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What Is Genius of the Kazakh Poet Abay Kunanbayuly by Rashida
Shahanova Rozalinda Ashirbayevna Professor Head Department of the Philological Specialties Institute of Doctoral Studies Akademic of the International Academy of the Pedagogical Educational Sciences Almaty, Kazakhstan Shokanova Rashida Visiting Professor, Kazakh Language Jamia Millia Islamia New Delhi [email protected] What is genius of the Kazakh poet Abay Kunanbayuly? This article is about the great poet, philosopher, thinker, composer, educator of Kazakh people in the nineteenth century AbayKunanbay. Depite nor the era of colonial oppression, nor feudal-bourgeois system with all its shortcomings, when spread rot and humiliated people, as well as hid in prison, he was able - in spite of all the abominations being and destiny - to raise an unprecedented height resistance of the national spirit, singing and introducing into the consciousness of their fellow tenacity and boldness instead cowardice, focus, instead of a loss, the pursuit of knowledge, rather than ignorance and miserable careerism The acts instead Abay Kunanbay was born (July 29) August 10, 1845 in Chingiz Mountains Semipalatinsk region, in the family of a feudal lord Kunanbai Uskenbaev. His family was aristocratic, that is why Abay received a broad education. He attended a madrassa - Islamic school, is a both a high school and seminary. In addition, Abay was a disciple of the ordinary Russian school.The true figure, genuinely caring about his people, seeking and finding the way to new vertices. Today the name of Abay for many people on all continents should flush with the names of Shakespeare, Goethe, Pushkin and Moliere. Abay is the founder of Kazakh written literature. In the history of Kazakh literature Abay took pride of place, enriching the Kazakh versification new dimensions and rhymes. -
National Symbols of Pakistan | Pakistan General Knowledge
National Symbols of Pakistan | Pakistan General Knowledge Nation’s Motto of Pakistan The scroll supporting the shield contains Muhammad Ali Jinnah’s motto in Urdu, which reads as “Iman, Ittehad, Nazm” translated as “Faith, Unity, Discipline” and are intended as the guiding principles for Pakistan. Official Map of Pakistan Official Map of Pakistan is that which was prepared by Mahmood Alam Suhrawardy National Symbol of Pakistan Star and crescent is a National symbol. The star and crescent symbol was the emblem of the Ottoman Empire in the 19th century, and gradually became associated with Islam in late 19th-century Orientalism. National Epic of Pakistan The Hamza Nama or Dastan-e-Amir Hamza narrates the legendary exploits of Amir Hamza, an uncle of the Prophet Muhammad, though most of the stories are extremely fanciful, “a continuous series of romantic interludes, threatening events, narrow escapes, and violent acts National Calendar of Pakistan Fasli which means (harvest) is derived from the Arabic term for division, which in India was applied to the groupings of the seasons. Fasli Calendar is a chronological system introduced by the Mughal emperor Akbar basically for land revenue and records purposes in northern India. Fasli year means period of 12 months from July to Downloaded from www.csstimes.pk | 1 National Symbols of Pakistan | Pakistan General Knowledge June. National Reptile of Pakistan The mugger crocodile also called the Indian, Indus, Persian, Sindhu, marsh crocodile or simply mugger, is found throughout the Indian subcontinent and the surrounding countries, like Pakistan where the Indus crocodile is the national reptile of Pakistan National Mammal of Pakistan The Indus river dolphin is a subspecies of freshwater river dolphin found in the Indus river (and its Beas and Sutlej tributaries) of India and Pakistan. -
