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2020 Concert Programs
The Beethoven Experience Part V: B.A.C.H.D.N.A Beethoven’s Love of Bach- Examined and Expressed Don't miss a note of our 48 concert virtual festival: VIEW FULL CONCERT SCHEDULE @HEIFETZMUSIC @HEIFETZMUSIC @HEIFETZINTERNATIONALMUSICINSTITUTE WWW.HEIFETZINSTITUTE.ORG T H E P R O G R A M String Quartet No. 3 in D major, Op. 18, No. 3 I. Allegro II. Andante con moto III. Allegro IV. Presto Recorded at Suntory Hall - Tokyo, Japan June 2013 String Quartet No. 9 in C major, Op. 59, No. 3 I. Andante con moto – Allegro vivace II. Andante con moto quasi allegretto III. Menuetto (Grazioso) IV. Allegro molto Recorded at Isabella Stewart Gardner Museum - Boston, MA April 2010 THE BORROMEO STRING QUARTET NICHOLAS KITCHEN, KRISTOPHER TONG, VIOLINS MAI MOTOBUCHI, VIOLA YEESUN KIM, CELLO P R O G R A M N O T E S by Benjamin K Roe B.A.C.H.D.N.A: Beethoven’s Love of Bach - Examined and Expressed “His name ought not to be Bach, but Ocean, because of his infinite and inexhaustible wealth of combinations and harmonies.” - Beethoven "The immortal god of harmony." Just as Nicholas Kitchen has so persuasively demonstrated Beethoven's careful and deliberate use of underlines in the expressive markings of his manuscripts, so too did he add underlines to his correspondences when he wanted to make a particularly emphatic point, as he did about Bach in an 1801 letter to his publishers, the storied Leipzig firm of Breitkopf & Härtel. As evidenced by the two quotes above, Beethoven’s admiration for Bach was well-known in his time; the “not Bach, but Ocean” is a play on the German word, as Bach translates as a “small brook,” such as might flow from a wellspring. -
2020/2021 Konzerte
Konzerte 2020/2021 196. Spielzeit Oils and Food Hier spielt unsere Musik Highlight zum Jubiläumsjahr: Beethovens unsterbliches Geheimnis Mit einem Konzert – Theater bietet die Philharmonische Gesellschaft einen ganz besonderen Blick auf Beethovens Geburtstag: Ein Puppenspiel, ein Streichquar - tett! Musik von Beethoven und Ausschnitte aus seinen Briefen und Tagebüchern, Zeitzeugenberichte, Memoiren. Feines Spiel an vielen, feinen Fäden. Inhalt Grußwort des Vorstands 3 Die Philharmonische Gesellschaft Bremen 4 Philharmonische Gesellschaft Bremen Der Freundeskreis 7 Geförderte Konzerte 8 Die Philharmonischen Kammerkonzerte 10 Abonnements, Impressum 20 Nachgeholt: Aris Quartett 21 Mitglie derversammlung und Mitgliederkonzert 23 D ie Konzerte der Bremer Philharmoniker 24 Firmenmitglieder und Förderer 32 Gabi Schulze-Smidt 34 Vorverkauf und Preise 35 Sitzplan Glocke, Kleiner Saal 36 Vorstand und Geschäftsstelle der Philharmonischen Gesellschaft 37 Datenschutzerklärung 38 www.lamotte.de Anzeige Philarmoniker_105x210_Hellrot.indd 1 09.05.2019 10:22:11 Sehr geehrte Abonnenten, Programm 2020/2021 liebe Mitglieder, liebe interessierte Freunde und Freundinnen Sehr geehrte Mitglieder, sehr geehrte Abonnenten, der Musik, liebe interessierte Freunde und Freundinnen der Musik seit Beginn der Corona-Krise scheint die Welt auf dem Kopf zu In großer Vorfreude möchte ich Ihnen im Namen des Vorstands stehen. So gesehen, ist es nur normal, dass ich das nachstehende der Philharmonischen Gesellschaft das Jahresprogramm unserer Grußwort an Sie mit einem Post-scriptum beginne. Um Ihnen Kammerkonzerte für die Saison 2020/21 vorstellen. Wie Sie auf mitzuteilen, was Sie ohnehin längst wissen: Das Programm den folgenden Seiten sehen werden, können wir uns erneut auf 2020/21 spiegelt bis auf weiteres nur unsere Absichten wider. klassische Leckerbissen von allerhöchster Qualität einstellen. Dass sie sich realisieren lassen, können wir alle nur hoffen. -
Alisa Weilerstein, Cello Johann Sebastian Bach (1685–1750) E Six Suites for Unaccompanied Cello
