Roger Brown (1941 – 1997)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Monster Roster: Existentialist Art in Postwar Chicago Receives First Major Exhibition, at University of Chicago’S Smart Museum of Art, February 11 – June 12, 2016
Contact C.J. Lind | 773.702.0176 | [email protected] For Immediate Release “One of the most important Midwestern contributions to the development of American art” MONSTER ROSTER: EXISTENTIALIST ART IN POSTWAR CHICAGO RECEIVES FIRST MAJOR EXHIBITION, AT UNIVERSITY OF CHICAGO’S SMART MUSEUM OF ART, FEBRUARY 11 – JUNE 12, 2016 Related programming highlights include film screenings, monthly Family Day activities, and a Monster Mash Up expert panel discussion (January 11, 2016) The Smart Museum of Art at the University of Chicago, 5550 S. Greenwood Avenue, will mount Monster Roster: Existentialist Art in Postwar Chicago, the first-ever major exhibition to examine the history and impact of the Monster Roster, a group of postwar artists that established the first unique Chicago style, February 11–June 12, 2016. The exhibition is curated by John Corbett and Jim Dempsey, independent curators and gallery owners; Jessica Moss, Smart Museum Curator of Contemporary Art; and Richard A. Born, Smart Museum Senior Curator. Monster Roster officially opens with a free public reception, Wednesday, February 10, 7–9pm featuring an in-gallery performance by the Josh Berman Trio. The Monster Roster was a fiercely independent group of mid-century artists, spearheaded by Leon Golub (1922–2004), which created deeply psychological works drawing on classical mythology, ancient art, and a shared persistence in depicting the figure during a period in which abstraction held sway in international art circles. “The Monster Roster represents the first group of artists in Chicago to assert its own style and approach—one not derived from anywhwere else—and is one of the most important Midwestern contributions to the development of American art,” said co-curator John Corbett. -
Dan Nadel, Hairy Who? 1966-1969, Artforum, February 2019, P. 164-167 REVIEWS
ARTFORUM H A L E s GLADYS NILSSON Dan Nadel, Hairy Who? 1966-1969, Artforum, February 2019, p. 164-167 REVIEWS FOCUS 166 Dan Nadel OIi "Hall)' Who? 1966-1969 " 11:18 Barry SChwabskyon Raout de Keyser 169 Dvdu l<ekeon the 12th Shangh ai Blennale NEW YORK PARIS zoe Lescaze on Liu vu,kav11ge 186 UllianOevieson Lucla L.a&una Ania Szremski on Amar Kanwar Mart1 Hoberman on Alaln Bublex Jeff Gibson on Paulina OloW5ka BERLIN 172 Colby Chamberialn on Lorraine O'Grady 187 MartinHerberton SteveBlshop OavtdFrankelon lyleAshtonHarrl5 Jurriaan Benschopon Louise Bonnet 173 MlchaelWilsonon HelenMlrra Chloe Wyma on Leonor Finl HAMBURG R11chelChumeron HeddaS1erne JensAsthoffon UllaYonBrandenburg Mira DayalonM11rcelStorr ZURICH 176 Donald Kuspit on ltya Bolotowsky Adam Jasper on Raphaela Vogel Barry Schwabsky on Gregor Hildebrandt 2ackHatfieldon"AnnaAtklns ROME Refracted: Contemporary Works " Francesca Pola on Elger Esser Sasha Frere-Jones on Aur.i Satz TURIN.ITALY Matthew Weinstein on Allen Frame Giorglo\lerzottlon F,ancescoVeuoll WASHINGTON, DC VIENNA 179 TinaR1versRyan011 TrevorPaglen Yuki Higashinoon CHICAGO Wende1ienvanO1denborgh C.C. McKee on Ebony G. Patterson PRAGUE BrienT. Leahy on Robertlostull er 192 Noemi Smolik on Jakub Jansa LISBON 181 Kaira M. cabanas on AlexandreMeloon JuanArauJo ·co ntesting Modernity : ATHENS lnlormallsm In Venezuela, 1955-1975" 193 Cathr)TI Drakeontlle 6thAthensB lennele EL PASO,TEXAS BEIJING 1s2 Che!seaweatherson 194 F!OrlB He on Zhan, Pelll "AfterPosada : Revolutlon · YuanFucaon ZhaoYao LOS ANGELES TOKYO 183 SuzanneHudsonon Sert1Gernsbecher 195 Paige K. Bradley on Lee Kil Aney Campbell on Mary Reid KalleyandP!ltflCkKelley OUBAI GollcanDamifkaz1k on Ana Mazzei TORONTO Dan Adler on Shannon Boo! ABIOJAN, IVORY COAST 196 Mars Haberman on Ouatlera Watts LONDON Sherman Sam on Lucy Dodd SAO PAULO EJisaSchaarot1Flom1Tan Camila Belchior on Clarissa Tossln CHRISTCHURCH. -
