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Virginia 22314 Photo by Joan Brady Free Digital Edition Delivered to Your Email Box
Senior Living Challenges for Page 11 Black Students 50 Years Later Yorktown, Page 3 Cuter by The Dozens ArPets, Page 2 Johanna Pichlkostner Isani with adopted canines Lexie and Paxton and puppy foster Bri. Classifieds, Page 10 Classifieds, Live from the Rugstore Page 4 Requested in home 4-8-21 home in Requested Time sensitive material. material. sensitive Time Marijuana Legalization Postmaster: Attention permit #322 permit Easton, MD Easton, Could Come This Summer PAID U.S. Postage U.S. News, Page 9 STD PRSRT Photo by Joan Brady/Arlington Connection Photo April 7-13, 2021 online at www.connectionnewspapers.com ArPets The Arlington Connection www.ConnectionNewspapers.com @ArlConnection An independent, locally owned weekly newspaper delivered to homes and businesses. Published by Local Media Connection LLC 1606 King Street Alexandria, Virginia 22314 Photo by Joan Brady Photo Free digital edition delivered to your email box. Go to connectionnewspapers.com/subscribe NEWS DEPARTMENT: [email protected] Shirley Ruhe Contributing Photographer and Writer Johanna Pichlkostner Isani with adopted canines Lexie and Paxton [email protected] and puppy foster Bri. Joan Brady Contributing Photographer and Writer Cuter by the Dozens [email protected] Eden Brown Contributing Writer 25 Dogs and Counting [email protected] Ken Moore By Joan Brady much-needed way station. Arlington Connection Contributing Writer Johanna grew up with a dog [email protected] and cat, as well as two “boy” ham- couldn’t wait to vault from my sters who had a litter. Then anoth- ADVERTISING: parents’ house into college. Full er. Then another. And over time, For advertising information Idisclosure, my college was less there wasn’t a kid in her neighbor- [email protected] than 75 miles from my childhood hood who didn’t have one of the 703-778-9431 home and about a 12 minute drive Pichlkostner hamsters. -
Waiting for God by Simone Weil
WAITING FOR GOD Simone '111eil WAITING FOR GOD TRANSLATED BY EMMA CRAUFURD rwith an 1ntroduction by Leslie .A. 1iedler PERENNIAL LIBilAilY LIJ Harper & Row, Publishers, New York Grand Rapids, Philadelphia, St. Louis, San Francisco London, Singapore, Sydney, Tokyo, Toronto This book was originally published by G. P. Putnam's Sons and is here reprinted by arrangement. WAITING FOR GOD Copyright © 1951 by G. P. Putnam's Sons. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner without written per mission except in the case of brief quotations embodied in critical articles and reviews. For information address G. P. Putnam's Sons, 200 Madison Avenue, New York, N.Y.10016. First HARPER COLOPHON edition published in 1973 INTERNATIONAL STANDARD BOOK NUMBER: 0-06-{)90295-7 96 RRD H 40 39 38 37 36 35 34 33 32 31 Contents BIOGRAPHICAL NOTE Vll INTRODUCTION BY LESLIE A. FIEDLER 3 LETTERS LETTER I HESITATIONS CONCERNING BAPTISM 43 LETTER II SAME SUBJECT 52 LETTER III ABOUT HER DEPARTURE s8 LETTER IV SPIRITUAL AUTOBIOGRAPHY 61 LETTER v HER INTELLECTUAL VOCATION 84 LETTER VI LAST THOUGHTS 88 ESSAYS REFLECTIONS ON THE RIGHT USE OF SCHOOL STUDIES WITII A VIEW TO THE LOVE OF GOD 105 THE LOVE OF GOD AND AFFLICTION 117 FORMS OF THE IMPLICIT LOVE OF GOD 1 37 THE LOVE OF OUR NEIGHBOR 1 39 LOVE OF THE ORDER OF THE WORLD 158 THE LOVE OF RELIGIOUS PRACTICES 181 FRIENDSHIP 200 IMPLICIT AND EXPLICIT LOVE 208 CONCERNING THE OUR FATHER 216 v Biographical 7\lote• SIMONE WEIL was born in Paris on February 3, 1909. -
Exploring Children's Views and Experiences of Having a Learning
Exploring Children’s Views and Experiences of Having a Learning Difficulty and the Support They Receive at School Abigail Wilson A thesis submitted in partial fulfilment of the requirements of the University of East London for the degree of Doctor of Applied Educational and Child Psychology April 2017 Word count: 38, 494 P a g e i Abstract Few studies have focused on gaining the views and experiences of primary aged children with the highest level of SEN – those with Statements of SEN (SSEN) or Education, Health and Care Plans (EHCPs). This exploratory study aimed to understand from the perspective of children with moderate or general learning difficulties what they think of school, the additional support they receive, and what they would change about it in the future. It also aimed to investigate the extent to which these children are involved in the decision- making process around their provision and whether their views are considered. Six children were interviewed using pictorial prompts and the data were transcribed and analysed thematically from a social constructivist standpoint. The study found that the pupils with SSEN or EHCPs held generally positive views of schools, preferred creative subjects, but experienced a range of difficulties at school. Friends and the support of a considerate adult were viewed as important elements of school. However, close TA support and appearing different from their learning-abled peers seems to promote physical isolation, a lack of agency and bullying. Pupils placed more value on support linked to developing their interaction skills rather than support that helped them to learn, or support related to changes in their environment. -
