Gametime Color Options

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www.gametime.com GameTime ... Color Options KidTime® Color Options Deck Colors WallCano® Handholds Plastic Colors Metal Colors Dark Green Red Yellow Red Yellow Butterscotch Blue Red Orange Green Red Royal Purple New! Beige Burgundy Blue Primary Tempo Natural Brown Blue New! Thermoplastic deck coating only available in brown. Net Colors Timber Décor Colors Special Rock Colors Royal Purple Freestanding Net Climbers Xscape Nets Pyramid Nets Redwood Sky Blue Sandstone Blue New! Deep Granite Spring Green Red Rock Sky Blue (RockScape only) New! Spring Green Green Red Blue Green Black Red Black Red Cedar Green ™ Polyethylene Colors (HDPE) SunBlox Canopy & Shade Colors Brown Dark Green Sunflower Yellow Red Royal Blue Laguna Blue Red Red/Yellow Red/White New! Beige Brown Yellow/Red Yellow/Black New! Yellow Navy Blue Turquoise Rain Forest Terra Cotta Beige Meadow Green/Beige Green/White New! Green New! Metallic Earth Blue/Beige Blue/White Arizona Silver Black White Blue New! New! New Eco Colors, Black Earth, Meadow & Stone contain Beige/Green Black/White Stone recycled plastic Beige causing unique White New! color variation. New! Colors shown are approximate, ask your representative to view current color samples. ® GameTime Play Palette Color Schemes Play Palette Color Schemes Play Palettes The easy way to pick colors Periwinkle Delightful Fresh Blue Blue Beige Our color experts have years of experience Plastic Plastic Plastic choosing the right color for each component to blend harmoniously into an overall palette. They’ve Butterscotch Spring Green Green selected 15 great combinations for you that take Uprights Uprights Uprights the guesswork out of choosing colors, whether Butterscotch Burgundy Spring Green you want a bright, subdued, or natural look. Metal Metal Metal Blue Blue Brown Decks Decks Decks Festive Citrus Spring Summer Green Yellow Royal Purple Blue Plastic Plastic Plastic Plastic Butterscotch Orange Sky Blue Royal Purple Uprights Uprights Uprights Uprights Red Spring Green Spring Green Sky Blue Metal Metal Metal Metal Blue Red Blue Blue Decks Decks Decks Decks Candy Forest Fall Winter Blue Green Yellow Blue Plastic Plastic Plastic Plastic Burgundy Brown Butterscotch Black Uprights Uprights Uprights Uprights Butterscotch Beige Orange Metallic Metal Metal Metal Metal Blue Brown Red Blue Decks Decks Decks Decks Timber Navy Flashy Dazzle Brown Blue Red Yellow Plastic Plastic Plastic Plastic Beige Red Royal Purple Burgundy Uprights Uprights Uprights Uprights Green White Butterscotch Butterscotch Metal Metal Metal Metal Brown Red Blue Dark Green Decks Decks Decks Decks Colors shown are approximate, ask your representative to view current color samples. Colors shown are approximate, ask your representative to view current color samples. .

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Why-Is-The-Sky-Blue.Pdf
WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. The sky is blue because it has to travel through Earth’s atmosphere, where QUESTION & ANSWER: there are lots of gases that absorb red, orange and yellow colors. Then, the blue What colors make up the white light of the sun? light gets scattered all across the sky, which is what we see when we look into the sky. If you see a blue car, what color/s does it reflect? If you see a red apple, what color/s does it absorb? WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors.
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The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor.
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S41 Why the Sky Is Blue
PhyzLabSpringboard: Why the Sky is Blue • Demo and Lab Apparatus • __2 resonant tuning forks __optics tank (without insert) __access to scattering agent __mini Maglite (incandescent or LED) (or equivalent bright light source) __portable Bluetooth speaker + smart phone with FreqGen app (or equivalent) • Discussion • INITIAL IDEAS 1. Why is the sky blue? What are some of the ideas you’ve heard? What might people say if you were to take a survey of the general public? 2. Can you think of any problems with these ideas? BLUE SKY INGREDIENTS 3. What is “the sky” and what is it made of? 4. Which of those materials—if any—are blue? 5. What color is the sky at night? 6. What is different during the day? 7. The daytime sky on a clear day appears to be blue. On the moon, the sky is on the illuminated side is black. What are the essential “ingredients” for a blue sky? The Book of Phyz © Dean Baird. All rights reserved. 5/26/20 db TUNING FORKS LESSON 8. To understand how these “ingredients” interact to create a blue sky, consider the following demonstration. A tuning fork is struck. a. What happens when the tuning fork is struck? Why? b. How can a tuning fork be silenced? c. A second tuning fork (or portable Bluetooth speaker) is added to the arrangement. What is the surprising observation this time? d. What is the name and explanation of this effect? e. Imagine a huge collection of tuning forks with a wide range of different notes. Suppose they were all struck.
