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PF Vol19 No01.Pdf (12.01Mb)
PRAIRIE FORUM Vol. 19, No.1 Spring 1994 CONTENTS ARTICLES Wintering, the Outsider Adult Male and the Ethnogenesis of the Western Plains Metis John E. Foster 1 The Origins of Winnipeg's Packinghouse Industry: Transitions from Trade to Manufacture Jim Silver 15 Adapting to the Frontier Environment: Mixed and Dryland Farming near PincherCreek, 1895-1914 Warren M. Elofson 31 "We Are Sitting at the Edge of a Volcano": Winnipeg During the On-to-ottawa Trek S.R. Hewitt 51 Decision Making in the Blakeney Years Paul Barker 65 The Western Canadian Quaternary Place System R. Keith Semple 81 REVIEW ESSAY Some Research on the Canadian Ranching Frontier Simon M. Evans 101 REVIEWS DAVIS, Linda W., Weed Seeds oftheGreat Plains: A Handbook forIdentification by Brenda Frick 111 YOUNG, Kay, Wild Seasons: Gathering andCooking Wild Plants oftheGreat Plains by Barbara Cox-Lloyd 113 BARENDREGT, R.W., WILSON,M.C. and JANKUNIS, F.]., eds., Palliser Triangle: A Region in Space andTime by Dave Sauchyn 115 GLASSFORD, Larry A., Reaction andReform: ThePolitics oftheConservative PartyUnder R.B.Bennett, 1927-1938 by Lorne Brown 117 INDEX 123 CONTRIBUTORS 127 PRAIRIEFORUM:Journal of the Canadian Plains Research Center Chief Editor: Alvin Finkel, History, Athabasca Editorial Board: I. Adam, English, Calgary J.W. Brennan, History, Regina P. Chorayshi, Sociology, Winnipeg S.Jackel, Canadian Studies, Alberta M. Kinnear, History, Manitoba W. Last, Earth Sciences, Winnipeg P. McCormack, Provincial Museum, Edmonton J.N. McCrorie, CPRC, Regina A. Mills, Political Science, Winnipeg F. Pannekoek, Alberta Culture and Multiculturalism, Edmonton D. Payment, Parks Canada, Winnipeg T. Robinson, Religious Studies, Lethbridge L. Vandervort, Law, Saskatchewan J. -
Bronx Princess
POV Community Engagement & Education Discussion GuiDe Sweetgrass A Film by Ilisa Barbash and Lucien Castaing-Taylor www.pbs.org/pov POV BFIALcMKMgARKOEuRNSd’ S ITNAFTOERMMEANTTISON Boston , 2011 Recordist’s Statement We began work on this film in the spring of 2001. We were living in colorado at the time, and we heard about a family of nor - wegian-American sheepherders in Montana who were among the last to trail their band of sheep long distances — about 150 miles each year, all of it on hoof — up to the mountains for summer pasture. i visited the Allestads that April during lambing, and i was so taken with the magnitude of their life — both its allure and its arduousness — that we ended up following them, their friends and their irish-American hired hands intensely over the following years. to the point that they felt like family. Sweetgrass is one of nine films to have emerged from the footage we have shot over the last decade, the only one intended principally for theatrical exhibition. As the films have been shaped through editing, they seem to have become as much about the sheep as about their herders. the humans and animals that populate the footage commingle and crisscross in ways that have taken us by surprise. Sweetgrass depicts the twilight of a defining chapter in the history of the American West, the dying world of Western herders — descendants of scandinavian and northern european homesteaders — as they struggle to make a living in an era increasingly inimical to their interests. set in Big sky country, in a landscape of remarkable scale and beauty, the film portrays a lifeworld colored by an intense propinquity between nature and culture — one that has been integral to the fabric of human existence throughout history, but which is almost unimaginable for the urban masses of today. -
The Chilean Miracle