Using a Projected Trompe L'oeil to Highlight a Church Interior from the Outside
Using a projected Trompe L'Oeil to highlight a church interior from the outside A. Hoeben fieldOfView Lange Nieuwstraat 23b1 3111AC Schiedam the Netherlands [email protected] The St. Willibrordus Church in the city center of Utrecht (the Netherlands) is a prime example of the Gothic Revival architecture. The richly decorated church interior is, unfortunately, one of the best kept secrets of the city. In the semi permanent art installation presented in this paper, imagery showing the church interior is projected on the outside walls of the entrance of the church. By projecting onto a spherical mirror suspended from the entrance ceiling, the projection is reflected onto three walls and the ceiling. The resulting image, when seen from the street-level outside, creates an perspective illusion. This paper shows how the installation was implemented in the church in an unobtrusive way, and explains the calibration system that was developed for determining the pre-distortions required to project the Trompe L'Oeil. church interior, art installation, digital projection, perspective manipulation, optical illusion 1. INTRODUCTION together constitute a walking route through the city center under the name “Trajectum Lumen”. The In late 2007, the council of the city of Utrecht Trajectum Lumen was officially launched on April embarked on a project to create a new attraction 7th 2010, and will have its climax in 2013 when the for its historic city center, aiming to keep some of city of Utrecht celebrates the 300th anniversary of the shopping public around during the evening the Treaty of Utrecht. hours. 1.1 St. Willibrord church A number of semi-permanent light art installations and sculptures was commissioned from different The St. -
October 2019 New Releases
October 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 82 Vinyl Audio 3 CD Audio 17 FEATURED RELEASES Music Video DVD & Blu-ray 52 SPYRO GYRA - WOODSTOCK: DINOSAUR JR. - VINYL TAP 3 DAYS THAT CHANGED WHERE YOU BEEN: Non-Music Video EVERYTHING 2CD DELUXE EXPANDED DVD & Blu-ray 57 EDITION Order Form 90 Deletions and Price Changes 93 800.888.0486 RINGU COLLECTION MY SAMURAI JIRGA 203 Windsor Rd., Pottstown, PA 19464 (COLLECTOR’S EDITION) FRED SCHNEIDER & THE SPYRO GYRA - WEDDING PRESENT - www.MVDb2b.com SUPERIONS - VINYL TAP TOMMY 30 BAT BABY MVD: RAISING HELL THIS FALL! We celebrate October with a gallery of great horror films, lifting the lid off HELLRAISER and HELLBOUND: HELLRAISER II with newly restored Blurays. The original and equally terrifying sequel are restored to their crimson glory by Arrow Video! HELLRAISER and its successor overflow with new film transfers and myriad extras that will excite any Pinhead! The Ugly American comes alive in the horror dark comedy AN AMERICAN WEREWOLF IN LONDON. Another fine reboot from Arrow Video, this deluxe pack will have you howling! Arrow also hits the RINGU with a release of this iconic Japanese-Horror film that spawned The Ring film franchise. Creepy and disturbing, RINGU concerns a cursed videotape, that once watched, will kill you in seven days! Watching this Bluray will have no such effect, but please, don’t answer the phone! TWO EVIL EYES from Blue Underground is a “double dose of terror” from two renowned directors, George A. Romero and Dario Argento. -
Arbitration of Employer Violations of the West Virginia Human Rights Act: West Virginia Should Make Like Ants Marching and Continue Its Pursuit of Bliss
