George Soros 1 George Soros

Total Page:16

File Type:pdf, Size:1020Kb

George Soros 1 George Soros George Soros 1 George Soros George Soros George Soros at the World Economic Forum Annual Meeting 2010 Born August 12, 1930 Budapest, Kingdom of Hungary Alma mater London School of Economics Occupation Entrepreneur, currency trader, investor, philosopher, philanthropist, political activist [1] Net worth ▲ $14.2 billion (Forbes) [2] Religion None; Atheist Spouse Twice divorced (Annaliese Witschak and Susan Weber Soros) Children Robert, Andrea, Jonathan, Alexander, Gregory Website [3] www.georgesoros.com [4] George Soros (Hungarian: Soros György) (pronounced /ˈsɔroʊs/ or /ˈsɔrəs/,; Hungarian IPA: [ˈʃoroʃ]; born August 12, 1930, as Schwartz György) is a Hungarian-American currency speculator, stock investor, businessman, philanthropist, and liberal political activist.[5] He became known as "the Man Who Broke the Bank of England" after he made a reported $1 billion during the 1992 Black Wednesday UK currency crises.[6] [7] Soros is chairman of Soros Fund Management and the Open Society Institute and a former member of the Board of Directors of the Council on Foreign Relations. He played a significant role in the peaceful transition from Communism to Capitalism in Hungary (1984–89),[7] and provided Europe's largest ever higher education endowment to Central European University in Budapest.[8] Later, his funding and organization of Georgia's Rose Revolution was considered by Russian and Western observers to have been crucial to its success. In the United States, he is known for donating large sums of money in an effort to defeat President George W. Bush's bid for re-election in 2004. He helped found the Center for American Progress. Former Federal Reserve Chairman Paul Volcker wrote in 2003 in the foreword of Soros' book The Alchemy of Finance: George Soros 2 George Soros has made his mark as an enormously successful speculator, wise enough to largely withdraw when still way ahead of the game. The bulk of his enormous winnings is now devoted to encouraging transitional and emerging nations to become 'open societies,' open not only in the sense of freedom of commerce but—more important—tolerant of new ideas and different modes of thinking and behavior. Family Soros was born in Budapest, Kingdom of Hungary, the son of the Esperantist writer Tivadar Soros. Tivadar (also known as Teodoro) was a Hungarian Jew, who was a prisoner of war during and after World War I and eventually escaped from Russia to rejoin his family in Budapest.[9] [10] The family changed its name in 1936 from Schwartz to Soros, in response to growing anti-semitism with the rise of Fascism. Tivadar liked the new name because it is a palindrome and because it has a meaning. Although the specific meaning is left unstated in Kaufmann's biography, in Hungarian, soros means "next in line, or designated successor and in Esperanto, it means "will soar".[11] His son George was taught to speak Esperanto from birth and is a native Esperanto speaker. George Soros later said that he grew up in a Jewish home, and that his parents were cautious with their religious roots.[12] George Soros has been married and divorced twice, to Annaliese Witschak, and to Susan Weber Soros. He has five children: Robert, Andrea, Jonathan (with his first wife, Annaliese); Alexander, Gregory (with his second wife, Susan). His elder brother, Paul Soros, a private investor and philanthropist, is a retired engineer, who headed Soros Associates, an international engineering firm based in New York, and established the Paul and Daisy Soros Fellowships for Young Americans.[13] [14] George Soros' nephew Peter Soros, a son of Paul Soros, is married to the former Flora Fraser, a daughter of Lady Antonia Fraser and the late Sir Hugh Fraser, and a stepdaughter of the late 2005 Nobel Laureate Harold Pinter.[15] Early life Soros was thirteen years old in March 1944 when Nazi Germany took military control over Hungary.[16] Soros worked for the Jewish Council,[9] which had been established during the Nazi occupation of Hungary to forcibly carry out Nazi and Hungarian government anti-Jewish measures.[17] [18] Soros later described this time to writer Michael Lewis: The Jewish Council asked the little kids to hand out the deportation notices. I was told to go to the Jewish Council. And there I was given these small slips of paper...It said report to the rabbi seminary at 9 a.m....And I was given this list of names. I took this piece of paper to my father. He instantly recognized it. This was a list of Hungarian Jewish lawyers. He said, "You deliver the slips of paper and tell the people that if they report they will be deported.[19] In 1944 a fourteen year old Soros lived with and posed as the godson of a Hungarian official who was overseeing the confiscation of Jewish properties to avoid being captured by the Nazis.