DOCSLIB.ORG

Martyrs of World War Two

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Martyrs of World War Two HEROES HANG WHEN TRAITORS TRIUMPH Martyrs Of World War Two MIKE WALSH BIOGRAPHY MIKE WALSH Mike Walsh is a veteran journalist, broadcaster and historian. A fugitive from renegade Europeans, leftists, palace journalists, he has shrugged off their wrath over 50 years of writing. His Irish-American father, Patrick had fought in four conflicts by the time he reached 40-years of age: The Irish peoples guerrilla war against the British Army‟s Black and Tans. These armed irregulars, dredged from England‟s prisons, were notorious for their viciousness. The Irish War of Independence and on to fight in the most ferocious hand-to-hand battles during the Spanish Civil War. Whilst on the frontlines he was a close associate of American war correspondent, Ernest Hemingway. Mike‟s father formed an enduring friendship with Ireland‟s celebrated playwright, Sean O‟Casey. Eventually his father served in the Royal Air Force during World War Two as an aircraft fitter / flier. Kathleen, Mike‟s well- educated mother also mentored his writing skills. A former novice nun she was a corresponding friend of Spain's Civil War revolutionary La Pasionaria. From the age of 26 the world-travelling Mike was consumed by a passion for truth and justice. Inevitably, this led him to the potpourri of lies, infamies, cover-ups and crimes committed by the Allies that militarily defeated the Workers Reich. By doing so they ensured the spread of Bolshevism, denial of freedom to nearly a score of Central European nations, the dismembering of the British Empire, and surrender to American imperialism. The Allied victory ensured that Bolshevism would fester for a further 45 years; this they call victory. Through the base stupidity and race treachery the armed forces of the victors‟ empires destroyed the one revolution that alone could have ensured the preservation of European culture and values. Today, their dance of victory is the dance of death on their own funeral pyres. ~ EDITORIAL FURTHER READING Mike Walsh „truth bomb‟ book titles and his poetry and general interest titles can be viewed at the end. Access all books and websites by visiting www.renegadetribune.com 1 DEDICATIONS To Patrick my father with whom I disagreed to a point of estrangement I belatedly realise that he wanted a better world too. He did it in the way he thought right at the time; bravo. To my dear mother Kathleen for encouraging my love of literature and writing. To my apolitical wife Nadia who tolerates me. Last but not least I express patriarchal love and regards to our sons, Craig, Michael and Nikita. FOREWORD Mike Walsh Journalist, Broadcaster Historian and Poet We are conditioned by propaganda to applaud Winston Churchill, U.S. President Franklin D Roosevelt, many military figures and writers. Yet, had things turned out differently, England‟s half-American unelected wartime leader would be little more than a Lord Kitchener-like smudge in a schoolchild‟s text book. Due to his corruption, predilection for cross-dressing and sexual debauchery, Churchill would likely have died in alcoholic obscurity during self-imposed exile in the U.S. Our thoughts then turn to Wall Street‟s financed Bolshevik, dictator and ex- terrorist the dwarfish Joe Stalin. It is doubtful he would have survived assassination attempts until he was finally poisoned in March, 1953. On the other hand, those now victims of character assassination would be national icons. It is likely that Adolf Hitler would be revered throughout the world. Throughout, what is now known as the Third World, there would be constant celebrations of the Reich after his having liberated their lands from Britain‟s colonial empire? 2 No doubt, the liberated nations of Europe would embrace their own form of National Socialism or Fascism rather than the corrupted right-wing corporatism of the Spanish or Portuguese models. In Norway monuments erected to Norwegian patriots Vidkun Quisling and Knut Hamsun. In Romania there would be squares, parks and great highways named in honour of Romanian nationalist Christian Corneliu Codreanu. Throughout Ireland no doubt avenues and squares would be named in tribute of Irish-American William Joyce. People do not hate or love famous figures. What they hate or love are falsifications artfully created by victors‟ propaganda. These caricatures bear no resemblance to those great figures of history. Very few people can hate Adolf Hitler as they simply do not know the man. What they do hate is a mythical almost Disney „hate figure‟ that artful propaganda makes him out to be. Heroes Hang when Traitors Triumph will perhaps give a different perspective of former much vilified foes. In the future, who knows, we shall indeed see squares, parks, avenues and galleries named in honour of Adolf Hitler, William Joyce, Romania‟s Corneliu Codreanu, and T. E Lawrence aka Lawrence of Arabia. How revered the