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Tensions Between Scientia and Ars in Medieval Natural Philosophy and Magic Isabelle Draelants
The notion of ‘Properties’ : Tensions between Scientia and Ars in medieval natural philosophy and magic Isabelle Draelants To cite this version: Isabelle Draelants. The notion of ‘Properties’ : Tensions between Scientia and Ars in medieval natural philosophy and magic. Sophie PAGE – Catherine RIDER, eds., The Routledge History of Medieval Magic, p. 169-186, 2019. halshs-03092184 HAL Id: halshs-03092184 https://halshs.archives-ouvertes.fr/halshs-03092184 Submitted on 16 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. This article was downloaded by: University College London On: 27 Nov 2019 Access details: subscription number 11237 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge History of Medieval Magic Sophie Page, Catherine Rider The notion of properties Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315613192-14 Isabelle Draelants Published online on: 20 Feb 2019 How to cite :- Isabelle Draelants. 20 Feb 2019, The notion of properties from: The Routledge History of Medieval Magic Routledge Accessed on: 27 Nov 2019 https://www.routledgehandbooks.com/doi/10.4324/9781315613192-14 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. -
The Cultural Significance of Precious Stones in Early Modern England
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 6-2011 The Cultural Significance of Precious Stones in Early Modern England Cassandra Auble University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, European History Commons, and the History of Gender Commons Auble, Cassandra, "The Cultural Significance of Precious Stones in Early Modern England" (2011). Dissertations, Theses, & Student Research, Department of History. 39. https://digitalcommons.unl.edu/historydiss/39 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND by Cassandra J. Auble A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Carole Levin Lincoln, Nebraska June, 2011 THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND Cassandra J. Auble, M.A. University of Nebraska, 2011 Adviser: Carole Levin Sixteenth and seventeenth century sources reveal that precious stones served a number of important functions in Elizabethan and early Stuart society. The beauty and rarity of certain precious stones made them ideal additions to fashion and dress of the day. These stones also served political purposes when flaunted as examples of a country‘s wealth, bestowed as favors, or even worn as a show of royal support. -
From 'The Help of Grave and Modest Women' to 'The Care of Men of Sense' : the Transition from Female Midwifery to Male Obstetrics in Early Modern England
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1988 From 'the help of grave and modest women' to 'the care of men of sense' : the transition from female midwifery to male obstetrics in early modern England Karen L. Smith Adams Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the European History Commons, and the Obstetrics and Gynecology Commons Let us know how access to this document benefits ou.y Recommended Citation Smith Adams, Karen L., "From 'the help of grave and modest women' to 'the care of men of sense' : the transition from female midwifery to male obstetrics in early modern England" (1988). Dissertations and Theses. Paper 3793. https://doi.org/10.15760/etd.5677 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Karen L. Smith Adams for the Master of Arts in History presented March 18, 1988. Title: From 'The Help of Grave and Modest Women' to 'The Care of Men of Sense': The Transition from Female Midwifery to Male Obstetrics in Early Modern England. APPROVED BY MEMBERS OF THE THESIS COMMITTEE: Ann Weikel, Chair Susan Karant-1~ \ \,, '''·· ... Michael Reardon Until the sixteenth century, childbirth in England was the exclusive domain of women and was orchestrated by the female midwife. By the end of the seventeenth century, / 2 university-educated and church-approved male physicians were systematically beginning to usurp the midwife's role in the lying-in room and to gradually assume authority and power over the process of childbirth. -
A Close Study of Pliny the Elder's Naturalis Historia
