The Poetic Theory and Practice of Huang Tingjian
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Kūnqǔ in Practice: a Case Study
KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US. -
2020-Commencement-Program.Pdf
One Hundred and Sixty-Second Annual Commencement JUNE 19, 2020 One Hundred and Sixty-Second Annual Commencement 11 A.M. CDT, FRIDAY, JUNE 19, 2020 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 1 6/12/20 12:14 PM UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
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86 Chapter 3 Chapter 3 Eloquent Stones Of the critical discourses that this book has examined, one feature is that works of art are readily compared to natural forms of beauty: bird song, a gush- ing river or reflections in water are such examples. Underlying such rhetorical devices is an ideal of art as non-art, namely that the work of art should appear so artless that it seems to have been made by nature in its spontaneous process of creation. Nature serves as the archetype (das Vorbild) of art. At the same time, the Song Dynasty also saw refined objects – such as flowers, tea or rocks – increasingly aestheticised, collected, classified, described, ranked and com- moditised. Works of connoisseurship on art or natural objects prospered alike. The hundred-some pu 譜 or lu 錄 works listed in the literature catalogue in the History of the Song (“Yiwenzhi” in Songshi 宋史 · 藝文志) are evenly divided between those on manmade and those on natural objects.1 Through such dis- cursive transformation, ‘natural beauty’ as a cultural construct curiously be- came the afterimage (das Nachbild) of art.2 In other words, when nature appears as the ideal of art, at the same time it discovers itself to be reshaped according to the image of art. As a case study of Song nature aesthetics, this chapter explores the multiple dimensions of meaning invested in Su Shi’s connoisseur discourse on rocks. Su Shi professed to be a rock lover. Throughout his life, he collected inkstones, garden rocks and simple pebbles. We are told, for instance, that a pair of rocks, called Qiuchi 仇池, accompanied him through his exiles to remote Huizhou and Hainan, even though most of his family members were left behind. -
History of Badminton
Facts and Records History of Badminton In 1873, the Duke of Beaufort held a lawn party at his country house in the village of Badminton, Gloucestershire. A game of Poona was played on that day and became popular among British society’s elite. The new party sport became known as “the Badminton game”. In 1877, the Bath Badminton Club was formed and developed the first official set of rules. The Badminton Association was formed at a meeting in Southsea on 13th September 1893. It was the first National Association in the world and framed the rules for the Association and for the game. The popularity of the sport increased rapidly with 300 clubs being introduced by the 1920’s. Rising to 9,000 shortly after World War Π. The International Badminton Federation (IBF) was formed in 1934 with nine founding members: England, Ireland, Scotland, Wales, Denmark, Holland, Canada, New Zealand and France and as a consequence the Badminton Association became the Badminton Association of England. From nine founding members, the IBF, now called the Badminton World Federation (BWF), has over 160 member countries. The future of Badminton looks bright. Badminton was officially granted Olympic status in the 1992 Barcelona Games. Indonesia was the dominant force in that first Olympic tournament, winning two golds, a silver and a bronze; the country’s first Olympic medals in its history. More than 1.1 billion people watched the 1992 Olympic Badminton competition on television. Eight years later, and more than a century after introducing Badminton to the world, Britain claimed their first medal in the Olympics when Simon Archer and Jo Goode achieved Mixed Doubles Bronze in Sydney. -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
Tang and Song Dynasties
Name Class Date China Literature Poems from the Tang and Song Dynasties ABOUT THE READING Poetry has been VOCABULARY created in China for more than 5,000 years. chasms deep gaps in the The first poems were songs. The Book of Songs, earth; gorges the earliest known collection of poems, was written on bamboo sticks around 600 b.c. TANG POETRY The Tang Dynasty (618–907) is often called the Golden Age of China. During this time, poetry flourished. Tang poems are considered the best classical poems in China’s two-thousand-year literary history. As you read the poems below, pay attention to the simplicity of the language and the poems’ imagery. Moon When I was little I thought the moon was a white jade plate, Or maybe a mirror in Heaven Flying through the blue clouds. Li Bai is generally considered —Li Bai China’s single best poet. The moon was one of his favorite subjects. Climbing Stork Tower The white sun sinks behind the hills, The Yellow River rushes to the sea. This poem is often recited to encourage Chinese children to try Want to see a thousand miles further? harder and accomplish more in life. Let’s climb a little higher! —Wang Zhi-Huan “Moon” by Li Bai and “Climbing Stork Tower” by Wwang Zhi-Huan from Maples in the Mist, translated by Minfong Ho, illustrated by Jean & Mou-sien Tseng. Copyright © 1996 by Minfong Ho. Reproduced by permission of McIntosh and Otis, Inc. Copyright © by Holt, Rinehart and Winston. All rights reserved. 