Introduction to Azerbaijan VALIDATION COPY 1.0 JUNE 2007
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About the Artistic and Performing Features of Violin Works Gara Garayev About the Artistic and Performing Features of Violin Works of Gara Garayev
CEYLA GANİOĞLU CEYLA ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV OF VIOLIN WORKS GARA AND PERFORMING FEATURES ARTISTIC THE ABOUT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Art Proficiency Thesis by CEYLA GANİOĞLU Department of Bilkent University 2019 Music İhsan Doğramacı Bilkent University Ankara May 2019 ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by CEYLA GANİOĞLU In Partial Fulfillment of the Requirements for the Degree of ART PROFICIENCY IN MUSIC THE DEPARTMENT OF MUSIC İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA May 2019 ABSTRACT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Ganioğlu, Ceyla Proficiency in Music, Department of Music Supervisor: Prof. Gürer Aykal May 2019 Garayev’s unique talents of music opened a new page in Azerbaijan’s music of 20th century. He adapted an untypical way of making music in which he was able to combine the traditional and the modern type. There are several substances that were brought in music of Azerbaijan by Garayev such as new themes, new images, and new means of composing. He achieved success not only in the areas of the national ballet, choral, and chamber music but also panned out well considering sonata for violin and piano and the violin concerto. These works represents main aspects and characteristics of Garayev’s music like implementation of national traditions while applying new methods of the 20th century, specifically neo-classicism and serial technique. In both sonata for violin and piano and the violin concerto, he reflects a perspective of synthesis of the two musical systems that are the Eastern and the Western. -
Humanitar Elmlər: Dünən, Bu Gün Və Sabah Tələbə Elmi Konfransı 28 Fevral 2020
Xəzər Universiteti Dillər və ədəbiyyatlar departamenti Humanitar elmlər: dünən, bu gün və sabah tələbə elmi konfransı 28 fevral 2020 Xəzər Universitəsi Nəşriyyatı Bakı-2020 3 © Xəzər Universiteti Nəşriyyatı – 2020 Bütün hüquqlar qorunur. Redaktorlar Dosent Dilbər Zeynalova Kompüter işi Günel Əkbərova Kamilə Bədəlova ISBN 978-9952-20-126-0 AZ1096 Azərbaycan Respublikası Bakı şəhəri, Məhsəti küç. 41 Xəzər Universitəsi Tel: (+994 12) 421 10 93 http://www.khazar.org 4 AKADEMİK HEYƏT Hamlet İsaxanlı (Professor, Təsisçi, Direktorlar və Qəyyumlar Şurasının sədri) İradə Xəlilova (Dosent, Xəzər Universiteti, Rektor) Məhəmməd Nuriyev (Professor, Xəzər Universiteti, Tədris işləri üzrə prorektor) İsaxan İsaxanlı (Dosent, Xəzər Universiteti, İdarəetmə və tələbə işləri üzrə prorektor) Bahman Amani (Ph.D. İngilis dili və ədəbiyyatı departamenti) Elza Səmədli (Dosent, Humanitar, Təhsil və Sosial Elmlər fakultəsi) Dilbər Zeynalova (Dosent, Dillər və ədəbiyyatlar departamenti) Roza Arazova (Ph.D. Tarix və arxeologiya departamenti) Elmar Mustafayev (Ph.D. Siyasi elmlər və fəlsəfə departamenti) Saida Şərifova (Ph.D. Magistratura, Doktorantura və Elmi işlər şöbəsi) Təşkilat komitəsi: Dos. Dilbər Zeynalova ( Dillər və ədəbiyyatlar departamentinin müdiri) Zülfiyyə Sadıqova (Musiqi və incəsənət departamentinin müdiri) Əlövsət Əmirbəyli (Xəzər Universiteti İctimai əlaqələr və media üzrə direktor) Dos. Xatirə Yusifova (Dillər və ədəbiyyatlar departamenti) Ph.D. Gülşanə Xudiyeva (Dillər və ədəbiyyatlar departamenti) Ph.D. Zəminə Ziyayeva (Dillər və ədəbiyyatlar -
Research and Tradition