[20] The following year, Soros survived the battle of Budapest in which Soviet and German forces fought house-to-house through the city. Soros emigrated to England in 1947 and attended the London School of Economics, where he received a BSc in Philosophy in 1952.[21] While a student of the philosopher Karl Popper, Soros worked as a railway porter and as a waiter. A university tutor requested aid for Soros, and he received 40 pounds from a Quaker charity.[22] He eventually secured an entry-level position with London merchant bank Singer & Friedlander. George Soros 3 Emigration In 1956 Soros moved to New York City, where he worked as an arbitrage trader with F. M. Mayer from 1956 to 1959 and as an analyst with Wertheim and Company from 1959 to 1963. Throughout this time, Soros developed a philosophy of "reflexivity" based on the ideas of Karl Popper. Reflexivity, as used by Soros, is the belief that the action of beholding the valuation of any market by its participants, affects said valuation of the market in a procyclical 'virtuous or vicious' circle.[23] Soros realized, however, that he would not make any money from the concept of reflexivity until he went into investing on his own. He began to investigate how to deal in investments. From 1963 to 1973 he worked at Arnhold and S. Bleichroeder, where he attained the position of vice-president. Soros finally concluded that he was a better investor than he was a philosopher or an executive. In 1967 he persuaded the company to set up an offshore investment fund, First Eagle, for him to run; in 1969 the company founded a second fund for Soros, the Double Eagle hedge fund.[23] When investment regulations restricted his ability to run the funds as he wished, he quit his position in 1973 and established a private investment company that eventually evolved into the Quantum Fund. He has stated that his intent was to earn enough money on Wall Street to support himself as an author and philosopher — he calculated that $500,000 after five years would be possible and adequate. He is also a former member of the Carlyle Group.[23] Business Soros is the founder of Soros Fund Management. In 1970 he co-founded the Quantum Fund with Jim Rogers and Christoper Ink, which created the bulk of the Soros fortune. Rogers retired from the fund in 1980. Other partners have included Victor Niederhoffer and Stanley Druckenmiller. In 2007, the Quantum Fund returned almost 32%, netting Soros $2.9 billion.[24] Currency speculation On Black Wednesday (September 16, 1992), Soros's fund sold short more than $10 billion worth of pounds sterling, profiting from the Bank of England's reluctance to either raise its interest rates to levels comparable to those of other European Exchange Rate Mechanism countries or to float its currency. Finally, the Bank of England withdrew the currency from the European Exchange Rate Mechanism, devaluing the pound sterling, and Soros earned an estimated US$ 1.1 billion in the process. He was dubbed "the man who broke the Bank of England." In 1997, the UK Treasury estimated the cost of Black Wednesday at £3.4 billion. The Times of Monday, October 26, 1992, quoted Soros as saying: "Our total position by Black Wednesday had to be worth almost $10 billion. We planned to sell more than that. In fact, when Norman Lamont said just before the devaluation that he would borrow nearly $15 billion to defend sterling, we were amused because that was about how much we wanted to sell." Stanley Druckenmiller, who traded under Soros, originally saw the weakness in the pound. "Soros' contribution was pushing him to take a gigantic position."[25] [26] In 1997, during the Asian financial crisis, then Malaysian Prime Minister Mahathir bin Mohamad accused Soros of using the wealth under his control to punish ASEAN for welcoming Myanmar as a member. Soros has denied Mahathir's accusations. The nominal US dollar GDP of ASEAN fell by US$9.2 billion in 1997 and $218.2 billion (31.7%) in 1998. George Soros 4 Public predictions Soros' May 2008 book, The New Paradigm for Financial Markets, described a "superbubble" that had built up over the past 25 years and was ready to collapse. This was the third in a series of books he's written that have predicted disaster. As he states: I have a record of crying wolf.... I did it first in The Alchemy of Finance (in 1987), then in The Crisis of Global Capitalism (in 1998) and now in this book. So it's three books predicting disaster. (After) the boy cried wolf three times . the wolf really came.[27] He ascribes his own success to being able to recognize when his predictions are wrong.
Recommended publications
  • Year in Review 2014–2015 About Bard Graduate Center
    Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years.
    [Show full text]
  • Annual Report
    COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R.
