DOCSLIB.ORG

Amber Crystal Jewelry and Pouch

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Amber Crystal Jewelry and Pouch skill 3 level free EARRINGS SUPPLIES & TOOLS: • Beyond Beautiful: 1 strand 8mm amber crystal cubes 1 strand 4mm amber crystal bicones • 1 strand Crystazzi 10x8mm Crystal AB drops • Gold Elegance findings: Ball hook earrings 25mm eyepins 35mm headpins • Round-nose pliers • Wire cutters DIRECTIONS: 1. Thread a crystal AB drop onto a headpin; finish with simple loop. Make 2. 2. Thread 4mm bicone 8mm curved cube & 4mm bicone onto an eyepin. Finish with a simple top loop. Create 2. 3. Use needle-nose pliers to open and close top loops on the drops to attach one to the bottom of each beaded link. Loops should be opened and closed by moving the open end to the side. Open the top loop of each beaded link to attach the complete dangle to each ball hook earring. NECKLACE: SUPPLIES & TOOLS: • 1 strand Beyond Beautiful 8mm amber crystal cubes • Crystazzi Crystal: 2 strands 4mm & 6mm amber bicones 2 strand 10x8mm Crystal AB drop 1 strand 8mm Crystal AB bicones • Gold Elegance findings: 1 set heart toggle 25mm eyepins 35mm headpins 18" cable chain #1 2 pkgs 6x3.5mm saucers amber crystal jewelry and pouch 2 pkgs 3mm mirror beads Lobster claw Two 6mm jump rings • 52" gold 7-strand beading wire • Pliers: needle-nose, round-nose or crimping tool • Wire cutters more projects, tips & techniques at Joann.com® DIRECTIONS: Project courtesy of Cousin Corporation of America 1. Center dangle: cut 17-link length of chain. Use jump ring to attach one end to heart toggle. Loops should be Designed by Amy Ropes opened and closed by moving the open end to the side, a twisting motion. 2. Create individual dangles by threading beads onto headpin and finishing with a simple top loop. EMBELLISHED POUCH SUPPLIES & TOOLS: Create a top loop by trimming the pin 1/4" beyond the top bead. Bend the wire to form right angle. • Crystazzi Crystal: 4 pcs 4mm amber bicones Use end of pliers to grasp the end of the wire and, going against the bend just made, curve wire using 6 pcs 6mm amber bicones a twist of the wrist to roll the wire over a single prong. • Gold Elegance: 6 pc 35mm headpins 3. Make dangles of the following combinations: 1 pkg Cable Chain #2 Six 4mm bicone with mirror bead on top, 2 pcs 6mm jump rings Nine 6mm bicone with mirror bead on top, 2 pcs 4mm jump rings Teardrop with a mirror bead on top. 4 pcs 4mm corrugated beads Attach a dangle on each link (same order as made) alternating sides down to the 14th link. Skip the 15th • Round-nose pliers link; place the teardrop dangle at the end. • Wire cutters 4. Cut two 14" wires. Use a crimp to attach one to each half of the toggle clasp. To use a crimp, thread on a DIRECTIONS: Each side has a slightly different dangle cluster. crimp bead and the lobster clasp. Bring the wire back down through the crimp bead so there is a 1" tail. Use needle nose pliers to press the crimp flat. Test that wire is secure before threading on beads. 1. Thread 4mm bicone onto headpin; finish with a simple loop. Create top loop by trimming the pin 1/4" Beads will cover the tail so there is no need to trim. beyond the top bead. Bend wire to form a right angle. Use the end of pliers to grasp the end of the wire and, going against the bend just made, curve wire using a twist of the wrist to roll the wire over a single 5. Thread on both side wires: prong. Make 2 of these 4mm bicone crystal drops. 4mm bicone, mirror, 6mm bicone, saucer, cube, saucer, 6mm bicone, mirror, 4mm bicone, 8mm crystal bicone, 4mm bicone, mirror, 6mm bicone, saucer, cube, saucer, 6mm bicone, mirror and 4mm bicone. 2. Thread 6mm bicone, gold corrugated bead and 6mm bicone on headpin; finish with simple top loop. If necessary use a piece of tape to temporarily secure the strands. 3. Thread 4mm bicone, gold corrugated bead and 6mm bicone onto a headpin; finish with simple top loop. 6. Cut 24" length of beading wire. Thread onto the center of the wire: Make 3 mixed drops. 