Color Conversion Chart
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Understanding the Importance of Color Matching Coding the Colors
When red is not red: Understanding the importance of color matching Color as brand Color is an integral part of branding. Whether it’s the robin’s egg blue box with jewelry inside, a green and yellow tractor or the white delivery truck with a purple and orange logo, we instinctively know brands by their colors. As a commercial printer, we understand that achieving accurate and consistent color results in everything we produce is vital in protecting the integrity of your brand. Color Color vs. perception reality Color perception is the way your eye Color reality is the scientific means of sees the color. Many factors can affect it matching a color. We have — the lighting, the environment, the type spectrophotometers that measure any of printer being used (toner-based or color visible to the human eye. inkjet), and even the eye of the beholder! We don’t all see color the same way. Color perception Color reality Lighting Environment Spectrophotometers Printer Your Eye Simply put, the red you see may not be the red you wanted. To match colors, we examine the color we want to achieve against the color we’ve printed to see how close they actually are. Our color management team works to get your color correct every time. Coding CMYK, which stands for “Cyan Magenta Yellow Black,” is primarily concerned with the combination of ink on the paper to produce the colors colors—in particular, the four basic colors used for printing color images. We combine these four colors on a substrate (the underlying surface), which is essentially the fifth color. -
Title == Red/Amber Report
DOT HS 811 115 April 2009 The Effectiveness of Amber Rear Turn Signals for Reducing Rear Impacts This report is free of charge from the NHTSA Web site at www.nhtsa.dot.gov This publication is distributed by the U.S. Department of Transportation, National Highway Traffic Safety Administration, in the interest of information exchange. The opinions, findings, and conclusions expressed in this publication are those of the author and not necessarily those of the Department of Transportation or the National Highway Traffic Safety Administration. The United States Government assumes no liability for its content or use thereof. If trade or manufacturer’s names or products are mentioned, it is because they are considered essential to the object of the publication and should not be construed as an endorsement. The United States Government does not endorse products or manufacturers. Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient’s Catalog No. DOT HS 811 115 4. Title and Subtitle 5. Report Date The Effectiveness of Amber Rear Turn Signals for Reducing Rear April 2009 Impacts 6. Performing Organization Code 7. Author(s) 8. Performing Organization Report No. Kirk Allen, Ph.D. 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Evaluation Division; National Center for Statistics and Analysis National Highway Traffic Safety Administration 11. Contract or Grant No. Washington, DC 20590 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered National Highway Traffic Safety Administration NHTSA Technical Report 1200 New Jersey Avenue SE. 14. Sponsoring Agency Code Washington, DC 20590 15. -
MIDDLE CREEK Wildflower Checklist
PENNSYLVANIA GAME COMMISSION MIDDLE CREEK Wildflower Checklist COMMON NAME FAMILY X HABITAT F M A M J J A S O Agrimony Rose Woods & thickets -- -= == == --- Agrimony, Small-flowered Rose Woods & thickets -- -= == == --- Alfalfa Pea Roadsides & waste places -- -= == =- - Alum Root Saxifrage Woods & rocks - -= == == == -- Amaranth, Green Amaranth Garden weed, poor soil - == == =- Anemone, Rue Buttercup Open woods - == =- Anemone, Wood Buttercup Moist woods - == =- Angelica, Hairy Parsley Dry woods & clearings -= == == =- Arbutus, Trailing Heath Sandy or rocky woods -- == -- Arrowhead, Common Water Plantain Shallow water & marshes -- -= == =- - Arrowhead, Sessile-fruited Water Plantain Shallow water & marshes -- -= == =- - Arrowwood Honeysuckle Woods & borders - -= == == - Asparagus Lily Fields - -= == - Aster, Calico Composite Fields & borders - == == =- Aster, Heart-leaved Composite