SUMMA ABSOLUTAQUE NATURAE RERUM CONTEMPLATIO: A CLOSE STUDY OF PLINY THE ELDER’S NATURALIS HISTORIA 37 by EMILY CLAIRE BROWN B.A., The University of British Columbia, 2010 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Classics) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2012 © Emily Claire Brown, 2012 ABSTRACT The focus of modern scholarship on Pliny the Elder’s Naturalis Historia tends towards two primary goals: the placement of the work and the author within the cultural context of late 1st century CE Rome and, secondly, the acknowledgement of the purposeful and designed nature of Pliny’s text. Following this trend, the purpose of this study is to approach Book 37, in which Pliny lists and categorizes the gems of the world, as a deliberately structure text that is informed by its cultural context. The methodology for this project involved careful readings of the book, with special attention paid to the patterns hidden under the surface of Pliny’s occasionally convoluted prose; particular interest was paid to structural patterns and linguistic choices that reveal hierarchies. Of particular concern were several areas that appealed to the most prominent areas of concern in the book: the structure and form of the book; the colour terminology by which Pliny himself categorizes the gems; the identification of gems as objects of mirabilia and luxuria; and the identification of gems as objects of magia and medicina. These topics are all iterations of the basic question of whether gems represent to Pliny positive growth on the part of the Roman Empire, or detrimental decline. -
Becoming Human
Becoming Human Oxford Handbooks Online provided by RERO DOC Digital Library View metadata, citation and similar papers at core.ac.uk CORE brought to you by Becoming Human: From the Embryo to the Newborn Child Véronique Dasen The Oxford Handbook of Childhood and Education in the Classical World Print Publication Date: Dec 2013 Subject: Classical Studies, Domestic Life Online Publication Date: Dec 2013 DOI: 10.1093/oxfordhb/9780199781546.013.001 Abstract and Keywords Since antiquity, speculations on the emergence of human life and the status of the embryo have prompted intense debates. How does fetal matter grow into a human being? When does it have a soul? Was it treated as a potential person or as just an extension of the mother’s body? No general agreement existed, but there was a plurality of viewpoints according to different medical, philosophical, and legal perspectives and to gender. Neither aborted nor newborn babies had their own right to life before social recognition by the father about one week after delivery. The absence of legal provision on infanticide until the third century CE is consistent with the uncertainties of the human status of the unborn displayed in ancient literature. Various written and iconographic sources, however, reflect the possible perception of the unborn child as a living being, worthy of divine protection, and directly addressed. Keywords: Abortion, birthmark, Caesarean section, contraception, embryo, exposure, gynecology, infanticide, multiple births, twins, obstetrics, superfetation Introduction Since antiquity, speculations on the emergence of human life and the status of the embryo have prompted intense medical, philosophical, religious, and legal debates. -
A Contribution to the Study of Palaeologan Magic
7 A Contribution to the Study of Palaeologan Magic RICHARD P. H. GREENHELD One of the most striking and encouraging things about the study of magic in the Palaeologanperiod, as compared to some of the earlier phases of Byzantine history, is the fact that there seems to be, relatively speaking, an abundance of riches here. The great advantage of this is that it enables us to gain, in some measure at least, an overview of the greatrange and variety that clearly existed in the Byzantine magical spectrum. We are not confined to isolated and indis- tinct pieces of evidence which, although fascinating and revealing in them- selves, are often incapable of doing more than providingthe basis for scholarly speculation. Such fragments may, of course, be usefully related to each other over time and space, but they lack, ingeneral, anything like a coherent or inclu- sive framework within which they may be placed and understood. This is not the case with the Palaeologan material which, although far from complete, is nevertheless sufficiently abundant to allow more general patterns to be ob- served in this particular historical context. It may therefore also be useful in helping us to see, if onlyby analogy, the earlier, more fragmentary material in a wider setting. The consequent disadvantage of such wealth, however, is that the constraints of space, in a paper such as this, mean that depth must inevi- tably be sacrificed for breadth and that the result cannot be a complete, thor- ough, or even detailed survey of all the available material. Nor is there room to venture, except in passing, into the vital and revealing area of the interpreta- tion and analysis of this material; the consideration of what it tells us about late Byzantine people, about their religious beliefs inparticular and about their outlook and society in general, must await subsequent study. -