    [Show full text]
  • 2019-2020 Year in Review
    Table of Contents 3 Director’s Welcome 7 Objects in Space: A Conversation with Barry Bergdoll and Charlotte Vignon 17 Glorious Excess: Dr. Susan Weber on Victorian Majolica 23 Object Lessons: Inside the Lab for Teen Thinkers 33 Teaching 43 Faculty Year in Review 50 Internships, Admissions, and Student Travel and Research 55 Research and Exhibitions 69 Gallery 82 Publications 83 Digital Media Lab 85 Library 87 Public Programs 97 Fundraising and Special Events Eileen Gray. Transat chair owned by the Maharaja of Indore, from the Manik Bagh Palace, 1930. Lacquered wood, nickel-plated brass, leather, canvas. Private collection. Copyright 2014 Phillips Auctioneers LLC. All Rights Reserved. Director’s Welcome For me, Bard Graduate Center’s Quarter-Century Celebration this year was, at its heart, a tribute to our alumni. From our first, astonishing incoming class to our most recent one (which, in a first for BGC, I met over Zoom), our students are what I am most proud of. That first class put their trust in a fledgling institution that burst upon the academic art world to rectify an as-yet-undiagnosed need for a place to train the next generation of professional students of objects. Those beginning their journey this fall now put their trust in an established leader who they expect will prepare them to join a vital field of study, whether in the university, museum, or market. What a difference a generation makes! I am also intensely proud of how seriously BGC takes its obligation to develop next-generation scholarship in decorative arts, design his- tory, and material culture.
    [Show full text]
  • Dr. SUSAN WEBER 18 West 86Th Street New York, New York 10024 Tel: (212) 501-3051
    Dr. SUSAN WEBER 18 West 86th Street New York, New York 10024 tel: (212) 501-3051 EDUCATION Ph.D. Royal College of Art, London London, 1998 (Dissertation: E.W. Godwin: Secular Furniture and Interior Design) M.A. The Cooper-Hewitt Museum/Parsons School of Design New York, New York, 1990 Graduate Degree Program in the History of Decorative Arts (Thesis: Whistler as Collector, Interior Colorist and Decorator) A.B. Barnard College-Columbia University New York, New York, 1977 (magna cum laude) PROFESSIONAL EXPERIENCE 1991-present Founder, Director and Iris Horowitz Professor in the History of the Decorative Arts: The Bard Graduate Center: Decorative Arts, Design History, Material Culture New York, New York 2000-2008 Design Columnist: The Westchester Wag 2000-2003 Contributing Editor: nest magazine 1988-1991 Director: Philip Colleck of London, Ltd., New York, New York A gallery specializing in eighteenth-century English furniture and works of art. 1985-1991 Executive Director: The Open Society Fund, Inc., New York, New York A private foundation which supports internationally the advancement of freedom of ex- pression and cultural exchange through grants to individuals and associations. 1980-present Founder and Publisher: Source: Notes in the History of Art, New York, New York A quarterly journal devoted to all aspects of art history and archaeology. 1979 Associate Producer: In Search of Rothko A 28-minute film on the life and work of Mark Rothko. 1978 Associate Producer: The Big Picture A 58-minute film on the New York School of Art, shown as a part of the New York State Exhibition, "New York: The State of Art." 1977 Assistant Director: New York: The State of Art The first exhibition at the State Museum in Albany featuring over 300 works of New York State art.
    [Show full text]
  • Download Report
    COUNCIL ON FOREIGN RELATIONS AN NUAL RE PORT JULY 1, 2003-JUNE 30, 2004 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, NW 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 434-9800 Tel. (202) 518-3400; Fax (202) 986-2984 Website www.cfr.org E-mail [email protected] OFFICERS and DIRECTORS 2004-2005 OFFICERS DIRECTORS Term Expiring 2009 Peter G. Peterson* Term Expiring 2005 Madeleine K. Albright Chairman of the Board Jessica P Einhorn Richard N. Fostert Carla A. Hills* Louis V Gerstner Jr. Maurice R. Greenbergt Vice Chairman Carla A. Hills*t Robert E. Rubin George J. Mitchell Vice Chairman Robert E. Rubin Joseph S. Nye Jr. Richard N. Haass Warren B. Rudman Fareed Zakaria President Andrew Young Michael R Peters Richard N. Haass ex officio Executive Vice President Term Expiring 2006 Janice L. Murray Jeffrey L. Bewkes Senior Vice President OFFICERS AND and Treasurer Henry S. Bienen DIRECTORS, EMERITUS David Kellogg Lee Cullum AND HONORARY Senior Vice President, Corporate Richard C. Holbrooke Leslie H. Gelb Affairs, and Publisher Joan E. Spero President Emeritus Irina A. Faskianos Vice President, Vin Weber Maurice R. Greenberg Honorary Vice Chairman National Program and Academic Outreach Term Expiring 2007 Charles McC. Mathias Jr. Elise Carlson Lewis Fouad Ajami Director Emeritus Vice President, Membership David Rockefeller Kenneth M. Duberstein and Fellowship Affairs Honorary Chairman Ronald L. Olson James M. Lindsay Robert A. Scalapino Vice President, Director of Peter G. Peterson* t Director Emeritus Studies, Maurice R. Creenberg Chair Lhomas R.