13 China 6635_MS_iteratre_Ch0.indd3#5_MS(_)iterat/re_Ch03.indd 1313 3/11/06/11/06 44:3:54:3#:54 PMPM Name Class Date Poems from the Tang and Song Dynasties, continued Literature SONG POETRY The Song Dynasty (960–1279) was notable for the growth of the cities and the spread of printing and edu- cation. -
VM Badmint on 1999 I Brøndby Hal L En Mandag 10
D.H. Shuttlecocks A/S, som sælger RSL bolde i hele Skandinavien samt Vi mener, at disse stævner vil hæ ve niveauet på vore hjemlige turne er eneim portor af Babolat-produkter til såvel Danma rk som Sverige, ringer - noget vi alle må have inte resse i. byder spillere, klubber, kredse sam t forbund hjerte lig velkommen til Vores bolde har allerede været i spil ved sæsonens forste Road Show den nye sæson. i Slagelse og Rønne, og RSL og Babolat vil være til stede ved følgen- Vi har den store glæde, at flere og flere tester, p røver og spiller med de arrangementer i efteråret. RSL fjerbolde og opfattelsen er overalt, at kvalite ten og holdbarheden 12.-13. september: Grand Prix t urnering i Odense, er helt i top. 24. septem ber: Road Show i Aabenraa. Babolat, kendt for VS-tarmstrengen, kommer med et h elt nyt sorti- 14.-18. oktober: Danish Open i Vejle . m ent af ketchere, greb og tasker. Desuden kan vi pr æsentere ny dansk 9. december: Road Show i Skagen. 4 produceret badm inton-beklædning, der borger for kva liteten. 12.-13. december: Grand Prix turnering i G reve Strand. Du kan henvende dig i din lokale sportsforretning o g hore nærmere. 27.-29. december: M asters i Cirkusb ygningen i København. Den 1. september er det et år siden, vi indgik hove dsponsor-aftale med Dansk Badminton Forbund som bold- og rekvisitsp onsor. For- Vi glæder os til at møde spillere og le dere sam t klubberne ved disse bundet udtrykker stor tilfredshed med sam arbejdet. -
From Tone to Accent
This page intentionally left blank Matthew Chen’s landmark study offers the most comprehensive analysis to date of the rich and complex patterns of tone used in Chinese languages. Chinese has a wide repertoire of tones which undergo often surprising changes when they are connected in speech flow. The term tone sandhi refers to this tonal alternation. Chen examines tone sandhi phenomena in detail across a variety of Chinese dialects. He explores a range of important theoretical issues such as the nature of tonal representation, the relation of tone to accent, the prosodic domain of sandhi rules, and the interface between syntax and phonology. His book is the culmination of a ten-year research project and offers a wealth of empirical data not previously accessible to linguists. Extensive references and a bibliography on tone sandhi complete this invaluable resource which will be welcomed as a standard reference on Chinese tone. Having taught for many years at the University of California, San Diego, is Professor and chair of Linguistics and Dean of the Humanities and Social Sciences faculty at the City University of Hong Kong. He has written numerous articles on linguistics and is Associate Editor of the Journal of Chinese Linguistics, University of California, Berkeley. In this series 52 . and . : English focus constructions and the theory of grammar 53 : Linguistic realities: an autonomist metatheory for the generative enterprise 54 : From etymology to pragmatics: metaphorical and cultural aspects of semantic structure 55 : Relevance relations in discourse: a study with special reference to Sissala 56 : On definiteness: a study with special reference to English and Finnish 57 and : The syntax of Noun Phrases: configuration, parameters and empty categories 58 : Conditions on phonological government 59 . -
Ten Thousand Scrolls
