to emotion or stereotypes) to favor liberal to emotion or stereotypes), publish misleading causes. These sources are generally trustworthy causes. These sources are generally trustworthy reports and omit reporting of information that for information, but Information may require for information, but Information may require may damage liberal causes. further investigation. further investigation. Some sources may be untrustworthy. Addicting Info ABC News NPR Advocate Above the Law New York Times All That’s Fab Aeon Oil and Water Don’t Mix Alternet Al Jazeera openDemocracy Amandla Al Monitor Opposing Views AmericaBlog Alan Guttmacher Institute Ozy Media American Bridge 21st Century Alaska Dispatch News PanAm Post American News X Albany Times-Union PBS News Hour Backed by Fact Akron Beacon -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
The Television Academy Foundation, Netflix, Starz, and H Club Los Angeles to Present the Power of Tv: Latinx Inclusion August 9
PRESS RELEASE FOR IMMEDIATE RELEASE THE TELEVISION ACADEMY FOUNDATION, NETFLIX, STARZ, AND H CLUB LOS ANGELES TO PRESENT THE POWER OF TV: LATINX INCLUSION AUGUST 9 Event Features One Day at a Time and Vida Cast Members and Producers for Discussion on Latinx in Media (NoHo Arts District, Calif. -- July 30, 2018) – The Television Academy Foundation today announced it will co-present The Power of TV: Latinx Inclusion in association with Netflix and Starz on August 9, 2018. As part of its ongoing The Power of TV public event series examining the influence of television in shaping our culture and ability to create positive social change, the Foundation will assemble Latinx leaders to discuss their career paths to success, their tireless advocating to strive for intersectionality, and opportunities available to increase Latinx talent on screen and behind the scenes. The entertainment industry and advertisers have long been aware of the power of the Latinx market, yet a significant representation gap persists. Developed in partnership with the National Hispanic Foundation for the Arts, panelists for the event include actresses Justina Machado (One Day at a Time/Jane the Virgin), Mishel Prada (Vida/Fear the Walking Dead: Passage) and Melissa Barrera (Vida/Club de Cuervos), plus Executive Producers Gloria Calderón Kellett (One Day at a Time) and Tanya Saracho (Vida). PatMa Productions Co-Founder Nina Tassler will moderate. The event will be held in the Governors Room at the Television Academy’s Saban Media Center in North Hollywood, California. A pre-event reception provided by the h Club Los Angeles will begin at 6:30 PM, followed by the panel discussion at 7:30 PM. -
Media in the Lives of 8-18 Year-Olds, The
March 9, 2005 9:30 a.m. Presentation: Key Findings from New Research on Children’s Media Use Vicky Rideout, vice president and director, Program for the Study of Entertainment Media and Health, Kaiser Family Foundation 9:50 a.m. Roundtable Discussion Common, Grammy award winning Hip Hop artist Michael J. Copps, commissioner, Federal Communications Commission Jordan Levin, former CEO, The WB Television Network Donald Roberts, author, It’s Not Only Rock and Roll and professor of communication, Stanford University Juliet Schor, author, Born to Buy and professor of sociology, Boston College Alain Tascan, vice president and general manager, Electronic Arts Montreal Moderator: Jeff Greenfield, senior political analyst, CNN 10:50 a.m. Remarks Drew Altman, Ph.D., president and CEO, Kaiser Family Foundation 11:00 a.m. Keynote Address The Honorable Hillary Rodham Clinton, United States Senator 11:30 a.m. Questions and Answers Speaker Biographies and Contact Information March 9, 2005 DREW ALTMAN, PH.D. President and CEO Henry J. Kaiser Family Foundation 2400 Sand Hill Road Menlo Park, CA 94025 Phone: 650-854-9400 Drew Altman is President and Chief Executive Officer of the Henry J. Kaiser Family Foundation. One of the nation's largest private foundations devoted to health, the Foundation is a leading independent voice and source of research and information on health care in the United States. Since 1987, the Foundation has also operated a major program supporting efforts to develop a more equitable health system in South Africa. In 1991, Dr. Altman directed a complete overhaul of the Foundation’s mission and operating style, leading to the Foundation’s standing today as a leader in health policy and communications. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game. -
Nearly 100 Chicago Artists Receive $330,000 in Unrestricted Awards at 10Th Annual 3Arts Awards
Contact: Caitlin Jagodzinski/Elizabeth Neukirch The Silverman Group, Inc. 312.932.9950 [email protected] Nearly 100 Chicago artists receive $330,000 in unrestricted awards at 10th annual 3Arts Awards Anniversary celebration honored 10 artists with $25,000 cash grants along with $1,000 awards given to 83 artists as part of a peer-to-peer giving program, Make A Wave CHICAGO, IL (November 6, 2017)–3Arts, the Chicago-based nonprofit grantmaking organization, is honored to announce the nearly 100 Chicago artists who received unrestricted grants at the 10th annual 3Arts Awards celebration on Monday, November 6 at The Mid-America Club. The celebration recognized the ten annual 3Arts Awards recipients along with the 83 recipients of Make a Wave—an unprecedented artist-to-artist giving initiative launched in recognition of the organization’s 10th anniversary. 3Arts has distributed more than $2.5 million in total funding to nearly 500 Chicago artists over the past ten years, and will award $330,000 tonight alone. “To say it is a privilege to award this many artists in a single year is a woeful understatement; it’s really a dream come true,” said Esther Grisham Grimm, Executive Director of 3Arts. “Ten years ago, we hoped that one day we would be able to do something like Make a Wave, and we kept that idea afloat until we could figure out how to make it happen. I can’t tell you how excited we are to have turned the reins over to all of the past 3Arts awardees to select the Make a Wave artists and to make that early dream of ours a reality in our anniversary year. -
Alliances and Partnerships in American National Security
FOURTH ANNUAL TEXAS NATIONAL SECURITY FORUM ALLIANCES AND PARTNERSHIPS IN AMERICAN NATIONAL SECURITY ETTER-HARBIN ALUMNI CENTER THE UNIVERSITY OF TEXAS AT AUSTIN OCTOBER 12, 2017 8:30 AM - 8:45 AM Welcome by William Inboden, Executive Director of the Clements Center for National Security, and Robert Chesney, Director of the Robert Strauss Center for International Security and Law 8:45 AM - 10:00 AM • Panel One: Defense Perspectives Moderator: Aaron O’Connell, Clements Center and Department of History Aaron O'Connell is an Associate Professor of History at the University of Texas at Austin and Faculty Fellow at the Clements Center. Previously, he served as Director for Defense Policy & Strategy on the National Security Council at the White House, where he worked on a range of national security matters including security cooperation and assistance, defense matters in Africa, significant military exercises, landmine and cluster munitions policy, and high-technology matters affecting the national defense, such as autonomy in weapon systems. Dr. O’Connell is also the author of Underdogs: The Making of the Modern Marine Corps, which explores how the Marine Corps rose from relative unpopularity to become the most prestigious armed service in the United States. He is also the editor of Our Latest Longest War: Losing Hearts and Minds in Afghanistan, which is a critical account of U.S. efforts in Afghanistan since 2001. He has also authored a number of articles and book chapters on military affairs and the representations of the military in U.S. popular culture in the 20th century. His commentary has appeared in The New York Times, The Washington Post, Foreign Affairs, and The Chronicle of Higher Education.