RGB Color Nº Color Name RGB HEX # Sample 1 Snow 255,250,250
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Color Team # W/L Royal Blue EB 1 3-5 Red EB 2 1-7 Kelly Green EB 3
Color Team # W/L EB BOYS: 3rd/4th Grade Royal Blue EB 1 3-5 Red EB 2 1-7 Kelly Green EB 3 7-1 Yellow EB 4 7-0 Light Blue EB 5 5-3 Tennessee Orange EB 6 2-6 Forest Green EB 7 6-3 Navy Blue EB 8 5-3 Light Grey EB 9 5-3 Black EB 10 3-6 White EB 11 0-8 Color Team # W/L IB BOYS: 5th/6th Grade Royal Blue IB 1 1-7 Red IB 2 6-1 Kelly Green IB 3 6-1 Yellow IB 4 0-7 Light Blue IB 5 2-5 Tennessee Orange IB 6 6-3 Forest Green IB 7 4-3 Navy Blue IB 8 4-4 Light Grey IB 9 2-5 Black IB 10 2-6 White IB 11 5-3 Charcoal IB 12 3-4 Tan IB 13 5-2 Maroon IB 14 7-0 Salmon IB 15 3-4 Purple IB 16 3-4 Medium Brown IB 17 2-5 Burnt Orange IB 18 5-2 Pink IB 19 3-4 Color Team # W/L MB BOYS: 7th/8th Grade Royal Blue MB 1 6-3 Red MB 2 5-3 Kelly Green MB 3 6-1 Yellow MB 4 2-5 Light Blue MB 5 3-5 Tennessee Orange MB 6 5-3 Forest Green MB 7 8-0 Navy Blue MB 8 3-4 Light Grey MB 9 4-4 Black MB 10 6-3 White MB 11 4-3 Charcoal MB 12 4-3 Tan MB 13 1-6 Maroon MB 14 0-8 Salmon MB 15 6-2 Purple MB 16 2-4 Medium Brown MB 17 7-1 Burnt Orange MB 18 2-4 Pink MB 19 0-8 Color Team # W/L HSB BOYS: 9th/10th Grade Royal Blue HSB 1 7-1 Red HSB 2 3-6 Kelly Green HSB 3 1-7 Yellow HSB 4 3-5 Light Blue HSB 5 5-2 Tennessee Orange HSB 6 3-4 Forest Green HSB 7 4-4 Navy Blue HSB 8 4-4 Light Grey HSB 9 1-7 Black HSB 10 2-5 White HSB 11 3-5 Charcoal HSB 12 4-4 Tan HSB 13 8-0 Maroon HSB 14 1-7 Salmon HSB 15 7-2 Purple HSB 16 2-6 Medium Brown HSB 17 3-5 Burnt Orange HSB 18 2-6 Pink HSB 19 4-4 Lavender HSB 20 6-2 Color Team # W/L SB BOYS: 11th/12th Grade Royal Blue SB 1 1-6 Red SB 2 4-2 Kelly Green SB -
HP Indigo 7K Digital Press Press Digital 7K Indigo HP The
Add premium HP Indigo printing and watch your business grow. business your watch and printing Indigo HP premium Add ONE PRESS, ENDLESS OPPORTUNITIES. ENDLESS PRESS, ONE truly robust press. robust truly volumes day in, day out with this this with out day in, day volumes offset-matching quality and high high and quality offset-matching automated tools while printing printing while tools automated Simplify production with smart, smart, with production Simplify and over 20 specialty inks. inks. specialty 20 over and the widest range of media media of range widest the and customer satisfaction—with satisfaction—with customer and enables endless applications— endless enables The HP Indigo 7K Digital Press Press Digital 7K Indigo HP The HP Indigo 7K Digital Press Technical specifications Printing speed 120 four-color 8.5 x 11 (A4) pages per minute - two-up 160 color 8.5 x 11 (A4) pages per minute in EPM - two-up 240 two-color or monochrome 8.5 x 11 (A4) pages per minute - two-up Image resolution 812 dpi at 8 bit; addressability: 2438 x 2438 dpi HDI (High Definition Imaging) Line screens 144, 160, 175, 180, 180m, 210, HMF200 lpi Sheet size 13 x 19 in (330 x 482 mm) maximum Image size 12.48 x 18.26 in (317 x 464 mm) maximum Paper weight and thickness* Coated: 55 lb text to 130 lb cover (80 to 350 gsm); Uncoated: 40 lb text to 130 lb cover (60 to 350 gsm); Thickness 3 to 16 pt. (70 to 400 microns) Feeder Four drawers: Three drawers with 6 in (150 mm) each, 1500 sheets of 80 lb text (120 gsm) each One special jobs drawer: 2.5 in (70mm), 700 sheets of 80 lb text, (700 sheets of 120 gsm) A total of 5200 sheets of 80 lb text (120 gsm). -
Pale Intrusions Into Blue: the Development of a Color Hannah Rose Mendoza