Humanitar Elmlər: Dünən, Bu Gün Və Sabah Tələbə Elmi Konfransı 28 Fevral 2020
Xəzər Universiteti Dillər və ədəbiyyatlar departamenti Humanitar elmlər: dünən, bu gün və sabah tələbə elmi konfransı 28 fevral 2020 Xəzər Universitəsi Nəşriyyatı Bakı-2020 3 © Xəzər Universiteti Nəşriyyatı – 2020 Bütün hüquqlar qorunur. Redaktorlar Dosent Dilbər Zeynalova Kompüter işi Günel Əkbərova Kamilə Bədəlova ISBN 978-9952-20-126-0 AZ1096 Azərbaycan Respublikası Bakı şəhəri, Məhsəti küç. 41 Xəzər Universitəsi Tel: (+994 12) 421 10 93 http://www.khazar.org 4 AKADEMİK HEYƏT Hamlet İsaxanlı (Professor, Təsisçi, Direktorlar və Qəyyumlar Şurasının sədri) İradə Xəlilova (Dosent, Xəzər Universiteti, Rektor) Məhəmməd Nuriyev (Professor, Xəzər Universiteti, Tədris işləri üzrə prorektor) İsaxan İsaxanlı (Dosent, Xəzər Universiteti, İdarəetmə və tələbə işləri üzrə prorektor) Bahman Amani (Ph.D. İngilis dili və ədəbiyyatı departamenti) Elza Səmədli (Dosent, Humanitar, Təhsil və Sosial Elmlər fakultəsi) Dilbər Zeynalova (Dosent, Dillər və ədəbiyyatlar departamenti) Roza Arazova (Ph.D. Tarix və arxeologiya departamenti) Elmar Mustafayev (Ph.D. Siyasi elmlər və fəlsəfə departamenti) Saida Şərifova (Ph.D. Magistratura, Doktorantura və Elmi işlər şöbəsi) Təşkilat komitəsi: Dos. Dilbər Zeynalova ( Dillər və ədəbiyyatlar departamentinin müdiri) Zülfiyyə Sadıqova (Musiqi və incəsənət departamentinin müdiri) Əlövsət Əmirbəyli (Xəzər Universiteti İctimai əlaqələr və media üzrə direktor) Dos. Xatirə Yusifova (Dillər və ədəbiyyatlar departamenti) Ph.D. Gülşanə Xudiyeva (Dillər və ədəbiyyatlar departamenti) Ph.D. Zəminə Ziyayeva (Dillər və ədəbiyyatlar -
Azerbaycan Tiyatrosunda Adil İsgandarov'un Yönetmenlik Anlayışı
Konservatoryum - Conservatorium Cilt/Volume: 8, Sayı/Issue: 1, 2021 ISSN: 2146-264X E-ISSN: 2618-5695 ARAŞTIRMA MAKALESİ / RESEARCH ARTICLE Azerbaycan Tiyatrosunda Adil İsgandarov’un Yönetmenlik Anlayışı Adil Isgandarov’s Understanding of Stage Direction at the Azerbaijan Theater Vagif AZİZOV1 ÖZ Bu makalede, Azerbaycan Tiyatrosunun tarihsel evrimi içerisinde, Adil İsgandarov’un yönetmen olduğu döneme kadar içinde bulunduğu disiplinsiz çalışma ortamları ele alınarak aynı zamanda Azerbaycan Tiyatro Okulunun da kurucusu olan İsgandarov’un bu bağlamda tiyatro sanatına katkıları ve sanat DOI: 10.26650/CONS2021-904372 yaşamının değerlendirilmesi amaçlanmaktadır. Milli Drama Tiyatrosu’nda yarattığı görkemli sahnelemelerine ithafen bir dahi olarak nitelendirilmektedir. İsgandarov, 1936’da Moskova’da eğitimini tamamladıktan ve Bakü’ye döndükten kısa süre sonra baş yönetmenliğe, ardından tiyatronun genel sanat yönetmenliğine terfi etmiştir. Birbiri ardına sahneye koyduğu eserlerle Azerbaycan tiyatrosunu, ülkenin (SSCB’nin) en gelişmiş tiyatroları seviyesine yükseltmiştir. 1938 yılında S. Vurgun’un “Vagif” dramının sahnelenmesi, Azerbaycan edebi ortamında büyük beğeni toplamış ve İsgandarov, Onursal Sanat Çalışanı unvanı ile ödüllendirilmiştir. 1943 yılında ise S. Vurgun’un “Ferhat ve Şirin” oyunu rejisiyle Azerbaycan Cumhuriyeti’nin Halk Sanatçısı 1Sanatta Yeterlik Öğrencisi, İstanbul unvanına layık görülmüştür. Adil İsgandarov’un, Anvar Mammadkhanlı’nın Üniversitesi, Devlet Konservatuvarı, Sahne “Doğunun Sabahı” eserini sahnelerken ortaya koyduğu -