    [Show full text]
  • REPORT of GIFTS July 1, 2011 – June 30, 2012
    REPORT OF GIFTS July 1, 2011 – June 30, 2012 Bard College TABLE OF CONTENTS 3 Letter from the President 4 Donors by Giving Societies 26 Foundation, Corporate, and Government Donors 29 Gifts in Honor of 33 Gifts in Memory of 35 Gifts in Kind 35 Bequests Received 35 John Bard Society Members 36 Bard College: Campus, Students, and Curriculum 53 Bard College: Graduate Education 55 Bard College: International Initiatives in the Liberal Arts 56 Bard College: Education Reform 62 Bard College: The Arts 65 Bard College: Boards LETTER FROM THE PRESIDENT Dear Alumni/ae, Parents, and Friends: It is my pleasure to present to you our annual Report of Gifts. It is our way of thanking and recognizing the generosity of all our donors from the 2012 fiscal year. Your gift was counted among the almost 3,500 others that resulted in $42,015,898 in funds raised this year to support scholarships and annual operating expenses, create and enhance endowment funds, and finance capital projects. Financial contributions are critical to the operations of the College; so too are the many volunteers who give of their valuable time and resources. My deepest thanks go to Board of Trustees, Board of Governors of the Bard–St. Stephen’s Alumni/ae Association, Parents Advisory Council, and members of the Boards of the Center for Curatorial Studies, Bard Graduate Center, Conservatory of Music, Fisher Center, Levy Economics Institute, Bard High School Early College, Bard Music Festival, and our newest group, the members of the Longy School of Music of Bard College. Two years ago we launched a five-year comprehensive campaign that had the ambitious goal of raising $594 million for our endowment and capital projects.
    [Show full text]
  • Amy F. Ogata September 2021
    Amy F. Ogata September 2021 Art History Department University of Southern California 3501 Trousdale Parkway, THH 355 Los Angeles, CA 90089-0351 [email protected] Education Ph.D., Art and Archaeology, Princeton University, 1996 M.A., Art and Archaeology, Princeton University, 1992 A.B., Art History, Smith College, 1987 Appointments Department of Art History, University of Southern California, Los Angeles, California Professor of Art History, 2014-present Interim Chair of Art History, 2021-2022 Chair of Art History, 2015-2018 The Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York, NY Professor, 2013-2014 Chair of Academic Programs, 2010-2012 Associate Professor, 2004-2013 Assistant Professor, 1998-2004 Cleveland Institute of Art, Cleveland, Ohio Assistant Professor, 1996-1998 Fellowships & Honors Center for Advanced Study in the Visual Arts, National Gallery of Art, Ailsa Mellon Bruce Visiting Senior Fellow (Winter), 2020 Alice Davis Hitchcock Award, Society of Architectural Historians, 2016 Getty Research Institute, Research scholar (Fall), 2015 Wyeth Foundation Publication Grant, College Art Association, 2012 Spencer Foundation Research Grant, 2008-9 CRS Archive Center, Texas A&M University, Archive Scholar, 2008 Smithsonian Institution, Lemelson Center, Senior Fellowship (Summer), 2005 Canadian Centre for Architecture, Study Centre Fellowship (Summer), 2004 American Association of University Women Postdoctoral Fellowship, 2003-4 Cleveland Institute of Art Professional Development Grant, 1997 Metropolitan Museum of Art, Jane and Morgan Whitney Fellow, 1995-6 Andrew W. Mellon Dissertation Grant, Princeton University, 1994-5 Simpson Travel Grant, Princeton University, 1993 Council on Regional Studies, Princeton University, 1993 Belgian American Educational Foundation (BAEF), Fellow, 1992-3 Association of Princeton Graduate Alumni Teaching Award, 1991 2 Publications Books Swedish Wooden Toys, ed.
