September 8, 2011 Asian Auction 9/8/2011

Total Page:16

File Type:pdf, Size:1020Kb

September 8, 2011 Asian Auction 9/8/2011 September 8, 2011 Asian Auction 9/8/2011 LOT # LOT # 401 (3) Chinese Cultural Revolution ivory carvings: 405 Chinese Qing carved Su Zhou agate toggle (International buyers should note that several depicting two monkeys and a peach. 1.75"H x countries do not allow the importation of lots 1.5"W, Circa - 18th - 19th C. containing materials made from endangered 800.00 - 1,200.00 species. This includes, but is not limited to, ivory, coral and tortoiseshell. Please familiarize yourself with relevant import and customs regulations prior to bidding) (1) girl holding a banner which reads, "Long live Chairman Mao"; 406 Chinese watercolor scroll by Yan Bo Long, (1) girl with a bag; (1) Li Tie Mei. Tallest: 4"H, depicting four birds in an apple tree. Signed and Circa - 1960. dated, 1941. Yan Bo Long (Chinese, 1,500.00 - 2,000.00 1898-1954). Site: 30"H x 13"W; Overall: 85.25"H. 2,000.00 - 3,000.00 402 Chinese enamel over silver deer, carrying a vase with jade rings on its back. 10.25"H x 8"W, Circa - Early 20th C. 407 Chinese Ming carved jade belt buckle 1,500.00 - 2,000.00 depicting magnolia and the character for longevity. 2.125"H x 3"W, Circa - 16th - 17th C. 800.00 - 1,200.00 403 Chinese Cultural Revolution carved serpentine jade figure depicting a soldier carrying timber, with a gun on his back. 6.75"H x 8"W x 3"D, Circa - 408 Chinese carved hardstone tree, 1960. set in a cloisonne vase. 22"H, Circa - 20th C. 800.00 - 1,200.00 600.00 - 900.00 404 Chinese carved ivory lidded tripod censer, 409 Chinese carved ivory rooster, (International buyers should note that several (International buyers should note that several countries do not allow the importation of lots countries do not allow the importation of lots containing materials made from endangered containing materials made from endangered species. This includes, but is not limited to, species. This includes, but is not limited to, ivory, coral and tortoiseshell. Please familiarize ivory, coral and tortoiseshell. Please familiarize yourself with relevant import and customs yourself with relevant import and customs regulations prior to bidding) the finial depicting regulations prior to bidding) perched on a tree two foo lions with four free rings, the body trunk. 735"H, Circa - Late 19th - Early 20th C. carved to depict dragons in clouds, with two 800.00 - 1,200.00 dragon's head handles with free rings, having three claw feet. 9.25"H x 8"W, Circa - 20th C. 800.00 - 1,200.00 Dallas Auction Gallery Page: 2 September 8, 2011 Asian Auction 9/8/2011 LOT # LOT # 410 Pr. Chinese Republic famille rose porcelain vases, 415 Chinese Qing Guan style porcelain tripod censer, each with two coral red handles, the bodies raised on an original rosewood stand. 4"H x depicting peony blossoms. 8.5"H x 4.5" Dia., 10.5" Dia., Circa - 18th - 19th C. Circa - Early 20th C. 800.00 - 1,200.00 500.00 - 800.00 416 Chinese carved ivory figure 411 Chinese Qing carved ivory snuff bottle (International buyers should note that several (International buyers should note that several countries do not allow the importation of lots countries do not allow the importation of lots containing materials made from endangered containing materials made from endangered species. This includes, but is not limited to, species. This includes, but is not limited to, ivory, coral and tortoiseshell. Please familiarize ivory, coral and tortoiseshell. Please familiarize yourself with relevant import and customs yourself with relevant import and customs regulations prior to bidding) depicting an regulations prior to bidding) depicting 18 lohan, immortal holding a sword. Ivory: 8.25"H, Circa with a coral stopper. 