Woods & thickets - == == =- Aster, Heath Composite Fields, meadows & roadsides - == == =- Aster, Panicled Composite Meadows & shores - == == =- Aster, Purple-stemmed Composite Swamps & low thickets - == == =- Aster, White Wood- Composite Dry woods & clearings - == == =- Avens, White Rose Thickets & open woods -- -= == == --- Azalea, Clammy Heath Swamps -= =- Azalea, Pink Heath Woods & swamps - == =- Baneberry, White Buttercup Woodlands - == =- Bartonia, Yellow Gentian Dry woods & sandy bogs - == - Basil, Wild Mint Woods & borders -- -= == == == Beardtongue, Foxglove Figwort Fields & border of woods - -= == - Bedstraw, Clayton's Madder Swamps & lowgrounds -- -
Mid Atlantic Carnival Glass Jamboree Thursday October 17 and Saturday October 19, 2019
Mid Atlantic Carnival Glass Jamboree Thursday October 17 and Saturday October 19, 2019 Thursday Day One; Lots 1-175 ____1. Fenton Contemporary Red Diamond Rib Basket. ____29. NORTHWOOD BLUE POPPY SHOW PLATE. ____2. 1987 ACGA Green Morning Glory Pitcher Souvenir. (NICE EXAMPLE.) ____3. Pair of 1998 & 2000 HOACGA Room Display Awards. ____30. NORTHWOOD GREEN POPPY SHOW PLATE. (Clear Opal and Blue Hobnail Spittoons.) (VERY NICE EXAMPLE.) ____4. 1991 & 1996 ACGA Red Inverted Strawberry ____31. Northwood Purple Strawberry Plate. (Has Basketweave Souvenirs. (Handled Basket and Creamer.) Exterior and Good Iridescence.) ____5. 2001 ACGA Vaseline Opal Seacoast Spittoon Souvenir. ____32. Northwood Blue Three Fruits Stippled PCE Bowl. ____6. (3) ACGA Green Opal Seacoast Spittoon Souvenirs. (Ribbed Exterior. Nice Iridescence.) (Columbus Ohio.) ____33. Northwood Green Greek Key PCE Bowl. ____7. Fenton Contemporary Bulbous Vase. (Tri-Cornered (Has Basketweave Exterior.) Crimped Edge.) ____34. Northwood Purple Good Luck Ruffled Bowl. ____8. 1998 & 1999 HOACGA Souvenirs. (White Loving Cup (Ribbed Exterior.) and Vaseline Opal Fine Cut & Roses Rosebowl.) ____35. NORTHWOOD GREEN PEACOCK AT THE URN ____9. Imperial Electric Purple Water Carafe & Wine Decanter. MASTER ICS BOWL. (VERY NICE EXAMPLE; RARE (Decanter Has No Stopper.) COLOR.) ____10. IMPERIAL ELECTRIC PURPLE BROKEN ARCHES ____36. NORTHWOOD BLUE PEACOCK AT THE URN PUNCH BOWL. (GORGEOUS IRIDESCENCE AND MASTER ICS BOWL. (NICE ELECTRIC PRETTY DARN EVEN.) HIGHLIGHTS.) ____11. (3) Imperial Purple Broken Arches Punch Cups. ____37. Northwood Amethyst Peacock at the Urn Master ICS ____12. Imperial Electric Purple Diamond Lace 5 PC. Water Set. Bowl. (One Tumbler Has Edge Nick as Seen in Photos.) ____38. Northwood Dark Marigold Peacock at the Urn Master ____13. -
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold -
Elektrabar Mini (8) 12W RGBWAI LED Linear Strip
ELE815 ElektraBar Mini (8) 12W RGBWAI LED Linear Strip GENERAL INFORMATION A powerful, full‐featured linear strip fixture, the elektraLite ElektraBar Mini is ready to bring rich vibrant color at a professional level. At the heart of the elektraLite ElektraBar Mini are eight powerful 12‐watt 6‐in‐1 LED’s, consisting of a red, green, blue, white, amber, and indigo component. The elektraBar Mini features individual control of each pixel, allowing for 16 million colors on eight different LED pixels. With precision spacing, the fixture is also ideal for low‐resolution pixel mapping and video wall applications. The elektraLite elektraBar Mini is designed to deliver rich, vibrant colors you expect from an LED fixture, while still d providing true, brilliant, tunable white. By mixing color internally, the ElektraBar Mini’s sophisticated diffraction lensing system provide true, blended, single‐color output. Because of this, the color range for pastel and deep blues and purples is intensified with the indigo component. FEATURES ORDERING INFORMATION ELE815 ElektraBar Mini Linear Strip 25° (black) ‐ utilizes eight individually controllable 12‐watt 6‐IN‐1 LED’s ELE815‐10 10° Lens Kit (set of 8) ‐ rich, vivid red, blue, green and white, with added amber for ELE815‐40 40° Lens Kit (set of 8) true white color toning, and indigo for pastel blending and ELE815‐GS 4” adjustable Glare Shield / Beam Flange well‐rounded color saturation ELE724‐AP* 12” Edison to IP68 Power Adapter ‐ individual control of each pixel, allowing 16 million colors ELE724‐AD* 12” -
Colours in Nature Colours
