DOCSLIB.ORG

Amy F. Ogata September 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Amy F. Ogata September 2021 Amy F. Ogata September 2021 Art History Department University of Southern California 3501 Trousdale Parkway, THH 355 Los Angeles, CA 90089-0351 [email protected] Education Ph.D., Art and Archaeology, Princeton University, 1996 M.A., Art and Archaeology, Princeton University, 1992 A.B., Art History, Smith College, 1987 Appointments Department of Art History, University of Southern California, Los Angeles, California Professor of Art History, 2014-present Interim Chair of Art History, 2021-2022 Chair of Art History, 2015-2018 The Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York, NY Professor, 2013-2014 Chair of Academic Programs, 2010-2012 Associate Professor, 2004-2013 Assistant Professor, 1998-2004 Cleveland Institute of Art, Cleveland, Ohio Assistant Professor, 1996-1998 Fellowships & Honors Center for Advanced Study in the Visual Arts, National Gallery of Art, Ailsa Mellon Bruce Visiting Senior Fellow (Winter), 2020 Alice Davis Hitchcock Award, Society of Architectural Historians, 2016 Getty Research Institute, Research scholar (Fall), 2015 Wyeth Foundation Publication Grant, College Art Association, 2012 Spencer Foundation Research Grant, 2008-9 CRS Archive Center, Texas A&M University, Archive Scholar, 2008 Smithsonian Institution, Lemelson Center, Senior Fellowship (Summer), 2005 Canadian Centre for Architecture, Study Centre Fellowship (Summer), 2004 American Association of University Women Postdoctoral Fellowship, 2003-4 Cleveland Institute of Art Professional Development Grant, 1997 Metropolitan Museum of Art, Jane and Morgan Whitney Fellow, 1995-6 Andrew W. Mellon Dissertation Grant, Princeton University, 1994-5 Simpson Travel Grant, Princeton University, 1993 Council on Regional Studies, Princeton University, 1993 Belgian American Educational Foundation (BAEF), Fellow, 1992-3 Association of Princeton Graduate Alumni Teaching Award, 1991 2 Publications Books Swedish Wooden Toys, ed. with Susan Weber. New Haven and London: Yale University Press/ Bard Graduate Center, 2014. • First Place for Publication/Catalog, Association of Art Museum Curators, 2015 • Exhibition & book reviews: New York Times, Metropolis, The New Yorker, Hyperallergic Designing the Creative Child: Playthings and Places in Midcentury America. Minneapolis: University of Minnesota Press, 2013. • Alice Davis Hitchcock Award, Society of Architectural Historians, 2016 • Eight Best Architecture & Design Books of 2013, AIA Architects Magazine • Reviews: American Historical Review, American Journal of Play, Architects' Newspaper, ARLIS, Buildings and Landscapes, Consumption, Markets & Culture, Choice, Dwell, Home Cultures, Jeunesse: Young People, Texts, Cultures, Journal of American History, Journal of American Studies, Journal of Architectural Education, Journal of Design History, Journal for the History of Childhood and Youth, Journal of the Society of Architectural Historians, Lion and the Unicorn, The New Yorker (online), Winterthur Portfolio • Interviews: Boston Globe, KPFA Pacifica Radio Fredun Shapur: Playing with Design. Paris: Éditions Piqpoq, 2013. • Review: Design Observer Art Nouveau and the Social Vision of Modern Living: Belgian Artists in a European Context. Cambridge and New York: Cambridge University Press, 2001. • Reviews: Journal of Design History, Architectural Review, 19thc Art Worldwide Work in Progress Metal, the Metallic, and the Making of Modern France (book project) Peer-Reviewed Journal Articles “Making Metal Work,” West 86th (forthcoming 2021/22) “Aluminium, Orfèvrerie, Industry and Allegory in Second Empire France,” Art History 42, no.3 (2019): 482-509. “The Heathcote School: An Object Lesson,” The Senses and Society 4, no. 3 (2009): 347-352. “Building for Learning in Postwar American Elementary Schools,” Journal of the Society of Architectural Historians 67, no. 4 (2008): 562-591. 