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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Reflexión Académica En Diseño & Comunicación
ISSN 1668-1673 2020 XLII • 2020 Año XXI. Vol 42. Mayo 2020. Buenos Aires. Argentina XLII Reflexión Académica en Diseño & Comunicación VI Edición Congreso de Tendencias Escénicas I Edición Congreso de Tendencias Audiovisuales [Presente y futuro del Espectáculo] lexión Académica en Diseño & Comunicación lexión f Re Facultad de Diseño y Comunicación. Mario Bravo 1050. Ciudad Autónoma de Buenos Aires. C1175ABT. Argentina www.palermo.edu Reflexión Académica en Diseño y Comunicación Universidad de Palermo. Comité Editorial Facultad de Diseño y Comunicación. Lucia Acar. Universidade Estácio de Sá. Brasil. Centro de Estudios en Diseño y Comunicación. Gonzalo Javier Alarcón Vital. Universidad Autónoma Metropolitana. México. Mario Bravo 1050. Fernando Alberto Alvarez Romero. Universidad de Bogotá Jorge Tadeo C1175ABT. Ciudad Autónoma de Buenos Aires, Argentina. Lozano. Colombia. www.palermo.edu Gonzalo Aranda Toro. Universidad Santo Tomás. Chile. [email protected] Christian Atance. Universidad de Buenos Aires. Argentina. Verónica Barzola. Universidad de Palermo. Argentina. Director Alberto Beckers Argomedo. Universidad Santo Tomás.Chile. Oscar Echevarría Renato Antonio Bertao. Universidade Positivo. Brasil. Coordinadora de la Publicación Allan Castelnuovo. Market Research Society. Reino Unido. Diana Divasto Jorge Manuel Castro Falero. Universidad de la Empresa. Uruguay. Raúl Castro Zuñeda. Universidad de Palermo. Argentina. Mario Rubén Dorochesi Fernandois. Universidad Técnica Federico Santa María. Chile. Adriana Inés Echeverria. Universidad de la Cuenca del Plata. Argentina. Universidad de Palermo Jimena Mariana García Ascolani. Universidad Iberoamericana. Paraguay. Marcelo Ghio. Instituto San Ignacio. Perú. Rector Clara Lucia Grisales Montoya. Academia Superior de Artes. Colombia. Ricardo Popovsky Haenz Gutiérrez Quintana. Universidad Federal de Santa Catarina. Brasil. José Korn Bruzzone. Universidad Tecnológica de Chile. Chile. Facultad de Diseño y Comunicación Denisse Morales. -
Student Org Campaigning Underway
Basement legend Student discovered Breaking a Sweat director takes P. 3 With Kickboxing his film to the P. 6 ropes P. 3 The Tower www.kean.edu/~thetower Kean University’s stUDENT NEWSPAPER Volume 10 • Issue 5 Mar. 10-Apr. 6, 2010 Student Org Campaigning Underway BY JOSEPH TINGLE Still, many students who aren’t run- ning feel as if they’ve been left out of Some Kean students might be surprised the process. to know that the deadline to apply for can- Ruth, a Kean student who is a junior didacy in this year’s Student Government Business Management major and lives in elections has already passed, and accepted the residence halls, said she had “no idea” candidates have already began preparing that the applications to run for Student for a month of campaigning. Org was already due. While reporters at The Tower learned “I never know elections are happening that as many as two separate “tickets” until someone comes up to me with a lap- planned to run for Student Org positions, top and asks me to vote for them,” Ruth this could not confirmed by the time the said. March issue went to print. And Shena, a sophomore and commuter For students to be eligible to run for student, says she had no idea that Student Student Org, they must meet certain GPA Org and Student Trustee elections were and disciplinary requirements set by the being held, but would have liked to know. Kean University Student Joe Rutch attends Olympic Games in Vancouver. (See page 16) university, and not everyone who says “They didn’t make an effort to tell us, that they are running for office will be per- and that makes me think they don’t really mitted to. -
Docility, Resistance and the Indie Guitarist: a Foucaultian Interpretation of the Guitar- Hero Joshua Hochman
