The Clouds Outside My Window
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Precipitation Effects of Giant Cloud Condensation Nuclei Artificially Introduced Into Stratocumulus Clouds
Atmos. Chem. Phys., 15, 5645–5658, 2015 www.atmos-chem-phys.net/15/5645/2015/ doi:10.5194/acp-15-5645-2015 © Author(s) 2015. CC Attribution 3.0 License. Precipitation effects of giant cloud condensation nuclei artificially introduced into stratocumulus clouds E. Jung1, B. A. Albrecht1, H. H. Jonsson2, Y.-C. Chen3,4, J. H. Seinfeld3, A. Sorooshian5, A. R. Metcalf3,*, S. Song1, M. Fang1, and L. M. Russell6 1Rosenstiel School of Marine and Atmospheric Science, University of Miami, Miami, FL, USA 2Center for Interdisciplinary Remotely-Piloted Aircraft Studies, Naval Postgraduate School, Monterey, California, USA 3California Institute of Technology, Pasadena, California, USA 4Jet Propulsion Laboratory, California Institute of Technology, Pasadena, California, USA 5Department of Chemical and Environmental Engineering, and Department of Atmospheric Sciences, University of Arizona, Tucson, Arizona, USA 6Scripps Institution of Oceanography, University of California, San Diego, La Jolla, California, USA *now at: Department of Mechanical Engineering, University of Minnesota, Minneapolis, Minnesota, California, USA Correspondence to: E. Jung ([email protected]) Received: 7 November 2014 – Published in Atmos. Chem. Phys. Discuss.: 7 January 2015 Revised: 6 April 2015 – Accepted: 11 April 2015 – Published: 22 May 2015 Abstract. To study the effect of giant cloud condensation 1 Introduction nuclei (GCCN) on precipitation processes in stratocumulus clouds, 1–10 µm diameter salt particles (salt powder) were The stratocumulus (Sc) cloud deck is the most persistent released from an aircraft while flying near the cloud top on cloud type in the world, and the variations of the cloud 3 August 2011 off the central coast of California. The seeded amount and the albedo can significantly impact the climate area was subsequently sampled from the aircraft that was system through their radiative effects on the earth system equipped with aerosol, cloud, and precipitation probes and (e.g., Hartmann et al., 1992; Slingo, 1990). -
Touching the Clouds Activity Guide
Touching the Clouds Activity Guide Purpose Provide a mental representation of each cloud type Create a tactile cloud identification chart Overview Individuals will construct and touch a tactile model of common types of clouds to learn how to describe the clouds based on their shape and texture. They will compare their descriptions with the standard classifications using the cloud types identified in the GLOBE Clouds Protocol. Time: 45 minutes to 1 ½ hours, depending on individual’s age Level: All Materials (per person) One large sheet of cardstock (18” x 12”) Tape One set of Braille labels for each cloud type and/or markers One small feather A layered piece of blanket or soft fabric (eight 1’ X 1” pieces) Cotton balls of varied sizes One tissue Organza or a similar material, cut into pieces, one layered 1” x 1” piece Pillow stuffing, one 1” x 1” piece A tsp of sand Three paper clips Liquid glue Scissors Baby Wipes Preparation Use tape to divide the large cardstock sheet in four sections: one for the cloud title at the top and three for the altitudes: using a portrait layout, place three pieces of tape horizontally, from side to side of the sheet. 1. 1” off the upper edge of the sheet 2. 8” off the upper edge of the sheet 1 Steps What to do and how to do it: Making A Tactile Cloud Identification Chart 1. Discuss that clouds come in three basic shapes: cirrus, stratus and cumulus. a. Feel of the 4” feather and describe it; discuss that these wispy clouds are high in the sky and are named cirrus. -
Why-Is-The-Sky-Blue.Pdf
WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. The sky is blue because it has to travel through Earth’s atmosphere, where QUESTION & ANSWER: there are lots of gases that absorb red, orange and yellow colors. Then, the blue What colors make up the white light of the sun? light gets scattered all across the sky, which is what we see when we look into the sky. If you see a blue car, what color/s does it reflect? If you see a red apple, what color/s does it absorb? WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. -
