The Life-Giving Spring: Water in Greek Religion, Ancient and Modern, a Comparison
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Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander It is a truth universally acknowledged that the plays of Menander owe a great debt to Classical Athenian drama: connections between plays such as Aristophanes’ Cocalus and Menander were noted in didascalia, and similarly the thematic and structural similarities between New Comedy and the works of Euripides were already recognized in Hellenistic scholarship (Arnott 1972; Csapo 2000; Hunter 2011). Sophocles, on the other hand, is rarely included in this discussion of dramatic influence, more often regarded solely for his role as the pinnacle of tragic poets. It is the purpose of this paper to reanalyze possible connections between the corpus of Sophocles and that of Menander by examining both the Antigone and the Dyscolus as plays employing one of the most familiar stock characters of ancient comedy: the “blocking” father figure. This father figure—whose earliest incarnation arguably belongs to Old Comedy, such as Strepsiades from Clouds—is perhaps best known for his characterization in the plays of Greek New Comedy and their later, Latin iterations. Generally an old and intransigent father, the “blocking” figure is generically defined by his interference in the life of his young offspring; in New Comedy, this interference takes the form of intervention in the budding romance of two young lovers, whose inconvenient marriage will inevitably bring about the typical finale. This character, at first glance, may appear to be a creature created solely for light-hearted drama. Creon of the Antigone, however, whose stubborn and belligerent character has been carefully surveyed for his role within the tragedy itself (see Roisman 1996), additionally shares many features with the father of Menander’s only intact play, Knemon of the Dyscolus. -
Women Living Islam in Post-War and Post-Socialist Bosnia and Herzegovina Emira Ibrahimpasic
University of New Mexico UNM Digital Repository Anthropology ETDs Electronic Theses and Dissertations 7-1-2012 Women Living Islam in Post-War and Post-Socialist Bosnia and Herzegovina Emira Ibrahimpasic Follow this and additional works at: https://digitalrepository.unm.edu/anth_etds Part of the Anthropology Commons Recommended Citation Ibrahimpasic, Emira. "Women Living Islam in Post-War and Post-Socialist Bosnia and Herzegovina." (2012). https://digitalrepository.unm.edu/anth_etds/35 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Anthropology ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Emira Ibrahimpasic Candidate Anthropology Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Carole Nagengast, Ph.D. , Chairperson Louise Lamphere, Ph.D. Melissa Bokovoy, Ph.D. Elissa Helms, Ph.D. i WOMEN LIVING ISLAM IN POST-WAR AND POST-SOCIALIST BOSNIA AND HERZEGOVINA by EMIRA IBRAHIMPASIC B.A. Hamline University, 2002 M.A. University of New Mexico, 2005 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Anthropology The University of New Mexico Albuquerque, New Mexico ii DEDICATION To the memory of my grandparents Nazila (rođ. Ismailović) Salihović 1917-1996 and Mehmed Salihović 1908-1995 iii ACKNOWLEDGEMENTS Numerous women and men contributed to this dissertation project. I am grateful for all the guidance, help, and support I received from the women I met over the years. At times, when I felt that many of the questions at hand could not be answered, it was my primary informants that provided contacts and suggestions in how to proceed and address the problems. -
HOMERIC-ILIAD.Pdf
Homeric Iliad Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power Contents Rhapsody 1 Rhapsody 2 Rhapsody 3 Rhapsody 4 Rhapsody 5 Rhapsody 6 Rhapsody 7 Rhapsody 8 Rhapsody 9 Rhapsody 10 Rhapsody 11 Rhapsody 12 Rhapsody 13 Rhapsody 14 Rhapsody 15 Rhapsody 16 Rhapsody 17 Rhapsody 18 Rhapsody 19 Rhapsody 20 Rhapsody 21 Rhapsody 22 Rhapsody 23 Rhapsody 24 Homeric Iliad Rhapsody 1 Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power [1] Anger [mēnis], goddess, sing it, of Achilles, son of Peleus— 2 disastrous [oulomenē] anger that made countless pains [algea] for the Achaeans, 3 and many steadfast lives [psūkhai] it drove down to Hādēs, 4 heroes’ lives, but their bodies it made prizes for dogs [5] and for all birds, and the Will of Zeus was reaching its fulfillment [telos]— 6 sing starting from the point where the two—I now see it—first had a falling out, engaging in strife [eris], 7 I mean, [Agamemnon] the son of Atreus, lord of men, and radiant Achilles. 8 So, which one of the gods was it who impelled the two to fight with each other in strife [eris]? 9 It was [Apollo] the son of Leto and of Zeus. For he [= Apollo], infuriated at the king [= Agamemnon], [10] caused an evil disease to arise throughout the mass of warriors, and the people were getting destroyed, because the son of Atreus had dishonored Khrysēs his priest. Now Khrysēs had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom [apoina]: moreover he bore in his hand the scepter of Apollo wreathed with a suppliant’s wreath [15] and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