Proefschrift DEF stramien 14-09-2005 09:35 Pagina 1 The Chilean miracle PATRIMONIALISM IN A MODERN FREE-MARKET DEMOCRACY Proefschrift DEF stramien 14-09-2005 09:35 Pagina 2 The Chilean miracle Promotor: PATRIMONIALISM IN A MODERN Prof. dr. P. Richards FREE-MARKET DEMOCRACY Hoogleraar Technologie en Agrarische Ontwikkeling Wageningen Universiteit Copromotor: Dr. C. Kay Associate Professor in Development Studies Institute of Social Studies, Den Haag LUCIAN PETER CHRISTOPH PEPPELENBOS Promotiecommissie: Prof. G. Mars Brunel University of London Proefschrift Prof. dr. S.W.F. Omta ter verkrijging van de graad van doctor Wageningen Universiteit op gezag van de rector magnificus van Wageningen Universiteit, Prof. dr. ir. J.D. van der Ploeg prof. dr. M. J. Kropff, Wageningen Universiteit in het openbaar te verdedigen op maandag 10 oktober 2005 Prof. dr. P. Silva des namiddags te vier uur in de Aula. Universiteit Leiden Dit onderzoek is uitgevoerd binnen de onderzoeksschool CERES Proefschrift DEF stramien 14-09-2005 09:35 Pagina 4 Preface The work that follows is an attempt to blend together cultural anthropology with managerial sciences in a study of Chilean agribusiness and political economy. It also blends together theory and practice, in a new account of Chilean institutional culture validated through real-life consultancy experiences. This venture required significant cooperation from various angles. I thank all persons in Chile who contributed to the fieldwork for this study. Special Peppelenbos, Lucian thanks go to local managers and technicians of “Tomatio” - a pseudonym for the firm The Chilean miracle. Patrimonialism that cooperated extensively and became key subject of this study. -
Permanent War on Peru's Periphery: Frontier Identity
id2653500 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com ’S PERIPHERY: FRONT PERMANENT WAR ON PERU IER IDENTITY AND THE POLITICS OF CONFLICT IN 17TH CENTURY CHILE. By Eugene Clark Berger Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History August, 2006 Nashville, Tennessee Approved: Date: Jane Landers August, 2006 Marshall Eakin August, 2006 Daniel Usner August, 2006 íos Eddie Wright-R August, 2006 áuregui Carlos J August, 2006 id2725625 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com HISTORY ’ PERMANENT WAR ON PERU S PERIPHERY: FRONTIER IDENTITY AND THE POLITICS OF CONFLICT IN 17TH-CENTURY CHILE EUGENE CLARK BERGER Dissertation under the direction of Professor Jane Landers This dissertation argues that rather than making a concerted effort to stabilize the Spanish-indigenous frontier in the south of the colony, colonists and indigenous residents of 17th century Chile purposefully perpetuated the conflict to benefit personally from the spoils of war and use to their advantage the resources sent by viceregal authorities to fight it. Using original documents I gathered in research trips to Chile and Spain, I am able to reconstruct the debates that went on both sides of the Atlantic over funds, protection from ’ th pirates, and indigenous slavery that so defined Chile s formative 17 century. While my conclusions are unique, frontier residents from Paraguay to northern New Spain were also dealing with volatile indigenous alliances, threats from European enemies, and questions about how their tiny settlements could get and keep the attention of the crown. -
Universidad Adolfo Ibáñez International Student Handbook
INTERNATIONAL STUDENT UNIVERSIDAD ADOLFO IBÁÑEZ / SANTIAGO · VIÑA DEL MAR / CHILE [ 1 WELCOME Over the last ten years, we have been working with our partner universities in both regular exchange programs as well as featured programs, offering courses of diverse topics and organizing cultural and athletic activities for our international students. Our goal is to support their advance, increase their skills of the Spanish language and foster friendship with Chilean students. All of these are the fundamental buildings blocks to have an unforgettable experience living in Chile. The key to achieving successful results has been a close and permanent relationship with our students and colleagues abroad, based on commitment and strong support. This is made possible due to the hard work of a dedicated faculty who invests an incredible amount of energy to share their passion for international education with students, as well as offering academically well-matched