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Color Conversion Chart
Color Conversion Chart CMYK & RGB COLOR VALUES Opalescent C-M-Y-K R-G-B Opalescent C-M-Y-K R-G-B 000009 Reactive Cloud 4-2-1-0 241-243-247 000164 Egyptian Blue 81-48-0-0 49-116-184 000013 Opaque White 4-2-2-1 246-247-249 000203 Woodland Brown 22-63-87-49 120-70-29 000016 Turquoise Opaque Rod 65-4-27-6 75-174-179 000206 Elephant Gray 35-30-32-18 150-145-142 000024 Tomato Red 1-99-81-16 198-15-36 000207 Celadon Green 43-14-46-13 141-167-137 000025 Tangerine Orange 1-63-100-0 240-119-2 000208 Dusty Blue 60-25-9-28 83-123-154 000034 Light Peach Cream 5-12-15-0 243-226-213 000212 Olive Green 44-4-91-40 104-133-42 000100 Black 75-66-60-91 10-9-10 000216 Light Cyan 62-4-9-0 88-190-221 000101 Stiff Black 75-66-60-91 10-9-10 000217 Green Gold Stringer 11-6-83-13 206-194-55 000102 Blue Black 76-69-64-85 6-7-13 000220 Sunflower Yellow 5-33-99-1 240-174-0 000104 Glacier Blue 38-3-5-0 162-211-235 000221 Citronelle 35-15-95-1 179-184-43 000108 Powder Blue 41-15-11-3 153-186-207 000222 Avocado Green 57-24-100-2 125-155-48 000112 Mint Green 43-2-49-2 155-201-152 000224 Deep Red 16-99-73-38 140-24-38 000113 White 5-2-5-0 244-245-241 000225 Pimento Red 1-100-99-11 208-10-13 000114 Cobalt Blue 86-61-0-0 43-96-170 000227 Golden Green 2-24-97-34 177-141-0 000116 Turquoise Blue 56-0-21-1 109-197-203 000236 Slate Gray 57-47-38-40 86-88-97 000117 Mineral Green 62-9-64-27 80-139-96 000241 Moss Green 66-45-98-40 73-84-36 000118 Periwinkle 66-46-1-0 102-127-188 000243 Translucent White 5-4-4-1 241-240-240 000119 Mink 37-44-37-28 132-113-113 000301 Pink 13-75-22-10
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Beige Adipose Tissue Activities in Human Obesity
International Journal of Obesity (2015) 39, 1515–1522 © 2015 Macmillan Publishers Limited All rights reserved 0307-0565/15 www.nature.com/ijo ORIGINAL ARTICLE Distinct regulation of hypothalamic and brown/beige adipose tissue activities in human obesity B Rachid1, S van de Sande-Lee1, S Rodovalho1, F Folli2, GC Beltramini3, J Morari1, BJ Amorim4, T Pedro5, AF Ramalho1, B Bombassaro1, AJ Tincani6, E Chaim6, JC Pareja6,7, B Geloneze7, CD Ramos4, F Cendes5, MJA Saad8 and LA Velloso1 BACKGROUND/OBJECTIVES: The identification of brown/beige adipose tissue in adult humans has motivated the search for methods aimed at increasing its thermogenic activity as an approach to treat obesity. In rodents, the brown adipose tissue is under the control of sympathetic signals originating in the hypothalamus. However, the putative connection between the depots of brown/beige adipocytes and the hypothalamus in humans has never been explored. The objective of this study was to evaluate the response of the hypothalamus and brown/beige adipose tissue to cold stimulus in obese subjects undergoing body mass reduction following gastric bypass. SUBJECTS/METHODS: We evaluated twelve obese, non-diabetic subjects undergoing Roux-in-Y gastric bypass and 12 lean controls. Obese subjects were evaluated before and approximately 8 months after gastric bypass. Lean subjects were evaluated only at admission. Subjects were evaluated for hypothalamic activity in response to cold by functional magnetic resonance, whereas brown/beige adipose tissue activity was evaluated using a (F 18) fluorodeoxyglucose positron emisson tomography/ computed tomography scan and real-time PCR measurement of signature genes. RESULTS: Body mass reduction resulted in a significant increase in brown/beige adipose tissue activity in response to cold; however, no change in cold-induced hypothalamic activity was observed after body mass reduction.