2.75"H, Circa - 19th C. - Early 20th C. 2,000.00 - 3,000.00 800.00 - 1,200.00 412 Chinese carved jade pebble. 417 Chinese Qing enamel over bronze figure 1.25"H x 1.75"W. depicting a monk. 7"H, Circa - 18th C. 800.00 - 1,200.00 1,500.00 - 2,000.00 413 Chinese carved ivory Doctor's Lady, 418 Chinese carved jade urn, (International buyers should note that several the body of the urn surrounded by carved birds countries do not allow the importation of lots and landscape, raised on a carved wood base. containing materials made from endangered 15"H, Circa - 20th C. species. This includes, but is not limited to, 800.00 - 1,200.00 ivory, coral and tortoiseshell. Please familiarize yourself with relevant import and customs regulations prior to bidding) raised on a silver inlaid rosewood stand. Ivory: 8"L, Circa - Early 419 Chinese watercolor painting by Chen Dan Cheng, 20th C. depicting birds and squash. Site: 32"H x 18"W, 1,000.00 - 1,500.00 Circa - 1920 - Present. 1,000.00 - 1,500.00 414 Chinese watercolor scroll by Wang Shi Zi, depicting fish and lotus. Wang Shi Zi (Chinese, 420 Chinese carved ivory figure depicting Mulan. 1885-1950). Provenance: Private Japanese (International buyers should note that several collection. Site: 29"H x 13.5"W. countries do not allow the importation of lots 800.00 - 1,200.00 containing materials made from endangered species. This includes, but is not limited to, ivory, coral and tortoiseshell. Please familiarize yourself with relevant import and customs regulations prior to bidding). 12"H, Circa - 20th C. Dallas Auction Gallery Page: 3 September 8, 2011 Asian Auction 9/8/2011 LOT # LOT # 1,000.00 - 1,500.00 426 Pr. Chinese cloisonne candlesticks. 20.75"H, Circa - Early 20th C. 800.00 - 1,200.00 421 Chinese Canton Republic embroidery depicting phoenix, peony and butterflies, dated 1911. 49.5"H x 28.5"W, 427 Chinese watercolor scroll by Cui Ru Zhou, 800.00 - 1,200.00 depicting a chicken under a banana tree. Cui Ru Zhou (Chinese, b.1944). Site: 53.5"H x 13"W, Circa - 20th C. 1,000.00 - 1,500.00 422 (2) Chinese Qing carved jade boys, holding lotus on their backs. Tallest: 2.5"H, Circa - 19th C. 2,000.00 - 3,000.00 428 Chinese Qing carved jade pendant depicting double gourds. 2.25"H, Circa - 19th C. 1,200.00 - 1,500.00 423 (4) Chinese carved rosewood chairs. 38.5"H x 24.5"W x 20"D, 1,000.00 - 2,000.00 429 Chinese Cultural Revolution carved ivory figure (International buyers should note that several countries do not allow the importation of lots containing materials made from endangered species. This includes, but is not limited to, 424 Chinese Qing carved jade pendant ivory, coral and tortoiseshell. Please familiarize depicting double gourds and bats. 2.5"H x yourself with relevant import and customs 1.5"W, Circa - 19th C. regulations prior to bidding) depicting Li Tie 800.00 - 1,200.00 Mei. 5.75"H, Circa - 1960. 1,500.00 - 2,500.00 425 Chinese Qing carved ivory card case, (International buyers should note that several 430 Chinese Qing celadon porcelain planter, countries do not allow the importation of lots with ribbed design and underglaze, with blue containing materials made from endangered characters for happiness and longevity. 7.5"H x species. This includes, but is not limited to, 10.25" Dia., Circa - 19th C. ivory, coral and tortoiseshell. Please familiarize 1,000.00 - 1,500.00 yourself with relevant import and customs regulations prior to bidding) depicting figures in a landscape. 