writer and philosopher Knut Hamsun, and throughout Europe, Russia and Ukraine especially, the Norwegian patriot Vidkun Quisling. Heroes Hang when Traitors Triumph will leave you better able to judge for yourself. ~ Mike Walsh 3 CONTENTS T. E LAWRENCE AKA LAWRENCE OF ARABIA New evidence strongly suggests that one of Britain's greatest war adventurers was murdered by the British Secret Service. The legendary desert warrior, friend of outstanding writer Henry Williamson and admirer of Adolf Hitler, previous to his murder, had stated his intention to join the British Union of Fascists. If T. E Lawrence and Henry Williamson were to oppose the war lobby's intention to declare war on Germany the pro-war lobby's scheme to enter into war with trade competitor Germany might be derailed. WILLIAM JOYCE. HANGED FOR WORDS HE DIDN'T SAY The academically brilliant Irish-American William Joyce was falsely dubbed 'Lord Haw-Haw'. The idealist it is claimed joined the Nazis. During the war it was said, he betrayed Britain. The sobriquet Lord Haw-Haw was due to a mistake made by a Daily Express reporter. Influential American LIFE magazine calculated that 50% of the English people listened to William Joyce‟s opinions broadcast from Hamburg. The manager of East Riding Radio Relay Service complained; “We are inundated with requests for Lord Haw-Haw broadcasts, which we are not allowed to give.” Statesman David Lloyd George; “The Government ought to take notice of every word this man says.” This is the story of an Irish-American who was to become a champion of British interests. VIDKUN QUISLING THE MARTYRDOM OF A VIKING Unconvinced about the power of propaganda? Norwegian statesman, Sir Vidkun Quisling, earned his British knighthood. An adventurer and close friend of polar explorer Fridtjof Nansen, he worked with the International Red Cross in famine- struck Ukraine. With others, he is credited with saving the lives of millions of Eastern Europeans. Throughout his life, especially during the failed Bolshevik attempt to subvert Norway, Vidkun Quisling showed rare courage. This and much more and yet his name has become synonymous with cowardice and treachery. His story will inspire you. It will also teach you to respect the power of propaganda. CORNELIU CODREANU IRON GUARD LEGION It was student protests that helped to extinguish the flames of Bolshevism in Eastern Europe. During the rise of the Reich it was Leipzig students, not the NSDAP that inspired and initiated the mass burning of Marxist ideology, pornography and anti- German subversive literature. Elsewhere in postwar Europe student power helped topple governments. One such was Romania's Corneliu Codreanu, fiery leader of the revolutionary Romanian Iron Guard. Had his aims been achieved then Codreanu's name in Romania today would be as revered as Kemal Ataturk's is in Turkey. Here is an inspiring account of a little known saga of Central European revolution. KNUT HAMSUN THE WEST’S SOLZHENITSYN In 1920 Knut Hamsun was awarded the Nobel Prize for Literature. Was it undeserved? Not according to Ernest Hemingway: “Hamsun taught me to write.” 4 The roll-call of iconic giants of literature, who revered Knut Hamsun, includes Isaac Bashevis Singer, “The whole modern school of fiction in the twentieth century stems from Hamsun.” Franz Kafka, Maxim Gorky, Stefan Zweig, Henry Miller, Hermann Hesse and many others of similar renown. Thomas Mann described Knut Hamsun as, “A descendant of Fyodor Dostoevsky and Friedrich Nietzsche.” How then was it possible for palace historians and corrupted politicians to turn such an international giant into a pariah? Read the inspiring story of Norway's greatest son of literature. THE MARTYRDOM OF WILLIAM JOYCE A POIGNANT SECTION OF THIS LOVELY STORY OF A VERY BRAVE AMERICAN-IRISHMAN STATESMAN DAVID LLOYD GEORGE PRAISES WILLIAM JOYCE Part of the blackening of Joyce‟s character is the claim that his speeches were universally ridiculed. In fact, his broadcasts were widely listened to in Britain and the content was far from laughable as claimed by mainstream media. 5 His biographer, J. A. Cole describes an event at which two visitors were having afternoon tea with David Lloyd George. “The statesman interrupted the conversation to switch on the radio so that the Hamburg service could be listened to. The former prime minister listened attentively, and once he remarked: „The Government ought to take notice of every word this man says.” Life magazine credited Germany with leading the radio war of broadcast information. The influential American magazine calculated, probably correctly, that 50% of the English listened to Joyce‟s broadcasts from Hamburg. The BBC disagreed, but then it would. The manager of the East Riding Radio Relay Service complained, “We are inundated with requests for Lord Haw-Haw broadcasts, which we are not allowed to give.” As the Second World War drew to a close several attempts were made to save William Joyce and his wife from English vengeance.
