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University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
Reinforcing Myths About Women in Philippine Culture 275
Mendoza / Reinforcing Myths About Women in Philippine Culture 275 REINFORCING MYTHS ABOUT WOMEN IN PHILIPPINE CULTURE Semiotic Analyses of the Sexbomb Girls in Eat Bulaga’s Laban o Bawi Trina Leah Mendoza University of the Philippines Los Baños [email protected] Abstract Movie and TV stars are an influential part of Philippine society. Not only do they entertain audiences with their television shows or movies, but their private lives and actions are arguably as interesting to the public. Celebrities and stars are admired, idolized, and looked up to by many of their followers, such that their values and actions can greatly influence their fans. However, their images may hold various meanings that are not evident to many people. This study analyzes a group of unconventional stars that changed the landscape of noontime viewing—the Sexbomb Girls—using a semiotic approach. It seeks to reveal the different images of women portrayed by the Sexbomb Girls, and understand how media can reinforce myths. The Sexbomb Girls were a social phenomenon and a product of production that depicted binary oppositions and metaphors: virgin/vamp, loud woman, and ordinary woman. These signs, binary oppositions, and metaphors served as myths that naturalized, influenced, and reinforced sexy female background dancers into becoming an ordinary part of noontime and game shows. Because they appeared six days a week in Eat Bulaga, the Sexbomb Girls have desensitized the Filipino masses such that seeing sexily clad background dancers in these shows has become ordinary and acceptable. Keywords binary oppositions; metaphors; semiotics; Sexbomb Girls; signs; social phenomenon Kritika Kultura 33/34 (2019/2020): 275–298 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Mendoza / Reinforcing Myths About Women in Philippine Culture 276 About the Author Trina Leah Mendoza is an assistant professor at the Department of Development Broadcasting and Telecommunication, College of Development Communication, University of the Philippines Los Baños (UPLB). -
Premier League, 2018–2019
Premier League, 2018–2019 “The Premier League is one of the most difficult in the world. There's five, six, or seven clubs that can be the champions. Only one can win, and all the others are disappointed and live in the middle of disaster.” —Jurgen Klopp Hello Delegates! My name is Matthew McDermut and I will be directing the Premier League during WUMUNS 2018. I grew up in Tenafly, New Jersey, a town not far from New York City. I am currently in my junior year at Washington University, where I am studying psychology within the pre-med track. This is my third year involved in Model UN at college and my first time directing. Ever since I was a kid I have been a huge soccer fan; I’ve often dreamed of coaching a real Premier League team someday. I cannot wait to see how this committee plays out. In this committee, each of you will be taking the helm of an English Football team at the beginning of the 2018-2019 season. Your mission is simple: climb to the top of the world’s most prestigious football league, managing cutthroat competition on and off the pitch, all while debating pressing topics that face the Premier League today. Some of the main issues you will be discussing are player and fan safety, competition with the world’s other top leagues, new rules and regulations, and many more. If you have any questions regarding how the committee will run or how to prepare feel free to email me at [email protected]. -
Civil Defense and Chemical Warfare in Great Britain, 1915-1945 Jordan I
