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Weather and Climate: Changing Human Exposures K
CHAPTER 2 Weather and climate: changing human exposures K. L. Ebi,1 L. O. Mearns,2 B. Nyenzi3 Introduction Research on the potential health effects of weather, climate variability and climate change requires understanding of the exposure of interest. Although often the terms weather and climate are used interchangeably, they actually represent different parts of the same spectrum. Weather is the complex and continuously changing condition of the atmosphere usually considered on a time-scale from minutes to weeks. The atmospheric variables that characterize weather include temperature, precipitation, humidity, pressure, and wind speed and direction. Climate is the average state of the atmosphere, and the associated characteristics of the underlying land or water, in a particular region over a par- ticular time-scale, usually considered over multiple years. Climate variability is the variation around the average climate, including seasonal variations as well as large-scale variations in atmospheric and ocean circulation such as the El Niño/Southern Oscillation (ENSO) or the North Atlantic Oscillation (NAO). Climate change operates over decades or longer time-scales. Research on the health impacts of climate variability and change aims to increase understanding of the potential risks and to identify effective adaptation options. Understanding the potential health consequences of climate change requires the development of empirical knowledge in three areas (1): 1. historical analogue studies to estimate, for specified populations, the risks of climate-sensitive diseases (including understanding the mechanism of effect) and to forecast the potential health effects of comparable exposures either in different geographical regions or in the future; 2. studies seeking early evidence of changes, in either health risk indicators or health status, occurring in response to actual climate change; 3. -
The Disastrous Impacts of Trump's Border Wall on Wildlife
a Wall in the Wild The Disastrous Impacts of Trump’s Border Wall on Wildlife Noah Greenwald, Brian Segee, Tierra Curry and Curt Bradley Center for Biological Diversity, May 2017 Saving Life on Earth Executive Summary rump’s border wall will be a deathblow to already endangered animals on both sides of the U.S.-Mexico border. This report examines the impacts of construction of that wall on threatened and endangered species along the entirety of the nearly 2,000 miles of the border between the United States and Mexico. TThe wall and concurrent border-enforcement activities are a serious human-rights disaster, but the wall will also have severe impacts on wildlife and the environment, leading to direct and indirect habitat destruction. A wall will block movement of many wildlife species, precluding genetic exchange, population rescue and movement of species in response to climate change. This may very well lead to the extinction of the jaguar, ocelot, cactus ferruginous pygmy owl and other species in the United States. To assess the impacts of the wall on imperiled species, we identified all species protected as threatened or endangered under the Endangered Species Act, or under consideration for such protection by the U.S. Fish and Wildlife Service (“candidates”), that have ranges near or crossing the border. We also determined whether any of these species have designated “critical habitat” on the border in the United States. Finally, we reviewed available literature on the impacts of the existing border wall. We found that the border wall will have disastrous impacts on our most vulnerable wildlife, including: 93 threatened, endangered and candidate species would potentially be affected by construction of a wall and related infrastructure spanning the entirety of the border, including jaguars, Mexican gray wolves and Quino checkerspot butterflies. -
Precipitation Effects of Giant Cloud Condensation Nuclei Artificially Introduced Into Stratocumulus Clouds
Atmos. Chem. Phys., 15, 5645–5658, 2015 www.atmos-chem-phys.net/15/5645/2015/ doi:10.5194/acp-15-5645-2015 © Author(s) 2015. CC Attribution 3.0 License. Precipitation effects of giant cloud condensation nuclei artificially introduced into stratocumulus clouds E. Jung1, B. A. Albrecht1, H. H. Jonsson2, Y.-C. Chen3,4, J. H. Seinfeld3, A. Sorooshian5, A. R. Metcalf3,*, S. Song1, M. Fang1, and L. M. Russell6 1Rosenstiel School of Marine and Atmospheric Science, University of Miami, Miami, FL, USA 2Center for Interdisciplinary Remotely-Piloted Aircraft Studies, Naval Postgraduate School, Monterey, California, USA 3California Institute of Technology, Pasadena, California, USA 4Jet Propulsion Laboratory, California Institute of Technology, Pasadena, California, USA 5Department of Chemical and Environmental Engineering, and Department of Atmospheric Sciences, University of Arizona, Tucson, Arizona, USA 6Scripps Institution of Oceanography, University of California, San Diego, La Jolla, California, USA *now at: Department of Mechanical Engineering, University of