4mm bicone, mirror, 6mm bicone, saucer, cube, saucer, 6mm bicone, mirror, 4mm bicone, 8mm crystal bicone, 4. First dangle cluster: Cut two 19-link, two 21-link and one 14-link lengths of chain. Thread the chains on a 4mm bicone, mirror, 6mm bicone, saucer, cube, saucer, 6mm bicone, mirror, 4mm bicone, 4mm jump ring. Loops should be opened and closed by moving the open end to the side. 8mm crystal bicone, 4mm bicone, mirror, 6mm bicone, saucer, cube, saucer, 6mm bicone, mirror, 4mm bicone. 5. Thread on a 6mm jump ring: 6mm drop, 4mm ring with chains attached and a mixed drop. Attach 7. Bring the three wires together now. The 24" wire forms the top strand of the middle section. Connect the 4mm bicone drop to the 2 longest chains in the cluster. toggle; two 14" sides become the bottom wire with the Y-feature. 6. Second dangle cluster: Cut 21-link, 20-link and 18-link lengths of chain. Thread chains on 4mm jump ring. 8. Thread on the sides (both wires as one on each side): 7. Thread on a 6mm jump ring: a mixed drop, 4mm jump ring with chains attached and mixed drop. 8mm crystal bicone & amber set (6mm bicone, 4mm bicone, 6mm bicone, 4mm bicone and a 6mm bicone). 8. Open and close the 6mm jump rings to attach the clusters to each end of the pouch strings. Alternate 8mm crystal bicones and amber sets until there are 5 amber sets going up each side. Thread mirror bead on each side. 9. Secure one end of the necklace to lobster claw clasp using a crimp bead. After threading the wire back through the crimp, go through a few beads; gently pull until there are no gaps between beads and crimp. Press crimp flat and trim excess wire. Repeat for other side of necklace, crimping to 6mm jump ring. Skill Level 3: Jewelry making experience needed Approximate Crafting Time: 1 to 3 hrs Please read and follow all manufacturers’ instructions for all tools and materials used. Provide adult supervision if children participate in this project. ©2009 Jo-Ann Stores, Inc. All rights reserved. P390-700.
Load more

Recommended publications
  • Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC
    Proceedings of the Prehistoric Society 81, 2015, pp. 361–392 © The Prehistoric Society doi:10.1017/ppr.2015.17 Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC By KRISTIAN KRISTIANSEN1 and PAULINA SUCHOWSKA-DUCKE2 The Bronze Age was the first epoch in which societies became irreversibly linked in their co-dependence on ores and metallurgical skills that were unevenly distributed in geographical space. Access to these critical resources was secured not only via long-distance physical trade routes, making use of landscape features such as river networks, as well as built roads, but also by creating immaterial social networks, consisting of interpersonal relations and diplomatic alliances, established and maintained through the exchange of extraordinary objects (gifts). In this article, we reason about Bronze Age communication networks and apply the results of use-wear analysis to create robust indicators of the rise and fall of political and commercial networks. In conclusion, we discuss some of the historical forces behind the phenomena and processes observable in the archaeological record of the Bronze Age in Europe and beyond. Keywords: Bronze Age communication networks, agents, temperate Europe, Mediterranean Basin THE EUROPEAN BRONZE AGE AS A COMMUNICATION by small variations in ornaments and weapons NETWORK: HISTORICAL & THEORETICAL FRAMEWORK (Kristiansen 2014). Among the characteristics that might compel archaeo- Initially driven by the necessity to gain access to logists to label the Bronze Age a ‘formative epoch’ in remote resources and technological skills, Bronze Age European history, the density and extent of the era’s societies established communication links that ranged exchange and communication networks should per- from the Baltic to the Mediterranean and from haps be regarded as the most significant.