Aşıq Şəmşirin Anadan Olmasının 120 Illiyinə Həsr Olunur
Aşıq Şəmşirin anadan olmasının 120 illiyinə həsr olunur. 2 AMEA FOLKLOR İNSTİTUTU “AŞIQ ŞƏMŞİR” MƏDƏNİYYƏT OCAĞI İCTIMAİ BİRLİYİ Aşıq Şəmşirin anadan olmasının 120 illiyinə həsr olunmuş AŞIQ SƏNƏTİNİN TARİXİ İNKİŞAF YOLLARI VƏ AŞIQ ŞƏMŞİR MƏRHƏLƏSİ mövzusunda Beynəlxalq Elmi Konfransın M A T E R İ A L L A R I BAKI – 2013 3 AMEA Folklor İnstitutu Elmi Şurasının qərarı ilə çap olunur. LAYİHƏ RƏHBƏRİ: Fil.ü.e.d. Muxtar KAZIMOĞLU (İMANOV) ELMİ REDAKTORLARI: Fil.ü.f.d. Adil CƏMİL Fil.ü.f.d. Səbinə İSAYEVA Fil.ü.f.d. Nail QURBANOV TƏRTİB EDƏNLƏRİ: Aynur QƏZƏNFƏRQIZI Əli ŞAMİL Aşıq Şəmşirin anadan olmasının 120 illiyinə həsr olunmuş “Aşıq sənətinin tarixi inkişaf yolları və Aşıq Şəmşir mərhə- ləsi” mövzusunda Beynəlxalq Elmi Konfransın materialları. Bakı, “Nurlan”, 2013, 408 səh. Kitabda 5 dekabr 2013-cü ildə Bakı şəhərində AMEA Folklor İnsti- tutu və “Aşıq Şəmşir” Mədəniyyət Ocağı İctimai Birliyinin təşkilatçılığı ilə keçirilən “Aşıq sənətinin tarixi inkişaf yolları və Aşıq Şəmşir mər- hələsi” mövzusunda Beynəlxalq Elmi Konfransın materialları toplan- mışdır. Topluya Azərbaycan alimləri ilə yanaşı, Türkiyədən, İrandan, Dağıstandan və Qırğızıstandan olan elm adamlarının da aşıq sənətinin tarixi keçmişi və bu günü ilə bağlı məqalələri daxil edilmişdir. folklorinstitutu.com M 4603000000 Qrifli nəşr N-098-2013 Folklor İnstitutu, 2013 4 KONFRANSIN TƏŞKİLAT KOMİTƏSİ SƏDARƏT Muxtar Kazımoğlu (İmanov) – filologiya üzrə elmlər doktoru, AMEA Folklor İnstitutunun direktoru. Qənbər Şəmşiroğlu – şair-publisist, ictimai xadim, “Aşıq Şəmşir” Mədəniyyət Ocağı İctimai Birliyinin sədri ELMİ HEYƏT Zəlimxan Yaqub – xalq şairi, Azərbaycan Aşıqlar Birli- yinin sədri Məhərrəm Qasımlı - fil.ü.e.d., professor, AMEA Ədə- biyyat İnstitutunda direktor müavini Qəzənfər Paşayev – fil. ü. -
Search and Find: National Poetry Month
SEARCH & FIND APRIL- NATIONAL POETRY MONTH Non-Picture - Page 1 ■ ■ 1. Dante Alighieri. 2. Aref Qazvini. 3. Voltaire. Clue: Dante Alighieri was a poet Clue:Aref Qazvini was an Iranian Clue:Voltaire was a French and prose writer from medieval poet and musician. Often cal led philosopher, writer, and poet of Florence, Italy, who profoundly a National Poet of Iran, he was a the Enlightenment. He was one impacted European literature. revolutionary during the Iranian of the most versitile poets and He is most famous for authoring Constitutional Revolution and wits of his time. He is shown the Christian epic poem La made many political and here holding a red lamb, a divina commedia. Dante is pro-revolutionary songs. reference to his 1759 satirical credited with inventing the novella Candide. poetic form used in The Divine Comedy, known as terza rima. 4. Laozi. 5. Ralph Waldo Emerson. 6. Maqamat-ut-Tuyur. Clue: Laozi was a philosopher in Clue: Ralph Waldo Emerson was Clue: "The Conference of the ancient China. He is the author an American writer, poet, and Birds," or "Maqamat-ut-Tuyor," of the Tao Te Ching, an import leader of the Transcendentalist is a poem completed circa 1187. ant text from Chinese history Movement, which argued that The poem concerns a congrega consisting of 81 short, poetic people were essentially good tion of birds, led by a wise sections. He is a central figure and capable of self-improve hoopoe, that embark on a both in philosophical and ment. journey. Through their experi religious Taoism. ences and the hoopoe's parables and counsel, the birds are cleansed of their egos and attain enlightenment. -
