Evaluating Neanderthal Genetics and Phylogeny
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Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC
Proceedings of the Prehistoric Society 81, 2015, pp. 361–392 © The Prehistoric Society doi:10.1017/ppr.2015.17 Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC By KRISTIAN KRISTIANSEN1 and PAULINA SUCHOWSKA-DUCKE2 The Bronze Age was the first epoch in which societies became irreversibly linked in their co-dependence on ores and metallurgical skills that were unevenly distributed in geographical space. Access to these critical resources was secured not only via long-distance physical trade routes, making use of landscape features such as river networks, as well as built roads, but also by creating immaterial social networks, consisting of interpersonal relations and diplomatic alliances, established and maintained through the exchange of extraordinary objects (gifts). In this article, we reason about Bronze Age communication networks and apply the results of use-wear analysis to create robust indicators of the rise and fall of political and commercial networks. In conclusion, we discuss some of the historical forces behind the phenomena and processes observable in the archaeological record of the Bronze Age in Europe and beyond. Keywords: Bronze Age communication networks, agents, temperate Europe, Mediterranean Basin THE EUROPEAN BRONZE AGE AS A COMMUNICATION by small variations in ornaments and weapons NETWORK: HISTORICAL & THEORETICAL FRAMEWORK (Kristiansen 2014). Among the characteristics that might compel archaeo- Initially driven by the necessity to gain access to logists to label the Bronze Age a ‘formative epoch’ in remote resources and technological skills, Bronze Age European history, the density and extent of the era’s societies established communication links that ranged exchange and communication networks should per- from the Baltic to the Mediterranean and from haps be regarded as the most significant. -
Las Proteínas De Homo Antecessor
2 OPINIÓN INFORME EIA OPINIÓN EXTERNA Paleoauxología Atapuerca sigue latiendo REBECA GARCÍA-GONZÁLEZ / UBU l término Paleoauxología fue acuñado por Ane Marie Tillier en 1995, quien lo describió como la disciplina cuyo objeto de estudio es el crecimiento y desarrollo Ede poblaciones pasadas. Es un ámbito fasci- nante cuyos objetivos van desde entender la variabilidad de las poblaciones actuales en los procesos de crecimiento y desarrollo, hasta des- cifrar el origen y evolución de nuestro peculiar patrón de crecimiento y desarrollo. Mis inicios con este tipo de estudios se remontan a mis años predoctorales. Bajo la dirección de los pro- fesores Juan Luis Arsuaga y José Miguel Carre- tero inicié una tesis doctoral cuyos objetivos principales eran determinar de la manera más fiable la edad de la muerte de los individuos in- maduros de la Sima de los Huesos a partir de sus restos poscraneales, así como, en la medida de lo posible, establecer el patrón de crecimien- to esquelético y corporal de estos humanos. Muy pronto nos dimos cuenta de que esos objetivos en su totalidad eran difícilmente abar- cables en una sola tesis doctoral. Había dema- siados factores a tener en cuenta, que a su vez se interrelacionaban entre sí, provocando en muchas ocasiones muchísima incertidumbre en los resultados que obteníamos. Marisa Vázquez-Shelly (en el medio), junto a la cónsul honoraria de España en Dallas, mecenas culturales y periodistas Poco a poco fui- norteamericanos que visitaron la Fundación Atapuerca y los yacimientos de la Sierra el pasado 14 de noviembre de 2019. Foto: mos aislando lo cortesía de Marisa Vázquez-Shelly que para nosotros eran las cuestio- nes más impor- tantes. -
Lucas Enríquez Gilino Máster En Ciencias De Las Religiones
Lucas Enríquez Gilino Máster en Ciencias de las Religiones Realizado por: Lucas Enríquez Gilino email: [email protected] Directores: Francisco Díez de Velasco Avellán email: [email protected] María del Mar Llinares García email: [email protected] Título: El acceso al comportamiento religioso de los homínidos anteriores al Homo sapiens sapiens a través de la actividad simbólica. Title: Access to religious behavior of earlier hominids to the Homo sapiens sapiens through the symbolic activity. Palabras clave: religión en comunidades ágrafas, actividad simbólica, animal enfocado hacia la trascendente, creencias prehistóricas. Keywords: religion in agraphic communities, symbolic activity, animal focused towards the transcendence, belief prehistoric. 