Load more

Recommended publications
  • 1 Thomas Mann, World Author: Representation and Autonomy In
    Thomas Mann, World Author: Representation and Autonomy in the World Republic of Letters Tobias Boes, University of Notre Dame In her influential study The World Republic of Letters, Pascale Casanova draws a firm line between what she calls “national” and “international” writers. For national writers, “literary aesthetics (because they are connected with political questions) are necessarily neonaturalistic.” International writers, on the other hand, are described as “cosmopolitans and polyglots who, owing to their knowledge of the revolution that have taken place in the freest territories of the literary world, attempt to introduce new norms” (Casanova 110-11). There are a number of different criticisms that could be leveled at this distinction. Here, I want simply to point out the striking similarities between what Casanova alleges are universal sociological categories on the one hand, and a particular historicizing narrative about literary modernism on the other. Casanova insists, for instance, that the struggle for “autonomy,” which she defines as “literary emancipation in the face of political (and national) claims to authority” (39), represents the most distinctive characteristic of international writing. She thereby echoes claims that have been made about “modern” art since at least the late nineteenth century (for an overview of these debates, see Goldstone). Even her remapping of the struggle between “autonomous” and “dependent” modes of thought onto the terms “cosmopolitan” and “national” is echoed by recent trends within modernist scholarship (see for example Walkowitz). This homology is striking, especially since a very different kind of “international writer” (or, as I shall henceforth call them, “world author”) seems to have moved to the foreground in the present day.
    [Show full text]
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • Modernism & Modernist Literature: Introduction
    MODERNISM & MODERNIST LITERATURE: INTRODUCTION & BACKGROUND INTRODUCTION Broadly speaking, ‘modernism’ might be said to have been characterised by a deliberate and often radical shift away from tradition, and consequently by the use of new and innovative forms of expression Thus, many styles in art and literature from the late 19th and early 20th centuries are markedly different from those that preceded them. The term ‘modernism’ generally covers the creative output of artists and thinkers who saw ‘traditional’ approaches to the arts, architecture, literature, religion, social organisation (and even life itself) had become outdated in light of the new economic, social and political circumstances of a by now fully industrialised society. Amid rapid social change and significant developments in science (including the social sciences), modernists found themselves alienated from what might be termed Victorian morality and convention. They duly set about searching for radical responses to the radical changes occurring around them, affirming mankind’s power to shape and influence his environment through experimentation, technology and scientific advancement, while identifying potential obstacles to ‘progress’ in all aspects of existence in order to replace them with updated new alternatives. All the enduring certainties of Enlightenment thinking, and the heretofore unquestioned existence of an all-seeing, all-powerful ‘Creator’ figure, were high on the modernists’ list of dogmas that were now to be challenged, or subverted, perhaps rejected altogether, or, at the very least, reflected upon from a fresh new ‘modernist’ perspective. Not that modernism categorically defied religion or eschewed all the beliefs and ideas associated with the Enlightenment; it would be more accurate to view modernism as a tendency to question, and strive for alternatives to, the convictions of the preceding age.
    [Show full text]
  • MC Faculty Recs
    Spend Some Down Time Reading: Mount Carmel High School Faculty Book Recommendations Recommended By: Title Author Fiction/Nonfiction Genre Comments A classic so it's free; Read the book before you see 1 Mrs. Pienton Call of the Wild Jack London Fiction Adventure the movie 2 Mrs. Pienton The Invisible Man H.G. Wells Fiction Sci-Fi This also is a classic with a new movie version Probably the most famous Latin-American Classic 3 Mr. Scheuring One Hundred Years of Solitude Gabriel Garcia Marquez Fiction Fantasy for Americans -- not really fantasy, but magical realist. Part horror, part gothic, part science. She finished 4 Mr. Scheuring Frankenstein Mary Shelley Fiction Horror this as a 20 year old! Not his best work, but it's short, and the first line 5 Mr. Scheuring The Metamorphosis Franz Kafka Fiction Classic literally states that the main character is now a bug. You'll be surprised how much you might identify 6 Mr. Scheuring Gilead Marilynne Robinson Fiction Philosophy/Religion with an elderly and ill preacher from Iowa Vivid 1st hand account of a Holocaust survivor. 7 Mr. Tabernacki Night Elie Wiesel Nonfiction Historical Short read, but powerful. Fascinating story, beautifully written, about the 8 Mr. John Haggerty The Overstory Richard Powers Fiction all its own connections of nine different individuals/families whose lives are intertwined with trees. One of my all time favorites. A short novel about an American couple who move to Mexico to reopen 9 Mr. John Haggerty Stones for Ibarra Harriett Doerr Fiction Realistic a coppe mine abandoned decades before by a relative.