RESEARCH AND TRADITION Article received on February 23rd 2017 Article accepted on 10th March 2017 UDC: 78.071.1:929 Денисов E. B. Bogumila Mika * University of Silesia, Katowice, Poland Department of Fine Art and Music Institute of Music ‘BENEATH THE SHADOW OF POLITICS’. RECEPTION OF THE MUSIC OF EDISON DENISOV IN POLAND Abstract: The music of Russian composer Edison Denisov was frequently presented in the Warsaw Autumn festival. Between 1964 and 2005, Polish audiences heard his pieces 21 times, including three world premieres. This music was widely received, especially in the 1960s and the 1970s, when Polish culture was strongly influenced by politics. The following decades brought changes in the context of politics and style in the arts, but Denisov’s compositions continued to be performed in Warsaw. The aim of this paper is to present the opinions formulated by Polish music critics as evidence about the reception of Denisov’s music. Key words: Edison Denisov, reception, the Warsaw Autumn festival, critics, avant-garde, Russian music. * Author contact information: [email protected] 139 New Sound 49,1/2017 The political context in post-war Poland After the Second World War, all culture in Poland, including musical culture, was rigorously controlled by politics. The communist authorities imposed their doctrine of art, so-called ‘socialist realism’. The infamous conference in Lagôw Lubuski in Western Poland in 1949 officially condemned ‘musical formalism’ and proclaimed that only socialist realistic music could be written. Political pressure prohibited artistic contacts with the West, including coop eration with foreign artists. Polish culture gradually became isolated from West ern culture and art. -
Azerbaycan Tiyatrosunda Adil İsgandarov'un Yönetmenlik Anlayışı
Konservatoryum - Conservatorium Cilt/Volume: 8, Sayı/Issue: 1, 2021 ISSN: 2146-264X E-ISSN: 2618-5695 ARAŞTIRMA MAKALESİ / RESEARCH ARTICLE Azerbaycan Tiyatrosunda Adil İsgandarov’un Yönetmenlik Anlayışı Adil Isgandarov’s Understanding of Stage Direction at the Azerbaijan Theater Vagif AZİZOV1 ÖZ Bu makalede, Azerbaycan Tiyatrosunun tarihsel evrimi içerisinde, Adil İsgandarov’un yönetmen olduğu döneme kadar içinde bulunduğu disiplinsiz çalışma ortamları ele alınarak aynı zamanda Azerbaycan Tiyatro Okulunun da kurucusu olan İsgandarov’un bu bağlamda tiyatro sanatına katkıları ve sanat DOI: 10.26650/CONS2021-904372 yaşamının değerlendirilmesi amaçlanmaktadır. Milli Drama Tiyatrosu’nda yarattığı görkemli sahnelemelerine ithafen bir dahi olarak nitelendirilmektedir. İsgandarov, 1936’da Moskova’da eğitimini tamamladıktan ve Bakü’ye döndükten kısa süre sonra baş yönetmenliğe, ardından tiyatronun genel sanat yönetmenliğine terfi etmiştir. Birbiri ardına sahneye koyduğu eserlerle Azerbaycan tiyatrosunu, ülkenin (SSCB’nin) en gelişmiş tiyatroları seviyesine yükseltmiştir. 1938 yılında S. Vurgun’un “Vagif” dramının sahnelenmesi, Azerbaycan edebi ortamında büyük beğeni toplamış ve İsgandarov, Onursal Sanat Çalışanı unvanı ile ödüllendirilmiştir. 1943 yılında ise S. Vurgun’un “Ferhat ve Şirin” oyunu rejisiyle Azerbaycan Cumhuriyeti’nin Halk Sanatçısı 1Sanatta Yeterlik Öğrencisi, İstanbul unvanına layık görülmüştür. Adil İsgandarov’un, Anvar Mammadkhanlı’nın Üniversitesi, Devlet Konservatuvarı, Sahne “Doğunun Sabahı” eserini sahnelerken ortaya koyduğu -
Aşıq Şəmşirin Anadan Olmasının 120 Illiyinə Həsr Olunur
Aşıq Şəmşirin anadan olmasının 120 illiyinə həsr olunur. 2 AMEA FOLKLOR İNSTİTUTU “AŞIQ ŞƏMŞİR” MƏDƏNİYYƏT OCAĞI İCTIMAİ BİRLİYİ Aşıq Şəmşirin anadan olmasının 120 illiyinə həsr olunmuş AŞIQ SƏNƏTİNİN TARİXİ İNKİŞAF YOLLARI VƏ AŞIQ ŞƏMŞİR MƏRHƏLƏSİ mövzusunda Beynəlxalq Elmi Konfransın M A T E R İ A L L A R I BAKI – 2013 3 AMEA Folklor İnstitutu Elmi Şurasının qərarı ilə çap olunur. LAYİHƏ RƏHBƏRİ: Fil.ü.e.d. Muxtar KAZIMOĞLU (İMANOV) ELMİ REDAKTORLARI: Fil.ü.f.d. Adil CƏMİL Fil.ü.f.d. Səbinə İSAYEVA Fil.