3 “Building Imagination in Postwar American Children’s Rooms,” Studies in the Decorative Arts (issues in interior design history edited by Pat Kirkham, Penny Sparke, and Jeremy Aynsley) 16, no. 1 (2008-09): 126-142. “Creative Playthings: Educational Toys and Postwar American Culture,” Winterthur Portfolio 39, nos. 2/3 (2004): 129-156. [Appeared Summer 2005] “Viewing Souvenirs: Peepshows and the International Expositions,” Journal of Design History 15, no. 2 (2002): 69-82. “Art Nouveau and the Image of the Artisan in Fin-de-Siècle Belgium,” Apollo Magazine (Special Art Nouveau Issue edited by Paul Greenhalgh) CLI (May 2000): 47-51. Book Chapters (peer-reviewed) & Exhibition Catalogue Essays “Visiting and Playing with the 1939 New York World's Fair,” Playful Place, edited by Medina Lasansky and Chad Randl, MIT Press, 2023. (Forthcoming) “Designing a Metallic Modernity in Mid-Nineteenth Century France,” A Companion to French Art, edited by Natalie Adamson and Richard Taws, Wiley 2021/22. (Forthcoming) “Educational Facilities Laboratories: Debating and Designing the Postwar American Schoolhouse,” Designing Schools: Space, Place and Pedagogy, edited by Kate Darian- Smith and Julie Willis (New York: Routledge, 2016), 55-67. “Designing Childhood,” Routledge Companion to Design Studies, Penny Sparke and Fiona E. Fisher, eds. (New York: Routledge, 2016), 207-218. “Objects of Honor: Metalwork in the Evans Collection,” Courtly Treasures: The Collection of Thomas W. Evans, Surgeon Dentist to Napoleon III (Philadelphia: Arthur Ross Gallery, University of Pennsylvania, 2015). “Playing and Learning: Wooden Educational Toys in Sweden,” and Introduction, Swedish Wooden Toys (New York and New Haven: BGC/Yale University Press, 2014). “The Pavilion for the Union Centrale des Arts Décoratifs, Art Nouveau, and the Cabinet d’Amateur at the Fin de Siècle,” Salvaging the Past: Georges Hoentschel and French Decorative Arts at the Metropolitan Museum of Art, edited by Ulrich Leben and Deborah Krohn (New York: BGC/Yale University Press, 2013). “Good Toys,” “Back to School,” “The Modern Playroom,” “Disneyland,” and “McDonald’s” in The Century of the Child: Growing by Design 1900-2000, edited by Juliet Kinchin and Aidan O’Connor (New York: The Museum of Modern Art, 2012). 4 “’To See is to Know’: Visuality and the International Expositions” in A History of Visual Culture: Western Civilization from the 18th to the 21st Century, edited by Jane Kromm & Susan Bakewell (London: Berg, 2010). “Belgium and France: Arts, Crafts, and Decorative Arts,” The Arts and Crafts Movement in Europe and America, 1880-1920: Design for the Modern World, edited by Wendy Kaplan (Los Angeles and New York: Los Angeles County Museum of Art and Thames and Hudson, 2004). “Henry Van de Velde’s Bloemenwerf: English Books and Belgian Art Nouveau,” The Built Surface: Architecture + Pictures from Antiquity to the Millennium, edited by Karen Koehler and Christy Anderson (London: Ashgate Press, 2002), 73-90. “Art Nouveau and Antimodernism, Primitivism and Nostalgia,” Policing the Boundaries of Modernism/Antimodernism and Artistic Experience, edited by Lynda Jessup (Toronto: Toronto University Press, 2001), 165-176. “The Decorative ‘Arts and Crafts’ at Les XX and la Libre Esthétique,” Belgium: The Golden Decades 1880-1914, edited by Jane Block (New York: Peter Lang, 1997), 67-98. Conference Proceedings “Making Iron Matter in the French Second Empire,” Motion CIHA 2019 Congress Proceedings (Bologna: Bononia University Press, forthcoming 2021). “The Playhouse: An Architectural Object Lesson,” The Challenge of the Object / Die Herausforderung des Objekts, CIHA Congress Proceedings, T. 3. Edited