DOCSLIB.ORG

Lapidary Works of Art, Gemstones and Minerals

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

S L RT, RT, A INERA M GEMSTONES AND December 6, 2017 Wednesday Los Angeles LAPIDARY WORKS OF LAPIDARY LAPIDARY WORKS OF ART, GEMSTONES AND MINERALS | Los Angeles, Wednesday DECEMBER 6, 2017 24276 LAPIDARY WORKS OF ART, GEMSTONES AND MINERALS Wednesday December 6, 2017 at 10am Los Angeles BONHAMS BIDS INQUIRIES ILLUSTRATIONS 7601 W. Sunset Boulevard +1 (323) 850 7500 Claudia Florian, G.J.G Front cover: Lot 2466 Los Angeles, California 90046 +1 (323) 850 6090 fax Co-Consulting Director Inside front cover: Lot 2035 bonhams.com (323) 436-5437 Session page: Lot 2217 To bid via the internet please visit [email protected] Inside back cover: Lot 2285 PREVIEW www.bonhams.com/24276 Back cover: Lot 2462 Friday, December 1, 12-5pm Katherine Miller Saturday, December 2, 12-5pm Please note that telephone bids Business Administrator Sunday, December 3, 12-5pm must be submitted no later (323) 436-5445 Monday, December 4, 10-5pm than 4pm on the day prior to [email protected] Tuesday, December 5, 10-5pm the auction. New bidders must also provide proof of identity SALE NUMBER: 24276 and address when submitting Lots 2001 - 2487 bids. Telephone bidding is only available for lots with a low CATALOG: $35 estimate in excess of $1000. Please contact client services with any bidding inquiries. Please see pages 183 to 186 for bidder information including Conditions of Sale, after-sale collection and shipment. Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2017, Bonhams & Butterfields Auctioneers Corp.; All rights reserved. Bond No. 57BSBGL0808 ORDER OF SALE REGULATED SPECIES MATERIALS AND CITES PERMITS Lapidary Works of Art, Gemstones, The export of a lot from the United States or import into certain countries may be subject to export or import regulations, licensure Pearls and Native Metals and Minerals and/or other restrictions; in particular, lots containing plant or animal (listed alphabetically) ...........................2001-2487 materials such as ivory, rhinoceros horn, tortoiseshell, coral, whalebone or certain types of woods, irrespective of age or value, may require the granting of one or more export or import licenses or certificates, or may NOTICE REGARDING BURMESE be banned from import altogether by some countries. Moreover, the ability to obtain an export license or certificate does not insure the ability JADEITE AND RUBIES to obtain an import license or certificate in another country. Lots that contain such regulated species materials may also not be eligible for Current law dictates that jadeite and rubies of Burmese origin and any exportation or for re-importation into the United States if they are not at articles of jewelry containing jadeite or rubies of Burmese origin may least 100 years of age, and, under current law, lots containing African not be imported into the U.S. Certification that such jadeite or rubies Elephant Ivory may no longer be re-imported into the United States were not mined in or extracted from Burma is required for importation regardless of age. In addition, resales of lots containing certain regulated of them into the U.S. species materials may be subject to restrictions in some jurisdictions. It is the responsibility of the buyer to investigate any applicable Lots noted in the catalog with a Y next to the lot number contain one restrictions on purchased property and to obtain any export or or more such regulated plant or animal materials. It is the buyer’s import licenses and/or certificates as well as any other required responsibility to investigate any such restrictions and to obtain any documentation before shipping. The buyer’s inability to export or relevant export or import licenses. Please note that this process import any such items or to do so timely shall not serve as the basis is governed by local authorities and may take considerable for any cancellation or rescission of the sale or any delay in payment. time. Regardless of any delay in the obtaining of an export or Prospective buyers who are uncertain as to whether a lot is subject import license or certificate or denial of a license’s or certificate’s to these restrictions or any other restrictions on importation or issuance, purchased lots shall be paid for in accordance with the exportation are advised to consult with the specialist department in Conditions of Sale, and any such delay or denial shall not serve as which the property is offered. the basis for cancellation of any sale. Prospective buyers are advised to obtain information from the relevant regulatory authorities regarding export and import restrictions, requirements, and costs prior to bidding. ERA PERIOD EPOCH MILLION YEARS AGO Prospective buyers should also check with their local (e.g. state) regulatory authorities regarding any