The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor. -
S41 Why the Sky Is Blue
PhyzLabSpringboard: Why the Sky is Blue • Demo and Lab Apparatus • __2 resonant tuning forks __optics tank (without insert) __access to scattering agent __mini Maglite (incandescent or LED) (or equivalent bright light source) __portable Bluetooth speaker + smart phone with FreqGen app (or equivalent) • Discussion • INITIAL IDEAS 1. Why is the sky blue? What are some of the ideas you’ve heard? What might people say if you were to take a survey of the general public? 2. Can you think of any problems with these ideas? BLUE SKY INGREDIENTS 3. What is “the sky” and what is it made of? 4. Which of those materials—if any—are blue? 5. What color is the sky at night? 6. What is different during the day? 7. The daytime sky on a clear day appears to be blue. On the moon, the sky is on the illuminated side is black. What are the essential “ingredients” for a blue sky? The Book of Phyz © Dean Baird. All rights reserved. 5/26/20 db TUNING FORKS LESSON 8. To understand how these “ingredients” interact to create a blue sky, consider the following demonstration. A tuning fork is struck. a. What happens when the tuning fork is struck? Why? b. How can a tuning fork be silenced? c. A second tuning fork (or portable Bluetooth speaker) is added to the arrangement. What is the surprising observation this time? d. What is the name and explanation of this effect? e. Imagine a huge collection of tuning forks with a wide range of different notes. Suppose they were all struck. -
A New Evaluation of the Colors of the Sky for Artists and Designers
Sky Blue, But What Blue? A New Evaluation of the Colors of the Sky for Artists and Designers Ken Smith* Faculty of Art and Design, Monash University, Melbourne, Victoria, Australia Received 28 April 2006; accepted 21 June 2006 Abstract: This study describes a process of relating the solid that is capable of representing most of the colors of perceptual analysis of the colors of the terrestrial atmos- the sky using four of these pigments is proposed. phere to currently available pigments used in artists’ painting systems. This process sought to discover how the colors of the sky could be defined and simulated by these AN EMPIRICAL METHOD FOR ANALYZING pigments. The author also describes how confusion over SKY COLOR the bewildering choice of suitable pigments on offer in the market place can be clarified. Ó 2006 Wiley Periodicals, Science can explain why the earth’s atmosphere appears Inc. Col Res Appl, 32, 249 – 255, 2007; Published online in Wiley Inter- blue, the preferential scattering by air molecules of short 2 Science (www.interscience.wiley.com). DOI 10.1002/col.20291 wavelength light photons emitted from the sun. For artists the consequential questions are often more likely to Key words: art; design; sky color; perceived color; envi- be not why, but rather what; what are the blue colors that ronment; pigments; painting systems are perceived in the sky? These were the fundamental questions that lead to a reappraisal of how the colors of the sky can be represented by the pigments used in con- INTRODUCTION temporary painting systems. Before attempting to answer this question, a number of parameters had to be created. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Gametime Color Options