by G. Ulrich Großmann/Petra Krutisch (Nuremberg: Germanisches Nationalmuseum, 2014). “Cultivating and Commodifying Everyday Creativity in Postwar American Childhood,” Proceedings of the Seventh ACM Conference on Creativity and Cognition (ACM October 2009): 221-228. Encyclopedia Entries & Other Short Articles "Swedish Wooden Toys," Bard Graduate Center at 25 (New Haven: Yale University Press, 2020). “Art Nouveau,” “Ecole de Nancy,” “Christofle,” “Daum,” Bloomsbury Encyclopedia of Design, edited by David Raizman (London: Bloomsbury, 2015). With Pat Kirkham, “Europe 1830-1900” and “Europe 1900-1950” in A History of Design, Decorative Arts, Material Culture 1400-2000, edited by Pat Kirkham and Susan Weber (New Haven: BGC/Yale, 2013). “Blocks: Building Childhood and Culture,” Play, Work, Build: Essays on Constructive Toys, 5 edited by Rockwell Group in partnership with the National Building Museum, 2012. “Elements of the Art Nouveau Interior.” Robert Rosenblum, et al., 2929: The Kogod Collection (Washington, DC: published privately, 2004). “Creative Playthings’ Play Sculpture,” House & Garden Magazine, August 2002. “The Case Study House Program,” House: Case Study House Cleveland (Cleveland: Spaces, 2002). “Gustave Serrurier-Bovy,” The Encyclopedia of Interior Design, edited by Joanna Banham (London: Fitzroy Dearborn, 1997), 1153-55. Book & Exhibition Reviews Abbatt Toys: Modern Toys for Modern Children by Alan Powers, West 86th (forthcoming) Henry van de Velde: The Artist as Designer by Richard Hollis and Henry van de Velde: Designing Modernism by Katherine M. Kuenzli, West 86th 27, no. 1 (Spring-Summer 2020): 117-120. Brussels Art Nouveau: Architecture & Design, by Alec Forshaw, H-France, H-Net, 2018. Architecture in Play: Intimations of Modernism in Architectural Toys, by Tamar Zinguer, Journal of the History of Children and Youth 10, no. 2 (Spring 2017): 283-285. A City for Children: Women, Architecture and the Charitable Landscapes of Oakland, 1850- 1950, by Marta Gutman, CAA.Reviews (December
Load more

Recommended publications
  • Year in Review 2014–2015 About Bard Graduate Center
    Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years.
    [Show full text]
  • 2019-2020 Year in Review
    Table of Contents 3 Director’s Welcome 7 Objects in Space: A Conversation with Barry Bergdoll and Charlotte Vignon 17 Glorious Excess: Dr. Susan Weber on Victorian Majolica 23 Object Lessons: Inside the Lab for Teen Thinkers 33 Teaching 43 Faculty Year in Review 50 Internships, Admissions, and Student Travel and Research 55 Research and Exhibitions 69 Gallery 82 Publications 83 Digital Media Lab 85 Library 87 Public Programs 97 Fundraising and Special Events Eileen Gray. Transat chair owned by the Maharaja of Indore, from the Manik Bagh Palace, 1930. Lacquered wood, nickel-plated brass, leather, canvas. Private collection. Copyright 2014 Phillips Auctioneers LLC. All Rights Reserved. Director’s Welcome For me, Bard Graduate Center’s Quarter-Century Celebration this year was, at its heart, a tribute to our alumni. From our first, astonishing incoming class to our most recent one (which, in a first for BGC, I met over Zoom), our students are what I am most proud of. That first class put their trust in a fledgling institution that burst upon the academic art world to rectify an as-yet-undiagnosed need for a place to train the next generation of professional students of objects. Those beginning their journey this fall now put their trust in an established leader who they expect will prepare them to join a vital field of study, whether in the university, museum, or market. What a difference a generation makes! I am also intensely proud of how seriously BGC takes its obligation to develop next-generation scholarship in decorative arts, design his- tory, and material culture.
