DOCSLIB.ORG

Download This Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ma¯lamalama 1 ma¯lamalamaTHE LIGHT OF KNOWLEDGE www.hawaii.edu/malamalama Editor Celebrating our centennial, and Hawai‘i’s best and brightest Cheryl Ernst 2007 is here—the year UH turns 100! As we celebrate the university’s centennial, Art Director Rowen Tabusa (BFA ’79 Ma¯noa) I am delighted also to celebrate the academic achievements of high-performing Photographer Hawai‘i high school graduates by announcing a Bob Chinn Centennial Scholars program that provides financial Associate Editor incentives to attend any of our UH campuses. The Tracy Matsushima (BA ’90 Ma¯noa) university is committed to strengthening undergraduate Online Editor Jeela Ongley (BA ’97 Ma¯noa) education by creating access to public higher education Contributing Alumni Editor in the state of Hawai‘i for our best and brightest students. Nico Schnitzler (BA ’03 Ma¯noa) At the same time, we need to ensure that our students University of Hawai‘i President succeed in their educational pursuits and graduate in a David McClain timely manner, and this is where financial aid can help. Board of Regents Beginning in fall 2007, incoming freshmen will receive a $1,000 scholarship Andres Albano Jr. (BS ’65, MBA ’72 Ma¯noa) if they score 1,800 or higher on the three-part SAT Reasoning Test (or the ACT Byron W. Bender equivalent) or graduate in spring 2007 or later with an unweighted 3.8 grade Michael A. Dahilig (BS ’03, JD ’06 Ma¯noa) point average. Students will continue to receive the grant for up to four years on Ramon de la Peña (MS ’64, a UH baccalaureate campus or two years at a UH community college, provided PhD ’67 Ma¯noa) they maintain a 3.0 grade point average. Community college recipients who Marlene M. Hapai (MS ’77, PhD ’81 Ma¯noa) transfer to a UH baccalaureate campus and who maintain a 3.0 GPA can continue James J. C. Haynes II to receive the scholarship for two more years. UH Ma¯noa will commit an (BA ’82 Ma¯noa) Kitty Lagareta (BA ’81 Ma¯noa) additional $1,000 for students meeting both criteria. Allan R. Landon We expect about 1,000 students in the state to achieve qualifying GPAs and Ronald K. Migita more than 1,300 students to have qualifying SAT scores. When fully implemented (BBA ’66 Ma¯noa) Alvin A. Tanaka, (BBA ’66, MBA ’68 in four years, the scholarship will represent a commitment of as much as $5 Ma¯noa) million annually to Hawai‘i’s high performing high school graduates. Jane B. Tatibouet UH already awards more than $16 million annually in institutional financial Published three times a year by assistance, plus another $5 million in scholarships from donations raised by the External Affairs and University Relations, University of Hawai‘i UH Foundation. We’ve earmarked enough of our new tuition revenue so that Change of address we can quadruple need-based financial aid over the next several years. Working UHF—Address Update P.O. Box 11270, Honolulu, HI 96828 with the UH Foundation as part of our Centennial Campaign, I’m committed to 808 956-8829 or [email protected] increasing our scholarship support even further to ensure that in the university’s Voluntary mail subscription second century every qualified student has the opportunity to receive a terrific Suggested donation $10 Send to Ma¯lamalama UH education. 2444 Dole St., BA2 Honolulu, HI 96822 With best wishes in this centennial year, Free electronic subscription Email [email protected] (please include your name and address) Advertising information [email protected] or 808 956-8856 David McClain UH is an equal opportunity/affirmative President action institution. This publication is available in alternate form for people with print disabilities. Information about donating to UH is at www.uhf.hawaii.edu; Information about the Centennial Scholars program is at www.hawaii.edu/offices/op/centennialscholarship Ma¯lamalama 1 CONTENTS FEATURES The Art of Inspiration ..............................9 Two influential faculty artists are remembered— Professors John Wisnosky and Carl Wolz An ‘Ukulele Comeback ...........................11 The quintessential instrument of Hawai‘i is experiencing a renewed surge in popularity Weathering the Storms ......................... 13 A small program with a big punch, meteorology at Ma¯noa remains a leader in training weather experts and understanding tropical weather phenomenon A Part of Kalaupapa .............................. 16 Cultural sensitivity and historic accuracy mark UH involvement in the Kalaupapa community, and a lifetime resident recalls his years at Ma¯noa A Historic Investment ...........................20 Alumnus Jay Shidler commits $25 million and lends his name to the drive to turn a Ma¯noa college into a national leader True Calling .......................................... 