immersive study abroad programs that focus on quality, safety, diversity and accessibility. I believe that our international students will benefit from the high-level education and vigorous tradition of the Universidad Adolfo Ibáñez. Meanwhile, I suggest that students make the university their home, establishing open communication and learning with faculty and fellow students. I wish you great success studying at UAI. Sincerely, Gerardo Vidal G. Director Relaciones Internacionales Universidad Adolfo Ibáñez [ 2 WELCOME [ 3 CHILE CHILE is one of the most interesting countries of Latin America in terms of professional activities and tourism. A solid economy and spectacular landscapes make the country an exceptional place for living and traveling. Placed in South America, our country occupies a long, narrow strip of land between the Andes Mountains to the east and the Pacific Ocean to the west. -
Are We a Bunch of Robin Hoods?” Filesharing As a Folk Tradition of Resistance Benjamin Staple
Document generated on 09/27/2021 8:47 a.m. Ethnologies “Are We a Bunch of Robin Hoods?” Filesharing as a Folk Tradition of Resistance Benjamin Staple Crime and Folklore Article abstract Crime et folklore On the edge of the digital frontier, far from the oceans of their maritime Volume 41, Number 1, 2019 namesakes, pirate communities flourish. Called outlaws and thieves, these file-sharers practice a vernacular tradition of digital piracy in the face of URI: https://id.erudit.org/iderudit/1069852ar overwhelming state power. Based on ethnographic fieldwork conducted with DOI: https://doi.org/10.7202/1069852ar Warez Scene cracking groups and the Kickass Torrents community, this article locates piracy discourse as a site of contested identity. For file-sharers who embrace it, the pirate identity is a discursively-constructed composite that See table of contents enables users to draw upon (and create) outlaw folk hero traditions to express themselves and affect small-scale change in the world around them. This article argues that pirate culture is more nuanced than popularly depicted and Publisher(s) that, through traditional practice, piracy is a vernacular performance of resistance. Association Canadienne d’Ethnologie et de Folklore ISSN 1481-5974 (print) 1708-0401 (digital) Explore this journal Cite this article Staple, B. (2019). “Are We a Bunch of Robin Hoods?”: Filesharing as a Folk Tradition of Resistance. Ethnologies, 41(1), 197–224. https://doi.org/10.7202/1069852ar Tous droits réservés © Ethnologies, Université Laval, 2020 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. -
Urban Ethnicity in Santiago De Chile Mapuche Migration and Urban Space
Urban Ethnicity in Santiago de Chile Mapuche Migration and Urban Space vorgelegt von Walter Alejandro Imilan Ojeda Von der Fakultät VI - Planen Bauen Umwelt der Technischen Universität Berlin zur Erlangung des akademischen Grades Doktor der Ingenieurwissenschaften Dr.-Ing. genehmigte Dissertation Promotionsausschuss: Vorsitzender: Prof. Dr. -Ing. Johannes Cramer Berichter: Prof. Dr.-Ing. Peter Herrle Berichter: Prof. Dr. phil. Jürgen Golte Tag der wissenschaftlichen Aussprache: 18.12.2008 Berlin 2009 D 83 Acknowledgements This work is the result of a long process that I could not have gone through without the support of many people and institutions. Friends and colleagues in Santiago, Europe and Berlin encouraged me in the beginning and throughout the entire process. A complete account would be endless, but I must specifically thank the Programme Alßan, which provided me with financial means through a scholarship (Alßan Scholarship Nº E04D045096CL). I owe special gratitude to Prof. Dr. Peter Herrle at the Habitat-Unit of Technische Universität Berlin, who believed in my research project and supported me in the last five years. I am really thankful also to my second adviser, Prof. Dr. Jürgen Golte at the Lateinamerika-Institut (LAI) of the Freie Universität Berlin, who enthusiastically accepted to support me and to evaluate my work. I also owe thanks to the protagonists of this work, the people who shared their stories with me. I want especially to thank to Ana Millaleo, Paul Paillafil, Manuel Lincovil, Jano Weichafe, Jeannette Cuiquiño, Angelina Huainopan, María Nahuelhuel, Omar Carrera, Marcela Lincovil, Andrés Millaleo, Soledad Tinao, Eugenio Paillalef, Eusebio Huechuñir, Julio Llancavil, Juan Huenuvil, Rosario Huenuvil, Ambrosio Ranimán, Mauricio Ñanco, the members of Wechekeche ñi Trawün, Lelfünche and CONAPAN. -