    [Show full text]
  • Annual Report | July 2018 –June 2019
    The Frick Collection membersannual report’ magazine july winter2018–june 2011 2019 The Frick Collection annual report july 2018–june 2019 leadership 2 Board of Trustees report of the director 3 Ian Wardropper, Anna-Maria and Stephen Kellen Director collection 6 Museum Acquisitions & Notable Library Acquisitions 7 Public Programming financial statements 10 Statement of Financial Position 11 Statement of Activities donor support and membership 12 Gifts and Grants 17 Director’s Circle 18 Fellows and Friends 23 Young Fellows 26 Annual Fund 28 Committees 29 Corporate Members and Sponsors 29 Henry Clay Frick Associates 30 Exhibition Support 32 The Frick Collection Staff cover Luigi Valadier (1726–1785), detail of Herm of Bacchus, 1773, bronze, alabastro a rosa, bianco e nero antico, and africano verde, Galleria Borghese, Rome; photograph by Mauro Magliani The Frick Collection Board of Trustees As of June 30, 2019 Elizabeth M. Eveillard, Chair Aso O. Tavitian, Vice Chair Juan Sabater, Treasurer Michael J. Horvitz, Secretary Peter P. Blanchard III Margot Bogert Ayesha Bulchandani Tai-Heng Cheng Bradford Evans Kathleen Feldstein Barbara G. Fleischman Emily T. Frick Christian Keesee Sidney R. Knafel James S. Reibel, M.D. Charles M. Royce Stephen A. Schwarzman Bernard Selz Victoria Lea Smith Melinda Martin Sullivan J. Fife Symington IV Ian Wardropper, ex officio President Emerita Helen Clay Chace Trustees Emeriti I. Townsend Burden III L. F. Boker Doyle Franklin W. Hobbs Howard Phipps Jr. Annual Report July 2018–June 2019 2 Service, which recognized the Frick’s respon- The shows in 2019 continued to impress Letter from the Director siveness to community feedback while for- with their scholarly innovation, beginning mulating our renovation proposals.
    [Show full text]
  • George Soros
    George Soros George Soros Born August 12, 1930, as Schwartz György) is a Hungarian-American financier, businessman and notable philanthropist focused on supporting liberal ideals and causes.[3] He became known as "the Man Who Broke the Bank of England" after he made a reported $1 billion during the 1992 Black Wednesday UK currency crises.[4][5] Soros correctly speculated that the British government would have to devalue the pound sterling.Soros is Chairman of the Soros Fund Management and the Open Society Institute and a former member of the Board of Directors of the Council on Foreign Relations. He played a significant role in the peaceful transition from communism to capitalism in Hungary (1984–89)[5] and provided Europe's largest-ever higher education endowment to Central European University in Budapest.[7] Later, the Open Society Institute's programs in Georgia were considered by Russian and Western observers to have been crucial in the success of the Rose Revolution. In the United States, he is known for donating large sums of money in an effort to defeat President George W. Bush's bid for re-election in 2004. In 2010, he donated $1 million in support of Proposition 19, which would have legalized marijuana in the state of California. He was an initial donor to the Center for American Progress, and he continues to support the organization through the Open Society Foundations. The Open Society Institute has active programs in more than 60 countries around the world with total expenditures currently averaging approximately $600 million a year. In 2003, former Federal Reserve Chairman Paul Volcker wrote in the foreword of Soros' book The Alchemy of Finance: George Soros has made his mark as an enormously successful speculator, wise enough to largely withdraw when still way ahead of the game.