Minnesota, Minneapolis, Minnesota, California, USA Correspondence to: E. Jung ([email protected]) Received: 7 November 2014 – Published in Atmos. Chem. Phys. Discuss.: 7 January 2015 Revised: 6 April 2015 – Accepted: 11 April 2015 – Published: 22 May 2015 Abstract. To study the effect of giant cloud condensation 1 Introduction nuclei (GCCN) on precipitation processes in stratocumulus clouds, 1–10 µm diameter salt particles (salt powder) were The stratocumulus (Sc) cloud deck is the most persistent released from an aircraft while flying near the cloud top on cloud type in the world, and the variations of the cloud 3 August 2011 off the central coast of California. The seeded amount and the albedo can significantly impact the climate area was subsequently sampled from the aircraft that was system through their radiative effects on the earth system equipped with aerosol, cloud, and precipitation probes and (e.g., Hartmann et al., 1992; Slingo, 1990). -
Touching the Clouds Activity Guide
Touching the Clouds Activity Guide Purpose Provide a mental representation of each cloud type Create a tactile cloud identification chart Overview Individuals will construct and touch a tactile model of common types of clouds to learn how to describe the clouds based on their shape and texture. They will compare their descriptions with the standard classifications using the cloud types identified in the GLOBE Clouds Protocol. Time: 45 minutes to 1 ½ hours, depending on individual’s age Level: All Materials (per person) One large sheet of cardstock (18” x 12”) Tape One set of Braille labels for each cloud type and/or markers One small feather A layered piece of blanket or soft fabric (eight 1’ X 1” pieces) Cotton balls of varied sizes One tissue Organza or a similar material, cut into pieces, one layered 1” x 1” piece Pillow stuffing, one 1” x 1” piece A tsp of sand Three paper clips Liquid glue Scissors Baby Wipes Preparation Use tape to divide the large cardstock sheet in four sections: one for the cloud title at the top and three for the altitudes: using a portrait layout, place three pieces of tape horizontally, from side to side of the sheet. 1. 1” off the upper edge of the sheet 2. 8” off the upper edge of the sheet 1 Steps What to do and how to do it: Making A Tactile Cloud Identification Chart 1. Discuss that clouds come in three basic shapes: cirrus, stratus and cumulus. a. Feel of the 4” feather and describe it; discuss that these wispy clouds are high in the sky and are named cirrus. -
Articles from Bon, Inorganic Aerosol and Sea Salt
Atmos. Chem. Phys., 18, 6585–6599, 2018 https://doi.org/10.5194/acp-18-6585-2018 © Author(s) 2018. This work is distributed under the Creative Commons Attribution 3.0 License. Meteorological controls on atmospheric particulate pollution during hazard reduction burns Giovanni Di Virgilio1, Melissa Anne Hart1,2, and Ningbo Jiang3 1Climate Change Research Centre, University of New South Wales, Sydney, 2052, Australia 2Australian Research Council Centre of Excellence for Climate System Science, University of New South Wales, Sydney, 2052, Australia 3New South Wales Office of Environment and Heritage, Sydney, 2000, Australia Correspondence: Giovanni Di Virgilio ([email protected]) Received: 22 May 2017 – Discussion started: 28 September 2017 Revised: 22 January 2018 – Accepted: 21 March 2018 – Published: 8 May 2018 Abstract. Internationally, severe wildfires are an escalating build-up of PM2:5. These findings indicate that air pollution problem likely to worsen given projected changes to climate. impacts may be reduced by altering the timing of HRBs by Hazard reduction burns (HRBs) are used to suppress wild- conducting them later in the morning (by a matter of hours). fire occurrences, but they generate considerable emissions Our findings support location-specific forecasts of the air of atmospheric fine particulate matter, which depend upon quality impacts of HRBs in Sydney and similar regions else- prevailing atmospheric conditions, and can degrade air qual- where. ity. Our objectives are to improve understanding of the re- lationships between meteorological conditions and air qual- ity during HRBs in Sydney, Australia. We identify the pri- mary meteorological covariates linked to high PM2:5 pollu- 1 Introduction tion (particulates < 2.5 µm in diameter) and quantify differ- ences in their behaviours between HRB days when PM2:5 re- Many regions experience regular wildfires with the poten- mained low versus HRB days when PM2:5 was high. -
Press Release 1/5