www.gametime.com GameTime ... Color Options KidTime® Color Options Deck Colors WallCano® Handholds Plastic Colors Metal Colors Dark Green Red Yellow Red Yellow Butterscotch Blue Red Orange Green Red Royal Purple New! Beige Burgundy Blue Primary Tempo Natural Brown Blue New! Thermoplastic deck coating only available in brown. Net Colors Timber Décor Colors Special Rock Colors Royal Purple Freestanding Net Climbers Xscape Nets Pyramid Nets Redwood Sky Blue Sandstone Blue New! Deep Granite Spring Green Red Rock Sky Blue (RockScape only) New! Spring Green Green Red Blue Green Black Red Black Red Cedar Green ™ Polyethylene Colors (HDPE) SunBlox Canopy & Shade Colors Brown Dark Green Sunflower Yellow Red Royal Blue Laguna Blue Red Red/Yellow Red/White New! Beige Brown Yellow/Red Yellow/Black New! Yellow Navy Blue Turquoise Rain Forest Terra Cotta Beige Meadow Green/Beige Green/White New! Green New! Metallic Earth Blue/Beige Blue/White Arizona Silver Black White Blue New! New! New Eco Colors, Black Earth, Meadow & Stone contain Beige/Green Black/White Stone recycled plastic Beige causing unique White New! color variation. New! Colors shown are approximate, ask your representative to view current color samples. ® GameTime Play Palette Color Schemes Play Palette Color Schemes Play Palettes The easy way to pick colors Periwinkle Delightful Fresh Blue Blue Beige Our color experts have years of experience Plastic Plastic Plastic choosing the right color for each component to blend harmoniously into an overall palette. They’ve Butterscotch Spring Green Green selected 15 great combinations for you that take Uprights Uprights Uprights the guesswork out of choosing colors, whether Butterscotch Burgundy Spring Green you want a bright, subdued, or natural look. -
Chapter 4: Fog
CHAPTER 4: FOG Fog is a double threat to boaters. It not only reduces visibility but also distorts sound, making collisions with obstacles – including other boats – a serious hazard. 1. Introduction Fog is a low-lying cloud that forms at or near the surface of the Earth. It is made up of tiny water droplets or ice crystals suspended in the air and usually gets its moisture from a nearby body of water or the wet ground. Fog is distinguished from mist or haze only by its density. In marine forecasts, the term “fog” is used when visibility is less than one nautical mile – or approximately two kilometres. If visibility is greater than that, but is still reduced, it is considered mist or haze. It is important to note that foggy conditions are reported on land only if visibility is less than half a nautical mile (about one kilometre). So boaters may encounter fog near coastal areas even if it is not mentioned in land-based forecasts – or particularly heavy fog, if it is. Fog Caused Worst Maritime Disaster in Canadian History The worst maritime accident in Canadian history took place in dense fog in the early hours of the morning on May 29, 1914, when the Norwegian coal ship Storstadt collided with the Canadian Pacific ocean liner Empress of Ireland. More than 1,000 people died after the Liverpool-bound liner was struck in the side and sank less than 15 minutes later in the frigid waters of the St. Lawrence River near Rimouski, Quebec. The Captain of the Empress told an inquest that he had brought his ship to a halt and was waiting for the weather to clear when, to his horror, a ship emerged from the fog, bearing directly upon him from less than a ship’s length away. -
DRI Cloud Condensation Nuclei (CCN) Spectrometer Measurements
Cloud Condensation Nuclei (CCN)—water-soluble particles that cloud droplets condense upon. 10-1000 nm or 0.01-1 µm or 10-6-10-4 cm. (), CCN concentrations vary from 1-105 cm-3 CCN determine cloud droplet (5-50 µm) concentrations, which vary from 1-104 cm-3 CCN are amplified by cloud condensation from 10 to 10,000 nm (0.01 to 10 µm). Thousand in size, million in surface area, billion in volume! DRI Cloud condensation nuclei (CCN) spectrometers. Produce a field of supersaturations (S) by thermal diffusion of temperature and water vapor between two parallel plates, where cloud droplets grow on hygroscopic sample particles. More hygroscopic (e.g., larger) particles produce larger cloud droplets. Continuous flow through the cloud chamber (~30s) then into an optical particle counter (OPC). CCN spectrum is deduced from the OPC droplet spectrum. A calibration curve relates OPC droplet size to particle hygroscopicity (critical supersaturation—Sc). Calibration is done with nuclei of known composition (e.g., NaCl) and size (differential mobility analyzer—DMA— electrostatic classifier--EC). Assumes that all CCN with the same Sc regardless of composition (or size) produce the same droplet sizes. Calibration holds only if all chamber parameters (i.e., flows and temperatures) remain constant. Sc inversely proportional to number of soluble ions. Traditionally CCN plots are cumulative because clouds act cumulatively on the aerosol— all nuclei with Sc < cloud S produce “activated” cloud droplets. Also previous CCN instruments had too few data points to produce a differential spectrum. DRI CCN spectrometers have enough data points to produce differential spectra. -
