2011 October Graduation Programme
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POROPOROAKI for TE ARIKINUI DAME TE ATAIRANGIKAAHU 1931 – 2006 from the President of the Polynesian Society
POROPOROAKI FOR TE ARIKINUI DAME TE ATAIRANGIKAAHU 1931 – 2006 From the President of the Polynesian Society Ko Potatau te tangata Ko Taupiri te maunga Ko Waikato te awa He piko he taniwha, he piko he taniwha Te Arikinui acknowledges her people after the formalities of her Silver Jubilee Celebrations. 209 The tangihanga for Te Arikinui Dame Te Atairangikaahu was marked by an unprecedented outpouring of affection and respect from all over New Zealand and beyond. On behalf of the Polynesian Society’s Council and members, I have been asked to record our appreciation of her service as Patron from 1981 to 2006, and to pay tribute to the part she played in bringing New Zealanders together as a nation. Te Arikinui Dame Te Atairangikaahu was a significant figure in my life from the early 1960s, when Koro Kapunga Dewes and I were tutor-organisers with Auckland University’s Department of Adult Education and escorted classes of Maori and Pakeha students to gatherings at Tainui marae. A happy young mother, Princess Piki (as she then was) was usually present in the circle surrounding her parents, King Koroki and his wife Te Atairangikaahu, acting as support and increasingly as understudy to her father. In the communities we visited she was clearly liked and respected for her unassuming manners, her loving care of her parents, and the competence and commitment with which she carried out the duties assigned to her. It was no surprise to us when Tainui accepted the advice of the other tribes attending King Koroki’s tangihanga and named her to lead the Kingitanga as Queen. -
TO TOKYO! a World Premiere Kabuki Comedy Sequel I to the Road to Kyoto! I Performed in English by an All UH Ca T
I THE ROAD I TO TOKYO! A world premiere Kabuki comedy sequel I to The Road to Kyoto! I Performed in English by an all UH ca t. Directed by James R. Brandon .I $9 Regular, $7 Discount, Nov 30 $1 UHM students with I Dec 1, 5-8, 13-15 -8 pm valid ID (not avail. by mail) I I I Dec 9, 16 -2 pm The Two I CHARGE-BY-PHONE: I Tickets on sale Nov 13 956-7655 GentleiDen of I I ORDER BY MAIL for the best seats to ROAD TO TOKYO! I -----------------DEADLINE: NOVEMBER 8, 1990 I Verona I I Name I by William Shakespeare I Street I ~ I I I City State Zip I Telephone: (Day) (Evening) I I I I would like tickets for the following show: I Fri , November 30 8 pm Sun , December 9 2 pm Matinee I I Sat, December 1 8 pm Thur, December 13 8 pm I Wed , December 5 8 pm Fri , December 14 8 pm I Thur, December 6 8 pm Sat, December 15 8 pm r Fri . December 7 8 pm Sun , December 16 2 pm Matinee I I I Sat, December 8 8 pm I Seating preference: . I PLEASE SEND ME: I I I _ Regular Adult tickets at $9 ::..$ ___ _ Discount Student/Senior Citizen/Military/ ' I UHM Faculty-Staff at $7 "-$ ___ I I I I PROCESSING FEE (per order) $ 1.00 1. I • . October 26, 27, 31, and November TOTAL AMOUNT ENCLOSED $ I I I I will pay by : I 1, 2, 3, and 4, 1990 check (Made payable to the UNIVERSITY OF HAWAII) Alliance for Drama Education Credit card : Mastercard Visa :.:N:::.o.______ _ I I I I Benefit Performances Exp. -
Cultural Conversations in a Counselling Context
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Commons@Waikato http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. CULTURAL CONVERSATIONS IN A COUNSELLING CONTEXT A thesis submitted in partial fulfillment of the requirements for the degree of Master of Counselling at University of Waikato by Jane Harkness The University of Waikato 2008 Abstract This research project focuses on counselling practice with Maori women who have engaged in counselling in relation to overcoming the effects of both historic and recent sexual abuse. The researcher / counsellor is pakeha. The counsellor / researcher, researches her practice and its possible effects through research interviews with three women. The project offers a reflection on her practice ethics and on what she learns from the women. In particular, she explores the intentions and effects of an orientation to counselling that includes offering and taking up conversations about aspects of cultural identity. -