Nature's Wonderful Colours Magdalena KonečnáMagdalena Sedláčková • Jana • Štěpánka Sekaninová Nature is teeming with incredible colours. But have you ever wondered how the colours green, yellow, pink or blue might taste or smell? What could they sound like? Or what would they feel like if you touched them? Nature’s colours are so wonderful ColoursIN NATURE and diverse they inspired people to use the names of plants, animals and minerals when labelling all the nuances. Join us on Magdalena Konečná • Jana Sedláčková • Štěpánka Sekaninová a journey to discover the twelve most well-known colours and their shades. You will learn that the colours and elements you find in nature are often closely connected. Will you be able to find all the links in each chapter? Last but not least, if you are an aspiring artist, take our course at the end of the book and you’ll be able to paint as exquisitely as nature itself does! COLOURS IN NATURE COLOURS albatrosmedia.eu b4u publishing Prelude Who painted the trees green? Well, Nature can do this and other magic. Nature abounds in colours of all shades. Long, long ago people began to name colours for plants, animals and minerals they saw them in, so as better to tell them apart. But as time passed, ever more plants, animals and minerals were discovered that reminded us of colours already named. So we started to use the names for shades we already knew to name these new natural elements. What are these names? Join us as we look at beautiful colour shades one by one – from snow white, through canary yellow, ruby red, forget-me-not blue and moss green to the blackest black, dark as the night sky. -
Georgia Peach Martini
710 HUFFMAN MILL ROAD BURLINGTON NORTH CAROLINA 27215 336.584.0479 GRILL584.COM WINE, BEER & COCKTAILS Our wines have been meticulously chosen from the world’s most treasured wineries. This wine list combines familiar names along with new hidden treasures chosen exclusively for . Our balanced wine selection is designed to fully complement your dining experience. Upon your request, our knowledgeable staff will pair an appropriate wine with your meal in an effort to create a memorable and elegant dining experience. Feeaturedatured WWhiteshites Steeple Jack Chardonnay, Austrailia 5.95 24.00 The colour of pale straw with a green hue; aromas of peach, ripe melon and honeysuckle on the nose. A full, soft, stonefruit palate of peaches and nectarines intermingled with rockmelon, with a creamy texture and a lingering lime citrus fi nish. Lafage Cote Est, France 6.75 26.00 The Cotes Catalanes Cote d’Est (50% Grenache Blanc, 30% Chardonnay, 20% Marsanne, aged in stainless steel on lees) is beautifully crisp and pure, with juicy acidity giving lift to notions of buttered citrus, green herbs and honeyed minerality. Medium-bodied, lively and certainly delicious, it’s a fantastic meal starter. Feeaturedatured RRedseds Gravel Bar Alluvial Red Blend, Columbia Valley 8.95 36.00 This is a full-bodied red blend (30% Cabernet Sauvignon, 30% Merlot, 15% Cabernet Franc, 10% Malbec, 10% Petit Verdot) with vibrant fl avors of dried cherries, plum, toffee, chocolate and vanilla. The structure is rich, with bold tannins extending the fi nish. Block & Tackle Cabernet Sauvignon, California 7.75 31.00 A deep ruby color with a rich nose of blackberries, raspberries and hints of pepper. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Green Flowers
A Horticulture Information article from the Wisconsin Master Gardener website, posted 15 March 2010 Green Flowers Green is the color right now with St. Patrick’s Day approaching. Have you ever paid attention to fl owers with this color? In the garden, green is the most common foliage color, yet one of the rarest fl ower colors. Green fl owers are unusual, so when presented correctly, they add an air of sophistication to a planting and look good with every color. There are some naturally occurring green fl owers, but many more have been “created” by breeding and selection. These fl oral oddities are a fun addition to the garden. Some plants that naturally come in green include orchids and aroids Green is the thing in March. like Jack-in-the-Pulpit (Arisaema triphyllum) (not to mention a number of weeds with inconspicuous fl owers, but who