National News in ‘09: Obama, Marriage & More Angie It Was a Year of Setbacks and Progress
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 Dec. 30, 2009 • vol 25 no 13 www.WindyCityMediaGroup.com Joe.My.God page 4 LGBT Films of 2009 page 16 A variety of events and people shook up the local and national LGBT landscapes in 2009, including (clockwise from top) the National Equality March, President Barack Obama, a national kiss-in (including one in Chicago’s Grant Park), Scarlet’s comeback, a tribute to murder victim Jorge Steven Lopez Mercado and Carrie Prejean. Kiss-in photo by Tracy Baim; Mercado photo by Hal Baim; and Prejean photo by Rex Wockner National news in ‘09: Obama, marriage & more Angie It was a year of setbacks and progress. (Look at Joining in: Openly lesbian law professor Ali- form for America’s Security and Prosperity Act of page 17 the issue of marriage equality alone, with deni- son J. Nathan was appointed as one of 14 at- 2009—failed to include gays and lesbians. Stone als in California, New York and Maine, but ad- torneys to serve as counsel to President Obama Out of Focus: Conservative evangelical leader vances in Iowa, New Hampshire and Vermont.) in the White House. Over the year, Obama would James Dobson resigned as chairman of anti-gay Here is the list of national LGBT highlights and appoint dozens of gay and lesbian individuals to organization Focus on the Family. Dobson con- lowlights for 2009: various positions in his administration, includ- tinues to host the organization’s radio program, Making history: Barack Obama was sworn in ing Jeffrey Crowley, who heads the White House write a monthly newsletter and speak out on as the United States’ 44th president, becom- Office of National AIDS Policy, and John Berry, moral issues. -
Burris, Durbin Call for DADT Repeal by Chuck Colbert Page 14 Momentum to Lift the U.S
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 Mar. 10, 2010 • vol 25 no 23 www.WindyCityMediaGroup.com Burris, Durbin call for DADT repeal BY CHUCK COLBERT page 14 Momentum to lift the U.S. military’s ban on Suzanne openly gay service members got yet another boost last week, this time from top Illinois Dem- Marriage in D.C. Westenhoefer ocrats. Senators Roland W. Burris and Richard J. Durbin signed on as co-sponsors of Sen. Joe Lie- berman’s, I-Conn., bill—the Military Readiness Enhancement Act—calling for and end to the 17-year “Don’t Ask, Don’t Tell” (DADT) policy. Specifically, the bill would bar sexual orien- tation discrimination on current service mem- bers and future recruits. The measure also bans armed forces’ discharges based on sexual ori- entation from the date the law is enacted, at the same time the bill stipulates that soldiers, sailors, airmen, and Coast Guard members previ- ously discharged under the policy be eligible for re-enlistment. “For too long, gay and lesbian service members have been forced to conceal their sexual orien- tation in order to dutifully serve their country,” Burris said March 3. Chicago “With this bill, we will end this discrimina- Takes Off page 16 tory policy that grossly undermines the strength of our fighting men and women at home and abroad.” Repealing DADT, he went on to say in page 4 a press statement, will enable service members to serve “openly and proudly without the threat Turn to page 6 A couple celebrates getting a marriage license in Washington, D.C. -
Collection Overview