    [Show full text]
  • Dr. SUSAN WEBER 18 West 86Th Street New York, New York 10024 Tel: (212) 501-3051
    Dr. SUSAN WEBER 18 West 86th Street New York, New York 10024 tel: (212) 501-3051 EDUCATION Ph.D. Royal College of Art, London London, 1998 (Dissertation: E.W. Godwin: Secular Furniture and Interior Design) M.A. The Cooper-Hewitt Museum/Parsons School of Design New York, New York, 1990 Graduate Degree Program in the History of Decorative Arts (Thesis: Whistler as Collector, Interior Colorist and Decorator) A.B. Barnard College-Columbia University New York, New York, 1977 (magna cum laude) PROFESSIONAL EXPERIENCE 1991-present Founder, Director and Iris Horowitz Professor in the History of the Decorative Arts: The Bard Graduate Center: Decorative Arts, Design History, Material Culture New York, New York 2000-2008 Design Columnist: The Westchester Wag 2000-2003 Contributing Editor: nest magazine 1988-1991 Director: Philip Colleck of London, Ltd., New York, New York A gallery specializing in eighteenth-century English furniture and works of art. 1985-1991 Executive Director: The Open Society Fund, Inc., New York, New York A private foundation which supports internationally the advancement of freedom of ex- pression and cultural exchange through grants to individuals and associations. 1980-present Founder and Publisher: Source: Notes in the History of Art, New York, New York A quarterly journal devoted to all aspects of art history and archaeology. 1979 Associate Producer: In Search of Rothko A 28-minute film on the life and work of Mark Rothko. 1978 Associate Producer: The Big Picture A 58-minute film on the New York School of Art, shown as a part of the New York State Exhibition, "New York: The State of Art." 1977 Assistant Director: New York: The State of Art The first exhibition at the State Museum in Albany featuring over 300 works of New York State art.
    [Show full text]
  • REPORT of GIFTS July 1, 2011 – June 30, 2012
    REPORT OF GIFTS July 1, 2011 – June 30, 2012 Bard College TABLE OF CONTENTS 3 Letter from the President 4 Donors by Giving Societies 26 Foundation, Corporate, and Government Donors 29 Gifts in Honor of 33 Gifts in Memory of 35 Gifts in Kind 35 Bequests Received 35 John Bard Society Members 36 Bard College: Campus, Students, and Curriculum 53 Bard College: Graduate Education 55 Bard College: International Initiatives in the Liberal Arts 56 Bard College: Education Reform 62 Bard College: The Arts 65 Bard College: Boards LETTER FROM THE PRESIDENT Dear Alumni/ae, Parents, and Friends: It is my pleasure to present to you our annual Report of Gifts. It is our way of thanking and recognizing the generosity of all our donors from the 2012 fiscal year. Your gift was counted among the almost 3,500 others that resulted in $42,015,898 in funds raised this year to support scholarships and annual operating expenses, create and enhance endowment funds, and finance capital projects. Financial contributions are critical to the operations of the College; so too are the many volunteers who give of their valuable time and resources. My deepest thanks go to Board of Trustees, Board of Governors of the Bard–St. Stephen’s Alumni/ae Association, Parents Advisory Council, and members of the Boards of the Center for Curatorial Studies, Bard Graduate Center, Conservatory of Music, Fisher Center, Levy Economics Institute, Bard High School Early College, Bard Music Festival, and our newest group, the members of the Longy School of Music of Bard College. Two years ago we launched a five-year comprehensive campaign that had the ambitious goal of raising $594 million for our endowment and capital projects.