1 Lucas Enríquez Gilino Máster en Ciencias de las Religiones Índice de contenidos: 1. Introducción 3-5 2. Problemática 5-16 a. Definición del objeto de estudio 7-12 b. Posibilidades del registro arqueológico 12-16 3. Actividad simbólica 16-25 a. Características de su realización 17-18 b. Arqueología de la individualidad, el concepto del yo. 18-19 c. Arqueología de los conceptos espacio-tiempo 19-20 d. Lenguaje: 20-25 i. Formas de estudio 21-24 e. El lenguaje como desarrollo cognitivo-conductual 24-25 4. Evolución cognitiva 25-32 a. Corteza cerebral y sistema límbico 25-27 b. Cerebro y medio ambiente 27-28 c. El desarrollo de la mente 29-32 i. Fase 1 30-30 ii. Fase 2 30-31 iii. Fase 3 31-32 5. Evidencia material: 33-53 a. H. Erectus 34-40 i. Posibilidades neuronales 34-36 ii. El concepto del yo 36-37 1. Solidaridad intergrupal 36-37 2. -
A Brief History of the International Regulation of Wine Production
A Brief History of the International Regulation of Wine Production The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation A Brief History of the International Regulation of Wine Production (2002 Third Year Paper) Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:8944668 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA A Brief History of the International Regulation of Wine Production Jeffrey A. Munsie Harvard Law School Class of 2002 March 2002 Submitted in satisfaction of Food and Drug Law required course paper and third-year written work require- ment. 1 A Brief History of the International Regulation of Wine Production Abstract: Regulations regarding wine production have a profound effect on the character of the wine produced. Such regulations can be found on the local, national, and international levels, but each level must be considered with the others in mind. This Paper documents the growth of wine regulation throughout the world, focusing primarily on the national and international levels. The regulations of France, Italy, Germany, Spain, the United States, Australia, and New Zealand are examined in the context of the European Community and United Nations. Particular attention is given to the diverse ways in which each country has developed its laws and compromised between tradition and internationalism. I. Introduction No two vineyards, regions, or countries produce wine that is indistinguishable from one another. -
An Anthropological Assessment of Neanderthal Behavioural Energetics
DEPARTMENT OF ARCHAEOLOGY, CLASSICS & EGYPTOLOGY An Anthropological Assessment of Neanderthal Behavioural Energetics. Thesis submitted in accordance with the requirements of the University of Liverpool for the Degree of Doctor in Philosophy by Andrew Shuttleworth. April, 2013. TABLE OF CONTENTS……………………………………………………………………..i LIST OF TABLES……………………………………………………………………………v LIST OF FIGURES…………………………………………………………………………..vi ACKNOWLEDGMENTS…………………………………………………………………...vii ABSTRACT…………………………………………………………………………………viii TABLE OF CONTENTS 1. INTRODUCTION...........................................................................................................1 1.1. Introduction..............................................................................................................1 1.2. Aims and Objectives................................................................................................2 1.3. Thesis Format...........................................................................................................3 2. THE NEANDERTHAL AND OXYEGN ISOTOPE STAGE-3.................................6 2.1. Discovery, Geographic Range & Origins..............................................................7 2.1.1. Discovery........................................................................................................7 2.1.2. Neanderthal Chronology................................................................................10 2.2. Morphology.............................................................................................................11 -
Human Origin Sites and the World Heritage Convention in Eurasia