Azərbaycan Dillər Universiteti. Elmi Xəbərlər
ISSN 2518-752X Аzərbaycan Respublikası Тəhsil Nazirliyi AZƏRBAYCAN DĠLLƏR UNĠVERSĠTETĠ Elmi Xəbərlər Research Papers Вестник №1, 2019 Azərbaycan Respublikası Təhsil Nazirliyinin 12.01.01-ci il tarixli 132 saylı əmri ilə qrif verilmişdir. TƏSĠSÇĠ: AZƏRBAYCAN DĠLLƏR UNĠVERSĠTETĠ Redaksiya heyəti: Abdullayev Kamal (baĢ redaktor) Ġmanov Muxtar (Azərbaycan Dillər Universiteti, f.e.d, akademik, (Azərbaycan Dillər Universiteti, f.e.d., akademik, AMEA-nın həqiqi üzvü) AMEA-nın həqiqi üzvü) Hacıyeva Aytən (baĢ redaktorun müavini) Ġsmayılov Bilal (Azərbaycan Dillər Universiteti, f.f.d.,dosent) (Azərbaycan Dillər Universiteti, f.e.d., professor) Abdullayev Əfqan Kunina Ġrina (Azərbaycan Dillər Universiteti, f.e.d., professor) (Azərbaycan Dillər Universiteti, s.f.d.,dosent) Abdiyeva Ədilə Qasımov RəĢad (Azərbaycan Dillər Universiteti, s.f.d.,dosent) (Polis Akademiyası, t.f.d.,dosent) BəĢirov Vidadi Qaziyeva Məsməxanım (Azərbaycan Dillər Universiteti, p.f.d.,dosent) (Azərbaycan Dillər Universiteti, f.e.d.,professor) Cəfərov Amil Sabitova Aynur (Azərbaycan Dillər Universiteti, f.f.d.,dosent) (Azərbaycan Dillər Universiteti, f.e.d.,professor) Əliyev Əzim ġahmuradov Aqil (Azərbaycan Dillər Universiteti, p.f.d.,dosent) (Azərbaycan Dillər Universiteti, t.f.d.,dosent) Əliyev Məmməd Veysəlli Fəxrəddin (Azərbaycan Dillər Universiteti, f.e.d.,professor) (Azərbaycan Dillər Universiteti, f.e.d.,professor) Hüseynzadə Gülnar Zeynalov Əsgər (Azərbaycan Dillər Universiteti, p.e.d.,professor) (AzərbaycanbDillərjUniversiteti,f.e.d.,professor) Məsləhətçi heyəti: Bejenaru -
A Note on the Origins of 1914-18 'War Poetry'
A note on the origins of 1914-18 ‘war poetry’ Dominic Hibberd Biography Dominic Hibberd, was a biographer, editor and critic who taught at universities in Britain, the USA, and China. He wrote biographies of two poets, Harold Monro and Wilfred Owen, as well as the critical study Owen the Poet (1986). He edited Poetry of the First World War in the Casebook series (1981), and with John Onions, compiled and edited The Winter of the World: Poems of the First World War (2007). Abstract The sort of work that has often been thought of as typical British First World War poetry – realistic, often angry poems about the actualities of the front line, written from the point of view of the ordinary soldier and aimed at the civilian conscience – was in fact not typical at all. And it was not begun by soldiers in the aftermath of front-line horrors, as is often supposed, but by two civilian poets very early in the war. Harold Monro and Wilfrid Gibson deserve to be recognised as the first of what modern readers would call the ‘war poets’. Résumé Les œuvres qui sont souvent considérées comme tout à fait caractéristiques de la poésie britannique de la première guerre mondiale, — réalistes, souvent des poèmes d’un style cru, traduisant la réalité du front, telle qu’elle est vécue par le soldat de base, pour en faire prendre conscience aux civils, ne sont en réalité en rien conformes à ce modèle. Les premières œuvres relevant de ce genre n’ont pas été le fait de militaires revenant de l’horreur du front, comme on le croit souvent, mais de deux poètes civils qui les ont écrites au tout début de la guerre. -