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-7-2018 Britain Can Take It: Civil Defense and Chemical Warfare in Great Britain, 1915-1945 Jordan I. Malfoy [email protected] DOI: 10.25148/etd.FIDC006585 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the European History Commons, History of Science, Technology, and Medicine Commons, Military History Commons, Political History Commons, and the Social History Commons Recommended Citation Malfoy, Jordan I., "Britain Can Take It: Civil Defense and Chemical Warfare in Great Britain, 1915-1945" (2018). FIU Electronic Theses and Dissertations. 3639. https://digitalcommons.fiu.edu/etd/3639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida BRITAIN CAN TAKE IT: CHEMICAL WARFARE AND THE ORIGINS OF CIVIL DEFENSE IN GREAT BRITAIN, 1915 - 1945 A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY by Jordan Malfoy 2018 To: Dean John F. Stack, Jr. choose the name of dean of your college/school Green School of International and Public Affairs choose the name of your college/school This disserta tion, writte n by Jordan Malfoy, and entitled Britain Can Take It: Chemical Warfare and the Ori gins of Civil D efense i n Great Britain, 1915-1945, having been approved in respect to style and intellectual content, is referred to you for judgment. -
Many Faces of Mexico. INSTITUTION Resource Center of the Americas, Minneapolis, MN
DOCUMENT RESUME ED 392 686 ( SO 025 807 AUTHOR Ruiz, Octavio Madigan; And Others TITLE Many Faces of Mexico. INSTITUTION Resource Center of the Americas, Minneapolis, MN. REPORT NO ISBN-0-9617743-6-3 PUB DATE 95 NOTE 358p. AVAILABLE FROM ResourceCenter of The Americas, 317 17th Avenue Southeast, Minneapolis, MN 55414-2077 ($49.95; quantity discount up to 30%). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) Books (010) EDRS PRICE MF01/PC15 Plus Postage. .DESCRIPTORS Cross Cultural Studies; Foreign Countries; *Latin American Culture; *Latin American History; *Latin Americans; *Mexicans; *Multicultural Education; Social Studies; United States History; Western Civilization IDENTIFIERS *Mexico ABSTRACT This resource book braids together the cultural, political and economic realities which together shape Mexican history. The guiding question for the book is that of: "What do we need to know about Mexico's past in order to understand its present and future?" To address the question, the interdisciplinary resource book addresses key themes including: (1) land and resources;(2) borders and boundaries;(3) migration;(4) basic needs and economic issues;(5) social organization and political participation; (6) popular culture and belief systems; and (7) perspective. The book is divided into five units with lessons for each unit. Units are: (1) "Mexico: Its Place in The Americas"; (2) "Pre-contact to the Spanish Invasion of 1521";(3) "Colonialism to Indeperience 1521-1810";(4) "Mexican/American War to the Revolution: 1810-1920"; and (5) "Revolutionary Mexico through the Present Day." Numerous handouts are include(' with a number of primary and secondary source materials from books and periodicals. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
'Bro' Takes Center Stage in 'Kapamilya' Christmas
Dec ‘09-Jan ‘10 Available online at www.Lopezlink.ph Season’s greetings from OML, MML and EL3…page 5 ‘Bro’ takes center stage in ‘Kapamilya’ Christmas Q3 financial results PASKO na, Kapamilya! ing Marketing’s company-wide Christmas ABS-CBN EBITDA You know it’s Christmas when décor in the tree lighting activity, Licensing’s Parol season’s colors start popping up on major thor- ni Bro, CCM’s tagline and station ID, reaches P5B...p.2 oughfares and the mall muzak is interspersed a Christmas bazaar and the Win sa with carols. And, for kapamilyas all over the world, Bituin viewers’ promo—into one Christmas is definitely around the corner when big campaign. the station ID featuring their favorite The core idea, in the beginning, singers, actors and other media personali- was simply to boost employee ties starts getting airplay on Channel 2. morale in the midst of the global For Christmas 2009, ABS-CBN came economic crisis and unite every- up with “Bro, Ikaw ang Star ng Pasko,” one in a ceremonial Christmas a “back-to-basics” campaign centered tree lighting ceremony. How- on “Bro,” as the child Santino calls Jesus ever, the idea was scrapped when Christ in the network’s sleeper hit “May they realized that there are “so many Bukas Pa.” Christmas tree lighting The campaign kicked off on Nov. events.” 4 with the launch of the Christmas station ID, and the lighting of an 18-foot parol led by ABS-CBN chairman Eugenio “Gabby” Lopez III, presi- dent Charo Santos-Concio and “ S o FPHC grants call other executives, and Kapamilya we said, why not talents, including Santino him- go back to the on half its Meralco self, Zaijian Jaranilla. -