    [Show full text]
  • From Tristan to Don Juan: Romance and Courtly Love in the Fiction Of
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository From Tristan to Don Juan: Romance and courtly love in the fiction of three Spanish American authors. By Rosix E. Rincones Díaz A thesis submitted to the University of Birmingham For the degree of DOCTOR IN PHILOSOPHY Department of Hispanic Studies School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Content listings Abstract Acknowlegements Chapter One: Introduction 1 Chapter Two: García Márquez’s Florentino: A Reinvented Don Juan. 52 Chapter Three: Álvaro Mutis’s La Última Escala del Tramp Steamer as a development of the courtly romance: The poetry of inner exploration. 125 Chapter four: The two spaces of Pedro Páramo: From the decadent patriarchal order of Comala to the Ideology of Courtly love. 198 Conclusion 248 Bibliography 252 Abstract This thesis is centred on Gabriel García Márquez’s novel El amor en los tiempos del cólera, Álvaro Mutis’ novella La última escala del Tramp Steamer, and Juan Rulfo’s novel Pedro Páramo.
    [Show full text]
  • INTRODUCTION Marianne Stecher-Hansen
    INTRODUCTION Marianne Stecher-Hansen 8 Where does an intellectual inquiry begin? In the late 1990s, I taught a gradu- ate seminar at the University of Washington that dealt with Nordic literature and World War II. Is there such a thing as a Scandinavian war novel? We read literary works in the original Swedish, Norwegian, and Danish, such as Pär Lagerkvist’s Th e Dwarf (1944), Vilhelm Moberg’s Ride Th is Night (1941), Sigrid Hoel’s Meeting at the Milestone (1947), Knut Hamsun’s On Overgrown Paths (1948), and Isak Dinesen’s Th e Angelic Avengers (1946). Connections to hardcore war literature seemed remote. My interest in the period was sparked by Th orkild Hansen’s controversial documentary novel Processen mod Ham- sun (1978; Th e case against Hamsun), about the postwar trial of Norwegian Nobel Laureate Knut Hamsun (1859–1952), which was the subject of my research at that time (Stecher-Hansen, 1997; 1999). Th e graduate seminar led to a course development grant from the Center for West European Studies in 2001; since then, I have regularly taught a course on “War and Occupation in the Nordic Region” at the University of Washington that has attracted many students from the Department of Scandinavian Studies and the Henry M. Jackson School of International Studies, particularly European Studies majors. Th e project that began as an intellectual inquiry with graduate students coincided neatly in the 1990s with the emergence of a second (and eventually third) generation of World War II scholars in the Nordic countries, a tide that swelled with the Historikerstreit (historians’ debate) on the European continent and a turn toward a “moral narrative” in revisionist approaches to World War II history.
    [Show full text]
  • George Bernard Shaw in Context Edited by Brad Kent Frontmatter More Information
    Cambridge University Press 978-1-107-04745-7 - George Bernard Shaw in Context Edited by Brad Kent Frontmatter More information GEORGE BERNARD SHAW IN CONTEXT When Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time but also for how relevant he is to ours. This collection sets Shaw’s life and achievements in context, with forty-two chapters devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw’s life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new direc- tions of research for future scholars. brad kent is Associate Professor of British and Irish Literatures at Université Laval and was Visiting Professor at Trinity College Dublin in 2013–14. His recent publications include a critical edition of Shaw’s Mrs Warren’s Profession (2012), The Selected Essays of Sean O’Faolain (forthcoming), and essays in University of Toronto Quarterly, Modern Drama, ARIEL: A Review of International English Literatures, English Literature in Transition, Irish University Review, and The Oxford Handbook of Modern Irish Theatre. He is also the programme director of the Shaw Symposium, held annually at the Shaw Festival in Niagara-on-the-Lake, Canada.