Guest: Terence Knapp Lss 508 (Length: 26:46) First Air Date: 10/18/11
GUEST: TERENCE KNAPP LSS 508 (LENGTH: 26:46) FIRST AIR DATE: 10/18/11 My feet have always been a problem. Well, ever since I’ve been to the islands, that is. Oh, not when I was a boy in Belgium; no, I was as good on my feet as anybody in those days, running around the countryside, helping out on the farm, driving the cows in at night, skating on the River Dijle. Why, the night before I left home for good, I walked fourteen miles to say goodbye to my mother at the Shrine of Our Lady. Twelve years I promised her. This studio at PBS Hawaiʻi has been the scene of many wonderful productions. From music specials, educational and informational programs, to shows about the arts, our cameras have captured them all. But in 1976, over a series of several days, a high water mark in local television was set. Journey with us to that time, as we look back on the career of actor Terrence Knapp, here on Long Story Short. Long Story Short with Leslie Wilcox is Hawaiʻi’s first weekly television program produced and broadcast in high definition. Aloha mai kākou. I’m Leslie Wilcox. In this edition of Long Story Short, you’ll meet a man who is considered by many to be a cultural treasure of Hawaiʻi, a devoted teacher of the dramatic arts, who chose to relocate from the British Isles of Shakespeare to an island home of a very different kind, an actor who has performed with Sir Laurence Olivier in the National Theater of Great Britain, and who mentored Booga Booga’s James Grant Benton. -
O Ngati Porou I SUE 41 HEPE EMA 011 NGAKOHINGA
ISSUE 41 – HEPETEMA 2011 o Ngati Porou I SUE 41 HEPE EMA 011 NGAKOHINGA o Ngati Porou Cover: Naphanual Falwasser contemplates the Editorial winter wonderland at Ihungia. (Photo by Keith Baldwin) Tena tatou Ngati Porou. Tena tatou i o tatou mate huhua e whakangaro atu nei ki te po. Kei te tangi atu ki te pou o Te Ataarangi, ki a Kahurangi Dr Katerina Mataira me te tokomaha o ratou kua huri ki tua o te arai. Haere atu koutou. Tatou nga waihotanga iho o ratou ma, tena tatou. Change is certainly in the air. The days are getting warmer and longer. Certainly nothing like the cold snap a couple of Contents weeks ago that turned Ruatoria in to a “Winter Wonderland”. We are hoping the torrential rains which caused a flooded 1 Uawa Rugby Ruckus Kopuaroa river to wash out the bailey bridge at Makarika, 2-5 Te Ara o Kopu ki Uawa are also gone. Spring signals new life and new beginnings 6 Kopuaroa Bridge Washout and it, appropriately so, coincides with the inaugural elections for our new iwi authority, Te Runanganui o Ngati 8 “Ka rukuruku a Te Rangitawaea i ona Pueru e” Porou. In this issue we farewell a Dame and we meet a 10 Building a Bridge For Apopo Diplomat. Dame Dr Katerina Te Heikoko Mataira was a 12-13 Ngati Porou We Need Your Help! soldier of te reo Maori who lost her battle with cancer in July. 14-19 Radio Ngati Porou She is an inspiration for Ngati Porou women like the Deputy High Commissioner of South Africa, Georgina Roberts. -
Settlement Pēpi
ABOUT NGĀI TAHU–ABOUT NEW ZEALAND–ABOUT YOU KANA/SPRING 2017 $7.95 75 Settlement Pēpi TE TĪMATANGA O TE KERĒME – WAI27 • THE NGĀI TAHU TREATY SETTLEMENT WITH THE CROWN: KEY PLAYERS AND BACKGROUND • POST SETTLEMENT – THE JOURNEY SO FAR • KELVIN ANGLEM: A GOOD MAN • TE KERĒME – A REFLECTION BY TĀ TIPENE O’REGAN • DOUBLE OSCAR WINNER HAMMOND PEEK • THE SOUTH ISLAND LANDLESS NATIVES ACT (SILNA) 1906 – HISTORY AND UNRESOLVED TENSIONS • WHITE MAN’S BURDEN REVISITED NOW AVAILABLE TO DOWNLOAD ON APPLE AND ANDROID DEVICES It will tell you the name of the artist and song title as it’s playing LIVE - you can even change the language to te reo Maori DOWNLOAD IT NOW ii TE KARAKA KANA 2017 KANA/SPRING 2017 74 10 TE TĪMATANGA O TE KERĒME – WAI27 Dr Te Maire Tau provides an