local restrictions and/or permit requirements that may apply with respect to purchases of regulated QUATERNARY Holocene (Recent) Present to 0.01 species materials, including without limitation purchases of items Pleistocene (Ice Age) 0.01 to 2 TERTIARY Pliocene 2 to 5 containing elephant ivory or rhino horn. For example, we are advised Miocene 5 to 25 that New York buyers of any lot containing elephant or mammoth ivory CENOZOIC Oligocene 25 to 38 Eocene 38 to 55 or rhino horn will be responsible for obtaining a New York State permit Paleocene 55 to 65 before taking possession of the lot within New York State, and that the State of New Jersey has banned the import of items containing elephant or marine mammal ivory or rhino horn into that state. CRETACEOUS 65 to 144 JURASSIC 144 to 213 TRIASSIC 213 to 248 Upon request, Bonhams can refer the purchaser to a third party agent MESOZOIC (Age of the Dinosaurs) to assist the purchaser in attempting to obtain the appropriate licenses and/or certificates. However, there is no assurance that any necessary licenses or certificates can be obtained. Please contact the Specialist PERMIAN 248 to 286 Department for a suggested list of shipping agents prior to placing a CARBONIFEROUS 286 to 360 bid if you are uncertain as to whether a lot is subject to export/import DEVONIAN 360 to 408 ALEOZOIC SILURIAN 408 to 438 license or certificate requirements or related restrictions. P ORDOVICIAN 438 to 505 CAMBRIAN 505 to 590 LAPIDARY WORKS OF ART, GEMSTONES AND MINERALS Lots 2001- 2487 Additional images of all group lots are available on the website. 2003 2001 2004 2002 2005 2002 2004 GEM AMBER NUGGET GEM AMBER NUGGET Chiapas, Mexico Chiapas, Mexico Having green fluorescence particularly in Gem-grade amber possessing a high degree sunlight, contour polished to the exterior to of clarity, entirely contour polished to reveal reveal the gem-grade or high-degree of clarity. the interior beauty. with green fluoresence. Weighing 89.3 grams and measuring 3 1/2 x With a flat polished base allowing it to stand 2 1/2 x 1 1/4in on its own. Weighing approximately 200.2 2002 (detail) grams and measuring 3 x 2 3/4 x 2 1/4 in $600 - 800 To be sold without reserve $1,000 - 1,500 2001 To be sold without reserve AMBER CARVING DEPICTING THE HEAD 2003 OF A MAYAN WARRIOR GROUP OF THREE ANIMAL-FORM 2005 Chiapas, Mexico AMBER CARVINGS GROUP OF EIGHT AMBER SPHERES Featuring a design patterned after Mayan Chiapas, Mexico Chiapas, Mexico pottery and temple images, depicting a Depicting a stylized cat, weighing 16.9 grams, Each of high clarity and medium yellow hue, warrior in full regalia, with a puma skin length 1 3/4in; a stylized dog, weighing weighing 29.0 grams, diameter 1 1/2in; 13.0 headdress. Carved of highly transparent approximately 17.8 grams, length 2in; and grams, 1 1/4in; 13.6 grams, 1 1/8in; 11.8 amber having very few inclusions, polished to another dog, weighing approximately 22.4 grams, 1 1/8in; 7.0 grams, 1in; 6.6 grams, a mirror bright finish. Weighing approximately grams, length 1 3/4in, some displaying green 1in; 5.6 grams, 7/8in; 5.7 grams, 7/8in. Total 257.6 grams and measuring 3 1/2 x 3 1/2 x fluorescence in sunlight. Total combined weight 93.6 grams (8) 2 1/4in weight approximately 57.1 grams (3) $1,000 - 1,500 $1,500 - 2,000 $600 - 800 To be sold without reserve To be sold without reserve To be sold without reserve 4 | BONHAMS 2007 2006 2006 COPAL SPECIMEN WITH INSECT INCLUSIONS Antioquia, Colombia Copal--fossilized tree sap, or fossil resin- -is a precursor to amber. The distinction between copal and amber forms an issue of contention among experts, however. In general, fossil resin is called copal is it is not older than 2 - 20 million years, but, because of the lack of a scaling system for assessing polymerization rates, the nomenclature of resin, copal and amber is inexact. Adding to the difficulties in classifying Colombian copal 2007 (detail) and amber are the presence of drug cartels in the area, inhibiting more thorough scientific study that might clarify the age of the geologic formations in which these materials are found. 2007 Nevertheless, the collective importance VERY LARGE COPAL SPECIMEN WITH of resin, copal and amber specimens in ENHYDRO INCLUSION providing a fossil record of ancient rainforest Antioquia, Colombia life is indisputable. The present offering Very large free form contour polished is an elegant display specimen, with specimen of copal, featuring a rare inclusion elongated proportions, having a high degree of a water bubble which can be observed of transparency allowing the numerous when the specimen is rotated side to side. inclusions to stand out in high relief. Insect Specimen may also include various plant inclusions may consist of termites, ants and materials.
Recommended publications
  • Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC

    Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC

    Proceedings of the Prehistoric Society 81, 2015, pp. 361–392 © The Prehistoric Society doi:10.1017/ppr.2015.17 Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC By KRISTIAN KRISTIANSEN1 and PAULINA SUCHOWSKA-DUCKE2 The Bronze Age was the first epoch in which societies became irreversibly linked in their co-dependence on ores and metallurgical skills that were unevenly distributed in geographical space. Access to these critical resources was secured not only via long-distance physical trade routes, making use of landscape features such as river networks, as well as built roads, but also by creating immaterial social networks, consisting of interpersonal relations and diplomatic alliances, established and maintained through the exchange of extraordinary objects (gifts). In this article, we reason about Bronze Age communication networks and apply the results of use-wear analysis to create robust indicators of the rise and fall of political and commercial networks. In conclusion, we discuss some of the historical forces behind the phenomena and processes observable in the archaeological record of the Bronze Age in Europe and beyond. Keywords: Bronze Age communication networks, agents, temperate Europe, Mediterranean Basin THE EUROPEAN BRONZE AGE AS A COMMUNICATION by small variations in ornaments and weapons NETWORK: HISTORICAL & THEORETICAL FRAMEWORK (Kristiansen 2014). Among the characteristics that might compel archaeo- Initially driven by the necessity to gain access to logists to label the Bronze Age a ‘formative epoch’ in remote resources and technological skills, Bronze Age European history, the density and extent of the era’s societies established communication links that ranged exchange and communication networks should per- from the Baltic to the Mediterranean and from haps be regarded as the most significant.
  • Tensions Between Scientia and Ars in Medieval Natural Philosophy and Magic Isabelle Draelants

    Tensions Between Scientia and Ars in Medieval Natural Philosophy and Magic Isabelle Draelants

    The notion of ‘Properties’ : Tensions between Scientia and Ars in medieval natural philosophy and magic Isabelle Draelants To cite this version: Isabelle Draelants. The notion of ‘Properties’ : Tensions between Scientia and Ars in medieval natural philosophy and magic. Sophie PAGE – Catherine RIDER, eds., The Routledge History of Medieval Magic, p. 169-186, 2019. halshs-03092184 HAL Id: halshs-03092184 https://halshs.archives-ouvertes.fr/halshs-03092184 Submitted on 16 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. This article was downloaded by: University College London On: 27 Nov 2019 Access details: subscription number 11237 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge History of Medieval Magic Sophie Page, Catherine Rider The notion of properties Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315613192-14 Isabelle Draelants Published online on: 20 Feb 2019 How to cite :- Isabelle Draelants. 20 Feb 2019, The notion of properties from: The Routledge History of Medieval Magic Routledge Accessed on: 27 Nov 2019 https://www.routledgehandbooks.com/doi/10.4324/9781315613192-14 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes.
  • A Brief History of the International Regulation of Wine Production

    A Brief History of the International Regulation of Wine Production

    A Brief History of the International Regulation of Wine Production The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation A Brief History of the International Regulation of Wine Production (2002 Third Year Paper) Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:8944668 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA A Brief History of the International Regulation of Wine Production Jeffrey A. Munsie Harvard Law School Class of 2002 March 2002 Submitted in satisfaction of Food and Drug Law required course paper and third-year written work require- ment. 1 A Brief History of the International Regulation of Wine Production Abstract: Regulations regarding wine production have a profound effect on the character of the wine produced. Such regulations can be found on the local, national, and international levels, but each level must be considered with the others in mind. This Paper documents the growth of wine regulation throughout the world, focusing primarily on the national and international levels. The regulations of France, Italy, Germany, Spain, the United States, Australia, and New Zealand are examined in the context of the European Community and United Nations. Particular attention is given to the diverse ways in which each country has developed its laws and compromised between tradition and internationalism. I. Introduction No two vineyards, regions, or countries produce wine that is indistinguishable from one another.
  • The Cultural Significance of Precious Stones in Early Modern England