Greece • Crete • Turkey May 28 - June 22, 2021
GREECE • CRETE • TURKEY MAY 28 - JUNE 22, 2021 Tour Hosts: Dr. Scott Moore Dr. Jason Whitlark organized by GREECE - CRETE - TURKEY / May 28 - June 22, 2021 May 31 Mon ATHENS - CORINTH CANAL - CORINTH – ACROCORINTH - NAFPLION At 8:30a.m. depart from Athens and drive along the coastal highway of Saronic Gulf. Arrive at the Corinth Canal for a brief stop and then continue on to the Acropolis of Corinth. Acro-corinth is the citadel of Corinth. It is situated to the southwest of the ancient city and rises to an elevation of 1883 ft. [574 m.]. Today it is surrounded by walls that are about 1.85 mi. [3 km.] long. The foundations of the fortifications are ancient—going back to the Hellenistic Period. The current walls were built and rebuilt by the Byzantines, Franks, Venetians, and Ottoman Turks. Climb up and visit the fortress. Then proceed to the Ancient city of Corinth. It was to this megalopolis where the apostle Paul came and worked, established a thriving church, subsequently sending two of his epistles now part of the New Testament. Here, we see all of the sites associated with his ministry: the Agora, the Temple of Apollo, the Roman Odeon, the Bema and Gallio’s Seat. The small local archaeological museum here is an absolute must! In Romans 16:23 Paul mentions his friend Erastus and • • we will see an inscription to him at the site. In the afternoon we will drive to GREECE CRETE TURKEY Nafplion for check-in at hotel followed by dinner and overnight. (B,D) MAY 28 - JUNE 22, 2021 June 1 Tue EPIDAURAUS - MYCENAE - NAFPLION Morning visit to Mycenae where we see the remains of the prehistoric citadel Parthenon, fortified with the Cyclopean Walls, the Lionesses’ Gate, the remains of the Athens Mycenaean Palace and the Tomb of King Agamemnon in which we will actually enter. -
Kleonai, the Corinth-Argos Road, And
HESPERIA 78 (2OO9) KLEONAI, THE CORINTH- Pages ioj-163 ARGOS ROAD, AND THE "AXIS OF HISTORY" ABSTRACT The ancient roadfrom Corinth to Argos via the Longopotamos passwas one of the most important and longest-used natural routes through the north- eastern Peloponnese. The author proposes to identity the exact route of the road as it passed through Kleonaian territoryby combining the evidence of ancient testimonia, the identification of ancient roadside features, the ac- counts of early travelers,and autopsy.The act of tracing the road serves to emphasizethe prominentposition of the city Kleonaion this interstateroute, which had significant consequences both for its own history and for that of neighboring states. INTRODUCTION Much of the historyof the polis of Kleonaiwas shapedby its location on a numberof majorroutes from the Isthmus and Corinth into the Peloponnese.1The most importantof thesewas a majorartery for north- south travel;from the city of Kleonai,the immediatedestinations of this roadwere Corinthto the north and Argos to the south.It is in connec- tion with its roadsthat Kleonaiis most often mentionedin the ancient sources,and likewise,modern topographical studies of the areahave fo- cusedon definingthe coursesof these routes,particularly that of the main 1. The initial fieldworkfor this Culturefor grantingit. In particular, anonymousreaders and the editors studywas primarilyconducted as I thank prior ephors Elisavet Spathari of Hesperia,were of invaluableassis- part of a one-person surveyof visible and AlexanderMantis for their in- tance. I owe particulargratitude to remainsin Kleonaianterritory under terest in the projectat Kleonai,and Bruce Stiver and John Luchin for their the auspicesof the American School the guardsand residentsof Archaia assistancewith the illustrations. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Greek Dramatic Monuments from the Athenian Agora and Pnyx