Docility, Resistance and the Indie Guitarist: A Foucaultian Interpretation of the Guitar- Hero by Joshua Hochman A thesis submitted to the Faculty o f Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree o f Masters in Music and Culture Carleton University Ottawa, Ontario ©2013 Josh Hochman Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94602-2 Our file Notre reference ISBN: 978-0-494-94602-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Radiolab and the Micropolitics of Podcasting
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 8-1-2013 Sound Reason: Radiolab and the Micropolitics of Podcasting Justin M. Eckstein University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Mass Communication Commons Recommended Citation Eckstein, Justin M., "Sound Reason: Radiolab and the Micropolitics of Podcasting" (2013). Electronic Theses and Dissertations. 176. https://digitalcommons.du.edu/etd/176 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. SOUND REASON: RADIOLAB AND THE MICROPOLITICS OF PODCASTING __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Justin M. Eckstein August 2013 Advisor: Darrin K. Hicks, PhD ©Copyright by Justin M. Eckstein 2013 All Rights Reserved Author: Justin M. Eckstein Title: SOUND REASON: RADIOLAB AND THE MICROPOLITICS OF PODCASTING Advisor: Darrin K. Hicks, PhD Degree Date: August 2013 ABSTRACT Over the past 10 years, the practice of podcasting has migrated from the margins of technological conferences to a central role in popular culture. Podcasting is an Internet-based broadcast medium that relies on Real Simple Syndication (RSS) feeds—a peer subscription service—to automatically retrieve and upload content to a portable MP3 player. In light of its growth and popularity, I ask, ―what is the podcast‘s political potential?‖ In this project, I argue that the podcast has the potential to serve as an instrument of liberal and neurological reasoning. -
TACCLE1-Libro Sobre E-Learning.Pdf
TACCLE Teachers’ Aids on Creating Content for Learning Environments The E-learning Handbook for Classroom Teachers 2TACCLE handbook TACCLE Teachers’ Aids on Creating Content for Learning Environments The E-learning Handbook for Classroom Teachers Jenny Hughes, Editor Jens Vermeersch, Project coordinator Graham Attwell, Serena Canu, Kylene De Angelis, Koen DePryck, Fabio Giglietto, Silvia Grillitsch, Manuel Jesús Rubia Mateos, Sébastián Lopéz Ojeda, Lorenzo Sommaruga, Narciso Jáimez Toro TACCLE handbook3 TACCLE THE E-LEARNING HANDBOOK FOR CLASSROOM TEACHERS BRUSSELS GO! ONDERWIJS VAN DE VLAAMSE GEMEENSCHAP 2009 IF YOU HAVE ANY QUESTIONS REGARDING THIS BOOK OR THE PROJECT FROM WHICH IT ORIGINATED: VEERLE DE TROYER AND JENS VERMEERSCH HET GO! ONDERWIJS VAN DE VLAAMSE GEMEENSCHAP - INTERNATIONALISATION DEPARTMENT EMILE JACQMAINLAAN 20 • B -1000 BRUSSEL TELEPHONE: +32 02 790 95 98 • E-MAIL: [email protected] JENNY HUGHES [ED.] 132 PP. –29,7 CM. D/2009/8479/001 ISBN 9789078398004 THE EDITING OF THIS BOOK WAS FINISHED ON THE 29TH OF MAY 2009. COVER-DESIGN AND LAYOUT: BART VLIEGEN (WWW.WATCHITPRODUCTIONS.BE) PROJECT WEBSITE: WWW.TACCLE.EU THIS COMENIUS MULTILATERAL PROJECT HAS BEEN FUNDED WITH SUPPORT FROM THE EUROPEAN COMMISSION PROJECT NUMBER: 133863-LLP-1-2007-1-BE-COMENIUS-CMP. THIS BOOK REFLECTS THE VIEWS ONLY OF THE AUTHORS, AND THE COMMISSION CANNOT BE HELD RESPONSIBLE FOR ANY USE THAT MAY BE MADE OF THE INFORMATION CONTAINED THEREIN. PROJECT COORDINATION: JENS VERMEERSCH WITH THE HELP OF VEERLE DE TROYER AND HANNELORE AUDENAERT TACCLE BY JENNY HUGHES, GRAHAM ATTWELL, SERENA CANU, KYLENE DE ANGELIS, KOEN DEPRYCK, FABIO GIGLIETTO, SILVIA GRILLITSCH, MANUEL JESÚS RUBIA MATEOS, SÉBASTIÁN LOPÉZ OJEDA, LORENZO SOMMARUGA, NARCISO JÁIMEZ TORO, JENS VERMEERSCH IS LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION-NON-COMMERCIAL-SHARE ALIKE 2.0 BELGIUM LICENSE. -
Pressure Issue 4.Pdf