Dark Transparencies: Crystal Poetics in Medieval Texts and Beyond
Dark Transparencies: Crystal Poetics in Medieval Texts and Beyond Marisa Galvez ecent studies on medieval stones have examined the lithic ef- ficacy and agency inherent in the lapidary tradition dating back Rto Greece, a tradition that continues in writings about mineral virtus in the Middle Ages through authors such as Isidore of Seville and Albertus Magnus. In particular, attention has been paid to how inanimate objects serve as a topos for exploring the engagement of humans with non-humans.1 Critics such as Bill Brown, Jeffrey Jerome Cohen, and Kellie Robertson have challenged the Heideggerian notion of inert “worldless” (weltlos) objects impoverished of animal captivation (Benommenheit) or human apprehending (Vernehmen) by arguing that such objects or things “matter” and have the potential to be “world-forming”: in Cohen’s assess- ment, humans are not the “world’s sole meaning-maker,” and Brown argues for “things” as impenetrable objects that resist human utilization for con- cepts and instead produce a “force as a sensuous presence.”2 This essay proposes a different reading of stones that draws upon these ethical and theoretical reflections on things and objects. A comparative reading of secular medieval literature of the twelfth and thirteenth centu- ries left out of these studies can nuance our modern preoccupation with things as challenging a human-centered view of the world. Courtly texts that focus on erotic desire show that medieval readers understood the her- meneutic tension between an object such as stone that could hold meaning for the human interpreter, and a formless, transforming thing with various physical effects in particular moments or through time—what I shall call a “substantive” materiality. -
The Art of Glassmaking and the Nature of Stones the Role of Imitation in Anselm De Boodt’S Classification of Stones
Sven Dupré The Art of Glassmaking and the Nature of Stones The Role of Imitation in Anselm De Boodt’s Classification of Stones I n Gemmarum et lapidum historia, published in 1609, and arguably the most important work on stones of the seventeenth century, the Flemish physician Anselm De Boodt included precious stones, such as diamonds, lapis lazuli, emeralds (fig. 1), jade, nephrite and agate imported to Europe from Asia and the New World.1 The book was illustrated with specimens from the collection of Rudolf II in Prague where De Boodt was court physician, and the successor of Carolus Clusius as overseer of Rudolf’s gardens.2 De Boodt also included stones mined and sculpted in Europe, such as various marbles, porphyry, alabaster and rock crystal, as well as stones of organic origin, such as amber and coral (fig. 2), some fossils and a diversity of animal body stones, the bezoar stone being the most famous.3 Beyond simply listing stones across the lines between the organic and the inor- ganic, the vegetative and the mineral, the natural and the artificial, as was standard prac- tice in the lapidary tradition stretching back to Theophrastus and Antiquity, De Boodt also offered a classification of stones.D espite his importance, little work has been done on De Boodt. One exception is work by Annibale Mottana, who argues that “De Boot (sic) wanted to show his contempt for the merchant approach to gemstones in an attempt to 1 This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 648718), and has been supported by a Robert H. -
The Art of the Lapidary
THE AMERICAN MUSEUM OP NATURAL HISTORY THE ART OF THE LAPIDARY By HERBERT P. WHITLOCK OUIDE LEAFLET SERIES No. 65 DECEMBER, 1926 With it 444 perfectly proportion d fa ets t hi blue T opaz a marvelou ex pres ion f the art of the lapidary. ( ase VT) THE ART OF THE LAPIDARY BY H ERB ER1' P. \ i\ HITLOCK Curator of Vlineralogy G IDE LEAFLET No. 65 THE A~IERICAN l\1 E ~1 OF NAT RAL HI TORY ~ EW Y ORK, D ECEMBER, 1926 "And they were stronger hands than mine That digged the Ruby from the earth More cunning brains that made it worth The large desire of a King." -Rudyard Kipling The Art of the Lapidary INTRODUCTION Although a gem mineral in the rough always exhibit certain quali tie , which, to a di cernino- eye, give promi e of it po ibilitie a a gem, it i through the shaping and facetting of these bits of mineral that their real charm i developed. Gem tone are, in general, cut 1.-To bring out beauties of color. 2.-To adapt them to jewelry form . 3.-To develop the cintillatino- reflections from the interior of the tone by makino- use of the principle of refraction of light. Th fir t two of the e con ideration are too obviou to require more than a word of explanation. The urface of a tran parent uncut o-em tone may be compared to the urface of a~body of water rendered rouo-h and broken by waves and ripples. It is only when uch a urface ha been rendered mooth that we are enabled to look down into the depth below and ee to be t advantage its color. -