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A New Evaluation of the Colors of the Sky for Artists and Designers
Sky Blue, But What Blue? A New Evaluation of the Colors of the Sky for Artists and Designers Ken Smith* Faculty of Art and Design, Monash University, Melbourne, Victoria, Australia Received 28 April 2006; accepted 21 June 2006 Abstract: This study describes a process of relating the solid that is capable of representing most of the colors of perceptual analysis of the colors of the terrestrial atmos- the sky using four of these pigments is proposed. phere to currently available pigments used in artists’ painting systems. This process sought to discover how the colors of the sky could be deﬁned and simulated by these AN EMPIRICAL METHOD FOR ANALYZING pigments. The author also describes how confusion over SKY COLOR the bewildering choice of suitable pigments on offer in the market place can be clariﬁed. Ó 2006 Wiley Periodicals, Science can explain why the earth’s atmosphere appears Inc. Col Res Appl, 32, 249 – 255, 2007; Published online in Wiley Inter- blue, the preferential scattering by air molecules of short 2 Science (www.interscience.wiley.com). DOI 10.1002/col.20291 wavelength light photons emitted from the sun. For artists the consequential questions are often more likely to Key words: art; design; sky color; perceived color; envi- be not why, but rather what; what are the blue colors that ronment; pigments; painting systems are perceived in the sky? These were the fundamental questions that lead to a reappraisal of how the colors of the sky can be represented by the pigments used in con- INTRODUCTION temporary painting systems. Before attempting to answer this question, a number of parameters had to be created.
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RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
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Black, Brown and Beige
Jazz Lines Publications Presents black, brown, and beige by duke ellington prepared for Publication by dylan canterbury, Rob DuBoff, and Jeffrey Sultanof complete full score jlp-7366 By Duke Ellington Copyright © 1946 (Renewed) by G. Schirmer, Inc. (ASCAP) International Copyright Secured. All Rights Reserved. Reprinted by Permission. Logos, Graphics, and Layout Copyright © 2017 The Jazz Lines Foundation Inc. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA duke ellington series black, brown, and beige (1943) Biographies: Edward Kennedy ‘Duke’ Ellington influenced millions of people both around the world and at home. In his fifty-year career he played over 20,000 performances in Europe, Latin America, the Middle East as well as Asia. Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live onward and will endure for generations to come. Wynton Marsalis said it best when he said, “His music sounds like America.” Because of the unmatched artistic heights to which he soared, no one deserves the phrase “beyond category” more than Ellington, for it aptly describes his life as well. When asked what inspired him to write, Ellington replied, “My men and my race are the inspiration of my work. I try to catch the character and mood and feeling of my people.” Duke Ellington is best remembered for the over 3,000 songs that he composed during his lifetime.
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Green Flowers
A Horticulture Information article from the Wisconsin Master Gardener website, posted 15 March 2010 Green Flowers Green is the color right now with St. Patrick’s Day approaching. Have you ever paid attention to fl owers with this color? In the garden, green is the most common foliage color, yet one of the rarest fl ower colors. Green fl owers are unusual, so when presented correctly, they add an air of sophistication to a planting and look good with every color. There are some naturally occurring green fl owers, but many more have been “created” by breeding and selection. These fl oral oddities are a fun addition to the garden. Some plants that naturally come in green include orchids and aroids Green is the thing in March. like Jack-in-the-Pulpit (Arisaema triphyllum) (not to mention a number of weeds with inconspicuous fl owers, but who wants those in their garden?). Naturally green fl owers of Cymbidium orchid (L), Pterostylis orchid (LC), Arisaema triphyllum (RC) and Bells of Ireland (R). Many newer green fl owers have been developed primarily for the cut fl ower and fl orist industry. There are green roses such as light green ‘Jade’ and yellow green ‘Emerald’ (and more varieties currently being developed in The Netherlands) as well as a bi-color rose ‘Cezanne’ that is a creamy pistachio edged with pink. The mossy green ‘Marimo’ hybrid Gerbera, green hydrangeas, green cymbidiums, and ‘Lime Green’ Lisianthus (from the Mariachi series that is a beautiful, pale green ) are marketed to fl orists. Among the exotic blooms shipped for fl oral arrangements are ‘Midori’ anthuriums and ‘Green Goddess’ callas (Zantedeschia).
