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TO TOKYO! a World Premiere Kabuki Comedy Sequel I to the Road to Kyoto! I Performed in English by an All UH Ca T
I THE ROAD I TO TOKYO! A world premiere Kabuki comedy sequel I to The Road to Kyoto! I Performed in English by an all UH ca t. Directed by James R. Brandon .I $9 Regular, $7 Discount, Nov 30 $1 UHM students with I Dec 1, 5-8, 13-15 -8 pm valid ID (not avail. by mail) I I I Dec 9, 16 -2 pm The Two I CHARGE-BY-PHONE: I Tickets on sale Nov 13 956-7655 GentleiDen of I I ORDER BY MAIL for the best seats to ROAD TO TOKYO! I -----------------DEADLINE: NOVEMBER 8, 1990 I Verona I I Name I by William Shakespeare I Street I ~ I I I City State Zip I Telephone: (Day) (Evening) I I I I would like tickets for the following show: I Fri , November 30 8 pm Sun , December 9 2 pm Matinee I I Sat, December 1 8 pm Thur, December 13 8 pm I Wed , December 5 8 pm Fri , December 14 8 pm I Thur, December 6 8 pm Sat, December 15 8 pm r Fri . December 7 8 pm Sun , December 16 2 pm Matinee I I I Sat, December 8 8 pm I Seating preference: . I PLEASE SEND ME: I I I _ Regular Adult tickets at $9 ::..$ ___ _ Discount Student/Senior Citizen/Military/ ' I UHM Faculty-Staff at $7 "-$ ___ I I I I PROCESSING FEE (per order) $ 1.00 1. I • . October 26, 27, 31, and November TOTAL AMOUNT ENCLOSED $ I I I I will pay by : I 1, 2, 3, and 4, 1990 check (Made payable to the UNIVERSITY OF HAWAII) Alliance for Drama Education Credit card : Mastercard Visa :.:N:::.o.______ _ I I I I Benefit Performances Exp. -
Guest: Terence Knapp Lss 508 (Length: 26:46) First Air Date: 10/18/11
GUEST: TERENCE KNAPP LSS 508 (LENGTH: 26:46) FIRST AIR DATE: 10/18/11 My feet have always been a problem. Well, ever since I’ve been to the islands, that is. Oh, not when I was a boy in Belgium; no, I was as good on my feet as anybody in those days, running around the countryside, helping out on the farm, driving the cows in at night, skating on the River Dijle. Why, the night before I left home for good, I walked fourteen miles to say goodbye to my mother at the Shrine of Our Lady. Twelve years I promised her. This studio at PBS Hawaiʻi has been the scene of many wonderful productions. From music specials, educational and informational programs, to shows about the arts, our cameras have captured them all. But in 1976, over a series of several days, a high water mark in local television was set. Journey with us to that time, as we look back on the career of actor Terrence Knapp, here on Long Story Short. Long Story Short with Leslie Wilcox is Hawaiʻi’s first weekly television program produced and broadcast in high definition. Aloha mai kākou. I’m Leslie Wilcox. In this edition of Long Story Short, you’ll meet a man who is considered by many to be a cultural treasure of Hawaiʻi, a devoted teacher of the dramatic arts, who chose to relocate from the British Isles of Shakespeare to an island home of a very different kind, an actor who has performed with Sir Laurence Olivier in the National Theater of Great Britain, and who mentored Booga Booga’s James Grant Benton. -
DOCUMENT RESUME ED 262 131 UD 024 468 TITLE Hawaiian
DOCUMENT RESUME ED 262 131 UD 024 468 TITLE Hawaiian Studies Curriculum Guide. Grade 3. INSTITUTION Hawaii State Dept. of Education, Honolulu. Office of Instructional Services. PUB DATE Jan 85 NOTE 517p.; For the Curriculum Guides for Grades K-1, 2, and 4, see UD 024 466-467, and ED 255 597. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF02/PC21 Plus Postage. DESCRIPTORS *Cultural Awareness; *Cultural Education; Elementary Education; *Environmental Education; Geography; *Grade 3; *Hawaiian; Hawaiians; Instructional Materials; *Learning Activities; Pacific Americans IDENTIFIERS *Hawaii ABSTRACT This curriculum guide suggests activities and educational experiences within a Hawaiian cultural context for Grade 3 students in Hawaiian schools. First, an introduction discussesthe contents of the guide; the relationship of classroom teacher and the kupuna (Hawaiian-speaking elder); the identification and scheduling of Kupunas; and how to use the guide. The remainder of thetext is divided into two major units. Each is preceded byan overview which outlines the subject areas into which Hawaiian Studies instructionis integrated; the emphases or major lesson topics takenup within each subject area; the learning objectives addressed by the instructional activities; and a key to the unit's appendices, which provide cultural information to supplement the activities. Unit I focuseson the location of Hawaii as one of the many groups of islands in the Pacific Ocean. The learning activities suggestedare intended to teach children about place names, flora and fauna,songs, and historical facts about their community, so that they learnto formulate generalizations about location, adaptation, utilization, and conservation of their Hawaiian environment. Unit II presents activities which immerse children in the study of diverse urban and rural communities in Hawaii. -
December2,3,4, 8,9, 10, 11 , 1977 Kennedy Theatre/ University of Hawaii the UNIVERSITY THEATRE Presents
December2,3,4, 8,9, 10, 11 , 1977 Kennedy Theatre/ University of Hawaii THE UNIVERSITY THEATRE presents by Kobo Abe Translated and directed by James R. Brandon Scene design by Howard Brewer Costume designs by Sandra Finney Lighting design and technical direction by Mark Boyd Sound by Robert Bethune Assistant director Kathryn Yashiki CAST: (in order of appearance) FUJINO, the animal keeper . ..... ... ............... .......... Dennis Nakano PROFESSOR .................................................... David Furumoto SON 'S WIFE . .. .... .. ... ................................ .. .......... Miki Kim PROFESSOR 'S SON ................. ... .... ..... .. ... .. .. .. Richard Williams MALE UEH ........... ... .. .. .... .. .. .......... ..... ....... ... Ralph Hirayama FEMALE UEH ....................................................... Mary Bishop FEMALE STUDENT ......... ............... ...... ......... Elizabeth Wichmann ASSIST ANT ........................................................ Barry Knapp MAID . .. .. .... .. ... .... ... .... ....... .... .. .............. Tina Marie Goff The play takes place in the professor's anima I spirit laboratory, Japan, 1977. ACT I Morning. A ten minute intermission ACT II Early morning, the following day. DIRECTOR'S NOTES Kobo Abe is said to be a great lover of science fiction. He also has been called a writer of detec tive stories. It is easy to see why, looking at our play tonight. The hero ofT HE ANIMAL HUNTER, the Professor, entertains a fantastic, pseudo-scientific belief in something called "animal spirit." In order to test the power of the animal-like Uehs to cure human illness, he sets up, in his laboratory dungeon, an elaborate spirit experiment (which you will have to sitthrough most of the play to see). He exhorts those around him to eatonlyfood "with the letter 'i' in the name," since, as we all know, spirit travels through the "eye." Did his father turn into a raven and fly off into the sky? The Pro fessor thinks it likely. -
Hawaii Stories of Change Kokua Hawaii Oral History Project
Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga .............................................. -
Puritans, Missionaries, and Language Trouble in James Grant Benton's