Racism and Anti-Racism in Football
Racism and Anti-Racism in Football Jon Garland and Michael Rowe Racism and Anti-Racism in Football Also by Jon Garland THE FUTURE OF FOOTBALL: Challenges for the Twenty-First Century (co-editor with D. Malcolm and Michael Rowe) Also by Michael Rowe THE FUTURE OF FOOTBALL: Challenges for the Twenty-First Century (co-editor with Jon Garland and D. Malcolm) THE RACIALISATION OF DISORDER IN TWENTIETH CENTURY BRITAIN Racism and Anti-Racism in Football Jon Garland Research Fellow University of Leicester and Michael Rowe Lecturer in Policing University of Leicester © Jon Garland and Michael Rowe 2001 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2001 by PALGRAVE Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE is the new global academic imprint of St. Martin’s Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd (formerly Macmillan Press Ltd). -
Art of Nation Building
SINING-BAYAN: ART OF NATION BUILDING Social Artistry Fieldbook to Promote Good Citizenship Values for Prosperity and Integrity PHILIPPINE COPYRIGHT 2009 by the United Nations Development Programme Philippines, Makati City, Philippines, UP National College of Public Administration and Governance, Quezon City and Bagong Lumad Artists Foundation, Inc. Edited by Vicente D. Mariano Editorial Assistant: Maricel T. Fernandez Border Design by Alma Quinto Project Director: Alex B. Brillantes Jr. Resident Social Artist: Joey Ayala Project Coordinator: Pauline S. Bautista Siningbayan Pilot Team: Joey Ayala, Pauline Bautista, Jaku Ayala Production Team: Joey Ayala Pauline Bautista Maricel Fernandez Jaku Ayala Ma. Cristina Aguinaldo Mercedita Miranda Vincent Silarde ALL RIGHTS RESERVED Apart from fair dealing for the purpose of research or review, as permitted under the copyright, this book is subject to the condition that it should not, by way of trade or otherwise, be lent, sold, or circulated in any form, without the prior permission in writing of the publisher. The scanning, uploading and distribution of this book via the Internet or via other means without the permission of the publisher is illegal and punishable by applied laws. ALL SONGS COPYRIGHT Joey Ayala PRINTED IN THE PHILIPPINES by JAPI Printzone, Corp. Text Set in Garamond ISBN 978 971 94150 1 5 TABLE OF CONTENTS i MESSAGE Mary Ann Fernandez-Mendoza Commissioner, Civil Service Commission ii FOREWORD Bro. Rolando Dizon, FSC Chair, National Congress on Good Citizenship iv PREFACE: Siningbayan: Art of Nation Building Alex B. Brillantes, Jr. Dean, UP-NCPAG vi ACKNOWLEDGEMENTS vii INTRODUCTION Joey Ayala President, Bagong Lumad Artists Foundation Inc.(BLAFI) 1 Musical Reflection: KUNG KAYA MONG ISIPIN Joey Ayala 2 SININGBAYAN Joey Ayala 5 PART I : PAGSASALOOB (CONTEMPLACY) 9 “BUILDING THE GOOD SOCIETY WE WANT” My Hope as a Teacher in Political and Governance Jose V. -
Mula Wowowee Hanggang Ultra: Telebisyon, Uri at Ideolohiya [From Wowowee to Ultra: Television, Class and Ideology] Choy Pangilinan
Mula Wowowee hanggang Ultra: Telebisyon, Uri at Ideolohiya [From Wowowee to Ultra: Television, Class and Ideology] CHOY PANGILINAN Philippine Humanities Review Volume 14 Number 2, April 2012, pp. 35 - 66 ISSN-0031-7802 © 2012 University of the Philippines 36 PANGILINAN MULA WOWOWEE HANGGANG ULTRA: TELEBISYON, URI AT IDEOLOHIYA [FROM WOWOWEE TO ULTRA: TELEVISION, CLASS AND IDEOLOGY] CHOY PANGILINAN This paper is a critical intervention and interrogation of the noontime television show Wowowee which was televised from 5 February 2005 to 30 July 2010 in ABS-CBN 2. The show has then moved to ABC 5. Although its move to another TV network and the characteristics of its subsequent format deserve a separate paper, it can be said that the discursive language utilized by game shows rarewly deviate from the formulaic and profit-driven logic systemic to the media industry. This paper offers not only a specific mode of knowing and assessment of a particular television text (Wowowee) but also a theoretical grid and lens that might aid future scholars of television studies and popular culture who aim to dismantle the ramification of apolitical theorizations in the field of academic warfare and media criticism. I aim to problematize how televisual imageries, mediated significations, and regimes of discourses in television articulate a deodorized and depoliticized rendering of specific societal contradictions experienced by the broad masses through poverty, underdevelopment, and injustice. Coming from this theoretical position, I aim to show how the “culture industry,” such as the show Wowowee, legitimizes and authenticates existing power relations and modes of domination between contending classes in Philippine society. -