ü.f.d. Nail QURBANOV TƏRTİB EDƏNLƏRİ: Aynur QƏZƏNFƏRQIZI Əli ŞAMİL Aşıq Şəmşirin anadan olmasının 120 illiyinə həsr olunmuş “Aşıq sənətinin tarixi inkişaf yolları və Aşıq Şəmşir mərhə- ləsi” mövzusunda Beynəlxalq Elmi Konfransın materialları. Bakı, “Nurlan”, 2013, 408 səh. Kitabda 5 dekabr 2013-cü ildə Bakı şəhərində AMEA Folklor İnsti- tutu və “Aşıq Şəmşir” Mədəniyyət Ocağı İctimai Birliyinin təşkilatçılığı ilə keçirilən “Aşıq sənətinin tarixi inkişaf yolları və Aşıq Şəmşir mər- hələsi” mövzusunda Beynəlxalq Elmi Konfransın materialları toplan- mışdır. Topluya Azərbaycan alimləri ilə yanaşı, Türkiyədən, İrandan, Dağıstandan və Qırğızıstandan olan elm adamlarının da aşıq sənətinin tarixi keçmişi və bu günü ilə bağlı məqalələri daxil edilmişdir. folklorinstitutu.com M 4603000000 Qrifli nəşr N-098-2013 Folklor İnstitutu, 2013 4 KONFRANSIN TƏŞKİLAT KOMİTƏSİ SƏDARƏT Muxtar Kazımoğlu (İmanov) – filologiya üzrə elmlər doktoru, AMEA Folklor İnstitutunun direktoru. Qənbər Şəmşiroğlu – şair-publisist, ictimai xadim, “Aşıq Şəmşir” Mədəniyyət Ocağı İctimai Birliyinin sədri ELMİ HEYƏT Zəlimxan Yaqub – xalq şairi, Azərbaycan Aşıqlar Birli- yinin sədri Məhərrəm Qasımlı - fil.ü.e.d., professor, AMEA Ədə- biyyat İnstitutunda direktor müavini Qəzənfər Paşayev – fil. ü. -
Azərbaycan Dillər Universiteti. Elmi Xəbərlər
ISSN 2518-752X Аzərbaycan Respublikası Тəhsil Nazirliyi AZƏRBAYCAN DĠLLƏR UNĠVERSĠTETĠ Elmi Xəbərlər Research Papers Вестник №1, 2019 Azərbaycan Respublikası Təhsil Nazirliyinin 12.01.01-ci il tarixli 132 saylı əmri ilə qrif verilmişdir. TƏSĠSÇĠ: AZƏRBAYCAN DĠLLƏR UNĠVERSĠTETĠ Redaksiya heyəti: Abdullayev Kamal (baĢ redaktor) Ġmanov Muxtar (Azərbaycan Dillər Universiteti, f.e.d, akademik, (Azərbaycan Dillər Universiteti, f.e.d., akademik, AMEA-nın həqiqi üzvü) AMEA-nın həqiqi üzvü) Hacıyeva Aytən (baĢ redaktorun müavini) Ġsmayılov Bilal (Azərbaycan Dillər Universiteti, f.f.d.,dosent) (Azərbaycan Dillər Universiteti, f.e.d., professor) Abdullayev Əfqan Kunina Ġrina (Azərbaycan Dillər Universiteti, f.e.d., professor) (Azərbaycan Dillər Universiteti, s.f.d.,dosent) Abdiyeva Ədilə Qasımov RəĢad (Azərbaycan Dillər Universiteti, s.f.d.,dosent) (Polis Akademiyası, t.f.d.,dosent) BəĢirov Vidadi Qaziyeva Məsməxanım (Azərbaycan Dillər Universiteti, p.f.d.,dosent) (Azərbaycan Dillər Universiteti, f.e.d.,professor) Cəfərov Amil Sabitova Aynur (Azərbaycan Dillər Universiteti, f.f.d.,dosent) (Azərbaycan Dillər Universiteti, f.e.d.,professor) Əliyev Əzim ġahmuradov Aqil (Azərbaycan Dillər Universiteti, p.f.d.,dosent) (Azərbaycan Dillər Universiteti, t.f.d.,dosent) Əliyev Məmməd Veysəlli Fəxrəddin (Azərbaycan Dillər Universiteti, f.e.d.,professor) (Azərbaycan Dillər Universiteti, f.e.d.,professor) Hüseynzadə Gülnar Zeynalov Əsgər (Azərbaycan Dillər Universiteti, p.e.d.,professor) (AzərbaycanbDillərjUniversiteti,f.e.d.,professor) Məsləhətçi heyəti: Bejenaru -
Land of Music Festivals
Following tradition Azerbaijan – land of music festivals Lala HUSEYNOVA PhD in Arts THE LAND OF FIRE… AZERBAIJAN HAS BEEN KNOWN AS SUCH FROM TIME IMMEMORIAL, AND THERE ARE MANY REASONS FOR THAT. BUT WE WILL TALK ABOUT A COMPLETELY DIFFERENT FAME THAT THIS DEVELOPING AND FASCINATING LAND IS GRADUALLY EARNING ITSELF. THE LAND OF MUSIC FESTIVALS – tHIS IS HOW AZERBAIJAn’S CURRENT MUSICAL AND CUL- TURAL REALITIES CAN BE DESCRIBED IF WE WERE TO PARAPHRASE THE WELL-KNOWN PHRASE. least one traditional mu- sic festival is conducted in AtAzerbaijan every season. The participants and guests of the second “Space of Mugham” interna- tional festival, held over the spring holidays of Novruz (the first was held in 2009), are convinced that it was one of the most successful international projects on the traditional music of the East. This has largely been pos- sible thanks to the initiator and main sponsor of the festival, the Heydar Aliyev Foundation led by its President, the Goodwill Ambassador of UNESCO and ISESCO, Mehriban Aliyeva. As was the case during the first festival, the 34 www.irs-az.com Azerbaijan – land of music festivals capital Baku became a venue for a re- The festival was joined by vocalists the energy of life, but also the blos- cord number of music events for the and instrumentalists from Azerbaijan som of art and creative inspiration. eight days (14-21 March) of the festi- and foreign countries, including the The upcoming summer season is val. Art enthusiasts had the opportu- USA, Canada, France, Peru, Ecuador, promising to be no less interesting in nity to see the world’s first Mugham Turkey, Uzbekistan, Iran, Iraq, Egypt, terms of music events. -