Wednesday, May 1, 2019, 8pm First Congregational Church, Berkeley Alisa Weilerstein, cello Johann Sebastian Bach (1685–1750) e Six Suites for Unaccompanied Cello Suite No. 1 in G major, BWV 1007 Prélude Allemande Courante Sarabande Minuet Minuet II Gigue Suite No. 2 in D minor, BWV 1008 Prélude Allemande Courante Sarabande Minuet Minuet II Gigue PAUSE This performance is made possible, in part, by Patron Sponsor Patrick McCabe. Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. 15 Suite No. 3 in C major, BWV 1009 Prélude Allemande Courante Sarabande Bourrée Bourrée Gigue Suite No. 4 in E-flat major, BWV 1010 Prélude Allemande Courante Sarabande Bourrée Bourrée Gigue INTERMISSION Suite No. 5 in C minor, BWV 1011 Prélude Allemande Courante Sarabande Gavotte Gavotte Gigue Suite No. 6 in D major, BWV 1012 Prélude Allemande Courante Sarabande Gavotte Gavotte Gigue Opposite: Photo by Paul Stuart. 16 PROGRAM NOTES A Note from the Artist Johann Sebastian Bach In 1888, a 12-year-old boy in the provinces of e Six Suites for Unaccompanied Cello, Catalonia discovered something on a dusty shelf BWV 1007–1012 of an old music store: a tattered score of the Six In 1713, the frugal Friedrich Wilhelm I of Suites for Vio lon cello Solo by Johann Sebastian Prussia dismissed his household musical estab - Bach. He couldn’t believe what he had found, lishment in Berlin. e young, cultured Prince and immediately recognized it as an invaluable Leopold of Anhalt-Cöthen, 40 miles north of treasure. He bought the score and took it home Leipzig, took the opportunity to engage some with him to practice. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Czech Philharmonic
Czech Philharmonic Semyon Bychkov Chief Conductor and Music Director Alisa Weilerstein / Cello Thursday Evening, November 1, 2018 at 7:30 Hill Auditorium Ann Arbor 13th Performance of the 140th Annual Season 140th Annual Choral Union Series This evening’s performance is supported by Ken and Penny Fischer and by Martha Krehbiel in memory of David Krehbiel. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Matt Albert, Erin Burris, Anthony Elliott, Paul Feeny, and Stephen Shipps for their participation in events surrounding this evening’s performance. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. The Czech Philharmonic appears by arrangement with Columbia Artists. The Czech Philharmonic’s US tour is sponsored by the Karel Komarek Family Foundation. In consideration for the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Antonín Dvořák Cello Concerto in b minor, Op. 104 Allegro Adagio, ma non troppo Finale: Allegro moderato Ms. Weilerstein Intermission Piotr Ilyich Tchaikovsky Serenade for Strings in C Major, Op. 48 Pezzo in forma di sonatina: Andante non troppo — Allegro moderato Valse: Moderato — Tempo di Valse Élégie: Larghetto elegiaco Finale: Andante — Allegro con spirito Tchaikovsky Francesca da Rimini: Symphonic Fantasia after Dante in e minor, Op. 32 Andante lugubre — Allegro vivo 3 A NOTE FROM THE CONDUCTOR On October 28, 2018 the Czech it remains true today. How fitting Republic celebrated 100 years of is it then, that in the very year that independence. -
Preview Notes • Week Four • Persons Auditorium
2019 Preview Notes • Week Four • Persons Auditorium Saturday, August 3 at 8:00pm Sieben frühe Lieder (1905-08) Dolce Cantavi (2015) Alban Berg Caroline Shaw Born February 9, 1885 Born August 1, 1982 Died December 24, 1935 Duration: approx. 3 minutes Duration: approx. 15 minutes Marlboro premiere Last Marlboro performance: 1997 Berg’s Sieben frühe Liede, literally “seven early songs,” As she has done in other works such as her piano were written while he was still a student of Arnold concerto for Jonathan Biss, which was inspired by Schoenberg. In fact, three of these songs were premiered Beethoven’s third piano concerto, Shaw looks into music in a concert by Schoenberg’s students in late 1907, history to compose music for the present. This piece in around the time that Berg met the woman whom he particular eschews fixed meter to recall the conventions would marry. In honor of the 10-year