3.75"H x 2.25"W, Circa - 19th C. 1,000.00 - 1,500.00 431 Chinese carved ivory Guanyin with a baby. (International buyers should note that several countries do not allow the importation of lots containing materials made from endangered species. This includes, but is not limited to, ivory, coral and tortoiseshell. Please familiarize yourself with relevant import and customs regulations prior to bidding) 12"H, Circa - Early 20th C. 2,500.00 - 3,500.00 Dallas Auction Gallery Page: 4 September 8, 2011 Asian Auction 9/8/2011 LOT # LOT # 432 Chinese Qing hard stone and silver inlaid rosewood foo lions, 2.5"H x 2.5"W; the vase depicting ruyi scepter depicting plum blossoms. 11.75"L, figures in a landscape, 6.75"H x 2" Dia., Circa - Circa - 18th - 19th C. Late 19th - Early 20th C. 800.00 - 1,200.00 1,000.00 - 2,000.00 433 (2) Chinese Qing jade carvings: 438 Chinese porcelain brush pot depicting landscapes, (1) lock depicting bats and longevity; (1) marked "Wang Bing Rong Zhi". 5.5"H x 3.25" pendant depicting double lingzhi and two Dia., Circa - 19th C. dragons. Largest: 3.25"W, Circa - 18th - 19th C. 800.00 - 1,200.00 1,000.00 - 1,500.00 439 Chinese Cultural Revolution hard stone carving 434 Chinese carved ivory beauty depicting an old man. 7"H, Circa - 1960. (International buyers should note that several 800.00 - 1,200.00 countries do not allow the importation of lots containing materials made from endangered species. This includes, but is not limited to, ivory, coral and tortoiseshell. Please familiarize 440 Pr. Chinese carved jade trees yourself with relevant import and customs set in cloisonne planters depicting regulations prior to bidding) with peony chrysanthemum. 18.25"H, Circa - 20th C. blossoms. Ivory: 7.75"H, Circa - 20th C. 800.00 - 1,200.00 2,000.00 - 3,000.00 441 Large Chinese Qing tripod bronze censer, 435 Chinese watercolor scroll attr. to Chen Shizeng, depicting the face of the beast, with original depicting peonies, signed and sealed.
Recommended publications
  • Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC
    Proceedings of the Prehistoric Society 81, 2015, pp. 361–392 © The Prehistoric Society doi:10.1017/ppr.2015.17 Connected Histories: the Dynamics of Bronze Age Interaction and Trade 1500–1100 BC By KRISTIAN KRISTIANSEN1 and PAULINA SUCHOWSKA-DUCKE2 The Bronze Age was the first epoch in which societies became irreversibly linked in their co-dependence on ores and metallurgical skills that were unevenly distributed in geographical space. Access to these critical resources was secured not only via long-distance physical trade routes, making use of landscape features such as river networks, as well as built roads, but also by creating immaterial social networks, consisting of interpersonal relations and diplomatic alliances, established and maintained through the exchange of extraordinary objects (gifts). In this article, we reason about Bronze Age communication networks and apply the results of use-wear analysis to create robust indicators of the rise and fall of political and commercial networks. In conclusion, we discuss some of the historical forces behind the phenomena and processes observable in the archaeological record of the Bronze Age in Europe and beyond. Keywords: Bronze Age communication networks, agents, temperate Europe, Mediterranean Basin THE EUROPEAN BRONZE AGE AS A COMMUNICATION by small variations in ornaments and weapons NETWORK: HISTORICAL & THEORETICAL FRAMEWORK (Kristiansen 2014). Among the characteristics that might compel archaeo- Initially driven by the necessity to gain access to logists to label the Bronze Age a ‘formative epoch’ in remote resources and technological skills, Bronze Age European history, the density and extent of the era’s societies established communication links that ranged exchange and communication networks should per- from the Baltic to the Mediterranean and from haps be regarded as the most significant.