Musical and Dramatic Features of Choral Scenes in the Operas of Azerbaijani Composers
Journal of Critical Reviews ISSN-2394-5125 Vol 7, Issue 7, 2020 MUSICAL AND DRAMATIC FEATURES OF CHORAL SCENES IN THE OPERAS OF AZERBAIJANI COMPOSERS Ayten Babaeva Baku Music Academy named after Uzeyir Hajibayli Azerbaijan, Baku [email protected] Received: 11.02.2020 Revised: 03.03.2020 Accepted: 17.04.2020 Abstract The presented article is devoted to the musical and dramatic features of choral scenes in the operas of Azerbaijani composers. The paper considers the long-term development of Azerbaijani national operas from operas of mugamat the beginning of the 19th to the 20th century some aspects are found in the context of European and national traditions. Also, the domestic operas of Azerbaijan paid attention to the features of choral scenes, some principles of development, and the richness of the musical language. In particular, the law of updating the dramaturgy of choral scenes in Azerbaijani operas at the level of content and musical language was emphasized. The article classifies Azerbaijani operas by content and considers drama, the principle of structure, features of the musical style, the artistic character of images in the analysis of choral scenes in lyric-dramatic, literary-historical, satirical and patriotic operas. The unique qualities and role of choral scenes in Azerbaijani national operas were also presented. Keywords: Azerbaijan National Opera, musical and dramatic features of choral scenes, mugam opera, lyrical and tragic opera, satirical opera, patriotic opera, musical and exciting art. © 2020 by Advance Scientific Research. This is an open-access article under the CC BY license (http://creativecommons.org/licenses/by/4.0/) DOI: http://dx.doi.org/10.31838/jcr.07.07.87 INTRODUCTION. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Life As Art Ph.D
Great people Gulrena QAJAR Life as art Ph.D. of Art history THIS ARTICLE WAS BORN OUT OF MANY YEARS OF ADMIRATION FOR THE PAINTINGS OF MIKAYIL ABDULLAYEV, RESPECT FOR HIS PERSONALITY AND SENSE OF PRIDE IN ACQUAINTANCE WITH THE MASTER. 50 www.irs-az.com Heritage_1_(12)_2013_last.indd 50 1/29/13 3:43 PM Lights of Mingachevir Mikayil Abdullayev Illustration for the “Dada Gorgud” epic what can you write about pedic knowledge of culture, fantastic he knew from travel, books, and his Mikayil muallim in a small memory and knowledge of Eastern own observations and refl ections. So article? Biographical facts, poetry and music? He knew how to Mikayil Abdullayev is a very milestones of creative work and heri- talk very nicely. He knew a lot and was bright, serious and dramatic paint- tage that has become the property of able to put it in an admirable form, be- er, even in the most unsophisticated the nation? His face, shrewd look, the witching the listener with his speech and simple genre paintings. They French beret etched in the memory – and attractiveness of his personality. are permeated by the profound dra- an attribute of free bohemia? Encyclo- He was happy to tell about the world ma of life that can be seen through a www.irs-az.com 51 Heritage_1_(12)_2013_last.indd 51 1/29/13 3:43 PM Great people talented guys - future outstanding painters Ogtay Sadikhzadeh, Boyuka- ga Mirzazadeh Abdul Khaliq and Gafar Seyfullayev. The talented Azerbaijani painter Azim Azimzadeh played an important role in the establishment of Mikayil as he sent him to an art col- lege at the age of 14 in 1935. -