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Pale Intrusions into Blue: The Development of a Color Hannah Rose Mendoza Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PALE INTRUSIONS INTO BLUE: THE DEVELOPMENT OF A COLOR By HANNAH ROSE MENDOZA A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Fall Semester, 2004 The members of the Committee approve the thesis of Hannah Rose Mendoza defended on October 21, 2004. _________________________ Lisa Waxman Professor Directing Thesis _________________________ Peter Munton Committee Member _________________________ Ricardo Navarro Committee Member Approved: ______________________________________ Eric Wiedegreen, Chair, Department of Interior Design ______________________________________ Sally Mcrorie, Dean, School of Visual Arts & Dance The Office of Graduate Studies has verified and approved the above named committee members. ii To Pepe, te amo y gracias. iii ACKNOWLEDGMENTS I want to express my gratitude to Lisa Waxman for her unflagging enthusiasm and sharp attention to detail. I also wish to thank the other members of my committee, Peter Munton and Rick Navarro for taking the time to read my thesis and offer a very helpful critique. I want to acknowledge the support received from my Mom and Dad, whose faith in me helped me get through this. Finally, I want to thank my son Jack, who despite being born as my thesis was nearing completion, saw fit to spit up on the manuscript only once. -
Power Area Density in Inverse Spectra
Power Area Density in Inverse Spectra Matthias Rang1 and Johannes Grebe-Ellis2 1Forschungsinstitut am Goetheanum, Dornach 2Bergische Universität Wuppertal Abstract In recent years, inverse spectra were investigated with imaging optics and a quanti- tative description with radiometric units was suggested (Rang 2015). It could be shown that inverse spectra complement each other additively to a constant intensity level. Since optical intensity in radiometric units is a power area density, it can be expected that energy densities of inverse spectra also fulfill an inversion equation and complement each other. In this contribution we report findings on a measure- ment of the power area density of inverse spectra for the near ultraviolet, visible and the infrared spectral range. They show the existence of corresponding spectral re- gions ultra-yellow (UY) and infra-cyan (IC) in the inverted spectrum and thereby present additional experimental evidence for equivalence of inverse spectra beyond the visible range. Introduction In his theory of colour, Goethe described the observation that inverse optical contrasts, viewed through a prism, lead to complementary spectral phenomena (Goethe 1970, Müller 2015).1 This observation has been variously addressed and linked to the questions of whether the inverted spectrum can be physically applied (Kirschmann 1917, 1924) and whether the complementarity of spectral phenomena can be generalized experimentally (Bjerke 1961). Particular attention has been given to the problem of inverting Newton's Experimentum crucis, designed to demonstrate the purity of selected spectral re- gions (Holtsmark 1970, Sällström 2010). The philosophical discussion on Goethes theory of colour has been rekindled since Olaf Müller published his comprehensive work on Goethe, Newton and the controversy about colour theory (Müller 2015). -
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold -
Why-Is-The-Sky-Blue.Pdf
WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. The sky is blue because it has to travel through Earth’s atmosphere, where QUESTION & ANSWER: there are lots of gases that absorb red, orange and yellow colors. Then, the blue What colors make up the white light of the sun? light gets scattered all across the sky, which is what we see when we look into the sky. If you see a blue car, what color/s does it reflect? If you see a red apple, what color/s does it absorb? WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. -
The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor. -
Color Conversion Chart
Color Conversion Chart CMYK & RGB COLOR VALUES Opalescent C-M-Y-K R-G-B Opalescent C-M-Y-K R-G-B 000009 Reactive Cloud 4-2-1-0 241-243-247 000164 Egyptian Blue 81-48-0-0 49-116-184 000013 Opaque White 4-2-2-1 246-247-249 000203 Woodland Brown 22-63-87-49 120-70-29 000016 Turquoise Opaque Rod 65-4-27-6 75-174-179 000206 Elephant Gray 35-30-32-18 150-145-142 000024 Tomato Red 1-99-81-16 198-15-36 000207 Celadon Green 43-14-46-13 141-167-137 000025 Tangerine Orange 1-63-100-0 240-119-2 000208 Dusty Blue 60-25-9-28 83-123-154 000034 Light Peach Cream 5-12-15-0 243-226-213 000212 Olive Green 44-4-91-40 104-133-42 000100 Black 75-66-60-91 10-9-10 000216 Light Cyan 62-4-9-0 88-190-221 000101 Stiff Black 75-66-60-91 10-9-10 000217 Green Gold Stringer 11-6-83-13 206-194-55 000102 Blue Black 76-69-64-85 6-7-13 000220 Sunflower Yellow 5-33-99-1 240-174-0 000104 Glacier Blue 38-3-5-0 162-211-235 000221 Citronelle 35-15-95-1 179-184-43 000108 Powder Blue 41-15-11-3 153-186-207 000222 Avocado Green 57-24-100-2 125-155-48 000112 Mint Green 43-2-49-2 155-201-152 000224 Deep Red 16-99-73-38 140-24-38 000113 White 5-2-5-0 244-245-241 000225 Pimento Red 1-100-99-11 208-10-13 000114 Cobalt Blue 86-61-0-0 43-96-170 000227 Golden Green 2-24-97-34 177-141-0 000116 Turquoise Blue 56-0-21-1 109-197-203 000236 Slate Gray 57-47-38-40 86-88-97 000117 Mineral Green 62-9-64-27 80-139-96 000241 Moss Green 66-45-98-40 73-84-36 000118 Periwinkle 66-46-1-0 102-127-188 000243 Translucent White 5-4-4-1 241-240-240 000119 Mink 37-44-37-28 132-113-113 000301 Pink 13-75-22-10 -
U8 Soccer Fall 2016 Updated 8/12/16 Team Color Coach 1 Royal Todd
U8 Soccer Fall 2016 Updated 8/12/16 Team Color Coach 1 Royal Todd Egan 2 Red Adam Loch 3 Maroon Joe Soss 4 Gold Jason Beadke 5 Orange John Scott 6 Silver Nick Kohn 7 Purple Eddie Gonzalez 8 Aqua Chris Scholer 9 Lt. Blue Tom Boniak 10 Navy Marc Klemencic 11 Forest Green Julie Filipek 12 Kelly Green Amanda Quiroz 13 Black Joe Cerny 14 Lemon Jeph Jeanlouis Adam 1-Royal Bumgardner 14-Lemon Almodovar 12-Kelly Green Bumgardner 14-Lemon Alvarez 11-Forest Green Caddick 4-Gold Amu 10-Navy Carrasco 12-Kelly Green Andresen 1-Royal Casper 6-Silver Angelilli 6-Silver Cazalet 13-Black Arevalo 1-Royal Cerny 13-Black Baedke 4-Gold Chakraborty 4-Gold Balovich 2-Red Chan 11-Forest Green Balseca 7-Purple Chandler 6-Silver Benedetti 8-Aqua Chanwongse 2-Red Bennett 13-Black Chase 6-Silver Bergren 3-Maroon Cianciarulo 7-Purple Black 14-Lemon Ciesla 4-Gold Blazen 2-Red Claudio 4-Gold Bollman 10-Navy L. Corso 3-Maroon Bondi 3-Maroon T. Corso 8-Aqua Boniak 9- Lt. Blue Cortes 12-Kelly Green Borchardt 1-Royal Croft 6-Silver Brayer 2-Red Crowe 2-Red Breon 2-Red Czesak 7-Purple Bromann 9-Lt. Blue Dajani 7-Purple Brown 11-Forest Green Dalessandro 12-Kelly Green Dase 9- Lt. Blue Dassie 13-Black Manning 12-Kelly Green Davis 6-Silver Marx 8-Aqua Debolt 2-Red McConnell 1-Royal Demonica 5-Orange McNally 3-Maroon Dias 6-Silver McReynolds 11-Forest Green Eagan 2-Red Mendez 4-Gold C. -
Filters Lighting Filter Comparator