40368512.Pdf
Msgr. Gutierrez Elections 2010 Ogie Cruz All Saints’ Day: Get Out Pinakamagaling na Zacchaeus: from sin to aktres sa lahat ng repentance. ...p. 15 and Vote! panahon... p. 22 October 29 - November 4, 2010 Japan’s Itochu invests $120M in Isabela ethanolItochu Corp. plant of Japan is investing $120 million in an PROMISED LAND ethanol plant in San Mariano, Veritas taps Smart for e-trading Isabela, which is expected to become the Philippines’ biggest project to benefit urban poor and the only integrated biofuel plant by 2012. A Gift from Heaven The project would be under- “Hulog siya ng langit sa taken by Green Future Innova- atin (She’s a gift from tions Inc. (GFII), a joint venture of Itochu, another Japanese firm heaven),” she told her hus- JGC Corp., the Philippine Bio- band who was still with- ethanol and Energy Investments holding judgment until Corp., and Taiwanese holding the final ruling. But in her firm GCO. heart, Ditas was already Under the plan, the joint convinced Mikaela was Shown in the photo during the MOA-signing ceremony held recently (from left to right) are: Perry V. Bayani, Marketing Group Head for Talk her daughter. Like she had ‘N Text; Orlando B. Vea, SMART Chief Wireless Advisor; Manuel V. Pan- said, Ditas believed she’s a gilinan, PLDT and Smart Chairman; Fr. Benigno P. Beltran, SVD, Chair- gift from heaven, granted man and CEO of Veritas; Carlos Palad, COO of Veritas; Girlie Santos, Environment Planner for Veritas. through the intercession of her deceased father. This Residents of Tondo may of Smokey Mountain and was why she even bore his soon enjoy the benefits of Tondo, will use Smart’s name, “Miguel” which is buying and selling goods communication and e-com- the Spanish and male ver- over the internet through merce solutions to support sion of “Mikaela”. -
Crowd Choreographies
Crowd Choreographies Madeline McHale Hartzell Andy Warhol, Crowd c. 1963 Crowd Choreographies by Madeline Hartzell, 0 Advisors: Jill Stoner, Associate Professor of Architecture Raveevarn Choksombatchai, Associate Professor of Architecture Introduction 4 one The Fear of Being Touched: Catalog and Critique of a Crowd 8 Definition of a Crowd Sociological Factors Different Crowd Types two Mosh Pit : Simulating the Crowd 16 Summary of Programming Crowd Simulation Diverging Theories: Fluid Dynamics Vs. Agent Based Lexicon of Crowd Simulation Programs three The Crush : Case Studies 24 Moving: Haaj Pilgrimmage Fleeing: 9/11 Receiving: The Superdome Entering: Black Friday four Live Your Passion : Rio de Janeiro Olympic 06 40 Brief on Olympics Site Analysis: Rio (Populace, Landscape) Current Concerns: Terrorism, Crime, Mob Olympic Event Calendar five Anticipation: Investigating the 06 Crowds 46 SITE ONE: Maracana Stadium SITE TWO: Sambodrome SITE THREE: Copacabana Stadium six Choreographing the Crowd : Final Designs 60 Bibliography 74 table of contents . Aftermath from the 954 Lima-Peru Soccer Tragedy, resulting in 38 spectators dead, . Aerial view of the 969 Woodstock concert in White Lake, New York. 3. Photograph from the 989 Hillsborough Disaster, where 96 fans were crushed to death. The more, the merrier? "The more fiercely people press together, the more certain they feel that they do not fear each other." -Elias Canetti Many of the most important historical moments of our time involved a crowd - whether waiting in anticipation for an election result, parading the street in riot or somberly listening to a speech in peaceful hope. Designing for a large capacity of people, either on a short term basis (stadium) or continuous movement throughout the period of day (subway station) inherently brings in an element of the unknown: how people will truly inhabit the space.