Volume 108 Issue 1 Article 9 September 2005 Arbitration of Employer Violations of the West Virginia Human Rights Act: West Virginia Should Make Like Ants Marching and Continue Its Pursuit of Bliss Nicholas S. Johnson West Virginia University College of Law Follow this and additional works at: https://researchrepository.wvu.edu/wvlr Part of the Contracts Commons, Human Rights Law Commons, and the Labor and Employment Law Commons Recommended Citation Nicholas S. Johnson, Arbitration of Employer Violations of the West Virginia Human Rights Act: West Virginia Should Make Like Ants Marching and Continue Its Pursuit of Bliss, 108 W. Va. L. Rev. (2005). Available at: https://researchrepository.wvu.edu/wvlr/vol108/iss1/9 This Student Work is brought to you for free and open access by the WVU College of Law at The Research Repository @ WVU. It has been accepted for inclusion in West Virginia Law Review by an authorized editor of The Research Repository @ WVU. For more information, please contact [email protected]. Johnson: Arbitration of Employer Violations of the West Virginia Human Rig ARBITRATION OF EMPLOYER VIOLATIONS OF THE WEST VIRGINIA HUMAN RIGHTS ACT: WEST VIRGINIA SHOULD MAKE LIKE ANTS MARCHING AND CONTINUE ITS PURSUIT OF BLISS 1. INTRODUCTION .................................................................................206 IH. "TRUE REFLECTIONS": BACKGROUND INFORMATION ON A RBITRATIONS .................................................................................208 A. The FederalArbitration Act ...................................................208 B. "What Would You Say?": Are Plaintiffs Better Off in Court or A rbitration? ............................................................................ 211 C. "Pay For What You Get": Ensuring Due Process Concerns in A rbitration.............................................................................. 2 13 D. "Save Me": The West Virginia Human Rights Act ................216 HI. "CRASH INTO ME": THE CONFLICT BETWEEN WEST VIRGINIA SUPREME COURT AND UNITED STATES SUPREME COURT CASE LAW 217 A. -
Communication Disconnect: Generational Stereotypes Between
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons Communication Disconnect: Generational Stereotypes between Generation X/Y and Baby Boomers in American and Chinese Organizational Communication _____________________________ Presented to the Faculty of Liberty University School of Communication _____________________________________________ In Partial Fulfillment Of the Requirements for the Master of Arts In Communication Studies by Yuxiang Du April 2011 Running head: COMMUNICATION DISCONNET ii Thesis Committee _________________________________________________ Faith E. Mullen, Ph.D., Chair Date _________________________________________________ William L. Mullen, Ph.D., Date _________________________________________________ Cecil V. Kramer, Jr., D. Min. Date Running head: COMMUNICATION DISCONNET iii This thesis is dedicated to My mother, Fanghua Zhang, who taught me everything about love My sister and her husband, Yuyan and David Moore, who showed me how to live a life Huanghuang, my love of seven years and counting Running head: COMMUNICATION DISCONNET iv Abstract This research explores organizational communication between Generation X/Y and the Baby Boomers within the American and Chinese groups using social identity theory. Twenty participants were interviewed about their opinions on this issue. Thematic analysis was used to examine themes in the responses. The themes were organized into six categories: outlining Generation X/Y, outlining Baby Boomers, generational communication, generational stereotypes, cultural influences, and favorable solutions. Two referent elements were used through the whole discussion, social identity and cultural characteristics. The study revealed a strong social identity with all the four generational groups, difficulties in communication and stereotypes because of the identities. Collectivistic elements such as respect, care, harmony, conflict avoidance were spotted from the responses of the Chinese participants. -
ART, TECHNOLOGY, and HIGH ART/LOW CULTURE DEBATES in CANONICAL AMERICAN ART HISTORY I. Overview in His Media Ar
CHAPTER ONE: ART, TECHNOLOGY, AND HIGH ART/LOW CULTURE DEBATES IN CANONICAL AMERICAN ART HISTORY I. Overview In his Media Art History, Hans-Peter Schwarz of the Center for Art and Media in Karlsruhe, Germany (ZKM) wrote: “The history of the new media [sic] is inextricably linked with the history of the project of the modern era as a whole. It can only be described as the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” I begin with his words, which have strong resonance for me, perhaps beyond his initial intent or ultimate direction. His astute triangulation of those three concepts—new media history, the project of the modern era, and “social reality”—form the nexus of my theoretical investigation. For it seems that current social realities and the project of the modern era largely govern new media’s reception within the Western art history canon. Perhaps clarity regarding the ideological interconnection of these three elements will only be possible with more historical distance. However, this dissertation represents a step toward a better understanding of the sometimes-vicious canonical opposition to the fusion of art and technology, in light of these intersections. Key are his two phrases: “the project of the modern era,” and “the evolution of the human experience of reality, i.e. of the social reality relationship in the modern age.” On the basis of Schwarz’s text, I take the second phrase to mean the dehumanization that results from industrialization and modern warfare. In regard to artistic production, he rightly underscores the abrupt reorganization of vision precipitated by, for example, developments in photography and cinematography during the early modernist period. -