21 Veteran Red Cross volunteer Masaru Oshiro is honored during the School of Social Work’s 70th anniversary celebration Down on the Render Farm .....................23 Powerful computing at a new Leeward CC facility speeds up the process of making animation Join or Renew Today DEPARTMENTS Membership gets you an all-access pass to Campus News .........................................3 the UH Alumni Directory, where you can ✱ use career networking tools Research and Scholarship ......................6 ✱ find a friend or post online class notes Alumni ..................................................24 ✱ register for alumni events or find a chapter ✱ get discounts on hotels, airfare, restaurants, auto insurance, Class Notes ...........................................26 golf, entertainment and shopping Sports .................................................. 31 Join at UHalumni.hawaii.edu Enlightenment ......................................32 or sign up by phone when the UHAA spring calling campaign contacts you On the cover: 25 years after he was banished to Kalaupapa, sto- ryteller Makia Malo attended UH Ma¯noa. In the Hawaiian Studies Center lo‘i, he reflects on the experience. Correction: Richard Linn Stevens is a lecturer at Hawai‘i CC. His campus affiliation was incorrectly identified in the last issue. 2 Ma¯lamalama Campus News Grants create fellowships in medicine, law hree Ma¯noa students earned assistance with medical school costs in exchange for a pledge to intern and practice in Hawai‘i under a $1 million fellowship cre- T ated by the Barry and Virginia Weinman Foundation. By reducing student loan debt, the fellowships free students to consider practices that serve community needs rather than bow to economic demands, says Barry Weinman, a member of the UH Public service announcements Foundation Board of Trustees. In federally funded initiatives targeting underserved promote education populations— hree public service announcements ✱ The John A. Burns School of Medicine will use satellite and other distance educa- developed by Ma¯noa’s College tion technologies to provide continuing education for healthcare workers in the Tof Education help students and Pacific Islands, where residents suffer disproportionately high rates of diabetes, families value education, build connec- cancer, cardiovascular disease and oral health problems and life expectancies are tions to school and encourage personal as much as 12 years shorter than the U.S. average. responsibility. The 30-second spots were ✱ Ma¯noa’s Center on Disability Studies will evaluate intervention techniques and created with support from a federally reading software to identify services and technologies that benefit indigenous stu- funded truancy reduction demonstration dents who have disabilities. project. The videos are available on DVD. To view them online or place an order, ✱ The law school’s Center for Excellence in Native Hawaiian Law established a fellow- visit www.educationpsa.org. ship program for new graduates to pursue summer research projects and develop community outreach programs. In another new fellowship program, Integrative Training in Ecological, Conservation and Pathogen Biology offers an interdisciplinary focus combining ecological and biomedical studies for incoming doctoral students. The program involves six depart- ments and three research institutes at Ma¯noa. Its disease ecology research theme bridges emerging infectious diseases, how they originate and spread and their impact on humans, domesticated animals and natural ecosystems. Application deadline is Jan. 31; see http://jabsom.hawaii.edu/igert for information. Have a seat…and desk…at Sinclair Library ifty years after Sinclair Library opened, the wooden study desks F are a bit worse for wear. A gift of $1,000 to the Sinclair Library Golden Anniversary Campaign will cover restora- tion of a classic two-seater desk and pur- chase of two new oak chairs. Donors will be recognized with a brass plaque on the desk. For details, contact Dana Myers, 808 956-8688 or dana.myers@uhf. Community colleges provide international training hawaii.edu. n one of two new international initiatives, Honolulu Community College faculty For virtual users, the Ma¯noa Library members and administrators provided workshops for colleagues at Japan’s Osaka opens the year with a new website at IGakuin University in November. Topics ran the gamut from instructional techniques http://library.manoa.hawaii.edu. The to budgeting to public relations and marketing. This year, Kapi‘olani will train work- user-centered site was developed in ers from China’s hospitality industry under an agreement with the country’s Higher response to patron surveys, which indi- Education Training Center. The institutions are also exploring training opportunities in cated a desire for
Recommended publications
  • Virginia 22314 Photo by Joan Brady Free Digital Edition Delivered to Your Email Box