GREEK DRAMATIC MONUMENTS FROM THE ATHENIAN AGORA AND PNYX (PLATES 65-68) T HE excavations of the Athenian Agora and of the Pnyx have produced objects dating from the early fifth century B.C. to the fifth century after Christ which can be termed dramatic monuments because they represent actors, chorusmen, and masks of tragedy, satyr play and comedy. The purpose of the present article is to interpret the earlier part of this series from the point of view of the history of Greek drama and to compare the pieces with other monuments, particularly those which can be satisfactorily dated.' The importance of this Agora material lies in two facts: first, the vast majority of it is Athenian; second, much of it is dated by the context in which it was found. Classical tragedy and satyr play, Hellenistic tragedy and satyr play, Old, Middle and New Comedy will be treated separately. The transition from Classical to Hellenistic in tragedy or comedy is of particular interest, and the lower limit has been set in the second century B.C. by which time the transition has been completed. The monuments are listed in a catalogue at the end. TRAGEDY AND SATYR PLAY CLASSICAL: A 1-A5 HELLENISTIC: A6-A12 One of the earliest, if not the earliest, representations of Greek tragedy is found on the fragmentary Attic oinochoe (A 1; P1. 65) dated about 470 and painted by an artist closely related to Hermonax. Little can be added to Miss Talcott's interpre- tation. The order of the fragments is A, B, C as given in Figure 1 of Miss T'alcott's article. -
Boletin AHPLP 2 Libro
LOS MEDIOS DE TRANSMISIÓN DE INFORMACIÓN LA EPIGRAFÍA, DE CIENCIA AUXILIAR A CIENCIA HISTÓRICA La Epigrafía, de ciencia auxiliar a ciencia histórica 11 LOS MEDIOS DE TRANSMISIÓN DE INFORMACIÓN MANUEL RAMÍREZ SÁNCHEZ Resumen: La Epigrafía es una ciencia historiográfica indispensable en la formación de los historiadores que, desde hace siglos, forma parte de las mal denominadas “ciencias auxilia- res” de la Historia. En este trabajo se analiza el concepto de Epigrafía, el método epigráfico y el recorrido historiográfico que esta ciencia ha desarrollado a lo largo de la Historia, con el fin de aproximar al lector a los rudimentos de esta ciencia historiográfica, con especial refe- rencia a la labor investigadora que se ha desarrollado en España. El estudio finaliza con un acercamiento a la situación actual de la Epigrafía, no solo en la formación universitaria de las futuras generaciones de historiadores, sino en el análisis de las líneas de investigación y proyectos más importantes que están en curso en la actualidad. Palabras clave: Epigrafía, inscripciones, concepto, método, historiografía. Abstract: Epigraphy is an indispensable science in shaping historiography of historians for centuries, is part of the so-called "auxiliary sciences" of history. In this paper we explore the concept of Epigraphy, the epigraphic method and the historiographical development, to bring the rudiments of this science historiography, with special reference to the work research that has developed in Spain. The study concludes with an approach to the current state of Epigraphy, not only in university education of future generations of historians, but on the analysis of the research and major projects under way today. -
Religion and Geography
Park, C. (2004) Religion and geography. Chapter 17 in Hinnells, J. (ed) Routledge Companion to the Study of Religion. London: Routledge RELIGION AND GEOGRAPHY Chris Park Lancaster University INTRODUCTION At first sight religion and geography have little in common with one another. Most people interested in the study of religion have little interest in the study of geography, and vice versa. So why include this chapter? The main reason is that some of the many interesting questions about how religion develops, spreads and impacts on people's lives are rooted in geographical factors (what happens where), and they can be studied from a geographical perspective. That few geographers have seized this challenge is puzzling, but it should not detract us from exploring some of the important themes. The central focus of this chapter is on space, place and location - where things happen, and why they happen there. The choice of what material to include and what to leave out, given the space available, is not an easy one. It has been guided mainly by the decision to illustrate the types of studies geographers have engaged in, particularly those which look at spatial patterns and distributions of religion, and at how these change through time. The real value of most geographical studies of religion in is describing spatial patterns, partly because these are often interesting in their own right but also because patterns often suggest processes and causes. Definitions It is important, at the outset, to try and define the two main terms we are using - geography and religion. What do we mean by 'geography'? Many different definitions have been offered in the past, but it will suit our purpose here to simply define geography as "the study of space and place, and of movements between places". -