S H a P E S O F a P O C a Ly P
Shapes of Apocalypse Arts and Philosophy in Slavic Thought M y t h s a n d ta b o o s i n R u s s i a n C u lt u R e Series Editor: Alyssa DinegA gillespie—University of Notre Dame, South Bend, Indiana Editorial Board: eliot Borenstein—New York University, New York Julia BekmAn ChadagA—Macalester College, St. Paul, Minnesota nancy ConDee—University of Pittsburg, Pittsburg Caryl emerson—Princeton University, Princeton Bernice glAtzer rosenthAl—Fordham University, New York marcus levitt—USC, Los Angeles Alex Martin—University of Notre Dame, South Bend, Indiana irene Masing-DeliC—Ohio State University, Columbus Joe pesChio—University of Wisconsin-Milwaukee, Milwaukee irina reyfmAn—Columbia University, New York stephanie SanDler—Harvard University, Cambridge Shapes of Apocalypse Arts and Philosophy in Slavic Thought Edited by Andrea OppO BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved. ISBN 978-1-61811-174-6 (cloth) ISBN 978-1-618111-968 (electronic) Book design by Ivan Grave On the cover: Konstantin Juon, “The New Planet,” 1921. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Hohenlohe-Bartenstein, Alice. 2011. in the Presence of the Past: ‘Third Generation’ Germans and the Cultural Memory of National Socialism and the Holocaust
Hohenlohe-Bartenstein, Alice. 2011. In the Presence of the Past: ‘Third Generation’ Germans and the Cultural Memory of National Socialism and the Holocaust. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/6601/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] 1 In the Presence of the Past: ‘Third Generation’ Germans and the Cultural Memory of National Socialism and the Holocaust Alice Hohenlohe-Bartenstein Thesis submitted to obtain the degree of P.h.D. in Sociology Goldsmiths College, University of London July 2011 2 I herewith certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ______________________________________________________________ 3 Abstract This empirical study is based on interviews with 26 grandchildren of Nazi perpetrators, followers and Wehrmacht soldiers and examines how they remember their Nazi family histories and the Holocaust and the Third Reich more generally. Most studies of this ‘third generation’ are framed in the terms of purely constructivist theories of collective (Halbwachs [1925] 1992) or communicative and cultural memory (Assmann 1999) and thus cannot take account of present but unrecognized aspects of the past. -
ERWIN REDL B
ERWIN REDL b. 1963, Gföhl, Austria Lives in Ohio Known for his architecturally scaled light installations, Erwin Redl investigates the process of “reverse engineering” by (re-)translating the abstract aesthetic language of virtual reality and 3-D computer modeling back into architectural environments. In this body of work, space is experienced as a second skin, our social skin. Visual perception works in conjunction with corporeal motion, and the subsequent passage of time. In Los Angeles, the Pacific Design Center’s new Red Building by Cesar Pelli features four permanent installations by Redl, to be completed in November 2012. He also recently won two major public art competitions in with installations now in progress for the New York Police Academy’s new building in Queens as well as the Union Square / Market Street subway station in San Francisco, California. In 2013 he will open a new installation at the Borusan Museum in Istanbul, Turkey. A computer-controlled 580-foot long outdoor LED-installation at the Wexner Center for the Arts in Columbus, Ohio, is Redl’s largest work to date, completed in 2010. Among his most memorable of interventions was created for the 2002 Whitney Biennial, in a piece that covered the Whitney Museum's facade with a three multi-color LED veils. In 2008 he was commissioned by the World Expo in Zaragoza, Spain, to create a sound and light installation for the Austrian Pavilion. Redl’s work is collected privately as well as institutionally including the Whitney Museum of American Art New York, the Museum of Contemporary Art San Diego and the Milwaukee Art Museum, among other national and international museums.