introduction to the recollections of his late father, Rakiihia Tau (Snr). In 1986 Rakiihia filed the Ngāi Tahu Claim with the Waitangi NGĀ HAU Tribunal and was heavily involved in the negotiation processes. Thanks to his E WHĀ detailed recording of these events and the generosity of his whānau we are FROM THE able to share Rakiihia’s account of this significant time. EDITOR 10 This year marks 20 years since the signing of the Deed of Settlement, a defining moment in a journey of over 150 years, which brought an end to the pain and struggle of a griev- ing people. And with this closure came a new beginning, with $170m plus add-ons in the bank and a newly formed organisa- tional structure to manage the settlement. -
Te Reo O Te Repo – the Voice of the Wetland Introduction 1
TE REO O TE REPO THE VOICE OF THE WETLAND CONNECTIONS, UNDERSTANDINGS AND LEARNINGS FOR THE RESTORATION EDITED BY YVONNE TAURA CHERI VAN SCHRAVENDIJK-GOODMAN OF OUR WETLANDS AND BEVERLEY CLARKSON Te reo o te repo = The voice of the wetland: connections, understandings and learnings for the restoration of our wetlands / edited by Yvonne Taura, Cheri van Schravendijk-Goodman, Beverley Clarkson. -- Hamilton, N.Z. : Manaaki Whenua – Landcare Research and Waikato Raupatu River Trust, 2017. 1 online resource ISBN 978-0-478-34799-9 (electronic) ISBN 978-0-947525-03-3 (print) I. Taura, Y., ed. II. Manaaki Whenua – Landcare Research New Zealand Ltd. III. Waikato Raupatu River Trust. Published by Manaaki Whenua – Landcare Research Private Bag 3127, Hamilton 3216, New Zealand Waikato Raupatu River Trust PO Box 481, Hamilton 3204, New Zealand This handbook was funded mainly by the Ministry of Business, Innovation and Employment (contract C09X1002).The handbook is a collaborative project between the Waikato Raupatu River Trust and Manaaki Whenua – Landcare Research. Editors: Yvonne Taura (Ngāti Hauā, Ngāti Tūwharetoa, Ngai Te Rangi, Ngāti Rangi, Ngāti Uenuku/Waikato Raupatu River Trust and Manaaki Whenua), Cheri van Schravendijk-Goodman (Te Atihaunui a Papārangi, Ngāti Apa, Ngāti Rangi), and Beverley Clarkson (Manaaki Whenua). Peer reviewers: Anne Austin (Manaaki Whenua), Kiriwai Mangan (Waikato Raupatu Lands Trust), and Monica Peters (people+science). Design and layout: Abby Davidson (NZ Landcare Trust) This work is copyright. The copying, adaptation, or issuing of this work to the public on a non-profit basis is welcomed. No other use of this work is permitted without the prior consent of the copyright holder(s). -
December2,3,4, 8,9, 10, 11 , 1977 Kennedy Theatre/ University of Hawaii the UNIVERSITY THEATRE Presents
December2,3,4, 8,9, 10, 11 , 1977 Kennedy Theatre/ University of Hawaii THE UNIVERSITY THEATRE presents by Kobo Abe Translated and directed by James R. Brandon Scene design by Howard Brewer Costume designs by Sandra Finney Lighting design and technical direction by Mark Boyd Sound by Robert Bethune Assistant director Kathryn Yashiki CAST: (in order of appearance) FUJINO, the animal keeper . ..... ... ............... .......... Dennis Nakano PROFESSOR .................................................... David Furumoto SON 'S WIFE . .. .... .. ... ................................ .. .......... Miki Kim PROFESSOR 'S SON ................. ... .... ..... .. ... .. .. .. Richard Williams MALE UEH ........... ... .. .. .... .. .. .......... ..... ....... ... Ralph Hirayama FEMALE UEH ....................................................... Mary Bishop FEMALE STUDENT ......... ............... ...... ......... Elizabeth Wichmann ASSIST ANT ........................................................ Barry Knapp MAID . .. .. .... .. ... .... ... .... ....... .... .. .............. Tina Marie Goff The play takes place in the professor's anima I spirit laboratory, Japan, 1977. ACT I Morning. A ten minute intermission ACT II Early morning, the following day. DIRECTOR'S NOTES Kobo Abe is said to be a great lover of science fiction. He also has been called a writer of detec tive stories. It is easy to see why, looking at our play tonight. The hero ofT HE ANIMAL HUNTER, the Professor, entertains a fantastic, pseudo-scientific belief in something called "animal spirit." In order to test the power of the animal-like Uehs to cure human illness, he sets up, in his laboratory dungeon, an elaborate spirit experiment (which you will have to sitthrough most of the play to see). He exhorts those around him to eatonlyfood "with the letter 'i' in the name," since, as we all know, spirit travels through the "eye." Did his father turn into a raven and fly off into the sky? The Pro fessor thinks it likely. -