ASTRA Salvensis, Supplement No. 1/2021 105 POETIC AND
ASTRA Salvensis, Supplement no. 1/2021 POETIC AND LINGUISTIC FEATURES OF POETRY OF ZHUBAN MOLDAGALIEV Zinulla Zh. MUTIYEV1, Murat B. SABYR2, Marat K. AZHGALIYEV2, Aigul A. RAMANOVA2, Ganmirkun G. TURGANALIEVA1 1Department of Kazakh Philology, M. Utemisov West Kazakhstan University, Uralsk, Republic of Kazakhstan 2Department of Pedagogy, University of Innovation and Technology of Western Kazakhstan, Uralsk, Republic of Kazakhstan Abstract: This article deals with local history issues. The study of the creative heritage of poets and writers of the Ural region of the West Kazakhstan region is one of the actual problems of modern literary criticism. This article studies the work of the Kazakh poet Z. Moldagaliev. The scientific, literary analysis of thematic-ideological, poetic-linguistic features of the poetry of the poet was carried out. The novelty of the poet was investigated in the method of describing lyrical heroes, creating an image. Attention is drawn to the fact that the works of the poet are harmonious with time, epoch, and are closely related to the life of society. Keywords: a major epic, spiritual poet, national character, lyrical thinking, war and peace, friendship of nations, the image of contemporaries. A talented representative of Kazakh literature, a major epic, militant poet, awardee of the USSR State Prize, awardee of the Abai Kazakh SSR State Prize, People’s Writer of Kazakhstan Zhuban Moldagaliev was born on September 5, 1920 in the area of Zhylandy, Ulenta-Saykuduk village, Taypaksky district, West Kazakhstan region. He studied at the seven-year school, then at the Ural Agricultural College, on military-political courses. In 1940-47 he served in the army, participated in the Great Patriotic War. -
Life As Art Ph.D
Great people Gulrena QAJAR Life as art Ph.D. of Art history THIS ARTICLE WAS BORN OUT OF MANY YEARS OF ADMIRATION FOR THE PAINTINGS OF MIKAYIL ABDULLAYEV, RESPECT FOR HIS PERSONALITY AND SENSE OF PRIDE IN ACQUAINTANCE WITH THE MASTER. 50 www.irs-az.com Heritage_1_(12)_2013_last.indd 50 1/29/13 3:43 PM Lights of Mingachevir Mikayil Abdullayev Illustration for the “Dada Gorgud” epic what can you write about pedic knowledge of culture, fantastic he knew from travel, books, and his Mikayil muallim in a small memory and knowledge of Eastern own observations and refl ections. So article? Biographical facts, poetry and music? He knew how to Mikayil Abdullayev is a very milestones of creative work and heri- talk very nicely. He knew a lot and was bright, serious and dramatic paint- tage that has become the property of able to put it in an admirable form, be- er, even in the most unsophisticated the nation? His face, shrewd look, the witching the listener with his speech and simple genre paintings. They French beret etched in the memory – and attractiveness of his personality. are permeated by the profound dra- an attribute of free bohemia? Encyclo- He was happy to tell about the world ma of life that can be seen through a www.irs-az.com 51 Heritage_1_(12)_2013_last.indd 51 1/29/13 3:43 PM Great people talented guys - future outstanding painters Ogtay Sadikhzadeh, Boyuka- ga Mirzazadeh Abdul Khaliq and Gafar Seyfullayev. The talented Azerbaijani painter Azim Azimzadeh played an important role in the establishment of Mikayil as he sent him to an art col- lege at the age of 14 in 1935. -