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Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
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The Colorweb Package*
The colorweb package∗ The 216 Web-safe colors John E. Beach Abstract This package \definecolors the 216 colors that are “Web-safe”, i.e., that are supported by most browsers. The color names (and hue sorting order) are from http://www.visibone.com/colorlab/big.html. Contents 1 Usage2 1.1 Sorted by hue..............................3 1.2 Sorted by saturation..........................4 1.3 Sorted by value.............................5 2 meta-comments6 2.1 Package Identification.........................6 2.2 Installed File Identification......................6 2.3 License..................................6 2.4 Maintenance..............................7 2.5 Manifest.................................7 2.5.1 Source files...........................7 2.5.2 Files installed from colorweb.dtx ..............7 2.5.3 Installed files manifest.....................7 2.6 Modification...............................7 2.7 Index editing..............................8 3 The Package Installer8 4 The Documentation Driver9 5 File Descriptions 12 6 Implementation 12 6.1 Black.................................. 12 6.2 Red................................... 12 6.3 Orange Red............................... 13 6.4 Orange.................................. 13 6.5 Orange Yellow............................. 13 6.6 Yellow.................................. 14 6.7 Spring Yellow.............................. 14 6.8 Spring.................................. 14 ∗This document corresponds to colorweb.dtx v1.3, dated 2013/08/20. 1 1 USAGE 2 6.9 Spring Green.............................
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Green Beige Beige Sand Yellow Signal Yellow Golden Yellow Honey Yellow Maize Yellow Daffodil Yellow Brown Beige Lemon Yellow
GREEN BEIGE BEIGE SAND YELLOW SIGNAL YELLOW GOLDEN YELLOW DAFFODIL HONEY YELLOW MAIZE YELLOW YELLOW BROWN BEIGE LEMON YELLOW OYSTER WHITE IVORY LIGHT IVORY SULFUR YELLOW SAFFRON YELLOW ZINC YELLOW GREY BEIGE OLIVE YELLOW COLZA YELLOW TRAFFIC YELLOW LUMINOUS OCHRE YELLOW YELLOW CURRY MELON YELLOW BROOM YELLOW DAHLIA YELLOW PASTEL YELLOW PEARL BEIGE PEARL GOLD SUN YELLOW YELLOW ORANGE RED ORANGE VERMILION PASTEL ORANGE PURE ORANGE LUMINOUS LUMINOUS BRIGHT RED ORANGE BRIGHT ORANGE ORANGE TRAFFIC ORANGE SIGNAL ORANGE DEEP ORANGE SALMON ORANGE PEARL ORANGE FLAME RED SIGNAL RED CARMINE RED RUBY RED PURPLE RED WINE RED BLACK RED OXIDE RED BROWN RED BEIGE RED TOMATO RED ANTIQUE PINK LIGHT PINK CORAL RED ROSE LUMINOUS STRAWBERRY RED TRAFFIC RED SALMON PINK LUMINOUS RED BRIGHT RED RASPBERRY RED PURE RED ORIENT RED PEARL RUBY RED PEARL PINK RED LILAC RED VIOLET HEATHER VIOLET CLARET VIOLET BLUE LILAC TRAFFIC PURPLE PURPLE VIOLET SIGNAL VIOLET PASTEL VIOLET TELEMAGENTA PEARL BLACK PEARL VIOLET BERRY ULTRAMARINE VIOLET BLUE GREEN BLUE BLUE SAPHIRE BLUE BLACK BLUE SIGNAL BLUE BRILLANT BLUE GREY BLUE AZURE BLUE GENTIAN BLUE STEEL BLUE LIGHT BLUE COBALT BLUE PIGEON BLUE SKY BLUE TRAFFIC BLUE TURQUOISE BLUE CAPRI BLUE OCEAN BLUE WATER BLUE PEARL GENTIAN PEARL NIGHT NIGHT BLUE DISTANT BLUE PASTEL BLUE BLUE BLUE PATINA GREEN EMERALD GREEN LEAF GREEN OLIVE GREEN BLUE GREEN MOSS GREEN GREY OLIVE BOTTLE GREEN BROWN GREEN FIR GREEN GRASS GREEN RESEDA GREEN BLACK GREEN REED GREEN YELLOW OLIVE TURQUOISE BLACK OLIVE GREEN MAY GREEN YELLOW GREEN PASTEL GREEN CHROME
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