    [Show full text]
  • A Brief History of the International Regulation of Wine Production
    A Brief History of the International Regulation of Wine Production The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation A Brief History of the International Regulation of Wine Production (2002 Third Year Paper) Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:8944668 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA A Brief History of the International Regulation of Wine Production Jeffrey A. Munsie Harvard Law School Class of 2002 March 2002 Submitted in satisfaction of Food and Drug Law required course paper and third-year written work require- ment. 1 A Brief History of the International Regulation of Wine Production Abstract: Regulations regarding wine production have a profound effect on the character of the wine produced. Such regulations can be found on the local, national, and international levels, but each level must be considered with the others in mind. This Paper documents the growth of wine regulation throughout the world, focusing primarily on the national and international levels. The regulations of France, Italy, Germany, Spain, the United States, Australia, and New Zealand are examined in the context of the European Community and United Nations. Particular attention is given to the diverse ways in which each country has developed its laws and compromised between tradition and internationalism. I. Introduction No two vineyards, regions, or countries produce wine that is indistinguishable from one another.
    [Show full text]
  • An Anthropological Assessment of Neanderthal Behavioural Energetics
    DEPARTMENT OF ARCHAEOLOGY, CLASSICS & EGYPTOLOGY An Anthropological Assessment of Neanderthal Behavioural Energetics. Thesis submitted in accordance with the requirements of the University of Liverpool for the Degree of Doctor in Philosophy by Andrew Shuttleworth. April, 2013. TABLE OF CONTENTS……………………………………………………………………..i LIST OF TABLES……………………………………………………………………………v LIST OF FIGURES…………………………………………………………………………..vi ACKNOWLEDGMENTS…………………………………………………………………...vii ABSTRACT…………………………………………………………………………………viii TABLE OF CONTENTS 1. INTRODUCTION...........................................................................................................1 1.1. Introduction..............................................................................................................1 1.2. Aims and Objectives................................................................................................2 1.3. Thesis Format...........................................................................................................3 2. THE NEANDERTHAL AND OXYEGN ISOTOPE STAGE-3.................................6 2.1. Discovery, Geographic Range & Origins..............................................................7 2.1.1. Discovery........................................................................................................7 2.1.2. Neanderthal Chronology................................................................................10 2.2. Morphology.............................................................................................................11
    [Show full text]
  • Monastic Landscapes of Medieval Transylvania (Between the Eleventh and Sixteenth Centuries)
    DOI: 10.14754/CEU.2020.02 Doctoral Dissertation ON THE BORDER: MONASTIC LANDSCAPES OF MEDIEVAL TRANSYLVANIA (BETWEEN THE ELEVENTH AND SIXTEENTH CENTURIES) By: Ünige Bencze Supervisor(s): József Laszlovszky Katalin Szende Submitted to the Medieval Studies Department, and the Doctoral School of History Central European University, Budapest of in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, and CEU eTD Collection for the degree of Doctor of Philosophy in History Budapest, Hungary 2020 DOI: 10.14754/CEU.2020.02 ACKNOWLEDGMENTS My interest for the subject of monastic landscapes arose when studying for my master’s degree at the department of Medieval Studies at CEU. Back then I was interested in material culture, focusing on late medieval tableware and import pottery in Transylvania. Arriving to CEU and having the opportunity to work with József Laszlovszky opened up new research possibilities and my interest in the field of landscape archaeology. First of all, I am thankful for the constant advice and support of my supervisors, Professors József Laszlovszky and Katalin Szende whose patience and constructive comments helped enormously in my research. I would like to acknowledge the support of my friends and colleagues at the CEU Medieval Studies Department with whom I could always discuss issues of monasticism or landscape archaeology László Ferenczi, Zsuzsa Pető, Kyra Lyublyanovics, and Karen Stark. I thank the director of the Mureş County Museum, Zoltán Soós for his understanding and support while writing the dissertation as well as my colleagues Zalán Györfi, Keve László, and Szilamér Pánczél for providing help when I needed it.
    [Show full text]
  • Ancient Carved Ambers in the J. Paul Getty Museum
    Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication.