    [Show full text]
  • A Brief History of the International Regulation of Wine Production
    A Brief History of the International Regulation of Wine Production The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation A Brief History of the International Regulation of Wine Production (2002 Third Year Paper) Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:8944668 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA A Brief History of the International Regulation of Wine Production Jeffrey A. Munsie Harvard Law School Class of 2002 March 2002 Submitted in satisfaction of Food and Drug Law required course paper and third-year written work require- ment. 1 A Brief History of the International Regulation of Wine Production Abstract: Regulations regarding wine production have a profound effect on the character of the wine produced. Such regulations can be found on the local, national, and international levels, but each level must be considered with the others in mind. This Paper documents the growth of wine regulation throughout the world, focusing primarily on the national and international levels. The regulations of France, Italy, Germany, Spain, the United States, Australia, and New Zealand are examined in the context of the European Community and United Nations. Particular attention is given to the diverse ways in which each country has developed its laws and compromised between tradition and internationalism. I. Introduction No two vineyards, regions, or countries produce wine that is indistinguishable from one another.
    [Show full text]
  • An Anthropological Assessment of Neanderthal Behavioural Energetics
    DEPARTMENT OF ARCHAEOLOGY, CLASSICS & EGYPTOLOGY An Anthropological Assessment of Neanderthal Behavioural Energetics. Thesis submitted in accordance with the requirements of the University of Liverpool for the Degree of Doctor in Philosophy by Andrew Shuttleworth. April, 2013. TABLE OF CONTENTS……………………………………………………………………..i LIST OF TABLES……………………………………………………………………………v LIST OF FIGURES…………………………………………………………………………..vi ACKNOWLEDGMENTS…………………………………………………………………...vii ABSTRACT…………………………………………………………………………………viii TABLE OF CONTENTS 1. INTRODUCTION...........................................................................................................1 1.1. Introduction..............................................................................................................1 1.2. Aims and Objectives................................................................................................2 1.3. Thesis Format...........................................................................................................3 2. THE NEANDERTHAL AND OXYEGN ISOTOPE STAGE-3.................................6 2.1. Discovery, Geographic Range & Origins..............................................................7 2.1.1. Discovery........................................................................................................7 2.1.2. Neanderthal Chronology................................................................................10 2.2. Morphology.............................................................................................................11
    [Show full text]
  • The Interaction Between Ethnic Relations and State Power: a Structural Impediment to the Industrialization of China, 1850-1911
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Sociology Dissertations Department of Sociology 5-27-2008 The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911 Wei Li Follow this and additional works at: https://scholarworks.gsu.edu/sociology_diss Part of the Sociology Commons Recommended Citation Li, Wei, "The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/sociology_diss/33 This Dissertation is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE INTERACTION BETWEEN ETHNIC RELATIONS AND STATE POWER: A STRUCTURAL IMPEDIMENT TO THE INDUSTRIALIZATION OF CHINA, 1850-1911 by WEI LI Under the Direction of Toshi Kii ABSTRACT The case of late Qing China is of great importance to theories of economic development. This study examines the question of why China’s industrialization was slow between 1865 and 1895 as compared to contemporary Japan’s. Industrialization is measured on four dimensions: sea transport, railway, communications, and the cotton textile industry. I trace the difference between China’s and Japan’s industrialization to government leadership, which includes three aspects: direct governmental investment, government policies at the macro-level, and specific measures and actions to assist selected companies and industries.