UK_Comparator_AW 2:UK_Comparator_AW 16/5/08 12:01 Page 1 LEE Filters Lighting Filter Comparator ROSCOLUX / ROSCO LEE FILTERS ROSCOLUX / ROSCO LEE FILTERS ROSCO CINEGEL (CONT) LEE FILTERS GAMCOLOR (CONT) LEE FILTERS GAMCOLOR CINEFILTER LEE FILTERS (CONT) SUPERGEL SUPERGEL (CONT) BEST CLOSE BEST CLOSE BEST CLOSE BEST CLOSE BEST CLOSE MATCH MATCH MATCH MATCH MATCH MATCH MATCH MATCH MATCH MATCH 00 Clear 130 371 Theatre Booster 1 201 3812 Featherflex S/G 272 68 Light Gam Silk 228 1543 Full CTO 204 01 Light Bastard Amber 176 372 Theatre Booster 2 202 3813 Thin Mirror-S 271 103 Blue Rose 341 1546 3/4 CTO 285 02 Bastard Amber 162 373 Theatre Booster 3 203 3814 Thin Mirror-G 274 104 Broadway Rose 794 10-10 Ten-Ten Diffusion 258 03 Dark Bastard Amber 108 374 Sea Green 115 3830 Spun Silver 273 105 Antique Rose 039 10-20 Ten-Twenty Diffusion 452 04 Medium Bastard Amber 004 375 Cerulean Blue 354 3840 Cinebounce White-Black 280 105X 3/4 Antique Rose 247 10-30 Ten-Thirty Diffusion 257 05 Rose Tint 154 376 Burmuda Blue 143 3840 Cinebounce White-Black 460 106 1/2 Antique Rose 248 10-40 Ten-Forty Diffusion 252 06 No Color Straw 212 377 Iris Purple 142 4215 15 Blue 708 107 1/4 Antique Rose 248 10-50 Ten-Fifty Diffusion 251 07 Pale Yellow 007 378 Alice Blue 200 4230 30 Blue 709 108 1/8 Antique Rose 279 10-55 Ten-Fifty-Five Diffusion 255 08 Pale Gold 103 382 Congo Blue 181 4260 60 Blue 199 109 Naked Pink 279 10-60 Ten-Sixty Diffusion 250 09 Pale Amber Gold 009 383 Sapphire Blue 120 4290 90 Blue 142 110 Dark Rose 328 10-70 Ten-Seventy Diffusion 416 10 Medium -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Omnicolor™ Multipurpose Color Concentrates U.S
OMNICOLOR™ MULTIPURPOSE COLOR CONCENTRATES U.S. COLOR SELECTOR ™ OMNICOLOR™ multipurpose color concentrates OMNICOLOR deliver consistently brilliant batch-to-batch color across a broad range of polymers with U.S. COLOR exceptional reliability and quality. The low usage rate, low minimum order quantities, and pelletized form for easy handling and storage CHART make these concentrates a versatile and cost- effective choice. White Pumpkin Mulberry Fern Green US OC0UFB US OC2SAF US OC4SAA US OC6UFC Bright White Nectarine Sky Blue Springtime US OC0UFC US OC2SAG US OC5UFB US OC6SAD Polar White Strawberry Red Powder Blue Racing Green US OC0UFD US OC2SAE US OC5SAD US OC6SAE Coconut Rose Pink Mid Blue Fresh Green US OC0SAD US OC3SAF US OC5UFD US OC6SAF Magnolia Flesh Pink Royal Blue Sage Green US OC0UFF US OC2SAH US OC5UFF US OC6UFG Vanilla Cherry Red Pale Blue Marine Blue US OC0SAE US OC3SAH US OC5SAF US OC5UFQ Sunflower Yellow Pastel Pink Navy Blue Lime Green US OC1SAE US OC3SAI US OC5SAG US OC6SAG Daffodil Yellow Flame Red Ultra Blue Olive Green US OC1SAF US OC3SAJ US OC5UFI US OC6SAH Citrus Lobster Red Pacific Blue Light Grey US OC1UFD US OC3SAK US OC5UFJ US OC7SAE Banana Tomato Red Baby Blue Dark Grey US OC1UFE US OC3UFJ US OC5SAI US OC7UFD Jasmine Fuchsia Purple Ash Grey US OC1SAG US OC3SAL US OC4UFB US OC7SAF Canary Yellow Admiral Red Ice Blue Mid Grey US OC1UFG US OC3SAM US OC5UFS US OC7UFF Marigold Cardinal Red Midnight Blue Dove Grey US OC1SAH US OC3UFM US OC5SAH US OC7UFG Ivory Fire Engine Red Cornflower Blue Soft Grey US OC8SAF US OC3SAN US OC5UFM US OC7UFJ Cream Rocket Red Alpine Green Graphite US OC8SAG US OC3SAP US OC6UFL US OC9SAG Seville Orange Raspberry Spearmint Green Moonstone US OC2UFB US OC3SAQ US OC6SAK US OC7SAH Mandarin Orange Burgundy Leaf Green Pebble US OC2SAE US OC3SAR US OC6UFN US OC7UFN Due to printing or monitor variations, color shown may vary from actual color.