PRESSURE PEOPLE MEET THE PRESSURE TEAM KEVIN NAUGHTON With a degree in anthropology and a zest for history, Kevin Naughton brings a uniquely studious perspective to every article he concocts. He's a full-time bartender and a part-time activist, volunteering for political groups when he's not busy with work and his many creative endeavors. Naughton plays bass in his band the Suede Brothers, along with guitar and drums in various side PRESSURE LIFE projects. Aside from writing about politics, culture, and beyond, Naughton aims to further pursue his passion for film. Creative Director, Owner Jim Bacha Recently Naughton has transitioned from self-proclaimed film buff Chief Operating Officer, Owner John Gardner to full-on filmmaker, having completed both a full length feature and a short film, with the hopes of screening in film festivals. Editors Amy Sokolowski Sarah Maxwell Ryan Novak Art Director Hannah Allozi Illustrator Aaron Gelston WILL KMETZ Will Kmetz claims he doesn't have Senior Writers Adam Dodd any interesting facts to share, but Will Kmetz that couldn't be further from the Staff Writers Dan Bernardi truth. By day, he's a manager at the Matt McLaughlin Cleveland Brew Shop, and by night Gennifer Harding-Gosnell he zealously pursues his love for all Kevin Naughton things beer. Aside home brewing, Contributors Stephanie Ginese Kmetz's hobbies include writing, Jae Andres drinking, and writing about drinking, heavily fueling his aspirations Brittany Dobish to become a professional brewer one day. In the meantime Darrick Rutledge Casey Rearick he's shaping up to be quite the connoisseur when it comes to Anthony Franchino everyone's favorite social lubricant. -
Voices-Cast : a Report on the New Audiosphere of Podcasting with Specific Insights for Public Broadcasting
ANZCA09 Communication, Creativity and Global Citizenship. Brisbane, July 2009 Voices-cast: a report on the new audiosphere of podcasting with specific insights for public broadcasting Virginia M Madsen Macquarie University, NSW, Australia [email protected] Virginia Madsen is a lecturer in Media and Convenor of Radio at the University of Macquarie, Sydney. She is also an established radio documentary and feature producer with her work heard on the ABC and internationally. Her numerous published writings on radio and auditory culture include essays on cultural radio history for Southern Review (Vol. 39/3, 2007), The Radio Journal (Vol. 3/3, 2005) and Radio (Ed. Crisell, Routledge 2009), a chapter on ‘Experiments in Radio’ in the book, Experimental Music: Audio Explorations in Australia, (Ed. Gail Priest, UNSW Press, 2009) and an essay investigating sound and noise deployed as weapon for the journal, Organised Sound (Vol 14 Issue 14/1 2009). She is currently working on a book charting the development and forms of the international radio documentary or feature. Abstract Digitisation and the ready downloading and distribution of audio files on the internet have transformed contemporary audio media. Podcasting, which emerged with unexpected rapidity in 2005, has achieved wide popularity due to two of its characteristics: time-shifting and portability. Another feature of podcasting – to date less a subject of critical reflection – is the central role played by the voice and pre existing forms of voice radio. Drawing on examples and links with early radio and some of its more imaginative forms, this paper theorizes the podcast phenomenon as an extension of already existing speech radio – a boon in particular to public broadcasting radios’ rich reservoir of programs and cultural and democratic mission. -
THE SHOOT: WRESTLING's REALITY on the INDEPENDENT SCENE Chris Saunders a Thesis Submitted to the Faculty of the University Of
THE SHOOT: WRESTLING’S REALITY ON THE INDEPENDENT SCENE Chris Saunders A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the degree of Master of Arts in Journalism and Mass Communication in the School of Journalism and Mass Communication. Chapel Hill 2010 Approved by: Adviser: Prof. Jan Yopp Reader: Dr. Barbara Friedman Reader: Dr. Elizabeth Hedgpeth © 2010 Chris Saunders ALL RIGHTS RESERVED ii ABSTRACT CHRIS SAUNDERS: The Shoot: Wrestling’s Reality on the Independent Scene (Under the direction of Jan Yopp, Barbara Friedman, and Elizabeth Hedgpeth) Over the last ten years, professional wrestling has become more corporate and monopolized. World Wrestling Entertainment is the only major promotion with a few promotions, such as Total Nonstop Action, trying to compete. As a result, those major promotions have changed who they target from traditional wrestling