    [Show full text]
  • Tier 1 Manufacturing Sites
    TIER 1 MANUFACTURING SITES - Produced January 2021 SUPPLIER NAME MANUFACTURING SITE NAME ADDRESS PRODUCT TYPE No of EMPLOYEES Albania Calzaturificio Maritan Spa George & Alex 4 Street Of Shijak Durres Apparel 100 - 500 Calzificio Eire Srl Italstyle Shpk Kombinati Tekstileve 5000 Berat Apparel 100 - 500 Extreme Sa Extreme Korca Bul 6 Deshmoret L7Nr 1 Korce Apparel 100 - 500 Bangladesh Acs Textiles (Bangladesh) Ltd Acs Textiles & Towel (Bangladesh) Tetlabo Ward 3 Parabo Narayangonj Rupgonj 1460 Home 1000 - PLUS Akh Eco Apparels Ltd Akh Eco Apparels Ltd 495 Balitha Shah Belishwer Dhamrai Dhaka 1800 Apparel 1000 - PLUS Albion Apparel Group Ltd Thianis Apparels Ltd Unit Fs Fb3 Road No2 Cepz Chittagong Apparel 1000 - PLUS Asmara International Ltd Artistic Design Ltd 232 233 Narasinghpur Savar Dhaka Ashulia Apparel 1000 - PLUS Asmara International Ltd Hameem - Creative Wash (Laundry) Nishat Nagar Tongi Gazipur Apparel 1000 - PLUS Aykroyd & Sons Ltd Taqwa Fabrics Ltd Kewa Boherarchala Gila Beradeed Sreepur Gazipur Apparel 500 - 1000 Bespoke By Ges Unip Lda Panasia Clothing Ltd Aziz Chowdhury Complex 2 Vogra Joydebpur Gazipur Apparel 1000 - PLUS Bm Fashions (Uk) Ltd Amantex Limited Boiragirchala Sreepur Gazipur Apparel 1000 - PLUS Bm Fashions (Uk) Ltd Asrotex Ltd Betjuri Naun Bazar Sreepur Gazipur Apparel 500 - 1000 Bm Fashions (Uk) Ltd Metro Knitting & Dyeing Mills Ltd (Factory-02) Charabag Ashulia Savar Dhaka Apparel 1000 - PLUS Bm Fashions (Uk) Ltd Tanzila Textile Ltd Baroipara Ashulia Savar Dhaka Apparel 1000 - PLUS Bm Fashions (Uk) Ltd Taqwa
    [Show full text]
  • Yunnan Provincial Highway Bureau
    IPP740 REV World Bank-financed Yunnan Highway Assets management Project Public Disclosure Authorized Ethnic Minority Development Plan of the Yunnan Highway Assets Management Project Public Disclosure Authorized Public Disclosure Authorized Yunnan Provincial Highway Bureau July 2014 Public Disclosure Authorized EMDP of the Yunnan Highway Assets management Project Summary of the EMDP A. Introduction 1. According to the Feasibility Study Report and RF, the Project involves neither land acquisition nor house demolition, and involves temporary land occupation only. This report aims to strengthen the development of ethnic minorities in the project area, and includes mitigation and benefit enhancing measures, and funding sources. The project area involves a number of ethnic minorities, including Yi, Hani and Lisu. B. Socioeconomic profile of ethnic minorities 2. Poverty and income: The Project involves 16 cities/prefectures in Yunnan Province. In 2013, there were 6.61 million poor population in Yunnan Province, which accounting for 17.54% of total population. In 2013, the per capita net income of rural residents in Yunnan Province was 6,141 yuan. 3. Gender Heads of households are usually men, reflecting the superior status of men. Both men and women do farm work, where men usually do more physically demanding farm work, such as fertilization, cultivation, pesticide application, watering, harvesting and transport, while women usually do housework or less physically demanding farm work, such as washing clothes, cooking, taking care of old people and children, feeding livestock, and field management. In Lijiang and Dali, Bai and Naxi women also do physically demanding labor, which is related to ethnic customs. Means of production are usually purchased by men, while daily necessities usually by women.
    [Show full text]
  • Monastic Landscapes of Medieval Transylvania (Between the Eleventh and Sixteenth Centuries)
    DOI: 10.14754/CEU.2020.02 Doctoral Dissertation ON THE BORDER: MONASTIC LANDSCAPES OF MEDIEVAL TRANSYLVANIA (BETWEEN THE ELEVENTH AND SIXTEENTH CENTURIES) By: Ünige Bencze Supervisor(s): József Laszlovszky Katalin Szende Submitted to the Medieval Studies Department, and the Doctoral School of History Central European University, Budapest of in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, and CEU eTD Collection for the degree of Doctor of Philosophy in History Budapest, Hungary 2020 DOI: 10.14754/CEU.2020.02 ACKNOWLEDGMENTS My interest for the subject of monastic landscapes arose when studying for my master’s degree at the department of Medieval Studies at CEU. Back then I was interested in material culture, focusing on late medieval tableware and import pottery in Transylvania. Arriving to CEU and having the opportunity to work with József Laszlovszky opened up new research possibilities and my interest in the field of landscape archaeology. First of all, I am thankful for the constant advice and support of my supervisors, Professors József Laszlovszky and Katalin Szende whose patience and constructive comments helped enormously in my research. I would like to acknowledge the support of my friends and colleagues at the CEU Medieval Studies Department with whom I could always discuss issues of monasticism or landscape archaeology László Ferenczi, Zsuzsa Pető, Kyra Lyublyanovics, and Karen Stark. I thank the director of the Mureş County Museum, Zoltán Soós for his understanding and support while writing the dissertation as well as my colleagues Zalán Györfi, Keve László, and Szilamér Pánczél for providing help when I needed it.