America Singing Loud: Shifting Representations of American National
AMERICA SINGING LOUD: SHIFTING REPRESENTATIONS OF AMERICAN NATIONAL IDENTITY IN ALLEN GINSBERG AND WALT WHITMAN Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in English Literature By Eliza K. Waggoner Dayton, Ohio May 2012 AMERICA SINGING LOUD: SHIFTING REPRESENTATIONS OF AMERICAN NATIONAL IDENTITY IN ALLEN GINSBERG AND WALT WHITMAN Name: Waggoner, Eliza K. APPROVED BY: ____________________________________________________ Albino Carrillo, MFA Committee Chair ____________________________________________________ Tereza Szeghi, Ph.D. Committee Member ____________________________________________________ James Boehnlein, Ph. D. Committee Member ii ABSTRACT AMERICA SINGING LOUD: SHIFTING REPRESENTATIONS OF AMERICAN NATIONAL IDENTITY IN ALLEN GINSBERG AND WALT WHITMAN Name: Waggoner, Eliza K. University of Dayton Advisor: Mr. Albino Carrillo Much work has been done to study the writings of Walt Whitman and Allen Ginsberg. Existing scholarship on these two poets aligns them in various ways (radicalism, form, prophecy, etc.), but most extensively through their homosexuality. While a vast majority of the scholarship produced on these writers falls under queer theory, none acknowledges their connection through the theme of my research—American identity. Ideas of Americanism, its representation, and what it means to be an American are issues that span both Whitman and Ginsberg's work. The way these issues are addressed and reconciled by Ginsberg is vastly different from how Whitman interacts with the subject: a significant departure due to the nature of their relationship. Ginsberg has cited Whitman as an influence on his work, and other scholars have commented on the appearance of this influence. The clear evidence of connection makes their different handling of similar subject matter a doorway into deeper analysis of the interworking of these two iconic American writers. -
Culture of Azerbaijan
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CULTURE OF AZERBAIJAN CONTENTS I. GENERAL INFORMATION............................................................................................................. 3 II. MATERIAL CULTURE ................................................................................................................... 5 III. MUSIC, NATIONAL MUSIC INSTRUMENTS .......................................................................... 7 Musical instruments ............................................................................................................................... 7 Performing Arts ....................................................................................................................................... 9 Percussion instruments ........................................................................................................................... 9 Wind instruments .................................................................................................................................. 12 Mugham as a national music of Azerbaijan ...................................................................................... 25 IV. FOLKLORE SONGS ..................................................................................................................... 26 Ashiqs of Azerbaijan ............................................................................................................................ 27 V. THEATRE,