    The Cultural Significance of Precious Stones in Early Modern England

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 6-2011 The Cultural Significance of Precious Stones in Early Modern England Cassandra Auble University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, European History Commons, and the History of Gender Commons Auble, Cassandra, "The Cultural Significance of Precious Stones in Early Modern England" (2011). Dissertations, Theses, & Student Research, Department of History. 39. https://digitalcommons.unl.edu/historydiss/39 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND by Cassandra J. Auble A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Carole Levin Lincoln, Nebraska June, 2011 THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND Cassandra J. Auble, M.A. University of Nebraska, 2011 Adviser: Carole Levin Sixteenth and seventeenth century sources reveal that precious stones served a number of important functions in Elizabethan and early Stuart society. The beauty and rarity of certain precious stones made them ideal additions to fashion and dress of the day. These stones also served political purposes when flaunted as examples of a country‘s wealth, bestowed as favors, or even worn as a show of royal support.
  • An Anthropological Assessment of Neanderthal Behavioural Energetics

    An Anthropological Assessment of Neanderthal Behavioural Energetics

    DEPARTMENT OF ARCHAEOLOGY, CLASSICS & EGYPTOLOGY An Anthropological Assessment of Neanderthal Behavioural Energetics. Thesis submitted in accordance with the requirements of the University of Liverpool for the Degree of Doctor in Philosophy by Andrew Shuttleworth. April, 2013. TABLE OF CONTENTS……………………………………………………………………..i LIST OF TABLES……………………………………………………………………………v LIST OF FIGURES…………………………………………………………………………..vi ACKNOWLEDGMENTS…………………………………………………………………...vii ABSTRACT…………………………………………………………………………………viii TABLE OF CONTENTS 1. INTRODUCTION...........................................................................................................1 1.1. Introduction..............................................................................................................1 1.2. Aims and Objectives................................................................................................2 1.3. Thesis Format...........................................................................................................3 2. THE NEANDERTHAL AND OXYEGN ISOTOPE STAGE-3.................................6 2.1. Discovery, Geographic Range & Origins..............................................................7 2.1.1. Discovery........................................................................................................7 2.1.2. Neanderthal Chronology................................................................................10 2.2. Morphology.............................................................................................................11
  • This Thesis Is Being Submitted in Partial Futfilment of the Degree of Phd by Prior Publication

    This Thesis Is Being Submitted in Partial Futfilment of the Degree of Phd by Prior Publication

    The historical roles of minerol materials in folk medicine and the development of the materia medicu Christopher John DUFFIN This thesis is being submitted in partial futfilment of the requirements of the University of Kingston for the degree of PhD by prior publication January,2018 This thesis is dedicated to the memory of my wife, Yvonne Duffin (1950-2015), who appreciated and supported my consuming interest in the subject investigated in these pages. Abstract Mineral materials include rocks, minerals, fossils, earths, mineraloids, biogenic skeletal remains and synthetic stones. Each of these classes of material has enjoyed much popularity as supposedly therapeutic medicinal ingredients in the history of pharmacy; many have an unbroken record of use since ancient and classical times. The historical materia medica incorporates minerals that have been made use of in both medical folklore and academic analysis. This thesis presents a body of work which develops examples from each class of mineral material, tries to establish their identities, and explores the evolution of their therapeutic use against the backdrop of changing philosophies in the history of medicine. The most rudimentary use of mineral materials was in a magico-medicinal way as amulets wom for protection against harmful influences which might be expressed in the body as loss of health, and as prophylactics against specific diseases and poisons. Amulets were often worn as pendants, necklaces and rings, or appended to the clothing in some way. The humoral system of Greek medicine saw the health of the body as being a state of balance between the four humours. Humoral imbalance was corrected by, amongst other interventions, the application of medicinal simples or 'Galenicals', which were largely unmodified (other than by trituration) herbal, zoological and mineralogical materials.
  • Monastic Landscapes of Medieval Transylvania (Between the Eleventh and Sixteenth Centuries)