    [Show full text]
  • Ancient Carved Ambers in the J. Paul Getty Museum
    Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication.
    [Show full text]
  • Marija Gimbutas Papers and Collection of Books
    http://oac.cdlib.org/findaid/ark:/13030/c8m04b8b No online items Marija Gimubtas Papers and Collection of Books Finding aid prepared by Archives Staff Opus Archives and Research Center 801 Ladera Lane Santa Barbara, CA, 93108 805-969-5750 [email protected] http://www.opusarchives.org © 2017 Marija Gimubtas Papers and 1 Collection of Books Descriptive Summary Title: Marija Gimbutas Papers and Collection of Books Physical Description: 164 linear feet (298 boxes) and 1,100 volumes Repository: Opus Archives and Research Center Santa Barbara, CA 93108 Language of Material: English Biography/Organization History Marija Gimbutas (1921-1994) was a Lithuanian-American archeologist and archaeomythologist, and Professor Emeritus of European Archaeology and Indo-European Studies at the University of California Los Angeles from 1963-1989. Her work focused on the Neolithic and Bronze Age cultures of Old Europe. She was born in 1921 in Vilnius, Lithuania. At the University of Vilnius she studied archaeology, linguistics, ethnology, folklore and literature and received her MA in 1942. In 1946 she earned a PhD in archaeology at Tübingen University in Germany for her dissertation on prehistoric burial rites in Lithuania. In 1949 Gimbutas moved to the United States. She worked for Harvard University at the Peabody Museum from 1950-1963 and was made a Fellow of the Peabody in 1955. Her work included translating archeological reports from Eastern Europe, and her research focused on European prehistory. In 1963 Gimbutas became a professor at the University of California in Los Angeles in the European archeology department. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of "Old Europe," a term she introduced.
    [Show full text]
  • Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program
    Fabergé Museum, St. Petersburg, Russia October, 8-10, 2015 International Museum - Event Program Section I. Fabergé’s Lapidary Art • Tatiana Muntian. Fabergé and His Flower Studies • Alexander von Solokoff. Rock Crystal Mushrooms by Fabergé • Valentin Skurlov. The Range of Products and Precious Stones in Fabergé’s Stone-Cutting Production (1890-1917) • Galina Korneva and Tatiana Cheboksarova. Stone Carvings in the Collection of the Great Duchess Maria Pavlovna • Pavel Kotlyar. Alexander Palace and the Fabergé Firm • Dmitriy Krivoshei. Stone-cut Objects and Clients of the Fabergé Company in 1909-1916’s (Based on General Ledger) • Svetlana Chestnykh. History of Hardstone Figure of Kamer-Kazak N.N. Pustynnikov Section II. Russian Lapidary Art in the 19th-Early 20th Centuries • Evgeniy Lukianov. Precious and Semi-precious Stones in Works of the Sazikov Firm (1850- 1880’s) • Andreiy Gilodo. Lapidary Art of Soviet Russia in 1920-1930’s • Ludmila Budrina. By Order of Mr. Governor: Ekaterinburg Lapidary Factory Items from 1880- 1890’s Made from Non-Chancery Designs • Natalia Borovkova. Works of the Ekaterinburg Lapidary Factory in 1870-1880's Commissioned by His Imperial Majesty's Own Chancery • Mariya Osipova. Stone Carvings of the Bolin Firm • Aleksandra Pestova. History of West Ural’s Stone Craft (1830-1930’s). Influence of Ekaterinburg Stone Carvers and Fabergé’s Craftsmen Section III. Origin of Russian Jeweler’s Art • Annette Fuhr. The Story of Idar-Oberstein, One of the Most Important Towns in the Gemstone World • Max Rutherston. Netsuke • Olga Alieva. Prototypes of Modern Ural Hardstone Sculpture • Raisa Lobatckaya. Siberian Ethnic Motives in Works of Modern Jewelers • Ekaterina Tarakanova.