Protocolo Para La Descripción Del Apero Del Huaso 2016
Protocolo para la descripción del apero del huaso 2016 Lorena Cordero Valdés BREVE HISTORIA DEL HUASO CHILENO os conquistadores españoles influyeron fuertemente en las costumbres y tradiciones presentes en la zona central de nuestro país, lo que condujo al mestizaje cultural, ya que el español debió integrarse a las costumbres de los indígenas para poder hacer posible la convivencia. Surge así la encomienda, que era la asignación de una cantidad de tierra e indios sobre los cuales el soldado español tenía dominio. De esta convivencia nace una raza mestiza entre conquistadores y conquistados. Si nos atenemos a su origen histórico y a elementos raciales que dieron origen al mestizo y que son los elementos ancestrales del huaso tales como padre español, pero no cualquiera de los españoles que llegaron durante la Conquista, sino andaluces con madre y abuela indias, sumado al medio ambiente en el que se desenvuelve su vida y la actividad agrícola a la que se dedica, se podría definir al huaso como un mestizo ascendente enriquecido y de vida rural. El mestizo ascendente tomó las costumbres y la idiosincrasia del padre español, más que de la madre india. Vivió con el padre o amparado por él, apegado a un pedazo de tierra, o junto a la madre que desempeñaba funciones domésticas en casa del español. Se crió en un ambiente español, oyendo y hablando su lengua, conociendo y practicando su religión, es decir, adquiriendo sus hábitos; con los años llegó a convertirse en un individuo nacido en Chile asimilado al español, que poco o nada tenía que ver con el indio, compenetrado del linaje paterno. -
Mariano Latorre, Novelista Chileno Contemporineo
Mariano Latorre, Novelista Chileno Contemporineo (Concluye) SEGUNDA PARTE Elementos chilenos en la obra de Latorre I. LA TIERRA El paisaje en America tiene una importancia capital, pues su descripci6n es lo que da originalidad a la literatura. En la literatura colonial la descripci6n de e1 es pobrisima. Generalmente los poe- mas 6picos no contenian alusi6n al respecto. En la epoca romintica es cuando el paisaje adquiere el caricter y la fuerza necesaria que contribuye a darle un matiz determinado, autentico. En la epoca moderna, el paisaje se torna ideol6gico. Mariano Latorre es un devoto del paisaje criollo, cuyas belle- zas las sabe interpretar y sentir. Sus paisajes se caracterizan por ser muy objetivos. Poseen gran exactitud y autenticidad. Paisaje marino: ... en la caleta, el paisaje marino tenia esa calma caracteris- tica de las grandes bellezas de la tierra: amontonibanse las colinas en la desembocadura del rio, y luego un muro de maciza montafia corria hacia el Sur, pareciendo las rocas que se prolongaban en la luminosa perspectiva contrafuertes de una muralla china: entre los hue- cos de estos contrafuertes colibanse las olas bafiindolos de inmaculada blancura. '("La risa de la gaviota", de Cuentos del Maule, p. 120.) 304 RE VISTA IBEROAMIERICAN A Paisaje de la costa: Porque estas montafias de la costa tienen una soledad tan pene- trante que se hunde en el alma como una atroz melancolia. ("Sandias riberefias", de Cuentos del Maule, pp. 71-72.) Envueltos en un paisaje tan esteril e insoportable los habitantes de estos lomajes tienen un salvajismo nativo: su inteligencia es pe- quefia e incapaz de sobreponerse a la pobreza del medio.. -
La Nueva Canción and Its Significance