    [Show full text]
  • Annual Report | July 2018 –June 2019
    The Frick Collection membersannual report’ magazine july winter2018–june 2011 2019 The Frick Collection annual report july 2018–june 2019 leadership 2 Board of Trustees report of the director 3 Ian Wardropper, Anna-Maria and Stephen Kellen Director collection 6 Museum Acquisitions & Notable Library Acquisitions 7 Public Programming financial statements 10 Statement of Financial Position 11 Statement of Activities donor support and membership 12 Gifts and Grants 17 Director’s Circle 18 Fellows and Friends 23 Young Fellows 26 Annual Fund 28 Committees 29 Corporate Members and Sponsors 29 Henry Clay Frick Associates 30 Exhibition Support 32 The Frick Collection Staff cover Luigi Valadier (1726–1785), detail of Herm of Bacchus, 1773, bronze, alabastro a rosa, bianco e nero antico, and africano verde, Galleria Borghese, Rome; photograph by Mauro Magliani The Frick Collection Board of Trustees As of June 30, 2019 Elizabeth M. Eveillard, Chair Aso O. Tavitian, Vice Chair Juan Sabater, Treasurer Michael J. Horvitz, Secretary Peter P. Blanchard III Margot Bogert Ayesha Bulchandani Tai-Heng Cheng Bradford Evans Kathleen Feldstein Barbara G. Fleischman Emily T. Frick Christian Keesee Sidney R. Knafel James S. Reibel, M.D. Charles M. Royce Stephen A. Schwarzman Bernard Selz Victoria Lea Smith Melinda Martin Sullivan J. Fife Symington IV Ian Wardropper, ex officio President Emerita Helen Clay Chace Trustees Emeriti I. Townsend Burden III L. F. Boker Doyle Franklin W. Hobbs Howard Phipps Jr. Annual Report July 2018–June 2019 2 Service, which recognized the Frick’s respon- The shows in 2019 continued to impress Letter from the Director siveness to community feedback while for- with their scholarly innovation, beginning mulating our renovation proposals.
    [Show full text]
  • George Soros
    George Soros George Soros Born August 12, 1930, as Schwartz György) is a Hungarian-American financier, businessman and notable philanthropist focused on supporting liberal ideals and causes.[3] He became known as "the Man Who Broke the Bank of England" after he made a reported $1 billion during the 1992 Black Wednesday UK currency crises.[4][5] Soros correctly speculated that the British government would have to devalue the pound sterling.Soros is Chairman of the Soros Fund Management and the Open Society Institute and a former member of the Board of Directors of the Council on Foreign Relations. He played a significant role in the peaceful transition from communism to capitalism in Hungary (1984–89)[5] and provided Europe's largest-ever higher education endowment to Central European University in Budapest.[7] Later, the Open Society Institute's programs in Georgia were considered by Russian and Western observers to have been crucial in the success of the Rose Revolution. In the United States, he is known for donating large sums of money in an effort to defeat President George W. Bush's bid for re-election in 2004. In 2010, he donated $1 million in support of Proposition 19, which would have legalized marijuana in the state of California. He was an initial donor to the Center for American Progress, and he continues to support the organization through the Open Society Foundations. The Open Society Institute has active programs in more than 60 countries around the world with total expenditures currently averaging approximately $600 million a year. In 2003, former Federal Reserve Chairman Paul Volcker wrote in the foreword of Soros' book The Alchemy of Finance: George Soros has made his mark as an enormously successful speculator, wise enough to largely withdraw when still way ahead of the game.
    [Show full text]
  • George Soros 1 George Soros
    George Soros 1 George Soros George Soros George Soros at the World Economic Forum Annual Meeting 2010 Born August 12, 1930 Budapest, Kingdom of Hungary Alma mater London School of Economics Occupation Entrepreneur, currency trader, investor, philosopher, philanthropist, political activist [1] Net worth ▲ $14.2 billion (Forbes) [2] Religion None; Atheist Spouse Twice divorced (Annaliese Witschak and Susan Weber Soros) Children Robert, Andrea, Jonathan, Alexander, Gregory Website [3] www.georgesoros.com [4] George Soros (Hungarian: Soros György) (pronounced /ˈsɔroʊs/ or /ˈsɔrəs/,; Hungarian IPA: [ˈʃoroʃ]; born August 12, 1930, as Schwartz György) is a Hungarian-American currency speculator, stock investor, businessman, philanthropist, and liberal political activist.[5] He became known as "the Man Who Broke the Bank of England" after he made a reported $1 billion during the 1992 Black Wednesday UK currency crises.[6] [7] Soros is chairman of Soros Fund Management and the Open Society Institute and a former member of the Board of Directors of the Council on Foreign Relations. He played a significant role in the peaceful transition from Communism to Capitalism in Hungary (1984–89),[7] and provided Europe's largest ever higher education endowment to Central European University in Budapest.[8] Later, his funding and organization of Georgia's Rose Revolution was considered by Russian and Western observers to have been crucial to its success. In the United States, he is known for donating large sums of money in an effort to defeat President George W. Bush's bid for re-election in 2004. He helped found the Center for American Progress. Former Federal Reserve Chairman Paul Volcker wrote in 2003 in the foreword of Soros' book The Alchemy of Finance: George Soros 2 George Soros has made his mark as an enormously successful speculator, wise enough to largely withdraw when still way ahead of the game.