Presentation Scrolable Compressed
Welcome to Baku, Azerbaijan Country is the part of Silk Road, situated at the crossroads of Southwest Asia and Southeastern Europe. Land Area: 82,629 km2 Water Area: 3,971 km2 Total Area: 86,600km2 (#111) World Heritage Sites in Azerbaijan ATESHGAH FIRE TEMPLE (6th c.) State Historical Architectural Reserve Burning natural gas outlets Ancient Persian Temple for re worshipers ICHERISHEHER (Old City) Maiden Tower, Karvan Saray Ukhara, Karvan Saray Multani Baku Khan's Residence Shirvan Shahs' Palace, Aga-Mikhail bath house Double Gates, Old Mosques GOBUSTAN 6,000 Rock engraving Dated between 5,000 and 40,000 years ago. Caves, Settlements, Mud Volcanoes Baku Multicultural City MUSEUMS AND CULTURE CENTERS: Heydar Aliyev Cultural Centre Museum of Azerbaijan History Mugam Centre Carpet Museum Opera and Ballet Theater Museum of Modern Art CITY SIGHTS: Flame Towers Crystal Hall Flag Square Baku Eye Baku Boulevard ENTERTAINMENT: Art Galleries, IMAX cinema National and International Restaurants/Cafes/Bars SHOPPING: Port Baku Mall, Ganjlik Mall 28 Mall, Park Bulvar Mall Neftchilar Avenue, Metropark Mall Azerbaijani Cuisine MEAT: Kebab, Dolma, Levengi, Gutab, Piti FISH: Sturgeon, Black Caviar, Trout SOUPS: Doushbara, Dovgha, Bozbash PLOV: 40 Different types VEGETERIAN: Kuku (egg), Gutab (greens) Pumpkin rice, vegetable kebab SWEETS: Shekerbura, Pakhlava, Sheker Chorek FRUITS: Pomegranate, Persimmon Flame Towers • FAIRMONT BAKU brings 299 guest rooms, suites and 19 serviced apartments including Fairmont Gold • BUSINESS TOWER with 35 000 m2 working -
Azerbaijan/Azerbaïdjan
BIENNIAL MEMBERSHIP REPORT for the period 2010-2011 NATIONAL MUSIC COUNCILS for presentation to the 34th IMC General Assembly Tallinn, September 30 – October 1, 2011 You are kindly requested to complete and return this report to the Paris Secretariat not later than August 29, 2011. In order to facilitate the compilation of activity reports, we strongly recommend that the document does not exceed 6 pages. PART I: YOUR ORGANISATION 1. Name of organisation: The National Music Committee of Azerbaijan 2. Mission of the organisation: To promote music heritage and contemporary music of Azerbaijan within the country and worldwide 3. Board of Directors/Executive Committee: [name, role within Board, name of organization(s) that the Board member represents or is affiliated with] Board of Directors 1. Lala Kazimova, President Ph.D. in Musicology, The Institute of Art and Architecture, Azerbaijan National Academy of Sciences 2. Aida Huseynova, Secretary General Ph.D. in Musicology, Baku Music Academy 3. Murad Adigozalzade Pianist, Honored Artist of Azerbaijan, Director of the Azerbaijan State Philhamonic 4. Salman Gambarov Jazz pianist and composer, Honored Artist of Azerbaijan 5. Jahangir Selimkhanov Musicologist, Arts & Culture Program Director, Soros Foundation, member of the European Cultural Parliament 6. Elshan Mansurov Kamancha [traditional instrument] performer, the Azerbaijan National Conservatory, Honored Artist of Azerbaijan 4. Membership Total number of members: Composition of membership Number of institutional members: 12 Number of individual members: 41 Other members (specify): n/a As per your estimation, how many persons does your organisation reach? 3000 5. Activities carried out since the last IMC GA (October 2009) Please list your activities related to a) advocacy and policy making n/a b) presentation or production Number of • conferences 0 • recordings 0 • live performances 1 • festivals 1 • workshops 1 • competitions 0 • prizes and awards 0 Please describe the main events.