    [Show full text]
  • Premio Nobel Per La Letteratura
    Premio Nobel per la letteratura Bibliografia A cura della Biblioteca Cantonale di Bellinzona Novembre 2017 Il 5 ottobre 2017 Kazuo Ishiguro ha vinto il Premio Nobel per la letteratura. E’ stata l’occasione per scoprire o ri-scoprire questo importante scrittore inglese di origine giapponese. Ma quali sono gli scrittori premiati in questi anni? Dal 1901 ogni anno un autore viene onorato con questo significativo premio. Proponiamo con questa bibliografia le opere di scrittori vincitori del Premio Nobel, presenti nel fondo della Biblioteca cantonale di Bellinzona, e nel caso in cui la biblioteca non possedesse alcun titolo di un autore, le opere presenti nel catalogo del Sistema bibliotecario ticinese. Gli autori sono elencati cronologicamente decrescente a partire dall’anno in cui hanno vinto il premio. Per ogni autore è indicato il link che rinvia al catalogo del Sistema bibliotecario ticinese. 2017 Kazuo Ishiguro 2016 Bob Dylan 2015 Svjatlana Aleksievič 2014 Patrick Modiano 2013 Alice Munro 2012 Mo Yan 2011 Tomas Tranströmer 2010 Mario Vargas Llosa 2009 Herta Müller 2008 Jean-Marie Gustave Le Clézio 2007 Doris Lessing 2006 Orhan Pamuk 2005 Harold Pinter 2004 Elfriede Jelinek 2003 John Maxwell Coetzee 2002 Imre Kertész 2001 Vidiadhar Surajprasad Naipaul 2000 Gao Xingjian 1999 Günter Grass 1998 José Saramago 1997 Dario Fo 1996 Wisława Szymborska 1995 Séamus Heaney 1994 Kenzaburō Ōe 1993 Toni Morrison 1992 Derek Walcott 1991 Nadine Gordimer 1990 Octavio Paz 1989 Camilo José Cela 1988 Naguib Mahfouz 1987 Iosif Aleksandrovič Brodskij 1986 Wole
    [Show full text]
  • Else M. Barth What Has Happened to the Science of Logic, to Logic As An
    Else M. Barth properties in the individual).' To say that Maritain's book, Petite logique, was influential is an understatement. By 1933 it had been reprinted ten times. At his death in 1973 it was made c1ear that his Introduction influence on the very highest echelons of the Catholic church had been direct and monumental, the then Pope c1aiming him as his own philosophical inspiration. However, some time after completing (with A.N. Whitehead) the Principia mathematica, Russell, the most widely influential of the logical revisionists in the first part of the century, had abandoned What has happened to the science of fundamental logica I research and had left logic, to logic as an academie discipline the scene to a younger man, the Austrian and pursuit? Though the diagnoses do not Ludwig Wittgenstein. It is known that this coincide, many agree that something has was preceded by Wittgenstein's gone seriously wrong. Some blame the philosophy of logical truth as 'tautologi­ technique and goal of formalization, or of eal'. algebraization and 'model theory'. Some And the logic-politics combination blame the take-over by mathematicians as disappeared - for a long time. Post hoc, such. Others blame the period of logica I ergo propter hoc? I believe the explanation positivism, or a background in Protestant is more involved. A full explanation also or Jewish religion. Quite a few regard it as has to cover other eminent politically a purely psychological question, blaming oriented logicians. For example, why did those who are drawn to logic as a profes­ the impact of the brilliant logical analyses sion as lacking in ordinary linguistic of German idealism by the author of proficiency, or in social and com­ Progress and Regress in Ph ilosophy , the municative skills, and hence in cultural German philosopher-mathematician consciousness.