    [Show full text]
  • History of Design by Kirkham - Uncorrected Page Proofs
    History of Design by Kirkham - Uncorrected Page Proofs History of Design Copyright © 2013 Bard Graduate Center BGCTxtbk_FM_3p.indd 1 8/5/13 4:09 PM History of Design by Kirkham - Uncorrected Page Proofs Pat Kirkham Susan Weber Editors The Bard Graduate Center History of Design DECORATIVE ARTS AND MATERIAL CULTURE, 1400–2000 With contributions by published by John Robert Alderman George Michell Bard Graduate Center: Decorative Arts, Marcus B. Burke Barbara E. Mundy Design History, Material Culture Silke Bettermann Amy F. Ogata New York Jeffrey Collins Jorge F. Rivas Pérez Aimée E. Froom Maria Ruvoldt Yale University Press Annette Hagedorn Tomoko Sakomura New Haven and London David Jaffee Enid Schildkrout Rose Kerr Lee Talbot Pat Kirkham Sarah Teasley Patricia Lara-Betancourt Carol Thompson Christian A. Larsen Tom Tredway Dana Leibsohn Norman Vorano Sarah A. Lichtman Catherine L. Whalen Andrew Morrall Copyright © 2013 Bard Graduate Center BGCTxtbk_FM_3p.indd 2-3 8/5/13 4:10 PM History of Design by Kirkham - Uncorrected Page Proofs The Bard Graduate Center gratefully acknowledges The Tiffany & Co. Foundation for its leadership support of this publication. Copyright © 2013 Bard Graduate Center: Decorative Arts, Design History, Material Culture All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted in Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Additional funds were generously given by The Sherrill Foundation Project Director: Pat Kirkham and Fundación Cisneros/Colección Patricia Phelps de Cisneros. Project Editor: Heather Jane McCormick Senior Manuscript Editor: Martina D’Alton Managing Editor (2009–11): Sarah B.
    [Show full text]
  • Brooklyn Museum and Bard Graduate Center Collaborate on an American Decorative Arts Curatorial Program for M.A
    Press Release April 2017 The Brooklyn Museum and Bard Graduate Center Collaborate on an American Decorative Arts Curatorial Program for M.A. and Ph.D. Students The Brooklyn Museum and Bard Graduate Center announced today a collaborative, multiphase project aimed at rethinking the presentation and study of American decorative arts. Starting in fall 2017, Bard Graduate Center faculty and students and Brooklyn Museum curators will come together as a think tank to examine the organization, display, and interpretation of the Brooklyn Museum’s extensive collection of Colonel Robert J. Milligan House Parlor, 1854–1856. Photo by Jonathan Dorado American decorative arts. This will launch a series of courses on American decorative arts at the Brooklyn Museum, led by Kevin Stayton, Curator Emeritus, along expand upon course research. The project will culminate with Barry Harwood, Curator of Decorative Arts, among in a full-scale exhibition, curated in part by students, others. The course, open to all students enrolled in at the Brooklyn Museum on the work of Brooklyn Bard Graduate Center’s M.A. and Ph.D. programs in craftspeople, makers, artisans, and artists, and their decorative arts, design history, or material culture, will place in the history of decorative arts and design. serially study parts of the Museum’s collection. As its outcome the course will lead to the redesign of the Participating students will have an unparalleled gallery display of the decorative arts collection. opportunity to discover and study one of the country’s great American decorative arts collections. Ranging from The partnership will be an ongoing, collaborative the seventeenth century to the present, the collection project focusing on the Brooklyn Museum’s extensive, includes silver, glass, ceramics, pewter, and furniture.