    [Show full text]
  • History of Design by Kirkham - Uncorrected Page Proofs
    History of Design by Kirkham - Uncorrected Page Proofs History of Design Copyright © 2013 Bard Graduate Center BGCTxtbk_FM_3p.indd 1 8/5/13 4:09 PM History of Design by Kirkham - Uncorrected Page Proofs Pat Kirkham Susan Weber Editors The Bard Graduate Center History of Design DECORATIVE ARTS AND MATERIAL CULTURE, 1400–2000 With contributions by published by John Robert Alderman George Michell Bard Graduate Center: Decorative Arts, Marcus B. Burke Barbara E. Mundy Design History, Material Culture Silke Bettermann Amy F. Ogata New York Jeffrey Collins Jorge F. Rivas Pérez Aimée E. Froom Maria Ruvoldt Yale University Press Annette Hagedorn Tomoko Sakomura New Haven and London David Jaffee Enid Schildkrout Rose Kerr Lee Talbot Pat Kirkham Sarah Teasley Patricia Lara-Betancourt Carol Thompson Christian A. Larsen Tom Tredway Dana Leibsohn Norman Vorano Sarah A. Lichtman Catherine L. Whalen Andrew Morrall Copyright © 2013 Bard Graduate Center BGCTxtbk_FM_3p.indd 2-3 8/5/13 4:10 PM History of Design by Kirkham - Uncorrected Page Proofs The Bard Graduate Center gratefully acknowledges The Tiffany & Co. Foundation for its leadership support of this publication. Copyright © 2013 Bard Graduate Center: Decorative Arts, Design History, Material Culture All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted in Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Additional funds were generously given by The Sherrill Foundation Project Director: Pat Kirkham and Fundación Cisneros/Colección Patricia Phelps de Cisneros. Project Editor: Heather Jane McCormick Senior Manuscript Editor: Martina D’Alton Managing Editor (2009–11): Sarah B.
    [Show full text]
  • Brooklyn Museum and Bard Graduate Center Collaborate on an American Decorative Arts Curatorial Program for M.A
    Press Release April 2017 The Brooklyn Museum and Bard Graduate Center Collaborate on an American Decorative Arts Curatorial Program for M.A. and Ph.D. Students The Brooklyn Museum and Bard Graduate Center announced today a collaborative, multiphase project aimed at rethinking the presentation and study of American decorative arts. Starting in fall 2017, Bard Graduate Center faculty and students and Brooklyn Museum curators will come together as a think tank to examine the organization, display, and interpretation of the Brooklyn Museum’s extensive collection of Colonel Robert J. Milligan House Parlor, 1854–1856. Photo by Jonathan Dorado American decorative arts. This will launch a series of courses on American decorative arts at the Brooklyn Museum, led by Kevin Stayton, Curator Emeritus, along expand upon course research. The project will culminate with Barry Harwood, Curator of Decorative Arts, among in a full-scale exhibition, curated in part by students, others. The course, open to all students enrolled in at the Brooklyn Museum on the work of Brooklyn Bard Graduate Center’s M.A. and Ph.D. programs in craftspeople, makers, artisans, and artists, and their decorative arts, design history, or material culture, will place in the history of decorative arts and design. serially study parts of the Museum’s collection. As its outcome the course will lead to the redesign of the Participating students will have an unparalleled gallery display of the decorative arts collection. opportunity to discover and study one of the country’s great American decorative arts collections. Ranging from The partnership will be an ongoing, collaborative the seventeenth century to the present, the collection project focusing on the Brooklyn Museum’s extensive, includes silver, glass, ceramics, pewter, and furniture.
    [Show full text]
  • 2011–2012 Annual Report
    presents 2011–2012 Annual Report Chris Lee Thomas Adès and Ian Bostridge | November 28 2011–2012 Annual Report Sherman J. Steve 2 From the Chairman of the Board 4 From the Executive and Artistic Director 6 Board of Trustees 8 2011–2012 Concert Season Brentano String Quartet | February 16 30 Weill Music Institute Jourdes Julien 42 The Academy 48 Studio Towers Renovation Project 50 Donors 70 Treasurer’s Review 71 Consolidated Balance Sheet L’Arpeggiata | March 15 Richard Richard Termine 72 Administrative Staff and Volunteers Cover photo: Goran Bregovic & His Wedding and Funeral Orchestra (October 19) by Stephanie Berger. Ute Lemper with the Vogler Quartet | April 5 Jennifer Taylor Jennifer Steve J. Sherman J. Steve Proud Season Sponsor Bernarda Fink with Sir Simon Rattle and the Berliner Philharmoniker | February 25 Evgeny Kissin | May 3 From the Chairman of the Board Dear Friends, At the close of an extraordinary year, I wish to take a moment to applaud my fellow members of the Board of Trustees for their terrific leadership, generosity, and guidance, which led us to achieve a balanced budget for the 17th consecutive season. This year, Earle S. Altman, Charles M. Rosenthal, Sana H. Sabbagh, and Carnegie Hall’s 2011–2012 season was marked Beatrice Santo Domingo joined our Board of Trustees. We extend a warm welcome to these four new by great artistry, innovation in music education, members, and we salute three departing trustees, Joseph J. Plumeri II, Paul J. Sekhri, and Lawrence A. and exciting opportunities to share our resources Weinbach, with many thanks for their service.
    [Show full text]