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 18 (33), 2018; DOI: 10.18778/2083-8530.18.05 ∗ Rhema Hokama Shakespeare in Hawai‘i: Puritans, Missionaries, and Language Trouble in James Grant Benton’s Twelf Nite O Wateva!, a Hawaiian Pidgin Translation of Twelfth Night1 Abstract: In 1974, the Honolulu-based director James Grant Benton wrote and staged Twelf Nite O Wateva!, a Hawaiian pidgin translation of Shakespeare’s Twelfth Night. In Benton’s translation, Malolio (Malvolio) strives to overcome his reliance on pidgin English in his efforts to ascend the Islands’ class hierarchy. In doing so, Malolio alters his native pidgin in order to sound more haole (white). Using historical models of Protestant identity and Shakespeare’s original text, Benton explores the relationship between pidgin language and social privilege in contemporary Hawai‘i. In the first part of this essay, I argue that Benton characterizes Malolio’s social aspirations against two historical moments of religious conflict and struggle: post-Reformation England and post-contact Hawai‘i. In particular, I show that Benton aligns historical caricatures of early modern puritans with cultural views of Protestant missionaries from New England who arrived in Hawai‘i beginning in the 1820s. In the essay’s second part, I demonstrate that Benton crafts Malolio’s pretentious pidgin by modeling it on Shakespeare’s own language. During his most ostentatious outbursts, Malolio’s lines consist of phrases extracted nearly verbatim from Shakespeare’s original play. In Twelf Nite, Shakespeare’s language becomes a model for speech that is inauthentic, affected, and above all, haole. Keywords: Twelfth Night, Reformation studies, puritanism, pidgin and creole languages. -
2011 October Graduation Programme
October 2011 The University of Waikato The Crest Ko Te Tangata The outside red border – a stylised The University’s motto, Ko Te Tangata/ fern frond or pitau – symbolises new For the People, refl ects our intrinsic belief birth, growth, vitality, strength and that people are central to the institution achievement. Inside the border is and are its most valued resource. the University’ss coat off arms. The open bookk surrounsurroundedded byy thee four stars of theheSo Southernuthern Cross is a symbol of learning.arning. TheThe crescrestt design is in thee UniUniversity’sversity’s colocoloursolouolours of black, red andnd ggold.old. WaiataWWaaiaata KoKo Te WhareW Wānanga o Waikato Ko Te Wharere WāWānanga o Waikato e tū nei ‘KoKo te TaTangata’ngaata’ te tohu TīhTīhei mauri ora!! Waikato te iwi; Waikato te awa; Taupiri te maunga; Tainui te waka. Ko Te WhWhareare Wānangananga o Waikato e tū nei Ko te tino kaupapa he hora māmātaurangaranga kki te ao. KŌKKŌKIRI! TheTh University U i off Waikato ThisTh s is the UnUniversityUniiverrsittyy of Waikato presentingti tot you ‘The People’ is the emblem Behold I live!! Waikato the people; Waikato the river Taupiri the sacred mountain; Tainui the canoe This is the University of Waikato presenting to you Its purpose, to spread enlightenment to the world. ONWARD!! Contents UNIVERSITY OFFICERS 2 WELCOME 3 CEREMONY SPEAKERS 4 ORDER OF PROCEEDINGS 5 HONORARY DOCTORATES 6 QUALIFICATIONS TO BE CONFERRED TE KOHINGA MĀRAMA MARAE » WEDNESDAY 19 OCTOBER 20110 1 – 9.30AM9.330AM 8 FOUNDERS MEMORIAL THEATRETRRE » THURSDAY 20 OCTOBER 2011 – 10AM0AM 12 » THURSDAY 20 OCTOBER 2011 – 22PMPM 21 » THURSDAY 20 OCTOBER 2011 – 55PMPM 28 HILLARY SCHOLARS 32 QUALIFICATIONS PREVIOUSLY CONFERRED/AWARDEDONFERRRED/AWARDED 334 UNIVERSITY OF WAIKATO ACADEMICDEMICC LEADERSLEAEADDERS 5151 SPEAKER PROFILES 54 A BRIEF HISTORY OF THE UNIVERSITYTY 55 OUR COMMITMENT 56 CEREMONIAL TRADITIONS 57 'GOD DEFEND NEWW ZEZEALAND'ALAND ANDD 'GAUDEAMUS'GAUD AMUS 588 HONORARY AWARDS 59 Due to the nature of the graduation ceremony it is often subject to last minute changes. -
View List of the Then Polynesian Collection at the Phoenix Library