    [Show full text]
  • European Independent HIV/AIDS Funding : a Mapping
    European Independent HIV/AIDS Funding A Mapping Project by the European Foundation Centre (EFC) Orpheus Programme Prepared in partnership with: Brussels August 2004 EFC • 51, rue de la Concorde • 1050 Brussels, Belgium • tel.: +32.2.512.8938 • fax: +32.2.512.3265 e-mail: [email protected] • web: www.efc.be • www.fundersonline.org, • www.europeintheworld.info TABLE OF CONTENTS Mapping Project overview………………5 Ford Foundation .......................................... 61 Profiles… … … … … … … … … … … 8 Fundação Assistência Médica ACCENTUS Foundation..............................11 Internacional ........................................... 63 ActionAid International................................11 Fundação Calouste Gulbenkian................... 65 Aga Khan Foundation ..................................13 Fundação Luso-Americana para o AIDS & Kind, Schweizerische Stiftung Desenvolvimento .................................... 67 Für Direkthilfe N Betroffene Kinder.......14 Fundació 'La Caixa' ..................................... 68 Aids Fonds....................................................15 Fundación Máximo Soriano ........................ 70 Allavida ........................................................16 GlaxoSmithKline......................................... 70 Anglo American plc .....................................18 The Global Fund to Fight AIDS, The Atlantic Philanthropies..........................19 Tuberculosis and Malaria ....................... 72 AVERT.........................................................20 The Health Foundation...............................
    [Show full text]
  • Iris Awards 2019
    Press Contact: Hollis Barnhart 212‐501‐3074 [email protected] FOR IMMEDIATE RELEASE BARD GRADUATE CENTER ANNOUNCES RECIPIENTS OF TWENTY-THIRD ANNUAL IRIS FOUNDATION AWARDS New York, January 25, 2019—Dr. Susan Weber, founder and director of Bard Graduate Center, has announced the recipients of the Twenty-Third Annual Iris Foundation Awards for Outstanding Contributions to the Decorative Arts. This year’s awardees are Marina Kellen French, Jeffrey Munger, Dr. Laurie Wilkie, and Alessandra Di Castro. The awards will be presented at a luncheon in New York City on April 17, 2019. Past Iris Foundation Award recipients include many of the most influential patrons, scholars, and dealers in the field of decorative arts. Patrons such as John C. Waddell, Sir Paul Ruddock, Jayne Wrightsman, Lord Rothschild, Patricia Phelps de Cisneros, Richard Jenrette, and Iris Cantor have received the award for their visionary support of museums, galleries, and educational institutions. Among the distinguished scholars who have been honored are Harold Koda, Paola Antonelli, Barry Bergdoll, Morrison H. Heckscher, Dame Rosalind J. Savill, and Finbarr Barry Flood. Outstanding dealer honorees include Adrian Sassoon, Deedee Wigmore, Eric Shrubsole, Martin Levy, Michele Beiny-Harkins, and Benoist F. Drut. In 2008, Philippe de Montebello, retired director of the Metropolitan Museum of Art, received a special award for his contributions to the artistic life in this country. 2019 Honorees Marina Kellen French, Outstanding Patron An avid supporter of the arts and humanities, both in the United States and abroad, Marina Kellen French is vice president of the Anna-Maria and Stephen Kellen Foundation; president of the Marina Kellen French Foundation; a managing director of the Metropolitan Opera; a trustee of the Metropolitan Museum of Art, National Gallery of Art in Washington, DC, Carnegie Hall, Hospital for Special Surgery, and the American Academy in Berlin; and a life trustee of the Morgan Library and Museum and WNET Channel 13.
    [Show full text]
  • Year in Review 2015–2016 About Bard Graduate Center
    Year In Review 2015–2016 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Ann Pyne Edward Lee Cave Sir Paul Ruddock Verónica Hernández de Chico Jeanne Sloane Hélène David-Weill Gregory Soros Philip D. English Luke Syson Holly Hotchner Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. David Mann Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2016 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 29 Research and Exhibitions 53 Public Programs 58 Fundraising and Special Events Alvar Aalto. Chair (model 31), Birch. Sold by Finmar Ltd. Rafaela & Kaj Forsblom Collection. Photograph: Bruce White. 2 Director's Welcome Director’s Welcome Bard Graduate Center’s Year in Review is now in its sixth year. This year has been one of many highlights and accomplishments. We graduated five PhD students and twenty-three MA students. My teaching and research led to the fall exhibition Swedish Wooden Toys (co-curated with Amy F.
    [Show full text]