    [Show full text]
  • Marija Gimbutas Papers and Collection of Books
    http://oac.cdlib.org/findaid/ark:/13030/c8m04b8b No online items Marija Gimubtas Papers and Collection of Books Finding aid prepared by Archives Staff Opus Archives and Research Center 801 Ladera Lane Santa Barbara, CA, 93108 805-969-5750 [email protected] http://www.opusarchives.org © 2017 Marija Gimubtas Papers and 1 Collection of Books Descriptive Summary Title: Marija Gimbutas Papers and Collection of Books Physical Description: 164 linear feet (298 boxes) and 1,100 volumes Repository: Opus Archives and Research Center Santa Barbara, CA 93108 Language of Material: English Biography/Organization History Marija Gimbutas (1921-1994) was a Lithuanian-American archeologist and archaeomythologist, and Professor Emeritus of European Archaeology and Indo-European Studies at the University of California Los Angeles from 1963-1989. Her work focused on the Neolithic and Bronze Age cultures of Old Europe. She was born in 1921 in Vilnius, Lithuania. At the University of Vilnius she studied archaeology, linguistics, ethnology, folklore and literature and received her MA in 1942. In 1946 she earned a PhD in archaeology at Tübingen University in Germany for her dissertation on prehistoric burial rites in Lithuania. In 1949 Gimbutas moved to the United States. She worked for Harvard University at the Peabody Museum from 1950-1963 and was made a Fellow of the Peabody in 1955. Her work included translating archeological reports from Eastern Europe, and her research focused on European prehistory. In 1963 Gimbutas became a professor at the University of California in Los Angeles in the European archeology department. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of "Old Europe," a term she introduced.
    [Show full text]
  • Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program
    Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program Section I. Fabergé’s Lapidary Art • Tatiana Muntian. Fabergé and His Flower Studies • Alexander von Solokoff. Rock Crystal Mushrooms by Fabergé • Valentin Skurlov. The Range of Products and Precious Stones in Fabergé’s Stone-Cutting Production (1890-1917) • Galina Korneva and Tatiana Cheboksarova. Stone Carvings in the Collection of the Great Duchess Maria Pavlovna • Pavel Kotlyar. Alexander Palace and the Fabergé Firm • Dmitriy Krivoshei. Stone-cut Objects and Clients of the Fabergé Company in 1909-1916’s (Based on General Ledger) • Svetlana Chestnykh. History of Hardstone Figure of Kamer-Kazak N.N. Pustynnikov Section II. Russian Lapidary Art in the 19th-Early 20th Centuries • Evgeniy Lukianov. Precious and Semi-precious Stones in Works of the Sazikov Firm (1850- 1880’s) • Andreiy Gilodo. Lapidary Art of Soviet Russia in 1920-1930’s • Ludmila Budrina. By Order of Mr. Governor: Ekaterinburg Lapidary Factory Items from 1880- 1890’s Made from Non-Chancery Designs • Natalia Borovkova. Works of the Ekaterinburg Lapidary Factory in 1870-1880's Commissioned by His Imperial Majesty's Own Chancery • Mariya Osipova. Stone Carvings of the Bolin Firm • Aleksandra Pestova. History of West Ural’s Stone Craft (1830-1930’s). Influence of Ekaterinburg Stone Carvers and Fabergé’s Craftsmen Section III. Origin of Russian Jeweler’s Art • Annette Fuhr. The Story of Idar-Oberstein, One of the Most Important Towns in the Gemstone World • Max Rutherston. Netsuke • Olga Alieva. Prototypes of Modern Ural Hardstone Sculpture • Raisa Lobatckaya. Siberian Ethnic Motives in Works of Modern Jewelers • Ekaterina Tarakanova.