    [Show full text]
  • The Philosopher of Auschwitz Jean Amery and Living with the Holocaust
    The Philosopher of Auschwitz Jean Amery and Living with the Holocaust Irene Heidelberger-Leonard I.B.TAURIS Contents List of Illustrations xi Acknowledgements xiii Chapter 1 Village Idyll (1912-1924) - Bad Ischl and the Magic of the Forest 1 Hohenems: certificate of citizenship and ostensible homeland • The family • Early years in Vienna • Hans and Ernst Mayer: friends in life and death • Bad Ischl • Who or what is a Jew? • A divided heart • Winter world versus summer world • The tribulations of the young grammar-school boy Chapter 2 Zirkusgasse (1924-1935) - The Enticements of Reason 15 Leopold Langhammer, Mayer's mentor • Red Vienna • First encounters: Broch, Canetti and the Austrian literary scene • Hans Mayer's personal revolution • Approaches to the Wiener Kreis [Vienna Circle] • The future writer • Die Brticke Chapter 3 Die Schiffbruchigen [The Shipwrecked] (1935-1945) - Hans Mayer as a Writer of Fiction 29 1935: Preludes • The first novel • Autobiography as historical writing • Althager - an alter ego? • The relationship to 'the Other' • Genophobia • 'Art should not describe life, but create life' • 1945: To be or not to be • Auschwitz - a mass fate? • The Auschwitz discourse then and now Chapter 4 Years of Wandering (1938-1945) - The Mind Knows No Limits 47 Vienna before and after the Anschluss • Antwerp (1938-1940) • St. Cyprien - Gurs (1940-1941) • Flight to occupied Belgium viii The Philosopher of Auschwitz • Resistance in Brussels • Breendonck (1943) • Torture in the novel (1945) • Torture in the essay (1965) • Auschwitz -
    [Show full text]
  • The Top 100 Books of All Time
    View this story on the Guardian | Why am I seeing this version of the page? Books | Best books The top 100 books of all time Take a look at a list of the top 100 books of all time, nominated by writers from around the world, from Things Fall Apart to Mrs Dalloway, and from Pride and Prejudice to Don Quixote The 100 greatest non-fiction books Looking for great book recommendations? Our critics and experts pick the best books, and give the definitive subject lists 08/05/2002 · guardian.co.uk Updating count. The greatest book of all time? ... Don Quixote and Sancho Panza as drawn by Honoré Daumier, c.1855. Photograph: Francis G. Mayer/Corbis 1984 by George Orwell, England, (1903-1950) A Doll's House by Henrik Ibsen, Norway (1828-1906) A Sentimental Education by Gustave Flaubert, France, (1821-1880) Absalom, Absalom! by William Faulkner, United States, (1897-1962) The Adventures of Huckleberry Finn by Mark Twain, United States, (1835-1910) The Aeneid by Virgil, Italy, (70-19 BC) Anna Karenina by Leo Tolstoy, Russia, (1828-1910) Beloved by Toni Morrison, United States, (b. 1931) Berlin Alexanderplatz by Alfred Doblin, Germany, (1878-1957) Blindness by Jose Saramago, Portugal, (b. 1922) The Book of Disquiet by Fernando Pessoa, Portugal, (1888-1935) The Book of Job, Israel. (600-400 BC) The Brothers Karamazov by Fyodor M Dostoyevsky, Russia, (1821-1881) Buddenbrooks by Thomas Mann, Germany, (1875-1955) Canterbury Tales by Geoffrey Chaucer, England, (1340-1400) The Castle by Franz Kafka, Bohemia, (1883-1924) Children of Gebelawi by Naguib Mahfouz, Egypt, (b.
    [Show full text]
  • GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945)
    GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945) Mary Chavelita Dunne Bright, who took on the pen name George Egerton, was born in Australia in 1859. During her childhood she lived in New Zealand, Chile, Wales, Ireland, and Germany. After the death of her mother in 1875, she helped raise her younger siblings, living in Dublin, London, and New York. She moved to Norway with one of her father's friends, Henry Higginson, but returned to England and married Egerton Tertius Clairmonte, whose first name she adopted as part of her E.A. Walton. Bodley Heads No. 3: pseudonym. She took on "George" as a George Egerton. Drawing, 1895 The Yellow Book 5 (April 1895): 9. tribute to her mother, whose maiden name was "Isabel George" (Stetz, "Keynotes" 91). After divorcing Clairmonte, she married Reginald Golding Bright, a drama critic and theatre agent, in 1901. Egerton burst onto the London literary scene in 1893 with her first book, Keynotes, published by Elkin Mathews and John Lane at the Bodley Head in a 1 distinctive design by Aubrey Beardsley. In fact, because the short story collection's themes of sexual freedom, creativity, and independence were so emblematic of the 1890s New Woman, "Keynotes" also became the title of a book series Lane created later, once he was running the Bodley Head on his own. The series included 19 volumes of short stories and 14 novels – among them Grant Allen's The Woman Who Did (1895), Ella D'Arcy's Monochromes (1895), and Victoria Crosse's The Woman Who Didn't (1895).
    [Show full text]