wants those in their garden?). Naturally green fl owers of Cymbidium orchid (L), Pterostylis orchid (LC), Arisaema triphyllum (RC) and Bells of Ireland (R). Many newer green fl owers have been developed primarily for the cut fl ower and fl orist industry. There are green roses such as light green ‘Jade’ and yellow green ‘Emerald’ (and more varieties currently being developed in The Netherlands) as well as a bi-color rose ‘Cezanne’ that is a creamy pistachio edged with pink. The mossy green ‘Marimo’ hybrid Gerbera, green hydrangeas, green cymbidiums, and ‘Lime Green’ Lisianthus (from the Mariachi series that is a beautiful, pale green ) are marketed to fl orists. Among the exotic blooms shipped for fl oral arrangements are ‘Midori’ anthuriums and ‘Green Goddess’ callas (Zantedeschia). -
Celebrate the Year of the Marigold
YEAR OF THE MARIGOLD 2018 Celebrate the year Step by Step 1. Sow them thinly into small pots of seed compost from March in a light, frost-free place such as a windowsill or porch. 2. Prick out seedlings singly into small pots or modules of the Marigold filled multi-purpose compost and allow the roots to fill the pot. Plant these easy to grow garden stalwarts for zingy coloured flowers 3. Plant out into their flowering position when all risk of all through the summer. One of the easiest garden annuals to grow, frost has passed. Marigolds are not just vibrant bedding plants they are an excellent choice 4. Feed with a high potash feed for flowering plants. for pots and patio gardening too. 5. Deadhead regularly to keep the plants flowering. SUN WORSHIPERS • Choose to grow Marigolds for • Grow compact French Marigolds in • Marigolds are part of the daisy their reliable production of flowers hanging baskets for a sunny, bright family and originate from north, from late spring into autumn. and colourful display at the front door. central and south America where • Marigold flowers are bright and • Plant taller African Marigolds in they thrive in full sun. They are best beautiful adding glowing shades the middle or towards the back of planted into rich, well-drained soil of yellow, burnt orange and rustic a display to add height, interest in a sunny spot in your garden. reds to your pots, beds and border. and depth to your display. • Marigolds come in a fantastic •Grow single, open flowered marigolds • For a low maintenance container, array of flower shapes, colours to attract butterflies and bees that plant one or three signet Marigolds and plant forms and are ideal will feed on the pollen and nectar. -
Brown Rot of Peach
University of Kentucky College of Agriculture, Food & Environment Extension Plant Pathology College of Agriculture, Food and Environment Cooperative Extension Service Plant Pathology Fact Sheet PPFS-FR-T-27 Brown Rot of Peach Nicole Gauthier Erica Wood Extension Plant Pathologist Extension Agent for Horticulturist Importance Fruit rot Brown rot is the most devastating disease of peach Decay begins as small circular brown spots, which in Kentucky. The disease affects both commercial rapidly expand to destroy entire fruit (Figure 2). and backyard orchards. Crop losses occur primarily Light-colored tan-to-brown spores (conidia) cover as a result of fruit decay; however, blossom blight is infected fruit tissue (Figure 3). Rotted fruit drop to also part of the disease cycle. All stone fruit (peach, the ground or remain attached to trees and become nectarine, plum, and cherry) are susceptible to hard and wrinkled (mummies) (Figure 4). Infected brown rot. fruit (not yet showing symptoms) can rot in storage. Symptoms & Signs Blossom blight 2 Infected blossoms wilt and turn brown (Figure 1) while remaining attached to twigs; oozing sap is often associated with the dead blossoms. Blossom infections move into peduncles (blossom attachments to branches) and then into branches, causing cankers (Figure 1); these may initially go unnoticed. The cankers girdle (encircle) branches; twig blight and shoot death occur as a result. Gummosis (oozing of sap) is common in affected twigs. 1 Figure 1. Blossom blight phase occurs when the brown rot fungus infects flowers. This initiates other phases of the disease. A canker (arrow) develops when blossom infections move into branches. Figure 2.