    Virginia 22314 Photo by Joan Brady Free Digital Edition Delivered to Your Email Box

    Senior Living Challenges for Page 11 Black Students 50 Years Later Yorktown, Page 3 Cuter by The Dozens ArPets, Page 2 Johanna Pichlkostner Isani with adopted canines Lexie and Paxton and puppy foster Bri. Classifieds, Page 10 Classifieds, Live from the Rugstore Page 4 Requested in home 4-8-21 home in Requested Time sensitive material. material. sensitive Time Marijuana Legalization Postmaster: Attention permit #322 permit Easton, MD Easton, Could Come This Summer PAID U.S. Postage U.S. News, Page 9 STD PRSRT Photo by Joan Brady/Arlington Connection Photo April 7-13, 2021 online at www.connectionnewspapers.com ArPets The Arlington Connection www.ConnectionNewspapers.com @ArlConnection An independent, locally owned weekly newspaper delivered to homes and businesses. Published by Local Media Connection LLC 1606 King Street Alexandria, Virginia 22314 Photo by Joan Brady Photo Free digital edition delivered to your email box. Go to connectionnewspapers.com/subscribe NEWS DEPARTMENT: [email protected] Shirley Ruhe Contributing Photographer and Writer Johanna Pichlkostner Isani with adopted canines Lexie and Paxton [email protected] and puppy foster Bri. Joan Brady Contributing Photographer and Writer Cuter by the Dozens [email protected] Eden Brown Contributing Writer 25 Dogs and Counting [email protected] Ken Moore By Joan Brady much-needed way station. Arlington Connection Contributing Writer Johanna grew up with a dog [email protected] and cat, as well as two “boy” ham- couldn’t wait to vault from my sters who had a litter. Then anoth- ADVERTISING: parents’ house into college. Full er. Then another. And over time, For advertising information Idisclosure, my college was less there wasn’t a kid in her neighbor- [email protected] than 75 miles from my childhood hood who didn’t have one of the 703-778-9431 home and about a 12 minute drive Pichlkostner hamsters.
  • Using a Projected Trompe L'oeil to Highlight a Church Interior from the Outside

    Using a Projected Trompe L'oeil to Highlight a Church Interior from the Outside

    Using a projected Trompe L'Oeil to highlight a church interior from the outside A. Hoeben fieldOfView Lange Nieuwstraat 23b1 3111AC Schiedam the Netherlands [email protected] The St. Willibrordus Church in the city center of Utrecht (the Netherlands) is a prime example of the Gothic Revival architecture. The richly decorated church interior is, unfortunately, one of the best kept secrets of the city. In the semi permanent art installation presented in this paper, imagery showing the church interior is projected on the outside walls of the entrance of the church. By projecting onto a spherical mirror suspended from the entrance ceiling, the projection is reflected onto three walls and the ceiling. The resulting image, when seen from the street-level outside, creates an perspective illusion. This paper shows how the installation was implemented in the church in an unobtrusive way, and explains the calibration system that was developed for determining the pre-distortions required to project the Trompe L'Oeil. church interior, art installation, digital projection, perspective manipulation, optical illusion 1. INTRODUCTION together constitute a walking route through the city center under the name “Trajectum Lumen”. The In late 2007, the council of the city of Utrecht Trajectum Lumen was officially launched on April embarked on a project to create a new attraction 7th 2010, and will have its climax in 2013 when the for its historic city center, aiming to keep some of city of Utrecht celebrates the 300th anniversary of the shopping public around during the evening the Treaty of Utrecht. hours. 1.1 St. Willibrord church A number of semi-permanent light art installations and sculptures was commissioned from different The St.
  • ART, TECHNOLOGY, and HIGH ART/LOW CULTURE DEBATES in CANONICAL AMERICAN ART HISTORY I. Overview in His Media Ar

    ART, TECHNOLOGY, and HIGH ART/LOW CULTURE DEBATES in CANONICAL AMERICAN ART HISTORY I. Overview in His Media Ar