Cloud Protocols W Elcome
Cloud Protocols W elcome Purpose Geography To observe the type and cover of clouds includ- The nature and extent of cloud cover ing contrails affects the characteristics of the physical geographic system. Overview Scientific Inquiry Abilities Students observe which of ten types of clouds Intr Use a Cloud Chart to classify cloud types. and how many of three types of contrails are visible and how much of the sky is covered by Estimate cloud cover. oduction clouds (other than contrails) and how much is Identify answerable questions. covered by contrails. Design and conduct scientific investigations. Student Outcomes Use appropriate mathematics to analyze Students learn how to make estimates from data. observations and how to categorize specific Develop descriptions and predictions clouds following general descriptions for the using evidence. categories. Recognize and analyze alternative explanations. Pr Students learn the meteorological concepts Communicate procedures, descriptions, otocols of cloud heights, types, and cloud cover and and predictions. learn the ten basic cloud types. Science Concepts Time 10 minutes Earth and Space Science Weather can be described by qualitative Level observations. All Weather changes from day to day and L earning A earning over the seasons. Frequency Weather varies on local, regional, and Daily within one hour of local solar noon global spatial scales. Clouds form by condensation of water In support of ozone and aerosol measure- vapor in the atmosphere. ments ctivities Clouds affect weather and climate. At the time of a satellite overpass The atmosphere has different properties Additional times are welcome. at different altitudes. Water vapor is added to the atmosphere Materials and Tools by evaporation from Earth’s surface and Atmosphere Investigation Data Sheet or transpiration from plants. -
RGB Color Nº Color Name RGB HEX # Sample 1 Snow 255,250,250
RGB Color Nº Color Name RGB HEX # Sample 1 Snow 255,250,250 fffafa 2 Snow 2 238,233,233 eee9e9 3 Snow 3 205,201,201 cdc9c9 4 Snow 4 139,137,137 8b8989 5 Ghost White 248,248,255 f8f8ff 6 White Smoke 245,245,245 f5f5f5 7 Gainesboro 220,220,220 dccdc 8 Floral White 255,250,240 fffaf0 9 Old Lace 253,245,230 fdf5e6 10 Linen 240,240,230 faf0e6 11 Antique White 250,235,215 faebd7 12 Antique White 2 238,223,204 eedfcc 13 Antique White 3 205,192,176 cdc0b0 14 Antique White 4 139,131,120 8b8378 15 Papaya Whip 255,239,213 ffefd5 16 Blanched Almond 255,235,205 ffebcd 17 Bisque 255,228,196 ffe4c4 18 Bisque 2 238,213,183 eed5b7 19 Bisque 3 205,183,158 cdb79e 20 Bisque 4 139,125,107 8b7d6b 21 Peach Puff 255,218,185 ffdab9 22 Peach Puff 2 238,203,173 eecbad 23 Peach Puff 3 205,175,149 cdaf95 24 Peach Puff 4 139,119,101 8b7765 25 Navajo White 255,222,173 ffdead 26 Moccasin 255,228,181 ffe4b5 27 Corn silk 255,248,220 fff8dc 28 Corn silk 2 238,232,205 eee8dc 29 Cornsilk 3 205,200,177 cdc8b1 30 Corn silk 4 139,136,120 8b8878 31 Ivory 255,255,240 fffff0 32 Ivory 2 238,238,224 eeeee0 33 Ivory 3 205,205,193 cdcdc1 34 Ivory 4 139,139,131 8b8b83 35 Lemon Chiffon 255,250,205 fffacd 36 Seashell 255,245,238 fff5ee 37 Seashell 2 238,229,222 eee5de 38 Seashell 3 205,197,191 cdc5bf 39 Seashell 4 139,134,130 8b8682 40 Honeydew 240,255,240 f0fff0 41 Honeydew 2 244,238,224 e0eee0 42 Honeydew 3 193,205,193 c1cdc1 43 Honeydew 4 131,139,131 838b83 44 Mint Cream 245,255,250 f5fffa 45 Azure 240,255,255 f0ffff 46 Alice Blue 240,248,255 f0f8ff 47 Lavender 230,230,250 e6e6fa