    Monastic Landscapes of Medieval Transylvania (Between the Eleventh and Sixteenth Centuries)

    DOI: 10.14754/CEU.2020.02 Doctoral Dissertation ON THE BORDER: MONASTIC LANDSCAPES OF MEDIEVAL TRANSYLVANIA (BETWEEN THE ELEVENTH AND SIXTEENTH CENTURIES) By: Ünige Bencze Supervisor(s): József Laszlovszky Katalin Szende Submitted to the Medieval Studies Department, and the Doctoral School of History Central European University, Budapest of in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, and CEU eTD Collection for the degree of Doctor of Philosophy in History Budapest, Hungary 2020 DOI: 10.14754/CEU.2020.02 ACKNOWLEDGMENTS My interest for the subject of monastic landscapes arose when studying for my master’s degree at the department of Medieval Studies at CEU. Back then I was interested in material culture, focusing on late medieval tableware and import pottery in Transylvania. Arriving to CEU and having the opportunity to work with József Laszlovszky opened up new research possibilities and my interest in the field of landscape archaeology. First of all, I am thankful for the constant advice and support of my supervisors, Professors József Laszlovszky and Katalin Szende whose patience and constructive comments helped enormously in my research. I would like to acknowledge the support of my friends and colleagues at the CEU Medieval Studies Department with whom I could always discuss issues of monasticism or landscape archaeology László Ferenczi, Zsuzsa Pető, Kyra Lyublyanovics, and Karen Stark. I thank the director of the Mureş County Museum, Zoltán Soós for his understanding and support while writing the dissertation as well as my colleagues Zalán Györfi, Keve László, and Szilamér Pánczél for providing help when I needed it.
  • Ancient Carved Ambers in the J. Paul Getty Museum

    Ancient Carved Ambers in the J. Paul Getty Museum

    Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication.
  • Marija Gimbutas Papers and Collection of Books

    Marija Gimbutas Papers and Collection of Books

    http://oac.cdlib.org/findaid/ark:/13030/c8m04b8b No online items Marija Gimubtas Papers and Collection of Books Finding aid prepared by Archives Staff Opus Archives and Research Center 801 Ladera Lane Santa Barbara, CA, 93108 805-969-5750 [email protected] http://www.opusarchives.org © 2017 Marija Gimubtas Papers and 1 Collection of Books Descriptive Summary Title: Marija Gimbutas Papers and Collection of Books Physical Description: 164 linear feet (298 boxes) and 1,100 volumes Repository: Opus Archives and Research Center Santa Barbara, CA 93108 Language of Material: English Biography/Organization History Marija Gimbutas (1921-1994) was a Lithuanian-American archeologist and archaeomythologist, and Professor Emeritus of European Archaeology and Indo-European Studies at the University of California Los Angeles from 1963-1989. Her work focused on the Neolithic and Bronze Age cultures of Old Europe. She was born in 1921 in Vilnius, Lithuania. At the University of Vilnius she studied archaeology, linguistics, ethnology, folklore and literature and received her MA in 1942. In 1946 she earned a PhD in archaeology at Tübingen University in Germany for her dissertation on prehistoric burial rites in Lithuania. In 1949 Gimbutas moved to the United States. She worked for Harvard University at the Peabody Museum from 1950-1963 and was made a Fellow of the Peabody in 1955. Her work included translating archeological reports from Eastern Europe, and her research focused on European prehistory. In 1963 Gimbutas became a professor at the University of California in Los Angeles in the European archeology department. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of "Old Europe," a term she introduced.
  • A Close Study of Pliny the Elder's Naturalis Historia