    CHAPTER ONE: ART, TECHNOLOGY, AND HIGH ART/LOW CULTURE DEBATES IN CANONICAL AMERICAN ART HISTORY I. Overview In his Media Art History, Hans-Peter Schwarz of the Center for Art and Media in Karlsruhe, Germany (ZKM) wrote: “The history of the new media [sic] is inextricably linked with the history of the project of the modern era as a whole. It can only be described as the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” I begin with his words, which have strong resonance for me, perhaps beyond his initial intent or ultimate direction. His astute triangulation of those three concepts—new media history, the project of the modern era, and “social reality”—form the nexus of my theoretical investigation. For it seems that current social realities and the project of the modern era largely govern new media’s reception within the Western art history canon. Perhaps clarity regarding the ideological interconnection of these three elements will only be possible with more historical distance. However, this dissertation represents a step toward a better understanding of the sometimes-vicious canonical opposition to the fusion of art and technology, in light of these intersections. Key are his two phrases: “the project of the modern era,” and “the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” On the basis of Schwarz’s text, I take the second phrase to mean the dehumanization that results from industrialization and modern warfare. In regard to artistic production, he rightly underscores the abrupt reorganization of vision precipitated by, for example, developments in photography and cinematography during the early modernist period.
  • S H a P E S O F a P O C a Ly P

    S H a P E S O F a P O C a Ly P

    Shapes of Apocalypse Arts and Philosophy in Slavic Thought M y t h s a n d ta b o o s i n R u s s i a n C u lt u R e Series Editor: Alyssa DinegA gillespie—University of Notre Dame, South Bend, Indiana Editorial Board: eliot Borenstein—New York University, New York Julia BekmAn ChadagA—Macalester College, St. Paul, Minnesota nancy ConDee—University of Pittsburg, Pittsburg Caryl emerson—Princeton University, Princeton Bernice glAtzer rosenthAl—Fordham University, New York marcus levitt—USC, Los Angeles Alex Martin—University of Notre Dame, South Bend, Indiana irene Masing-DeliC—Ohio State University, Columbus Joe pesChio—University of Wisconsin-Milwaukee, Milwaukee irina reyfmAn—Columbia University, New York stephanie SanDler—Harvard University, Cambridge Shapes of Apocalypse Arts and Philosophy in Slavic Thought Edited by Andrea OppO BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved. ISBN 978-1-61811-174-6 (cloth) ISBN 978-1-618111-968 (electronic) Book design by Ivan Grave On the cover: Konstantin Juon, “The New Planet,” 1921. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law.
  • TO TOKYO! a World Premiere Kabuki Comedy Sequel I to the Road to Kyoto! I Performed in English by an All UH Ca T

    TO TOKYO! a World Premiere Kabuki Comedy Sequel I to the Road to Kyoto! I Performed in English by an All UH Ca T

    I THE ROAD I TO TOKYO! A world premiere Kabuki comedy sequel I to The Road to Kyoto! I Performed in English by an all UH ca t. Directed by James R. Brandon .I $9 Regular, $7 Discount, Nov 30 $1 UHM students with I Dec 1, 5-8, 13-15 -8 pm valid ID (not avail. by mail) I I I Dec 9, 16 -2 pm The Two I CHARGE-BY-PHONE: I Tickets on sale Nov 13 956-7655 GentleiDen of I I ORDER BY MAIL for the best seats to ROAD TO TOKYO! I -----------------DEADLINE: NOVEMBER 8, 1990 I Verona I I Name I by William Shakespeare I Street I ~ I I I City State Zip I Telephone: (Day) (Evening) I I I I would like tickets for the following show: I Fri , November 30 8 pm Sun , December 9 2 pm Matinee I I Sat, December 1 8 pm Thur, December 13 8 pm I Wed , December 5 8 pm Fri , December 14 8 pm I Thur, December 6 8 pm Sat, December 15 8 pm r Fri . December 7 8 pm Sun , December 16 2 pm Matinee I I I Sat, December 8 8 pm I Seating preference: . I PLEASE SEND ME: I I I _ Regular Adult tickets at $9 ::..$ ___ _ Discount Student/Senior Citizen/Military/ ' I UHM Faculty-Staff at $7 "-$ ___ I I I I PROCESSING FEE (per order) $ 1.00 1. I • . October 26, 27, 31, and November TOTAL AMOUNT ENCLOSED $ I I I I will pay by : I 1, 2, 3, and 4, 1990 check (Made payable to the UNIVERSITY OF HAWAII) Alliance for Drama Education Credit card : Mastercard Visa :.:N:::.o.______ _ I I I I Benefit Performances Exp.
  • Guest: Terence Knapp Lss 508 (Length: 26:46) First Air Date: 10/18/11