    [Show full text]
  • Free Jewelry Projects
    “Branching Out” Necklace As seen on the cover of our 2006 Summer Supplement & gemstone ad series Created by: Mary Morton Tools: Crimping pliers, Flush cutters, Chain-nose pliers, Round-nose pliers, Igolochkoy threader Suggested Materials Qty. Stock Name 1 #22-221-8 Double-drilled loose "amber" 1 str. #22-242 Baltic amber chips 4 #20-128-0041 Toho Treasures, white 12 #20-128-0557 Toho Treasures, gold 16.5” #61-848-10 49-strand Beadalon® wire 2 #24-944 Sterling stardust roller beads 2 #41-256-02-3 Crimp tubes, size 2 1 str. #20-565 Cupolini-style white coral 10 #49-998-04-AS Turkish-style spacer 1 #37-562 Fancy sterling head pins 1 str. #21-888-122 Round gemstone, amber 1 str. #21-000-052-67 Egg-shaped bead, natural agate 1 #50-224 Sterling silver oval rollo chain 1 #50-968 Gold-filled oval cable chain 2 #37-807 Sterling silver eye pins 5 #37-912 Gold-filled eye pins Note: This piece is two separate necklaces, with the chain necklace being 5 #37-315 Gold-filled jump rings the longest of the two. Adjust the length of the cupolini necklace by 1 #39-525 Spring ring clasp adding approx. 10” to create a set that will hang as shown. To make the pendant: 1. The Baltic amber bead is drilled horizontally and vertically, as well as having a final hole drilled directly through its center. Following the pattern shown in the picture, use your long needle to string through both side holes, securing beads by looping through a seed bead for each side.
    [Show full text]
  • Prehistoric Britain
    Prehistoric Britain Plated disc brooch Kent, England Late 6th or early 7th century AD Bronze boars from the Hounslow Hoard 1st century BC-1st century AD Hounslow, Middlesex, England Visit resource for teachers Key Stage 2 Prehistoric Britain Contents Before your visit Background information Resources Gallery information Preliminary activities During your visit Gallery activities: introduction for teachers Gallery activities: briefings for adult helpers Gallery activity: Neolithic mystery objects Gallery activity: Looking good in the Neolithic Gallery activity: Neolithic farmers Gallery activity: Bronze Age pot Gallery activity: Iron Age design Gallery activity: An Iron Age hoard After your visit Follow-up activities Prehistoric Britain Before your visit Prehistoric Britain Before your visit Background information Prehistoric Britain Archaeologists and historians use the term ‘Prehistory’ to refer to a time in a people’s history before they used a written language. In Britain the term Prehistory refers to the period before Britain became part of the Roman empire in AD 43. The prehistoric period in Britain lasted for hundreds of thousands of years and this long period of time is usually divided into: Palaeolithic, Mesolithic, Neolithic (sometimes these three periods are combined and called the Stone Age), Bronze Age and Iron Age. Each of these periods might also be sub-divided into early, middle and late. The Palaeolithic is often divided into lower, middle and upper. Early Britain British Isles: Humans probably first arrived in Britain around 800,000 BC. These early inhabitants had to cope with extreme environmental changes and they left Britain at least seven times when conditions became too bad.
    [Show full text]
  • Bronze Age Amber in Western and Central Balkans Bronastodobni
    Arheološki vestnik 71, 2020, 133–172; DOI: https://doi.org/10.3986/AV.71.03 133 Bronze Age amber in Western and Central Balkans Bronastodobni jantar na zahodnem in srednjem Balkanu Mateusz CWALIŃSKI Izvleček V članku se avtor ukvarja s problematiko dotoka jantarja na zahodni in srednji Balkan v času bronaste dobe (natanč- neje okoli 1600–900 pr. n. št.) ter njegovim kroženjem med regijami tega območja. Razpoložljivi podatki, povezani s to temo, so bili analizirani z uporabo različnih računskih metod. Predhodno tipološko opredeljene jantarne jagode kažejo kronološke razlike, kar omogoča delitev na dva glavna sklopa, ki ju je mogoče pripisati srednji in mlajši oz. pozni bro- nasti dobi. Nekatere oblike so v uporabi v obeh obdobjih. Za številne tipe je značilen omejen obseg razprostranjenosti, ki verjetno govori za lokalno proizvodnjo. Tipe jantarnih jagod avtor primerja tudi z jantarnimi izdelki s sosednjih ob- močij z jantarjem. Izbrani predmeti, ki se pojavljajo skupaj z jantarjem, dodatno osvetljujejo notranjo dinamiko kroženja jantarja in kažejo na potencialne udeležence izmenjave. Ključne besede: Balkan; bronasta doba; jantar; nakit; menjava; trgovina; analiza stikov; analiza mrež Abstract The paper touches upon the issue of amber inflow to Western and Central Balkans, and its circulation between in- dividual regions situated in this zone, during the Bronze Age (more specifically around 1600–900 BC). By using several computational methods, currently available data related to this topic is re-analysed. Previously distinguished types of amber beads show chronological differentiation that allows separating them into two major assemblages assignable to the Middle and Late Bronze Age respectively, with some forms having a prolonged use, overlapping both periods.