Astral Magic in Babylonia Author(S): Erica Reiner Source: Transactions of the American Philosophical Society, New Series, Vol
Astral Magic in Babylonia Author(s): Erica Reiner Source: Transactions of the American Philosophical Society, New Series, Vol. 85, No. 4 (1995), pp. i-150 Published by: American Philosophical Society Stable URL: http://www.jstor.org/stable/1006642 Accessed: 17/01/2010 18:16 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=amps. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Philosophical Society is collaborating with JSTOR to digitize, preserve and extend access to Transactions of the American Philosophical Society. http://www.jstor.org Astral Magic in Babylonia TRANSAC'I'IONS of the American Philosophical Society Held at Philadelphiafor Promoting Useful Knowledge VOLUME 85, Part 4, 1995 Astral Magic in Babylonia ERICA REINER THE AMERICAN PHILOSOPHICAL SOCIETY Independence Square, Philadelphia 1995 Copyright ? 1995 by The American Philosophical Society. -
Lapidary Works of Art, Gemstones and Minerals
S L RT, RT, A INERA M GEMSTONES AND December 6, 2017 Wednesday Los Angeles LAPIDARY WORKS OF LAPIDARY LAPIDARY WORKS OF ART, GEMSTONES AND MINERALS | Los Angeles, Wednesday DECEMBER 6, 2017 24276 LAPIDARY WORKS OF ART, GEMSTONES AND MINERALS Wednesday December 6, 2017 at 10am Los Angeles BONHAMS BIDS INQUIRIES ILLUSTRATIONS 7601 W. Sunset Boulevard +1 (323) 850 7500 Claudia Florian, G.J.G Front cover: Lot 2466 Los Angeles, California 90046 +1 (323) 850 6090 fax Co-Consulting Director Inside front cover: Lot 2035 bonhams.com (323) 436-5437 Session page: Lot 2217 To bid via the internet please visit [email protected] Inside back cover: Lot 2285 PREVIEW www.bonhams.com/24276 Back cover: Lot 2462 Friday, December 1, 12-5pm Katherine Miller Saturday, December 2, 12-5pm Please note that telephone bids Business Administrator Sunday, December 3, 12-5pm must be submitted no later (323) 436-5445 Monday, December 4, 10-5pm than 4pm on the day prior to [email protected] Tuesday, December 5, 10-5pm the auction. New bidders must also provide proof of identity SALE NUMBER: 24276 and address when submitting Lots 2001 - 2487 bids. Telephone bidding is only available for lots with a low CATALOG: $35 estimate in excess of $1000. Please contact client services with any bidding inquiries. Please see pages 183 to 186 for bidder information including Conditions of Sale, after-sale collection and shipment. Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2017, Bonhams & Butterfields Auctioneers Corp.; All rights reserved. Bond -
Picture Identification Guide for Polished Stones and Tumbled Rocks Provided By
Picture Identification Guide for Polished Stones and Tumbled Rocks Provided by Amazonite Coral, Agatized Lepidolite Red Jasper Amazonite is a green microcline feldspar. It is A rare find is fossil coral that has been replaced by Lepidolite is a variety of mica that occurs in a Jasper is an opaque chalcedony and red is one of its named after the Amazon River of South America, agate - or agatized. This type of fossilization often spectrum of colors that range from pink to deep most common colors. This red jasper from South where the first commercial deposits were found. preserves the structure of the coral individual or lavender. The stones shown here are tumbled Africa has a fire-engine red color that in some The stones shown here are a rich green Amazonite colony. The result can be a beautiful stone that can quartz pebbles that have enough lepidolite stones is interrupted by a white to transparent quartz that was mined in Russia. be polished to display cross and lateral sections inclusions to yield pink and lavender gemstones. vein. It often accepts an exceptionally high polish. through the coral fossil. Apache Tears Crackle Quartz Lilac Amethyst Rhodonite - Pink Apache Tears are round nodules of obsidian that "Crackle Quartz" is a name used for quartz Amethyst is a purple variety of crystalline quartz that Rhodonite is a metamorphic manganese mineral can be transparent through translucent. When it has polish to a beautiful jet black color. If you hold them specimens that have been heat treated and then that is well known for its beautiful pink color.