    Guest: Terence Knapp Lss 508 (Length: 26:46) First Air Date: 10/18/11

    GUEST: TERENCE KNAPP LSS 508 (LENGTH: 26:46) FIRST AIR DATE: 10/18/11 My feet have always been a problem. Well, ever since I’ve been to the islands, that is. Oh, not when I was a boy in Belgium; no, I was as good on my feet as anybody in those days, running around the countryside, helping out on the farm, driving the cows in at night, skating on the River Dijle. Why, the night before I left home for good, I walked fourteen miles to say goodbye to my mother at the Shrine of Our Lady. Twelve years I promised her. This studio at PBS Hawaiʻi has been the scene of many wonderful productions. From music specials, educational and informational programs, to shows about the arts, our cameras have captured them all. But in 1976, over a series of several days, a high water mark in local television was set. Journey with us to that time, as we look back on the career of actor Terrence Knapp, here on Long Story Short. Long Story Short with Leslie Wilcox is Hawaiʻi’s first weekly television program produced and broadcast in high definition. Aloha mai kākou. I’m Leslie Wilcox. In this edition of Long Story Short, you’ll meet a man who is considered by many to be a cultural treasure of Hawaiʻi, a devoted teacher of the dramatic arts, who chose to relocate from the British Isles of Shakespeare to an island home of a very different kind, an actor who has performed with Sir Laurence Olivier in the National Theater of Great Britain, and who mentored Booga Booga’s James Grant Benton.
  • ERWIN REDL B

    ERWIN REDL B

    ERWIN REDL b. 1963, Gföhl, Austria Lives in Ohio Known for his architecturally scaled light installations, Erwin Redl investigates the process of “reverse engineering” by (re-)translating the abstract aesthetic language of virtual reality and 3-D computer modeling back into architectural environments. In this body of work, space is experienced as a second skin, our social skin. Visual perception works in conjunction with corporeal motion, and the subsequent passage of time. In Los Angeles, the Pacific Design Center’s new Red Building by Cesar Pelli features four permanent installations by Redl, to be completed in November 2012. He also recently won two major public art competitions in with installations now in progress for the New York Police Academy’s new building in Queens as well as the Union Square / Market Street subway station in San Francisco, California. In 2013 he will open a new installation at the Borusan Museum in Istanbul, Turkey. A computer-controlled 580-foot long outdoor LED-installation at the Wexner Center for the Arts in Columbus, Ohio, is Redl’s largest work to date, completed in 2010. Among his most memorable of interventions was created for the 2002 Whitney Biennial, in a piece that covered the Whitney Museum's facade with a three multi-color LED veils. In 2008 he was commissioned by the World Expo in Zaragoza, Spain, to create a sound and light installation for the Austrian Pavilion. Redl’s work is collected privately as well as institutionally including the Whitney Museum of American Art New York, the Museum of Contemporary Art San Diego and the Milwaukee Art Museum, among other national and international museums.
  • MOZAIK-CATALOGUE-Vfinal-2.Pdf

    MOZAIK-CATALOGUE-Vfinal-2.Pdf

    WELCOMECURATING THE CREATIVE REIMAGINING An Arts-based Journey to Reflect, Reset, and Reimagine the Future From animation to sculpture, film to the spoken word, murals, paintings, photographs, mixed-media pieces, political performance pieces, and even comedic satire, The Future Art Awards candidly explores a captured reflection of our times, offering new pathways of thinking, new modes of learning, and a virtual platform for the celebration of our creative reimagining of a more free world. While the pandemic may indeed serve as a catalyst for reflection, we have been here before at pivotal moments all throughout human history—only to return to the status quo or settle for unsatisfying incremental action. As we’ve pondered this phenomenon of an imposed inertia, ripe for change, the human spirit bursts forth and into the streets with the undeniable yearning for racial, social, and environmental justice, and ultimately, a rebalancing of the scales of power. How do we leverage the pandemic as a catalyst to reimagine alternative futures and to look to the healing power of the arts for a blueprint for meaningful change? After all, the arts have built cities and written histories. They’ve transformed dilapidated and abandoned streets and buildings into flourishing communities. They’ve enlightened intercultural understandings and represent a universal human experience through the beauty of a mosaic of distinct expressions. The arts often honor and pay tribute to our past by creating a record of what has come before, anchoring us for our move into the future by envisioning and materializing what comes next. By reestablishing context, whether by naming a truth, telling a story, or making a community visible, we distinguish ourselves through art against the often-homogenizing effects of globalization and the ongoing assault on arts’ education across centers of learning, both near and far.
  • December2,3,4, 8,9, 10, 11 , 1977 Kennedy Theatre/ University of Hawaii the UNIVERSITY THEATRE Presents