World Heritage papers41 HEADWORLD HERITAGES 4 Human Origin Sites and the World Heritage Convention in Eurasia VOLUME I In support of UNESCO’s 70th Anniversary Celebrations United Nations [ Cultural Organization Human Origin Sites and the World Heritage Convention in Eurasia Nuria Sanz, Editor General Coordinator of HEADS Programme on Human Evolution HEADS 4 VOLUME I Published in 2015 by the United Nations Educational, Scientific and Cultural Organization, 7, place de Fontenoy, 75352 Paris 07 SP, France and the UNESCO Office in Mexico, Presidente Masaryk 526, Polanco, Miguel Hidalgo, 11550 Ciudad de Mexico, D.F., Mexico. © UNESCO 2015 ISBN 978-92-3-100107-9 This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Cover Photos: Top: Hohle Fels excavation. © Harry Vetter bottom (from left to right): Petroglyphs from Sikachi-Alyan rock art site. -
Monastic Landscapes of Medieval Transylvania (Between the Eleventh and Sixteenth Centuries)
DOI: 10.14754/CEU.2020.02 Doctoral Dissertation ON THE BORDER: MONASTIC LANDSCAPES OF MEDIEVAL TRANSYLVANIA (BETWEEN THE ELEVENTH AND SIXTEENTH CENTURIES) By: Ünige Bencze Supervisor(s): József Laszlovszky Katalin Szende Submitted to the Medieval Studies Department, and the Doctoral School of History Central European University, Budapest of in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, and CEU eTD Collection for the degree of Doctor of Philosophy in History Budapest, Hungary 2020 DOI: 10.14754/CEU.2020.02 ACKNOWLEDGMENTS My interest for the subject of monastic landscapes arose when studying for my master’s degree at the department of Medieval Studies at CEU. Back then I was interested in material culture, focusing on late medieval tableware and import pottery in Transylvania. Arriving to CEU and having the opportunity to work with József Laszlovszky opened up new research possibilities and my interest in the field of landscape archaeology. First of all, I am thankful for the constant advice and support of my supervisors, Professors József Laszlovszky and Katalin Szende whose patience and constructive comments helped enormously in my research. I would like to acknowledge the support of my friends and colleagues at the CEU Medieval Studies Department with whom I could always discuss issues of monasticism or landscape archaeology László Ferenczi, Zsuzsa Pető, Kyra Lyublyanovics, and Karen Stark. I thank the director of the Mureş County Museum, Zoltán Soós for his understanding and support while writing the dissertation as well as my colleagues Zalán Györfi, Keve László, and Szilamér Pánczél for providing help when I needed it. -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
Marija Gimbutas Papers and Collection of Books
http://oac.cdlib.org/findaid/ark:/13030/c8m04b8b No online items Marija Gimubtas Papers and Collection of Books Finding aid prepared by Archives Staff Opus Archives and Research Center 801 Ladera Lane Santa Barbara, CA, 93108 805-969-5750 [email protected] http://www.opusarchives.org © 2017 Marija Gimubtas Papers and 1 Collection of Books Descriptive Summary Title: Marija Gimbutas Papers and Collection of Books Physical Description: 164 linear feet (298 boxes) and 1,100 volumes Repository: Opus Archives and Research Center Santa Barbara, CA 93108 Language of Material: English Biography/Organization History Marija Gimbutas (1921-1994) was a Lithuanian-American archeologist and archaeomythologist, and Professor Emeritus of European Archaeology and Indo-European Studies at the University of California Los Angeles from 1963-1989. Her work focused on the Neolithic and Bronze Age cultures of Old Europe. She was born in 1921 in Vilnius, Lithuania. At the University of Vilnius she studied archaeology, linguistics, ethnology, folklore and literature and received her MA in 1942. In 1946 she earned a PhD in archaeology at Tübingen University in Germany for her dissertation on prehistoric burial rites in Lithuania. In 1949 Gimbutas moved to the United States. She worked for Harvard University at the Peabody Museum from 1950-1963 and was made a Fellow of the Peabody in 1955. Her work included translating archeological reports from Eastern Europe, and her research focused on European prehistory. In 1963 Gimbutas became a professor at the University of California in Los Angeles in the European archeology department. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of "Old Europe," a term she introduced. -
Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program
Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program Section I. Fabergé’s Lapidary Art • Tatiana Muntian. Fabergé and His Flower Studies • Alexander von Solokoff. Rock Crystal Mushrooms by Fabergé • Valentin Skurlov. The Range of Products and Precious Stones in Fabergé’s Stone-Cutting Production (1890-1917) • Galina Korneva and Tatiana Cheboksarova. Stone Carvings in the Collection of the Great Duchess Maria Pavlovna • Pavel Kotlyar. Alexander Palace and the Fabergé Firm • Dmitriy Krivoshei. Stone-cut Objects and Clients of the Fabergé Company in 1909-1916’s (Based on General Ledger) • Svetlana Chestnykh. History of Hardstone Figure of Kamer-Kazak N.N. Pustynnikov Section II. Russian Lapidary Art in the 19th-Early 20th Centuries • Evgeniy Lukianov. Precious and Semi-precious Stones in Works of the Sazikov Firm (1850- 1880’s) • Andreiy Gilodo. Lapidary Art of Soviet Russia in 1920-1930’s • Ludmila Budrina. By Order of Mr. Governor: Ekaterinburg Lapidary Factory Items from 1880- 1890’s Made from Non-Chancery Designs • Natalia Borovkova. Works of the Ekaterinburg Lapidary Factory in 1870-1880's Commissioned by His Imperial Majesty's Own Chancery • Mariya Osipova. Stone Carvings of the Bolin Firm • Aleksandra Pestova. History of West Ural’s Stone Craft (1830-1930’s). Influence of Ekaterinburg Stone Carvers and Fabergé’s Craftsmen Section III. Origin of Russian Jeweler’s Art • Annette Fuhr. The Story of Idar-Oberstein, One of the Most Important Towns in the Gemstone World • Max Rutherston. Netsuke • Olga Alieva. Prototypes of Modern Ural Hardstone Sculpture • Raisa Lobatckaya. Siberian Ethnic Motives in Works of Modern Jewelers • Ekaterina Tarakanova. -
Amber Crystal Jewelry and Pouch
skill 3 level free EARRINGS SUPPLIES & TOOLS: • Beyond Beautiful: 1 strand 8mm amber crystal cubes 1 strand 4mm amber crystal bicones • 1 strand Crystazzi 10x8mm Crystal AB drops • Gold Elegance findings: Ball hook earrings 25mm eyepins 35mm headpins • Round-nose pliers • Wire cutters DIRECTIONS: 1. Thread a crystal AB drop onto a headpin; finish with simple loop. Make 2. 2. Thread 4mm bicone 8mm curved cube & 4mm bicone onto an eyepin. Finish with a simple top loop. Create 2. 3. Use needle-nose pliers to open and close top loops on the drops to attach one to the bottom of each beaded link. Loops should be opened and closed by moving the open end to the side. Open the top loop of each beaded link to attach the complete dangle to each ball hook earring. NECKLACE: SUPPLIES & TOOLS: • 1 strand Beyond Beautiful 8mm amber crystal cubes • Crystazzi Crystal: 2 strands 4mm & 6mm amber bicones 2 strand 10x8mm Crystal AB drop 1 strand 8mm Crystal AB bicones • Gold Elegance findings: 1 set heart toggle 25mm eyepins 35mm headpins 18" cable chain #1 2 pkgs 6x3.5mm saucers amber crystal jewelry and pouch 2 pkgs 3mm mirror beads Lobster claw Two 6mm jump rings • 52" gold 7-strand beading wire • Pliers: needle-nose, round-nose or crimping tool • Wire cutters more projects, tips & techniques at Joann.com® DIRECTIONS: Project courtesy of Cousin Corporation of America 1. Center dangle: cut 17-link length of chain. Use jump ring to attach one end to heart toggle. Loops should be Designed by Amy Ropes opened and closed by moving the open end to the side, a twisting motion. -
Free Jewelry Projects
“Branching Out” Necklace As seen on the cover of our 2006 Summer Supplement & gemstone ad series Created by: Mary Morton Tools: Crimping pliers, Flush cutters, Chain-nose pliers, Round-nose pliers, Igolochkoy threader Suggested Materials Qty. Stock Name 1 #22-221-8 Double-drilled loose "amber" 1 str. #22-242 Baltic amber chips 4 #20-128-0041 Toho Treasures, white 12 #20-128-0557 Toho Treasures, gold 16.5” #61-848-10 49-strand Beadalon® wire 2 #24-944 Sterling stardust roller beads 2 #41-256-02-3 Crimp tubes, size 2 1 str. #20-565 Cupolini-style white coral 10 #49-998-04-AS Turkish-style spacer 1 #37-562 Fancy sterling head pins 1 str. #21-888-122 Round gemstone, amber 1 str. #21-000-052-67 Egg-shaped bead, natural agate 1 #50-224 Sterling silver oval rollo chain 1 #50-968 Gold-filled oval cable chain 2 #37-807 Sterling silver eye pins 5 #37-912 Gold-filled eye pins Note: This piece is two separate necklaces, with the chain necklace being 5 #37-315 Gold-filled jump rings the longest of the two. Adjust the length of the cupolini necklace by 1 #39-525 Spring ring clasp adding approx. 10” to create a set that will hang as shown. To make the pendant: 1. The Baltic amber bead is drilled horizontally and vertically, as well as having a final hole drilled directly through its center. Following the pattern shown in the picture, use your long needle to string through both side holes, securing beads by looping through a seed bead for each side.