Archives Collections Guide Updated March 28, 2016 Collection Overview The Gerber/Hart archives focuses its collections on gay, lesbian, bisexual, transgender, and queer life in the Chicago metropolitan area and the Midwest. It contains over 150 collections of historically significant personal manuscripts, photographs, audiovisual recordings, and organizational records. These collections include unpublished material such as letters, diaries, and scrapbooks documenting the lives of both average people and community leaders. They also include the records of many community organizations, businesses, and political campaigns. This guide is intended to serve as a preliminary research tool that provides a brief description of holdings with basic information on size, inclusive dates, types of records, and broad subject areas. Guide Contents List of Collections..............................................................................................................................................2 Collections Descriptions....................................................................................................................................6 Name Index......................................................................................................................................................26 Topical Index...................................................................................................................................................34 1 Archives Collections Guide Updated March 28, 2016 List of Collections -
RON GORCHOV BIOGRAPHY Born in Chicago, Illinois In
RON GORCHOV BIOGRAPHY Born in Chicago, Illinois in 1930; lives and works in Brooklyn, New York 1950-51 University of Illinois, Urbana, Illinois 1948-50 Art Institute of Chicago, Chicago, Illinois 1948-50 Roosevelt College 1947-48 University of Mississippi, Oxford, MS SOLO EXHIBITIONS 2019 Ron Gorchov: The Shade Between, Maruani Merceir, Brussels (11/14– 12/21/2019) Ron Gorchov: at the cusp of the 80s, paintings 1979–1983, Cheim & Read, New York (9/26–11/15/2019) Ron Gorchov, Modern Art, London (4/5–5/11/2019) 2018 Ron Gorchov, Galerie Max Hetzler, Berlin, Germany (3/14–4/14/2018) Ron Gorchov: New Works, Maruani Mercier, Paris, France (10/16–11/17/2018) Theogony According to Ron Gorchov, Thomas Brambilla, Bergamo, Italy (11/24/2018–1/18/2019) 2017 Ron Gorchov, Maruani Mercier, Knokke, Belgium (4/1–8/5/2017) Ron Gorchov, Cheim & Read, New York (2/16–3/25/2017) 2016 Ron Gorchov: Works from the 1970s, Vito Schnabel Projects, 360 West 11th St., New York (11/10–12/17/2016) Ron Gorchov: Stacks, ADAA: The Art Show, Park Avenue Armory, New York (3/1–3/6/2016) Ron Gorchov: Concord, Vito Schnabel Gallery, St. Moritz, Switzerland (3/12–4/10/2016) 2015 Ron Gorchov, curated by Vito Schnabel, Sotheby’s S|2, London (2/5– 3/27/2015) Ron Gorchov – Recent Works, Thomas Brambilla, Bergamo, Italy (3/21– 6/30/2015) 2014 Ron Gorchov: Serapis, Contemporary Art Museum, St. Louis, Missouri (1/24–4/13/2014) Entrance, Cheim & Read, Unlimited, Art Basel, Basel, Switzerland (6/19– 6/22/2014) 2013 Ron Gorchov, 39 Great Jones, New York (1/1–3/1/2013) Ron Gorchov, Lesley Heller Workspace, New York (9/8–10/13/2013) Ron Gorchov, Monsieur X., Vito Schnabel, New York (10/4–11/3/2013) Ron Gorchov, Galerie Forsblom, Helsinki, Finland (10/25–11/17/2013) 2012 Ron Gorchov, Cheim & Read, New York (3/29–4/28/2012) Ron Gorchov: Recent Paintings, Galerie Richard, New York (10/13–11/17/2012) 2011 Ron Gorchov. -
Gladys Nilsson MATTHEW MARKS GALLERY | 523 WEST 24TH STREET
MATTHEW MARKS GALLERY 523 West 24th Street, New York,New York 10011 Tel: 212-243-0200 Fax: 212-243-0047 Gladys Nilsson MATTHEW MARKS GALLERY | 523 WEST 24TH STREET GARTH GREENAN GALLERY “Honk! Fifty Years of Painting,” an energizing, deeply satisfying pair of shows devoted to the work of Gladys Nilsson that occupied both Matthew Marks’s Twenty-Fourth Street space, where it remains on view through April 18, and Garth Greenan Gallery, took its title from one of the earliest works on display: Honk, 1964, a tiny, Technicolor street scene in acrylic that focuses on a pair of elderly couples, which the Imagist made two years out of art school. The men, bearded and stooped, lean on canes, while the women sport dark sunglasses beneath their blue-and-chartreuse beehives. They are boxed in by four more figures: Some blank-eyed and grimacing, others skulking under fedoras pulled low. The scene might suggest a vague Kastner, Jeffrey. “Gladys Nilsson.” 