Excerpt * Temple University Press 1 La Nueva Canción and Its Significance uring the 1960s and 1970s, profound political changes were taking place in Chile and in other parts of Latin America. New political Dand social movements of students, workers, peasants, urban shanty- town dwellers, and other groups mobilized to demand rights and political inclusion along with deeper democratization and structural changes in elit- ist systems. The 1960s were marked by the Cuban Revolution and the war in Vietnam, and many young people in Chile, as in other countries, were strongly anti-imperialist and in favor of progressive social change. These popular movements coalesced to form a powerful force that was instrumen- tal in electing the democratic socialist Salvador Allende president in 1970. Allende’s goal was to preside over a peaceful, constitutional path to social- ism in Chile. He served for three turbulent years, attempting to implement a program to reduce social inequalities, until he was overthrown in the U.S.- backed military coup of 1973. Political and Social Context In Chile in the early 1960s, social divisions were severe. Some 25 percent of the population had access to sewage services, and only 10–11 percent of rural populations had supplied drinking water. In 1960, 16.4 percent of the population was illiterate.1 Tens of thousands of people had built crude, leaky shacks to live in on the outskirts of Santiago that lacked plumbing, run- ning water, and electricity. Workers had few rights and lived in overcrowded Excerpt * Temple University Press 2 Chapter 1 tenements, shantytowns, or single-room company housing; miners lived in company towns near the mines, enduring harsh conditions. -
And the Chilean Cueca
The ambiguity of "Community" and the Chilean Cueca Author Monk, Susan Published 2011 Journal Title Music Education Research and Innovation Version Version of Record (VoR) Copyright Statement © 2011 ASME and the Author(s). The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/173305 Link to published version http://www.asme.edu.au Griffith Research Online https://research-repository.griffith.edu.au THE AMBIGUITY OF “COMMUNITY” AND THE CHILEAN CUECA SUE MONK University of Queensland expressed her concern at the apparent focus on INTRODUCTION mining, stating that this neither reflected the diversity of development within Chile nor the We have tended to rely on cultural relativism in its interests of the Chilean students. The third most simplistic form, and in a way that is heavily comment came from an academic who had reliant on liberal humanism. That is, we tend to resort to fairly basic relativist arguments about equal worth, attended all five colloquiums and expressed when the strongest arguments focus on the political concern that very little had changed in Australia in economies of uneven access to resources and the terms of recognising the diversity across Latin intervention of education (and performance) into America. One week after the colloquium, at those economies. At this level, we have fallen far another university campus, a visiting Chilean behind; discussions around issues of canon formation and control have gone on in English departments for scholar addressed a public forum about the twenty years, often at a level of critical sophistication student strikes and occupations of schools and that music departments only gesture towards (Wong, university campuses that had been occurring in 2006, p. -
The Genesis of Toby: a Folk Hero of the American Theater Author(S): Jere C
The Genesis of Toby: A Folk Hero of the American Theater Author(s): Jere C. Mickel Source: The Journal of American Folklore, Vol. 80, No. 318 (Oct. - Dec., 1967), pp. 334-340 Published by: American Folklore Society Stable URL: http://www.jstor.org/stable/537410 Accessed: 22/04/2010 21:29 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=illinois and http://www.jstor.org/action/showPublisher?publisherCode=folk. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press and American Folklore Society are collaborating with JSTOR to digitize, preserve and extend access to The Journal of American Folklore.