Resource Booklet
!1" Marelene Smith 2021 !2" Marelene Smith 2021 Leaders and Leadership During our research into Aoetearoa - Our Whakapapa, Our Stories leadership was a strong, emerging theme. The following is a compilation of the most interesting leaders we found. Some were “good” and some were “bad” leaders. It depends on your perspective! There is a distinctive style of leadership evident among New Zealanders. They are independent thinkers and often “lead from the back”. Explore our links to access more detailed information. !3" Marelene Smith 2021 1769 Tupaia Notable for: ! being a Tahitian priest and navigator who joined the Endeavour’s crew. ! being trained in traditional Polynesian seagoing knowledge, his ability to draw maps of the Tahitian islands from memory and translate traditional sailing stories into the European system of wind and compass directions. ! his role as a peacemaker and translator when Cook and the Endeavour encountered Māori, and in turn the Māori acclaimed him as a Tohunga (expert) for his knowledge. Supporting Link https://teara.govt.nz/en/biographies/6t2/tupaia 1830 Edward Gibbon Wakefield Notable for: ! his schemes to secure wealth and power. He created the New Zealand Company to sell NZ land and set up his own “model society”. ! selling land that he never owned, some of it belonging to Māori who had never given up their rights. This led to a number of conflicts including the Wairau Affray, in which Wakefield’s brother Arthur was killed. ! the company running up debts while Wakefield paid himself a generous salary. The Company was eventually shut but its debts passed to the NZ government instead of Wakefield. -
Puritans, Missionaries, and Language Trouble in James Grant Benton's
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 18 (33), 2018; DOI: 10.18778/2083-8530.18.05 ∗ Rhema Hokama Shakespeare in Hawai‘i: Puritans, Missionaries, and Language Trouble in James Grant Benton’s Twelf Nite O Wateva!, a Hawaiian Pidgin Translation of Twelfth Night1 Abstract: In 1974, the Honolulu-based director James Grant Benton wrote and staged Twelf Nite O Wateva!, a Hawaiian pidgin translation of Shakespeare’s Twelfth Night. In Benton’s translation, Malolio (Malvolio) strives to overcome his reliance on pidgin English in his efforts to ascend the Islands’ class hierarchy. In doing so, Malolio alters his native pidgin in order to sound more haole (white). Using historical models of Protestant identity and Shakespeare’s original text, Benton explores the relationship between pidgin language and social privilege in contemporary Hawai‘i. In the first part of this essay, I argue that Benton characterizes Malolio’s social aspirations against two historical moments of religious conflict and struggle: post-Reformation England and post-contact Hawai‘i. In particular, I show that Benton aligns historical caricatures of early modern puritans with cultural views of Protestant missionaries from New England who arrived in Hawai‘i beginning in the 1820s. In the essay’s second part, I demonstrate that Benton crafts Malolio’s pretentious pidgin by modeling it on Shakespeare’s own language. During his most ostentatious outbursts, Malolio’s lines consist of phrases extracted nearly verbatim from Shakespeare’s original play. In Twelf Nite, Shakespeare’s language becomes a model for speech that is inauthentic, affected, and above all, haole. Keywords: Twelfth Night, Reformation studies, puritanism, pidgin and creole languages. -
The Last of the Bluff Oysters?