CHAPTER FIVE Ten Thousand Scrolls Our discussions in the foregoing chapters have enabled us finally to con- sider the basic questions that informed and motivated this study. What did dushu mean for Huang Tingjian? What was the purpose of reading for him? Why did a previously unproblematic process become problem- atic during this period? More specifically, how did the explosion of texts brought about by printing affect the practice and conceptualization of reading and writing? The strong correlation found in Huang Tingjian’s poetics between book study and literary composition begs us to examine the interface between the intellectual and the material in broader contexts. The current chapter represents my attempt to define those contexts be- yond the special critical and interpretive needs of Huang Tingjian’s poet- ics as well as the particular contingencies of the intellectual culture of the eleventh century, and examine more deeply the sources of the intense ma- teriality in his works. I begin by delineating the general conditions of reading and writing in the early Northern Song, taking the vicissitudes of the Tang writer Han Yu’s works in the first century after the founding of the Northern Song as an example. From that I proceed to discuss how the radical surge in the availability of printed texts in the second half of the eleventh century disrupted and irrevocably changed some of the most re- vered assumptions about reading and writing among the literati. In the last section, I reconnect back to the topic of wanjuan discussed in Chap- ter 4 by performing a close analysis of Su Shi’s famous account of a book collection at Mount Lu left by his friend Li Chang, reading it side by side with similar accounts from both Su’s contemporaries and his successors in Ten Thousand Scrolls 163 the Southern Song and beyond. -
Investigating the Relationships Between Scholars and Politicians in Ancient China: Taking the Yuanyou Era As an Example Abstract
Investigating the Relationships between Scholars and Politicians in Ancient China: Taking the Yuanyou Era as an Example Investigating the Relationships between Scholars and Politicians in Ancient China: Taking the Yuanyou Era as an Example Shang Wenyi* and Huang Winbin* Abstract The Song Dynasty was a decisive period of transformation in ancient China, during which relationships between scholars and politicians are thought to have become closer and closer, and this change is considered part of the “Tang–Song transition.” In the Song Dynasty, the Yuanyou 元祐 era (1086–94) was a critical and complex period with regard to its political environment. The major purpose of this paper is to investigate the relationships between scholars and politicians during this period. The connections between figures collected from the CBDB (China Biographical Database) include both literary relations and political relations. Two scholars have a literary relation when both of them write to a common third figure, and a political relation between two politicians is demonstrated through such connections as political support associations, recommendation sponsorship, and oppositional political affiliations. In the present study, two matrices are respectively constructed according to literary and political relations among figures and a Poisson-Gamma factorization model is adopted to obtain the key factors of the matrices. According to calculated results and literary history, the scholars can be clearly classified into three groups. We identified two groups of the politicians with this method, while we found other politicians to have steered a course between them. Furthermore, the figures engaged in common literary pursuits are more likely to share common political goals. -
DONG JIONG WITHDRAWS from MALAYSIAN OPEN (Bernama 04
04 JUL 1997 Badminton-Open DONG JIONG WITHDRAWS FROM MALAYSIAN OPEN By: Hamdan Saaid KUALA LUMPUR, July 4 (Bernama) -- Olympic silver medalist and world number one Dong Jiong of China has withdrawn from the US$180,000 (RM450,000) Malaysian Open badminton championships in Kota Kinabalu from July 9 to 13. The Chinese Badminton Association has informed the organisers that Dong, who had also pulled out from the World Championships in Glasgow due to high fever, was unable to compete due to injury. It was another set back for the championships which had earlier seen the withdrawal of reigning world champion Peter Rasmussen of Denmark while Malaysia's top doubles champ Yap Kim Hock pulled out due to shoulder injury, forcing his partner Cheah Soon Kit to find a new partner. In Dong's absence, former world champion Joko Suprianto of Indonesia has been seeded first in the six-star tournament while defending champion Ong Ewe Hock has been drawn to meet Joko in the final. According to the seedings released by the International Badminton Federation (IBF), Ewe Hock is in the same half with third seed Peter-Gade Christensen of Denmark. Christensen, who became the first European since Morten Frost Hansen to win a title in Asia when he won the Taiwan Open this year, is expected to clash with the Malaysian in the semifinal. Three-time champion Rashid Sidek has been seeded fourth and is likely to come up with Joko in the last four. Rashid beat him in the quarterfinals in the Olympi c Games in Atlanta.