The Antikythera Mechanism, Rhodes, and Epeiros
The Antikythera Mechanism, Rhodes, and Epeiros Paul Iversen Introduction I am particularly honored to be asked to contribute to this Festschrift in honor of James Evans. For the last nine years I have been engaged in studying the Games Dial and the calendar on the Metonic Spiral of the Antikythera Mechanism,1 and in that time I have come to admire James’s willingness to look at all sides of the evidence, and the way in which he conducts his research in an atmosphere of collaborative and curious inquiry combined with mutual respect. It has long been suggested that the Antikythera Mechanism may have been built on the is- land of Rhodes,2 one of the few locations attested in ancient literary sources associated with the production of such celestial devices. This paper will strengthen the thesis of a Rhodian origin for the Mechanism by demonstrating that the as-of-2008-undeciphered set of games in Year 4 on the Games Dial were the Halieia of Rhodes, a relatively minor set of games that were, appro- priately for the Mechanism, in honor of the sun-god, Helios (spelled Halios by the Doric Greeks). This paper will also summarize an argument that the calendar on the Metonic Spiral cannot be that of Syracuse, and that it is, contrary to the assertions of a prominent scholar in Epirote stud- ies, consistent with the Epirote calendar. This, coupled with the appearance of the extremely minor Naan games on the Games Dial, suggests that the Mechanism also had some connection with Epeiros. The Games Dial and the Halieia of Rhodes The application in the fall of 2005 of micro-focus X-ray computed tomography on the 82 surviv- ing fragments of the Antikythera Mechanism led to the exciting discovery and subsequent publi- cation in 2008 of a dial on the Antikythera Mechanism listing various athletic games now known as the Olympiad Dial (but which I will call the Games or Halieiad Dial—more on that below), as well as a hitherto unknown Greek civil calendar on what is now called the Metonic Spiral.3 I begin with my own composite drawing of the Games Dial (Fig. -
Europe Turns UN Blue to Mark UN75 on October 24, 2020 Final List of European Secured Buildings – Long List October 26
Europe Turns UN Blue to mark UN75 on October 24, 2020 Final List of European secured buildings – Long List October 26 Belgium: . Town Hall - Grand Place, Brussels . European External Action Service “EEAS”, Brussels . The European Commission Berlaymont, Brussels . European Council, Brussels . Palais Egmont, Brussels . Bozar cultural Center, Brussels . Hotel de Mérode, Brussels . Town hall, Dendermonde . Town hall, Uccle . Espace International Wallonie, Brussels . Stad Leopoldsburg, Limburg . The Municipality, Lasne Austria: . Hochstrahlbrunnen, Schwarzenbergplatz, Vienna Bosnia and Herzegovina: . Sarajevo City Hall . Stari Most, Mostar . Banski Dvor Cultural Center, Banja Luka Czechia: . Petrin Lookout Tower, Prague . Dancing House, Prague . Zizkov Television Tower, Prague . British Embassy, Prague . The Dome, Olomouc . Ostrava City Hall, Ostrava Denmark: . UN City, Copenhagen . City Hall, Copenhagen . Öresundsbroen, Copenhagen Finland: . The Finlandia House, Helsinki . The Opera House, Helsinki France: . UNESCO, Paris . Centre Mondial de la Paix, Verdun . Palais Justice, Lyon . Tour Perret, Grenoble Germany: . Old City Hall, Bonn . UN Tower, Bonn Greece: . Central Bridge, Trikala . City Hall, Fyli (Ano Liosia) . City Hall, Municipality Agion Anargiron - Kamaterou . City Hall, Municipality of Aristotelis . City Hall, Municipality of Delphi . City Hall, Municipality of Elefsina . City Hall, Municipality of Zografou . City Hall, Municipality of Igoumenitsa . City Hall, Municipality of the Holy City of Messolongi . City Hall, Municipality of Ilion . City Hall, Municipality of Kassandra . City Hall, Municipality of Katerini . City Hall, Municipality of Kifissia . City Hall, Minicipality of Kilkis . City Hall, Municipality of Marathonas . City Hall, Municipality of Megara . City Hall, Municipality of Pella . City Hall, Municipality of Pydnas Kolindrou . City Hall, Municipality of Serres . City Hall, Municipality of Skopelos . City Hall, Municipality of Agrinio .