    A Close Study of Pliny the Elder's Naturalis Historia

    SUMMA ABSOLUTAQUE NATURAE RERUM CONTEMPLATIO: A CLOSE STUDY OF PLINY THE ELDER’S NATURALIS HISTORIA 37 by EMILY CLAIRE BROWN B.A., The University of British Columbia, 2010 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Classics) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2012 © Emily Claire Brown, 2012 ABSTRACT The focus of modern scholarship on Pliny the Elder’s Naturalis Historia tends towards two primary goals: the placement of the work and the author within the cultural context of late 1st century CE Rome and, secondly, the acknowledgement of the purposeful and designed nature of Pliny’s text. Following this trend, the purpose of this study is to approach Book 37, in which Pliny lists and categorizes the gems of the world, as a deliberately structure text that is informed by its cultural context. The methodology for this project involved careful readings of the book, with special attention paid to the patterns hidden under the surface of Pliny’s occasionally convoluted prose; particular interest was paid to structural patterns and linguistic choices that reveal hierarchies. Of particular concern were several areas that appealed to the most prominent areas of concern in the book: the structure and form of the book; the colour terminology by which Pliny himself categorizes the gems; the identification of gems as objects of mirabilia and luxuria; and the identification of gems as objects of magia and medicina. These topics are all iterations of the basic question of whether gems represent to Pliny positive growth on the part of the Roman Empire, or detrimental decline.
  • Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program

    Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program

    Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program Section I. Fabergé’s Lapidary Art • Tatiana Muntian. Fabergé and His Flower Studies • Alexander von Solokoff. Rock Crystal Mushrooms by Fabergé • Valentin Skurlov. The Range of Products and Precious Stones in Fabergé’s Stone-Cutting Production (1890-1917) • Galina Korneva and Tatiana Cheboksarova. Stone Carvings in the Collection of the Great Duchess Maria Pavlovna • Pavel Kotlyar. Alexander Palace and the Fabergé Firm • Dmitriy Krivoshei. Stone-cut Objects and Clients of the Fabergé Company in 1909-1916’s (Based on General Ledger) • Svetlana Chestnykh. History of Hardstone Figure of Kamer-Kazak N.N. Pustynnikov Section II. Russian Lapidary Art in the 19th-Early 20th Centuries • Evgeniy Lukianov. Precious and Semi-precious Stones in Works of the Sazikov Firm (1850- 1880’s) • Andreiy Gilodo. Lapidary Art of Soviet Russia in 1920-1930’s • Ludmila Budrina. By Order of Mr. Governor: Ekaterinburg Lapidary Factory Items from 1880- 1890’s Made from Non-Chancery Designs • Natalia Borovkova. Works of the Ekaterinburg Lapidary Factory in 1870-1880's Commissioned by His Imperial Majesty's Own Chancery • Mariya Osipova. Stone Carvings of the Bolin Firm • Aleksandra Pestova. History of West Ural’s Stone Craft (1830-1930’s). Influence of Ekaterinburg Stone Carvers and Fabergé’s Craftsmen Section III. Origin of Russian Jeweler’s Art • Annette Fuhr. The Story of Idar-Oberstein, One of the Most Important Towns in the Gemstone World • Max Rutherston. Netsuke • Olga Alieva. Prototypes of Modern Ural Hardstone Sculpture • Raisa Lobatckaya. Siberian Ethnic Motives in Works of Modern Jewelers • Ekaterina Tarakanova.
  • Josephine County, Oregon, Historical Society Document Oregon, Minerals

    Josephine County, Oregon, Historical Society Document Oregon, Minerals

    ) OREGON WELCOMES rock hunters to ROCKHOUND RULES the Agate State.... Oregon is a collector's paradise, but Collectors of every age enjoy the thrill of even in a paradise it is wise to follow a few discovering a flawless gem or a rare fossil, and simple rules ... certainly they will tend to Oregon is the place to find them. assure the best possible success. Come on out and try your luck in one or all of the state's many rich deposits. However, don't be disappointed if you fail I. Select several sites within a to "strike it rich" on your first outing ...it took fairly small area to avoid spreading the residents of Canyon City, in central Ore­ valuable collecting time too thin ... gon, I 0 years to discover they had paved their become informed on the material streets with gold-bearing gravel! available and its exact location. 2. Don't hesitate to ask local col­ lectors for information about se­ lected sites ...check with rockhound clubs wherever they are found. 3. Bring along the proper tools and equipment-including boots and sturdy clothing-for field work ... depending on the material sought, you may find use for a rockhammer, shovel, prybar, sledge and chisel, or light pick mattock. 4. Make special preparations for seasonal weather conditions-can­ teens, C?PS and sunglasses for the pesert, warm jackets for the moun­ 0 tains, etc. 5. Obtain permission of land owners before entering private property ... don't leave campsite debris scattered about and BE CAREFUL WITH FIRE. 6. Take care in entering aban­ doned mine shafts-you enter at your own risk.