PRESS RELEASE 1/5 IN THE CATHEDRAL OF SOUND: “THE PINK FLOYD EXHIBITION: THEIR MORTAL REMAINS” • After London and Rome, the interactive exhibition at the Dortmunder “U” Centre for Arts and Creativity looks back on the 50-year history of the British cult band • The innovative Sennheiser audio guide and 360-degree audio installations provide a thrilling experience in sound and vision Dortmund/Wedemark, 23 August 2018 – Higher and higher it climbs. The escalator in the Dortmunder “U" goes right up to the sixth floor. Having arrived at the top, visitors can also marvel at reaching a summit in audio-visual experience. From 15 September 2018, they can see – and of course hear – “The Pink Floyd Exhibition: Their Mortal Remains”. This interactive multimedia exhibition runs until 10 February 2019. After Rome and London, where the retrospective was very well received, Dortmund is the first and only venue in Germany. It presents a review of the British cult band’s creative work: fifty years of music history over an area of 1,000 square metres, illustrated chronologically on the basis of more than 350 exhibits, perfectly matched with innovative audio technology that allows the visitors to immerse themselves in the unmistakable sound of Pink Floyd. And Sennheiser is the audio partner responsible. Fascinating worlds of sound have been created, bringing the band’s career, its albums, its sound engineering and its performances to life in a stunning audio-visual display. The Dortmunder U – Centre for Arts and Creativity is presenting the major Pink Floyd retrospective “The Pink Floyd Exhibition: Their Mortal Remains“ from 15 September 2018 to 10 February 2019. -
The Cloud Is Here: Embrace the Transition
Hybrid cloud SaaS IaaS Private cloud Public cloud PaaS The cloud is here: embrace the transition How organizations can stop worrying and learn to “think cloud” Clouds in the forecast 3 The cloud’s sunny side 4 Avoid common pitfalls 6 Doing cloud “right” 12 Follow the steps 16 Conclusion 21 Contacts 22 Endnotes 23 The cloud is here: embrace the transition | Introduction Clouds in the forecast The emergence of cloud computing has business and information technology (IT) leaders asking fundamental questions: How can we better understand the risks and opportunities that cloud computing presents? How do we take advantage of these opportunities, not fall behind, and not make costly mistakes? How do we survive and thrive in the cloud? The growth and maturation of the cloud Some notable examples of leading marketplace has not only proven the software deployed via cloud services viability of commercial cloud offerings include business productivity suites (such but also represents a fundamental shift as Google G Suite, Microsoft Office 365), in technology management philosophy. customer relationship management With traditional practices garnering limited (e.g., Salesforce.com), enterprise service return on investment and providing limited management (e.g., ServiceNow), talent business agility, organizations are moving management (e.g., SuccessFactors, Taleo), away from the do‑it‑yourself mentality and and even full suites of Enterprise Resource toward using technology services from Planning (ERP) solutions. This list is rapidly cloud services providers (CSPs), who can do expanding as software companies begin things better, faster, and often cheaper. the transition from delivering their software as on‑premise installations to software While many organizations are apprehensive as a service (SaaS) delivery models. -
Quantifying the Impact of Synoptic Weather Types and Patterns On
1 Quantifying the impact of synoptic weather types and patterns 2 on energy fluxes of a marginal snowpack 3 Andrew Schwartz1, Hamish McGowan1, Alison Theobald2, Nik Callow3 4 1Atmospheric Observations Research Group, University of Queensland, Brisbane, 4072, Australia 5 2Department of Environment and Science, Queensland Government, Brisbane, 4000, Australia 6 3School of Agriculture and Environment, University of Western Australia, Perth, 6009, Australia 7 8 Correspondence to: Andrew J. Schwartz ([email protected]) 9 10 Abstract. 11 Synoptic weather patterns are investigated for their impact on energy fluxes driving melt of a marginal snowpack 12 in the Snowy Mountains, southeast Australia. K-means clustering applied to ECMWF ERA-Interim data identified 13 common synoptic types and patterns that were then associated with in-situ snowpack energy flux measurements. 14 The analysis showed that the largest contribution of energy to the snowpack occurred immediately prior to the 15 passage of cold fronts through increased sensible heat flux as a result of warm air advection (WAA) ahead of the 16 front. Shortwave radiation was found to be the dominant control on positive energy fluxes when individual 17 synoptic weather types were examined. As a result, cloud cover related to each synoptic type was shown to be 18 highly influential on the energy fluxes to the snowpack through its reduction of shortwave radiation and 19 reflection/emission of longwave fluxes. As single-site energy balance measurements of the snowpack were used 20 for this study, caution should be exercised before applying the results to the broader Australian Alps region. 21 However, this research is an important step towards understanding changes in surface energy flux as a result of 22 shifts to the global atmospheric circulation as anthropogenic climate change continues to impact marginal winter 23 snowpacks. -
Integrated High Definition LED Television User's Guide