GREENSTONE ELFIN BAY STATION KAITIAKITANGA AORAKI BOUND KÖANGA KÖANGA SPRING 2006 2006 $7.95 SECTION 59 REPEAL: FAMILY VIOLENCE OTAGO MUSEUM TAONGA JORIS DE BRES JASON DELL ROSEMARY McLEOD TOM BENNION ROSS HEMERA THE LAST OF THE BLUFF OYSTERS? Te Arikinui Dame Te Atairangikaahu FROM THE CHIEF EXECUTIVE OFFICER, 23 July 1931 – 15 August 2006 TE RÜNANGA O NGÄI TAHU, TAHU POTIKI Last month, hundreds of thousands of people attended or watched the six-day tangihanga at Turangawaewae Marae for Te Arikinui Dame Te Atairangikaahu, who died at the age of 75. As the Mäori Queen, she led her Waikato and Tainui people for four decades, and was a unifying Kei runga te mirimiri, kei raro te rahurahu force in Mäoridom. Above is the message, while below it is turbulent with troubles Dame Te Atairangikaahu, born Piki Mahuta on million Treaty settlement in 1995. 23 July 1931, was the first and only child born Dame Te Ata was committed to maintain- During the 19th century, those Ngäi Tahu communities that had access to fertile land, of the marriage between her father King Koroki ing unity within Tainui. She also inspired greater fisheries and education flourished, producing outstanding successes in education, and mother Te Atairangikaahu, although she unity amongst Mäoridom, which many people medicine, law, politics and sports. Ngäi Tahu and half-caste families were able to foot had whangai brothers and sisters, including her attribute to her humble and unassuming nature. it with all the recent immigrants and were contributing to the culture and economy of trusted advisor the late Sir Robert Mahuta. -
An a to Z About Everything That You Wanted to Know
1 AN INFORMATION HANDBOOK FOR TEACHERS, SUPPORT STAFF, PARENTS, GRANDPARENTS AND VISITORS ABSENCES When a student is absent from kura we would appreciate a parent/caregiver either ringing the kura office to explain the absence or sending a note explaining the absence with the student on their return to kura. Teachers must inform the principal when they will be absent from kura and complete an application for leave form i.e. date leave requested, type of leave applied for, name of reliever. ACCIDENTS Any student who suffers an injury in the playground or classroom that requires some form of first aid must be accompanied by a staff member on duty to the sickbay and treated according to the nature of the injury. There are disposable gloves available in the sickbay medical supplies cupboard. These must be worn when treating any injuries involving the discharge of blood. The first aid register in the administration office must be filled in correctly. In the event of a student sustaining a major injury e.g. fractured limb, seek the assistance of another colleague and inform the principal/deputy principal as soon as it is possible. AFTER KURA CARE Te Kura Kaupapa Māori o Bernard Fergusson does not offer any after kura care for children. The kura grounds are usually clear of children by 3.45 p.m. If there are children still at kura after this time they should be questioned as to whether or not they require any assistance. ANCILLARY STAFF All employees who are not registered teachers are considered to be ancillary staff (or support staff).