anniversary of this of early music and to highlight the natural rhythms of the meeting, he later revisited and corrected a final version of libretto. The text of this short but wonderfully involved the songs. The whole set was not published until 1928, song is taken from a poem by Francesca Turini Bufalini when Berg arranged an orchestrated version. Each song (1553-1641). Not only does the language harken back to features text by a different poet, so there is no through- an artistic period before our own, but the music flits narrative, however the songs all feature similar themes, through references of erstwhile luminaries such as revolving around night, longing, and infatuation. -
2020-21 Season Brochure
2020 SEA- This year. This season. This orchestra. This music director. Our This performance. This artist. World This moment. This breath. This breath. 2021 SON This breath. Don’t blink. ThePhiladelphiaOrchestra MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN our world Ours is a world divided. And yet, night after night, live music brings audiences together, gifting them with a shared experience. This season, Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra invite you to experience the transformative power of fellowship through a bold exploration of sound. 2 2020–21 Season 3 “For me, music is more than an art form. It’s an artistic force connecting us to each other and to the world around us. I love that our concerts create a space for people to gather as a community—to explore and experience an incredible spectrum of music. Sometimes, we spend an evening in the concert hall together, and it’s simply some hours of joy and beauty. Other times there may be an additional purpose, music in dialogue with an issue or an idea, maybe historic or current, or even a thought that is still not fully formed in our minds and hearts. What’s wonderful is that music gives voice to ideas and feelings that words alone do not; it touches all aspects of our being. Music inspires us to reflect deeply, and music brings us great joy, and so much more. In the end, music connects us more deeply to Our World NOW.” —Yannick Nézet-Séguin 4 2020–21 Season 5 philorch.org / 215.893.1955 6A Thursday Yannick Leads Return to Brahms and Ravel Favorites the Academy Garrick Ohlsson Thursday, October 1 / 7:30 PM Thursday, January 21 / 7:30 PM Thursday, March 25 / 7:30 PM Academy of Music, Philadelphia Yannick Nézet-Séguin Conductor Michael Tilson Thomas Conductor Lisa Batiashvili Violin Yannick Nézet-Séguin Conductor Garrick Ohlsson Piano Hai-Ye Ni Cello Westminster Symphonic Choir Ravel Le Tombeau de Couperin Joe Miller Director Szymanowski Violin Concerto No. -
Download Vita
Ruben Gazarian With the start of the 2002/2003 concert season, Ruben Gazarian took up the position of artistic director of the Württemberg Chamber Orchestra Heilbronn. Through a unanimous vote by the orchestra as well as by the selection commission, he was chosen for this position. He broadened the orchestra’s standard repertoire through the expansion of the instrumentation, thus transforming it into a symphonic orchestra, and through the selection of many works from the Romantic Period, the Early Modern and Avant-garde. Since the beginning of 2015, Ruben Gazarian assumes the additional position of Artistic Director of the Georgisches Kammerorchester Ingolstadt. In the same manner, this appointment arose from the unanimous wish of the orchestra, its management and the cultural representatives of the city. As guest conductor, Ruben Gazarian has conducted on the podiums of the Stuttgart, Frankfurt and WDR Radio Symphony Orchestras, the Hamburg Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, Frankfurt Opera Orchestra, Hessian State Orchestra, Nordwestdeutsche Philharmonie, Orchestre National de Lyon, Jerusalem Symphony Orchestra, Israel Symphony Orchestra Rishon LeZion (Tel Aviv Opera), Tonkünstler Orchestra, Belgrade Philharmonic Orchestra, Philharmonic Orchestra of state theatre Cottbus, Zurich Chamber Orchestra, and many others. The soloists with Ruben Gazarian has collaborated include Gautier and Renaud Capucon, Julia Fischer, Hilary Hahn, Katia & Marielle Labèque, Elisabeth Leonskaja, Sabine Meyer, Sharon Kam, Viktoria Mullova, Sergei Nakariakov, Gerhard Oppitz, Frank Peter Zimmermann, Beaux Arts Trio, Gewandhaus-Quartett as well as many others. Originally from Armenia, Ruben Gazarian received his first violin lesson from his father at the age of four. That was followed by a formal education at the music school “P. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
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24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No. -
Calendar - 2012/2013 Season
Calendar - 2012/2013 Season 2012 Hamburg Ballet August 30 Queensland Performing Arts’ Centre A Midsummernight’s Dream 7:30pm Hamburg Ballet August 31 Queensland Performing Arts’ Centre A Midsummernight’s Dream 7:30pm Hamburg Ballet September 1 Queensland Performing Arts’ Centre A Midsummernight’s Dream 1pm Hamburg Ballet September 1 Queensland Performing Arts’ Centre A Midsummernight’s Dream 7:30pm Hamburg Ballet September 2 Queensland Performing Arts’ Centre A Midsummernight’s Dream 7:30pm Hamburg Ballet September 3 Queensland Performing Arts’ Centre A Midsummernight’s Dream 7:30pm Hamburg Ballet September 4 Queensland Performing Arts’ Centre A Midsummernight’s Dream 7:30pm Hamburg Ballet September 5 Queensland Performing Arts’ Centre A Midsummernight’s Dream 7:30pm Hamburg Ballet September 26 Hamburg State Opera Liliom 7:30pm Hamburg Ballet September 28 Hamburg State Opera Liliom 7:30pm Hamburg Ballet September 30 Hamburg State Opera Liliom 2pm Hamburg Ballet September 30 Hamburg State Opera Liliom 7:30pm Stuttgart Opera October 10 Stuttgart Opera House Die Fledermaus 7:30pm Stuttgart Opera October 14 Stuttgart Opera House Die Fledermaus 7:30pm Stuttgart Opera October 17 Stuttgart Opera House Die Fledermaus 7:30pm Stuttgart Opera October 20 Stuttgart Opera House Die Fledermaus 7:30pm Stuttgart Opera October 26 Stuttgart Opera House Die Fledermaus 7:30pm Stuttgart Opera November 2 Stuttgart Opera House Die Fledermaus 7:30pm Stuttgart Opera November 5 Stuttgart Opera House Die Fledermaus 7:30pm Stuttgart Opera November 8 Stuttgart Opera -
Bremer Philharmoniker Saisonbuch 2021/22
2021 2022 #UnterDieHaut 21Die 197. Spielzeit 22 Inhaltsverzeichnis 02 Grußwort von Marko Letonja Konzerte und Christian Kötter-Lixfeld Seite 06 5nachsechs / Afterwork-Konzerte Echtes und Emotion Seite 63 Von Carmen Emigholz Seite 08 Kammermusik am Sonntagmorgen Das Orchester Seite 66 Seite 12 Besetzung Matinée im Park Seite 14 Seite 69 Philharmonische Konzerte Klimakonzerte Seite 21 Seite 72 Die Emotionslieferanten Sonderkonzerte Ein Interview Seite 74 Seite 49 Phil on Tour Seite 83 Familienkonzerte Seite 89 Musiktheater / Opernpremieren Seite 93 Musikwerkstatt Index 03 Seite 97 Komponist:innen Seite 127 Solist:innen / Autor:innen Seite 130 Service Ensembles / Chöre Saalplan / Die Glocke Seite 132 Seite 108 Dirigent:innen Tickets und ABOs Seite 133 Seite 109 ABO-Bedingungen Seite 112 ABO- und Besucherservice Kalender 2021/22 Seite 114 Seite 134 Einzelkartenverkauf und Vorverkaufsstellen Seite 115 Spielstätten in Bremen Seite 116 Allgemeine Geschäftsbedingungen Seite 118 Impressum Seite 119 Team Seite 121 Dank / Sponsoren Seite 126 Philharmonische Konzerte So 26.9.2021 Mo 27.9.2021 So 10.10.2021 Di 28.9.2021 Mo 11.10.2021 Von Welterfolgen Kokette Schwärmereien und schweren Geburten Seite 24 Seite 22 04 1 2 So 16.1.2022 Mo 17.1.2022 So 6.2.2022 Di 18.1.2022 Mo 7.2.2022 Prosit Virtuose Superlative unter sich 5Seite 30 6Seite 32 Mo 25.4.2022 So 15.5.2022 Di 26.4.2022 Mo 16.5.2022 Kollektives Abheben Zwischen Traum und Wirklichkeit 9Seite 38 10Seite 40 So 12.12.2021 So 10.10.2021 Mo 15.11.2021 Mo 13.12.2021 Mo 11.10.2021 Di 16.11.2021 Di 14.12.2021