    [Show full text]
  • Evaluating Neanderthal Genetics and Phylogeny
    J Mol Evol (2007) 64:50–60 DOI: 10.1007/s00239-006-0017-y Evaluating Neanderthal Genetics and Phylogeny Martin B. Hebsgaard,1 Carsten Wiuf,2,3 M. Thomas P. Gilbert,1 Henrik Glenner,1 Eske Willerslev1 1 Centre for Ancient Genetics, Niels Bohr Institute and Biological Institute, University of Copenhagen, Juliane Maries vej 30, Copenhagen DK-2100, Denmark 2 Bioinformatics Research Center, University of Aarhus, Hoegh Guldbergs Gade 10, Building 1090, Aarhus DK-8000, Denmark 3 Molecular Diagnostic Laboratory, Aarhus University Hospital, Brendstrupgaardsvej 100, Aarhus DK-8200, Denmark Received: 25 January 2006 / Accepted: 29 August 2006 [Reviewing Editor: Dr. Martin Kreitman] Abstract. The retrieval of Neanderthal (Homo Introduction neanderthalsensis) mitochondrial DNA is thought to be among the most significant ancient DNA contri- Ancient DNA (aDNA) studies have suffered much butions to date, allowing conflicting hypotheses on criticism since they began about 20 years ago. The modern human (Homo sapiens) evolution to be tested field is still recovering from the effects of early spec- directly. Recently, however, both the authenticity tacular and erroneous claims, such as that of DNA of the Neanderthal sequences and their phylogenetic being preserved in plant fossils, dinosaur bones, and position outside contemporary human diversity have amber for many millions of years (for recent reviews been questioned. Using Bayesian inference and the see Hebsgaard et al. 2005; Willerslev and Cooper largest dataset to date, we find strong support for a 2005). Unfortunately, unreplicated results of sur- monophyletic Neanderthal clade outside the diversity prising age continue to be published, including those of contemporary humans, in agreement with the from old human remains (e.g., Adcock et al.
    [Show full text]
  • United States Patents on Powder Metallurgy
    UNITED STATES PATENTS ON POWDER METALLURGY UNITED STATES DEPARTMENT OF COMMERCE NATIONAL BUREAU OF STANDARDS U. S. DEPARTMENT OF COMMERCE W. AVERELL HARRIMAN, Secretary NATIONAL BUREAU OF STANDARDS E. U. CONDON, Director NATIONAL BUREAU OF STANDARDS MISCELLANEOUS PUBLICATION M184 UNITED STATES PATENTS ON POWDER METALLURGY By RAYMOND E. JAGER and ROLLA E. POLLARD Issued July 1 , 1947 UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1947 For sale by the Superintendent of Documents, U. S. Government Printing Office Washington 25, D. C. - Price 30 cents PREFACE Patents are disclosures of inventions, in return for which the inventor is given the right to exclude all others from making, using, or selling his invention for the term of 17 years. After this period the invention becomes public property. Patent literature is a valuable source of technical information, for, by these disclosures, the de- velopment of an art may be traced through a long period of time. This publication, based on a collection search of United States patents of the present series, which began in 1836, represents more than a century of progress in the art of powder metallurgy. Patents issued up to January 1, 1947, are included. The collection search was made for the National Bureau of Standards by Invention, Inc., under the direction of Raymond E. Jager, president: R. E Pollard, metallurgist, of the Bureau's staff, edited the abstracts, eliminating those not pertinent to powder metallurgy, and revised the classification. E. U. Condon, Director. n CONTENTS Page. Preface II I. Introduction 1 II. Production of metal powders 1 2 1. Atomization, vaporization, spraying molten metal, or physically contacting it with other fluids, to obtain fine particles 2 2.
    [Show full text]