fans to the mainstream population at large. Wrestling purists scoff at the programming they see those promotions produce on television. The alternative for the old-school, dedicated wrestling fan is the independent circuit. The three articles that follow work to illustrate the lives lived, the dreams fulfilled and the hopes broken on wrestling’s indy scene. The first article serves as an overview by featuring both wrestlers and fans in a gimmick- based promotion in Raleigh, North Carolina. The second article profiles a wrestling promoter and discusses the financial burdens one undertakes to run a promotion full-time. The final article describes the role wrestling schools play in the independent world and features a former superstar who has turned teacher. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Just Say No to 360s: The Politics of Independent Hip-Hop Permalink https://escholarship.org/uc/item/02h786r6 Author Vito, Christopher Sangalang Publication Date 2017 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Automated Layout-Inclusive Synthesis of Analog Circuits using Symbolic Performance Models A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the Department of Electrical and Computer Engineering and Computer Science of the College of Engineering 2005 by MUKESH RANJAN B.E. Electrical Engineering S.V. National Institute of Technology, Surat, India, 2000 Thesis Advisor and Committee Chair: Dr. Ranga Vemuri Abstract A key task in the automated design of analog/RF circuits is circuit sizing, a process that involves assigning numerical values to unknown circuit parameters of a fixed topology, while being subjected to a set of performance constraints. Over the years, the terms sizing and syn- thesis have been used interchangeably, and have become synonymous in the analog domain. Mature tools for the synthesis of digital circuits are abundant, but the market for analog synthe- sis tools is still growing and very few commercial products exist. Several techniques have been developed in the past for analog synthesis, ranging from knowledge-based methods to tech- niques using numerical simulation. A frequently used technique involves an iterative stochastic search, which uses numerical simulations at every probable design point, in order to obtain the performance metrics. Expensive computations and parasitics unawareness of this traditional method necessitates a scheme which can produce fast layout aware designs. -
Copyright Equality: Free Speech, Efficiency, and Regulatory Parity in Distribution
COPYRIGHT EQUALITY: FREE SPEECH, EFFICIENCY, AND REGULATORY PARITY IN DISTRIBUTION ∗ PETER DICOLA INTRODUCTION ............................................................................................. 1838 I. UNEQUAL TREATMENT OF MUSIC DISTRIBUTORS ............................. 1845 A. Traditional AM and FM Radio .................................................. 1846 B. Satellite Radio ........................................................................... 1848 C. Cable Music Services ................................................................ 1851 D. Webcasting ................................................................................ 1853 E. On-Demand Streaming .............................................................. 1858 F. Other Modes of Distribution ...................................................... 1863 II. ECONOMIC ARGUMENTS FOR AND AGAINST EQUALITY .................... 1864 A. Interconnected Industries .......................................................... 1865 B. A Simple Model of Music Distribution ...................................... 1867 1. Product Characteristics ........................................................ 1867 2. Substitution and Complementarity ...................................... 1869 3. Cannibalization and Promotion ........................................... 1870 4. Consumer Prices .................................................................. 1872 C. Distortions, or the Picking-Winners Aspect of Copyright Law ...........................................................................................