Polynesian Cultural Materials donated by Arizona Aloha Festival to the Phoenix Library System Author Call # Title Finding Paradise Don R. Severson 745.0996 The O’ahu Snorkelers and Shore Divers Guide Francis De Carvalho 797.2300 Mark Twain’s Letters from Hawaii Mark Twain 919.6903 My Samoan Chief Fay G. Calkins 919.6130 Saturday Night at the Pahala Theatre Lois-Ann Yamanaka 811.5400 Nā Mo’olelo Hawai’io ka Wā Kahiko (Stories of Old Hawaii) Roy Kākulu Alameida 398.20996 The Craft of Hawaiian Lauhala Weaving Josephine Bird 746.4100 Plants and Flowers of Hawai’i S. H. Sohmer and R. Gustafson 581.9969 Buying Mittens Nankichi Niimi E Samoan Art & Artists Sean Mallon 745.0996 Loyal to the Land Dr. Billy Bergin 636.0109 (The Legendary Parker Ranch, 750-1950) From a Native Daughter Haunani-Kay Trask 320.9969 Kamehameha Susan Morrison 813.6000 (The Warrior King of Hawai’i) Māmaka Kaiao (Hard Cover) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Māmaka Kaiao (Paper back) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Nā pua ali’i O Kaua’i (Ruling Chiefs of Kaua’i) Frederick B. Wichman 996.9020 Melal A Novel of the Pacific Robert Barclay 813.6000 Hawaiian Flower Lei Making Adren J. Bird 745.9230 Ethnic Foods of Hawai’i Ann Kondo Corum 641.5996 Kahana How the Land was Lost Robert H. Stauffer 333.3196 Rarotonga & the Cook Islands Errol Hunt/Nancy Keller 910.0000 Tsunami! Walter C. Dudley/Min 363.3490 Lee Taking Land Tsuyoshi Kotaka 343.5025 (Compulsory Purchase and Regulations in Asian-Pacific David L. -
Tamaira, 2015
Frames and Counterframes ——————————————————————————————————— Envisioning Contemporary Kanaka Maoli Art in Hawai‘i Andrea Marata Tamaira February 2015 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University © Andrea Marata Tamaira All rights reserved 2015 Declaration —————————————————————————————— Except where specific reference is made to other sources, the work presented in this thesis is solely that of the author. —————————————————— Andrea Marata Tamaira February 2015 iii Dedication —————————————————————————— This thesis is dedicated to my husband Carl Franklin Ka‘ailā‘au Pao and our daughter Te Rerehau ‘Ailā‘au Helena Hanisi Pao-Tamaira, without either of whom this work would not only not have been completed, but it would never have been started in the first place. iv Acknowledgements —————————————————————————— It was Plato who said that the “beginning is the most important part of every work.”1 While this indeed may be true, the statement does not account for the laborious process through which such work takes shape. Nor does it acknowledge the many contributions of kindness and support along the way by those who rally the worker toward completion. Yes, beginning is an important part of every endeavor, but the end is only ever reached through the committed assistance of a community of people. First and foremost I am indebted to my husband Carl F.K. Pao for his enduring support and encouragement over the course of not only this doctoral project but the many years of study that have preceded it. There was a time when I thought pursuing advanced study was an undertaking as impossible for me as flying to the moon. -
Download This Issue
Ma¯lamalama 1 ma¯lamalamaTHE LIGHT OF KNOWLEDGE www.hawaii.edu/malamalama Editor Celebrating our centennial, and Hawai‘i’s best and brightest Cheryl Ernst 2007 is here—the year UH turns 100! As we celebrate the university’s centennial, Art Director Rowen Tabusa (BFA ’79 Ma¯noa) I am delighted also to celebrate the academic achievements of high-performing Photographer Hawai‘i high school graduates by announcing a Bob Chinn Centennial Scholars program that provides financial Associate Editor incentives to attend any of our UH campuses. The Tracy Matsushima (BA ’90 Ma¯noa) university is committed to strengthening undergraduate Online Editor Jeela Ongley (BA ’97 Ma¯noa) education by creating access to public higher education Contributing Alumni Editor in the state of Hawai‘i for our best and brightest students. Nico Schnitzler (BA ’03 Ma¯noa) At the same