58, no. 8, April 2020. Artforum kind of menace were it not for the little green noisemakers dangling from the bright-red lips of the central quartet, marking them as sly revelers rather than potential victims of some unspecified mayhem. The painting’s acid palette and thickly stylized figures obviously owe a debt to Expressionism, whose lessons Nilsson thoroughly absorbed during regular museum visits in her youth, but its sensibility is more Yellow Submarine than Blaue Reiter, its grotesquerie leavened with genial good humor. The Marks portion of the show focuses primarily on the first decade of Nilsson’s career, while Greenan’s featured works made in the past few years, the two constituent parts together neatly bookending the artist’s richly varied and lamentably underappreciated oeuvre. -
Amazon's Document
REQUEST FOR INFORMATION Project Clancy TALENT A. Big Questions and Big Ideas 1. Population Changes and Key Drivers. a. Population level - Specify the changes in total population in your community and state over the last five years and the major reasons for these changes. Please also identify the majority source of inbound migration. Ne Yok Cit’s populatio ge fo . illio to . illio oe the last fie eas ad is projected to surpass 9 million by 2030.1 New York City continues to attract a dynamic and diverse population of professionals, students, and families of all backgrounds, mainly from Latin America (including the Caribbean, Central America, and South America), China, and Eastern Europe.2 Estiate of Ne York City’s Populatio Year Population 2011 8,244,910 2012 8,336,697 2013 8,405,837 2014 8,491,079 2015 8,550,405 2016 8,537,673 Source: American Community Survey 1-Year Estimates Cumulative Estimates of the Components of Population Change for New York City and Counties Time period: April 1, 2010 - July 1, 2016 Total Natural Net Net Net Geographic Area Population Increase Migration: Migration: Migration: Change (Births-Deaths) Total Domestic International New York City Total 362,540 401,943 -24,467 -524,013 499,546 Bronx 70,612 75,607 -3,358 -103,923 100,565 Brooklyn 124,450 160,580 -32,277 -169,064 136,787 Manhattan 57,861 54,522 7,189 -91,811 99,000 1 New York City Population Projections by Age/Sex & Borough, 2010-2040 2 Place of Birth for the Foreign-Born Population in 2012-2016, American Community Survey PROJECT CLANCY PROPRIETARY AND CONFIDENTIAL 4840-0257-2381.3 1 Queens 102,332 99,703 7,203 -148,045 155,248 Staten Island 7,285 11,531 -3,224 -11,170 7,946 Source: Population Division, U.S. -
RON GORCHOV Works from the 1970S November 10 - December 17, 2016
RON GORCHOV Works from the 1970s November 10 - December 17, 2016 (New York, NY) This November, Vito Schnabel Projects is pleased to present an exhibition of ten paintings from the 1970s by Ron Gorchov. The artist deploys shaped canvases suggestive of shields, with doubled biomorphic forms in a bilaterally symmetrical format, as in archetypal work like Brother (1972) and Arena (1977). Gorchov’s works descend from experiments in shaped canvases from the 1960s pioneered by artists such as Frank Stella, Ellsworth Kelly, Elizabeth Murray, Richard Tuttle, David Novros, and Blinky Palermo. The earliest work in this exhibition, Set (1971) with its stack of shaped “crown” canvases, clearly demonstrates Gorchov’s place among these innovators. At the same time, Gorchov remained close to leading figures within the established New York School, and was a friend of Mark Rothko; in fact, the first of his shaped canvases was made in what had been Rothko’s studio, although he distances himself from the notion that he was ever a later avatar of the New York School: “For one thing, I never wanted to be a second or third generation artist of any kind. Also, I think painting, per se, is an ideal way to criticize the work you already admire because that way Set, 