    [Show full text]
  • Amber Crystal Jewelry and Pouch
    skill 3 level free EARRINGS SUPPLIES & TOOLS: • Beyond Beautiful: 1 strand 8mm amber crystal cubes 1 strand 4mm amber crystal bicones • 1 strand Crystazzi 10x8mm Crystal AB drops • Gold Elegance findings: Ball hook earrings 25mm eyepins 35mm headpins • Round-nose pliers • Wire cutters DIRECTIONS: 1. Thread a crystal AB drop onto a headpin; finish with simple loop. Make 2. 2. Thread 4mm bicone 8mm curved cube & 4mm bicone onto an eyepin. Finish with a simple top loop. Create 2. 3. Use needle-nose pliers to open and close top loops on the drops to attach one to the bottom of each beaded link. Loops should be opened and closed by moving the open end to the side. Open the top loop of each beaded link to attach the complete dangle to each ball hook earring. NECKLACE: SUPPLIES & TOOLS: • 1 strand Beyond Beautiful 8mm amber crystal cubes • Crystazzi Crystal: 2 strands 4mm & 6mm amber bicones 2 strand 10x8mm Crystal AB drop 1 strand 8mm Crystal AB bicones • Gold Elegance findings: 1 set heart toggle 25mm eyepins 35mm headpins 18" cable chain #1 2 pkgs 6x3.5mm saucers amber crystal jewelry and pouch 2 pkgs 3mm mirror beads Lobster claw Two 6mm jump rings • 52" gold 7-strand beading wire • Pliers: needle-nose, round-nose or crimping tool • Wire cutters more projects, tips & techniques at Joann.com® DIRECTIONS: Project courtesy of Cousin Corporation of America 1. Center dangle: cut 17-link length of chain. Use jump ring to attach one end to heart toggle. Loops should be Designed by Amy Ropes opened and closed by moving the open end to the side, a twisting motion.
    [Show full text]
  • Free Jewelry Projects
    “Branching Out” Necklace As seen on the cover of our 2006 Summer Supplement & gemstone ad series Created by: Mary Morton Tools: Crimping pliers, Flush cutters, Chain-nose pliers, Round-nose pliers, Igolochkoy threader Suggested Materials Qty. Stock Name 1 #22-221-8 Double-drilled loose "amber" 1 str. #22-242 Baltic amber chips 4 #20-128-0041 Toho Treasures, white 12 #20-128-0557 Toho Treasures, gold 16.5” #61-848-10 49-strand Beadalon® wire 2 #24-944 Sterling stardust roller beads 2 #41-256-02-3 Crimp tubes, size 2 1 str. #20-565 Cupolini-style white coral 10 #49-998-04-AS Turkish-style spacer 1 #37-562 Fancy sterling head pins 1 str. #21-888-122 Round gemstone, amber 1 str. #21-000-052-67 Egg-shaped bead, natural agate 1 #50-224 Sterling silver oval rollo chain 1 #50-968 Gold-filled oval cable chain 2 #37-807 Sterling silver eye pins 5 #37-912 Gold-filled eye pins Note: This piece is two separate necklaces, with the chain necklace being 5 #37-315 Gold-filled jump rings the longest of the two. Adjust the length of the cupolini necklace by 1 #39-525 Spring ring clasp adding approx. 10” to create a set that will hang as shown. To make the pendant: 1. The Baltic amber bead is drilled horizontally and vertically, as well as having a final hole drilled directly through its center. Following the pattern shown in the picture, use your long needle to string through both side holes, securing beads by looping through a seed bead for each side.
    [Show full text]