time, we need to ensure that our students University of Hawai‘i President succeed in their educational pursuits and graduate in a David McClain timely manner, and this is where financial aid can help. Board of Regents Beginning in fall 2007, incoming freshmen will receive a $1,000 scholarship Andres Albano Jr. (BS ’65, MBA ’72 Ma¯noa) if they score 1,800 or higher on the three-part SAT Reasoning Test (or the ACT Byron W. Bender equivalent) or graduate in spring 2007 or later with an unweighted 3.8 grade Michael A. Dahilig (BS ’03, JD ’06 Ma¯noa) point average. Students will continue to receive the grant for up to four years on Ramon de la Peña (MS ’64, a UH baccalaureate campus or two years at a UH community college, provided PhD ’67 Ma¯noa) they maintain a 3.0 grade point average. -
<DISC 1> 01.A Kona Hema O Kalani Traditional Vocal
HULA Le’a Presents HAWAIIAN MELE CD-BOX ȊȪǟǝȮǸȮǫƶਙƮƔƛƛƳÁÁ ߅ైದ౽ƝǔƥƶࢩࡑƟƧఝຓƔཌભưƲǒ੫Տ౽ưƲƫƧ¹ ਙࢥ”ºإ ࣞ“ȊȪǟǝȮ½Ȝȧ 1001 ƝǔƧȊȪǟǝȮǸȮǫޯڀƗƶƒບƶƜාƳƒ҃ƐƟ¹ં ƶئףǚƳଵƐǓإ ǚҧౖƲۙǒŗŘ30 Ƴࢌ¹600ےƶҞ ŗŘôŖţŬÁÁ GNCP-1030 Ć31,500á୩ҤâÖĆ30,000áৎಫâ <DISC 1> 01.A Kona Hema O Kalani Traditional Vocal : Kalani Po’omaihealani 02.A Million Moons Over Hawaii Words by Billy Abrams Music by Andy Iona Long Vocal : enry Kaleialoha Allen 03.‘A ‘Oia Words & Music by John Kameaaloha Almeida Vocal : उпdžơLJ 04.A Song of Old Hawaii Words & Music by Johnny Noble & Gordon Beecher Vocal : އÐ้Гᇰ 05.Adios Ke Aloha Words & Music by Prince Leleiohoko Vocal : उпdžơLJ 06.Adventures in Paradise Words & Music by Dorcas Cochran Vocal : Kalani Po’omaihealani 07.Ahi Wela Words & Music by Lizzie Doirin & Lizzie Beckley Vocal : Takako 08.‘Ahulili Words & Music by Scott Ha'i Vocal : dzȢÓdzउҟ 09.Aia I Ka Mau’i Traditional Vocal : Takako 10.Aia I Nu’uanu Ko Lei Nani Traditional Vocal : Aloha Dalire Band 11.Aia La ‘O Pele Traditional, Mae L. Loebenstein Vocal : उпdžơLJ 12.‘Aina O Lanai Words & Music by Val Kepilino Vocal : उпdžơLJ 13.‘Aina O Molokai Words & Music by Kai Davis Vocal : ଇưƕࠃ 14.‘Akaka Falls Words & Music by Helen Perker Vocal : IWAO 15.‘Akaka Falls Words & Music by Helen Lindsey Perker Vocal : Lauloa 16.‘Ala Pikake Words & Music by Manu Boyd Vocal : उпdžơLJ 17.Alekoki Words by Kalalaua, Lunalilo Music by Lizzie Alohikea Vocal : उпdžơLJ 18.‘Alika Words & Music by Charles ka'apa Vocal : Kalani Po’omaihealani 19.Aloha E Kohala Words & Music by Robert Uluwehi Cazimero Vocal : ଇưƕࠃ 20.Aloha E Pele Traditional -
It's Aloha to Don Ho As Thousands of Friends, Family and Tourists Gather at Waikiki to Say Goodbye
SUNDAY, MAY 6, 2007 SECTION C D O N H O ~ W E ’ L L R E M E M B E R Y O U FareIwt’s aloha to Deon Ho asl thouslands of friends, family and tourists gather at Waikiki to say goodbye HUGH GENTRY / SPECIAL TO THE STAR-BULLETIN Haumea Hebenstreit Ho, The Memorial Service The Crowd The Entertainment “Father, we thank you for this man. And on the beautiful, beautiful ocean in Waikiki ... widow of Don Ho, held the urn containing Ho’s ashes before It was short, simple and to the point, just About 10,000 friends and fans The music flowed nonstop the place he loved so much, we commit him back unto you, Father.” they were scattered at sea the way Don Ho would have liked it, so gather at Waikiki to say goodbye to as many of Hawaii’s most popular they could get to the entertainment. Hawaii’s most famous entertainer. singers came out to pay tribute to Don. The Rev. Tom Iannucci during yesterday’s ceremonies in Waikiki. Page C2 Page C6 Page C7 Delivering the eulogy as Don Ho’s ashes were dropped in the ocean off Waikiki Beach C2 DON HO ~ WE’LL REMEMBER YOU H O N O L U L U S T A R - B U L L E T I N / S U N D A Y , M A Y 6 , 2 0 0 7 S C3 DENNIS ODA / [email protected] Family, friends and well-wishers paddled outrigger canoes, rode boats, surfed and even swam as Don Ho’s were carried from shore to be scattered in the sea yesterday.