1971 Oil on canvas you can take the best things in it and try to make your 1 1 150 x 149 /2 x 19 /4 inches (381h x 379.73w x 48.9d cm) work to be the next consequential step.”1 Rob Storr writes in “Old Master Ron”: “Tamper the grid and ease the boundaries of shapes loosely teethed to it and— almost self-protectively—the senses awaken, the imagination comes alive.”2 The artist’s use of the shield as a governing form in his work is exemplary as a sensory and imaginative trope, one that is both literal (the shape) and figurative (the association). -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher. -
Chapter 9: Urban Design and Visual Resources A. INTRODUCTION
Chapter 9: Urban Design and Visual Resources A. INTRODUCTION This chapter considers the potential effects of the proposed project on urban design and visual resources. It is expected that the Farley Complex, an important visual resource, would be altered by the insertion of a new intermodal hall between West 31st and 33rd Streets that would be enclosed with a glass skylight, as envisioned in the preliminary design that was previously considered in 1999. Further, since Phase II of the proposed project could include construction of a structure of up to 1 million zoning square feet either above the Western Annex or on the Development Transfer Site at Eighth Avenue between West 34th and West 33rd Streets, it could create a more visible alteration to the urban design character of the study area. As recommended by the CEQR Technical Manual, the study area is, therefore, defined as the area within approximately 400 feet of the project site—an area bounded by West 30th and 34th Streets, the west side of Ninth Avenue and the east side of Eighth Avenue (see Figure 9-1). This chapter has been prepared in accordance with the State Environmental Quality Review Act (SEQRA), which requires that State agencies consider the effects of their actions on urban design and visual resources. The technical analysis follows the guidance of the CEQR Technical Manual. As defined in the manual, urban design components and visual resources determine the “look” of a neighborhood—its physical appearance, including the street pattern, the size and shape of buildings, their arrangement on blocks, streetscape features, natural features, and noteworthy views that may give an area a distinctive character. -
Penn Station, NY
Station Directory njtransit.com Penn Station, NY VENDOR INFORMATION Upper Level RAIL INFORMATION FOOD CONCOURSE LEVEL Auntie Anne’s (3 locations) ................ Amtrak/NJ TRANSIT Upper (2 locations) .................................. Exit Concourse/LIRR Lower NJ TRANSIT Au Bon Pain....................................... LIRR Lower Caruso Pizza ...................................... LIRR Lower Montclair-Boonton Line Carvel................................................ LIRR Lower Trains travel between Penn Station New York Central Market ................................... LIRR Lower and Montclair with connecting service to Chickpea (1 location) ......................... Amtrak/NJ TRANSIT Upper Hackettstown. 34th Street Down to (1 location)................................... LIRR Lower Down to LIRR Subway Down to Down to Morris & Essex Lines Cinnabon ........................................... LIRR Lower Subway To Subway Port Authority ONE PENN PLAZA ENTRANCE CocoMoko Cafe .................................. Amtrak/NJ TRANSIT Upper Bus Terminal, EXIT Down to Trains travel between Penn Station New York 8th Ave & 41st St Down to Subway Colombo Yogurt ................................. LIRR Lower (6 blocks) Lower Level to Summit and Dover or Gladstone. Cookie Cafe........................................ Exit Concourse Lower One Penn Plaza Down to Don Pepi Deli..................................... Amtrak/NJ TRANSIT Upper Lower Level Northeast Corridor Don Pepi Express (cart) ...................... LIRR Lower Trains travel between Penn Station