    December2,3,4, 8,9, 10, 11 , 1977 Kennedy Theatre/ University of Hawaii the UNIVERSITY THEATRE Presents

    December2,3,4, 8,9, 10, 11 , 1977 Kennedy Theatre/ University of Hawaii THE UNIVERSITY THEATRE presents by Kobo Abe Translated and directed by James R. Brandon Scene design by Howard Brewer Costume designs by Sandra Finney Lighting design and technical direction by Mark Boyd Sound by Robert Bethune Assistant director Kathryn Yashiki CAST: (in order of appearance) FUJINO, the animal keeper . ..... ... ............... .......... Dennis Nakano PROFESSOR .................................................... David Furumoto SON 'S WIFE . .. .... .. ... ................................ .. .......... Miki Kim PROFESSOR 'S SON ................. ... .... ..... .. ... .. .. .. Richard Williams MALE UEH ........... ... .. .. .... .. .. .......... ..... ....... ... Ralph Hirayama FEMALE UEH ....................................................... Mary Bishop FEMALE STUDENT ......... ............... ...... ......... Elizabeth Wichmann ASSIST ANT ........................................................ Barry Knapp MAID . .. .. .... .. ... .... ... .... ....... .... .. .............. Tina Marie Goff The play takes place in the professor's anima I spirit laboratory, Japan, 1977. ACT I Morning. A ten minute intermission ACT II Early morning, the following day. DIRECTOR'S NOTES Kobo Abe is said to be a great lover of science fiction. He also has been called a writer of detec­ tive stories. It is easy to see why, looking at our play tonight. The hero ofT HE ANIMAL HUNTER, the Professor, entertains a fantastic, pseudo-scientific belief in something called "animal spirit." In order to test the power of the animal-like Uehs to cure human illness, he sets up, in his laboratory dungeon, an elaborate spirit experiment (which you will have to sitthrough most of the play to see). He exhorts those around him to eatonlyfood "with the letter 'i' in the name," since, as we all know, spirit travels through the "eye." Did his father turn into a raven and fly off into the sky? The Pro­ fessor thinks it likely.
  • How Can Light Art Manipulate the Visual Perception of Space?

    How Can Light Art Manipulate the Visual Perception of Space?

    INTERNATIONAL CONFERENCE ON ENGINEERING AND PRODUCT DESIGN EDUCATION 10-11 SEPTEMBER 2020, VIA DESIGN, VIA UNIVERSITY COLLEGE, HERNING, DENMARK HOW CAN LIGHT ART MANIPULATE THE VISUAL PERCEPTION OF SPACE? Zahra RAHIMI and Laila STEEN Oslo Metropolitan University, Norway ABSTRACT Transitioning from a field of engineering to a medium for more artistic expressions, lighting has changed from strictly functional lightboxes to elaborate light-based designs and installations. Both artists and architects have used light as a medium to manipulate visual perception and impressions. This paper explores the interaction between light, visual perceptions, and space. Through a case study of artworks that experiment with light, space, and visual perceptions, it discusses how light art can impact perceptions by the way it illuminates spaces. The findings demonstrate the impressions and perceptions created by light art and coloured light as an artistic material. The aesthetic application of light can remove boundaries and define a space in a different way. Although lighting installations are primarily part of architecture and interior design, this article proposes how light can be applied in design by manipulating the visual perception of the design on users. Keywords: Light, space, visual perception, colour, impression 1 INTRODUCTION Light creates the aesthetical and functional aspects as a physical and dynamic medium to highlight the essential details and materials of space [9]. It adds an intangible explanation to space and object, which is more adaptable to change in comparison with other materials in space [12]. Moreover, light is a vital factor of designs and art installations, as it can affect the experience of the space for the viewer [13].
  • Puritans, Missionaries, and Language Trouble in James Grant Benton's