Integrated High Definition LED Television User’s Guide: 32L4300U / 39L4300U / 50L4300U / 58L4300U 50L7300U / 58L7300U / 65L7300U If you need assistance: Toshiba's Support Web site support.toshiba.com For more information, see “Troubleshooting” on page 160 in this guide. Owner's Record The model number and serial number are on the back and side of your television. Record these numbers, whenever you communicate with your Toshiba dealer about this Television. Model name: Serial number: Register your Toshiba Television at register.toshiba.com Note: To display a High Definition picture, the TV must be receiving a High Definition signal (such as an over- the-air High Definition TV broadcast, a High Definition digital cable program, or a High Definition digital satellite program). For details, contact your TV antenna installer, cable provider, or GMA300019013 satellite provider 6/13 2 CHILD SAFETY: PROPER TELEVISION PLACEMENT MATTERS TOSHIBA CARES • Manufacturers, retailers and the rest of the consumer electronics industry are committed to making home entertainment safe and enjoyable. • As you enjoy your television, please note that all televisions – new and old- must be supported on proper stands or installed according to the manufacturer’s recommendations. Televisions that are inappropriately situated on dressers, bookcases, shelves, desks, speakers, chests, carts, etc., may fall over, resulting in injury. TUNE IN TO SAFETY • ALWAYS follow the manufacturer’s recommendations for the safe installation of your television. • ALWAYS read and follow all instructions for proper use of your television. • NEVER allow children to climb on or play on the television or the furniture on which the television is placed. • NEVER place the television on furniture that can easily be used as steps, such as a chest of drawers. -
The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
CLOUD FRACTION: CAN IT BE DEFINED and MEASURED? and IF WE KNEW IT WOULD IT BE of ANY USE to US? Stephen E
CLOUD FRACTION: CAN IT BE DEFINED AND MEASURED? AND IF WE KNEW IT WOULD IT BE OF ANY USE TO US? Stephen E. Schwartz Upton NY USA Cloud Properties, Observations, and their Uncertainties www.bnl.gov/envsci/schwartz CLOUD FRACTION: CAN IT BE DEFINED AND MEASURED? AND IF WE KNEW IT WOULD IT BE OF ANY USE TO US? CONCLUSIONS No. No. No. I come to bury cloud fraction, not to praise it. - Shakespeare, 1599 WHAT IS A CLOUD? AMS Glossary of Meteorology (2000) A visible aggregate of minute water droplets and/or ice particles in the atmosphere above the earth’s surface. Total cloud cover: Fraction of the sky hidden by all visible clouds. Clothiaux, Barker, & Korolev (2005) Surprisingly, and in spite of the fact that we deal with clouds on a daily basis, to date there is no universal definition of a cloud. Ultimately, the definition of a cloud depends on the threshold sensitivity of the instruments used. Ramanathan, JGR (ERBE, 1988) Cloud cover is a loosely defined term. Potter Stewart (U.S. Supreme Court, 1964) I shall not today attempt further to define it, but I know it when I see it. WHY DO WE WANT TO KNOW CLOUD FRACTION, ANYWAY? Clouds have a strong impact on Earth’s radiation budget: -45 W m-2 shortwave; +30 W m-2 longwave. Slight change in cloud fraction could augment or offset greenhouse gas induced warming – cloud feedbacks. Getting cloud fraction “right” is an evaluation criterion for global climate models. Domain Observations Cloud cover Millions % Land 116 52.4 Ocean 43.3 64.8 Global 159 61.2 Warren, Hahn, London, Chervin, Jenne CLOUD FRACTION BY MULTIPLE METHODS 2 Surface, 3 satellite methods at U.S. -
David Gilmour – the Voice and Guitar of Pink Floyd – “On an Island” and in Concert on the Big Screen for One Night Only
DAVID GILMOUR – THE VOICE AND GUITAR OF PINK FLOYD – “ON AN ISLAND” AND IN CONCERT ON THE BIG SCREEN FOR ONE NIGHT ONLY Big Screen Concerts sm and Network LIVE Present David Gilmour’s Tour Kick-Off Show Recorded Live In London On March 7 th , Plus an Interview and New Music Video, In More Than 100 Movie Theatres Across the Country (New York, NY – May 10, 2006) – David Gilmour, legendary guitarist and voice of Pink Floyd, will give American fans one more chance to catch his latest tour on the Big Screen on Tuesday, May 16th at 8:00pm local time. This exciting one-night-only Big Screen Concerts sm and Network LIVE event features David Gilmour’s March 7, 2006 performance recorded live at the Mermaid Theatre in London. Show highlights include the first public performance of tracks from On An Island , Gilmour’s new album, plus many Pink Floyd classics. David Gilmour played only 10 sold-out North American dates before returning to Europe, so this will be the only chance for many in the U.S. to see him in concert this year. This special event will also include an on-screen interview with David Gilmour talking about the creation of the new album, as well as the new On An Island music video. “We had a great time touring the U.S. and I’m glad that more of the fans will be able to see the show because of this initiative,” said David Gilmour DAVID GILMOUR: ON AN ISLAND will be presented by National CineMedia and Network LIVE in High-Definition and cinema surround sound at more than 100 participating Regal, United Artists, Edwards, Cinemark, AMC and Georgia Theatre Company movie theatres across the country.