    Puritans, Missionaries, and Language Trouble in James Grant Benton's

    Multicultural Shakespeare: Translation, Appropriation and Performance vol. 18 (33), 2018; DOI: 10.18778/2083-8530.18.05 ∗ Rhema Hokama Shakespeare in Hawai‘i: Puritans, Missionaries, and Language Trouble in James Grant Benton’s Twelf Nite O Wateva!, a Hawaiian Pidgin Translation of Twelfth Night1 Abstract: In 1974, the Honolulu-based director James Grant Benton wrote and staged Twelf Nite O Wateva!, a Hawaiian pidgin translation of Shakespeare’s Twelfth Night. In Benton’s translation, Malolio (Malvolio) strives to overcome his reliance on pidgin English in his efforts to ascend the Islands’ class hierarchy. In doing so, Malolio alters his native pidgin in order to sound more haole (white). Using historical models of Protestant identity and Shakespeare’s original text, Benton explores the relationship between pidgin language and social privilege in contemporary Hawai‘i. In the first part of this essay, I argue that Benton characterizes Malolio’s social aspirations against two historical moments of religious conflict and struggle: post-Reformation England and post-contact Hawai‘i. In particular, I show that Benton aligns historical caricatures of early modern puritans with cultural views of Protestant missionaries from New England who arrived in Hawai‘i beginning in the 1820s. In the essay’s second part, I demonstrate that Benton crafts Malolio’s pretentious pidgin by modeling it on Shakespeare’s own language. During his most ostentatious outbursts, Malolio’s lines consist of phrases extracted nearly verbatim from Shakespeare’s original play. In Twelf Nite, Shakespeare’s language becomes a model for speech that is inauthentic, affected, and above all, haole. Keywords: Twelfth Night, Reformation studies, puritanism, pidgin and creole languages.
  • Matthew F Fisher

    Matthew F Fisher

    OCHI MATTHEW F FISHER Born 1976, Boston, MA Lives and works in New York, NY EDUCATION 2000 Virginia Commonwealth University, Master of Fine Arts 1998 Columbus College of Art and Design, Bachelor of Fine Arts SOLO EXHIBITIONS 2021 The Hole, Hamptons, NY (forthcoming) Seas, Ochi Projects, Los Angeles, CA 2020 The Great Fire, SHRINE, New York, NY Four Seasons: A Solo Show, Deanna Evans Project, New York, NY The Sameness of Everyday, Taymour Grahne, London, UK 2019 After the Ice, Taymour Granhe, London, UK Soft Nature, Ochi Projects, Los Angeles, CA 2018 Into the Blue, Johansson Projects, Oakland, CA Strange Light, Over Under Room, Brooklyn, NY 2017 Observable Universe, Taymour Grahne Gallery, New York, NY Hello Sea, One River School, Englewood, NJ 2016 Sun, Stars, Sea, and Moon, Airlock Gallery, San Marcos, CA Ten Years, Curated by Jon Lutz, Spring/Break, New York, NY 2015 Black Water Don’t Shine Like the Moon, Sardine, Brooklyn, NY 2014 If You Ain’t a Reflection, You’re a Wave, Ampersand Gallery, Portland, OR 2013 Goodnight nobody, Weird Days, Brooklyn, NY 2012 Asea, Aloof, Mulherin+Pollard Projects, NY, NY 2010 Lost Time, Heskin Contemporary, New York, NY, (catalog) 2009 Lonesome George, ADA Gallery, Richmond, VA Forever Is, RARE, New York, NY 2006 Letting Go, University of the Arts, Philadelphia, PA While You Where Away, ADA Gallery, Richmond, VA 2005 Paintings, Stephanie Theodore at SCOPE, New York, NY OCHI 2004 Drawings and Paintings, Spector Gallery, Philadelphia, PA SELECTED TWO-PERSON EXHIBITIONS 2019 Tow Jalopies, with Carl D’Alvia, Drive By Projects, Watertown, MA 2018 Night Waves, with Casey Cook, SHRINE, New York, NY 2017 The Perfect Order of Randomness, with Julie Curtiss, Monya Rowe Gallery, St.