Ì˜Í™” Ëª…Ë¶€ (Ìž'í'ˆìœ¼ë¡Œ)

Total Page：16

File Type：pdf, Size：1020Kb

Johnny Manahan ì˜í ™” ëª…ë¶€ (ìž‘í’ˆìœ¼ë¡œ) The Voice of the https://ko.listvote.com/lists/film/movies/the-voice-of-the-philippines-7773052/actors Philippines Shoutout! https://ko.listvote.com/lists/film/movies/shoutout%21-7502834/actors The Voice Kids https://ko.listvote.com/lists/film/movies/the-voice-kids-17111617/actors Dance Kids https://ko.listvote.com/lists/film/movies/dance-kids-21539870/actors Minute to Win It https://ko.listvote.com/lists/film/movies/minute-to-win-it-25561443/actors Pinoy Boyband Superstar https://ko.listvote.com/lists/film/movies/pinoy-boyband-superstar-26963096/actors The Voice Teens https://ko.listvote.com/lists/film/movies/the-voice-teens-30600568/actors Pilipinas Win Na Win https://ko.listvote.com/lists/film/movies/pilipinas-win-na-win-3545088/actors Wowowee https://ko.listvote.com/lists/film/movies/wowowee-3570084/actors Abangan Ang Susunod Na https://ko.listvote.com/lists/film/movies/abangan-ang-susunod-na-kabanata-4663404/actors Kabanata Bora https://ko.listvote.com/lists/film/movies/bora-4944245/actors Eto Na Ang Susunod Na https://ko.listvote.com/lists/film/movies/eto-na-ang-susunod-na-kabanata-5404724/actors Kabanata Happy Yipee Yehey! https://ko.listvote.com/lists/film/movies/happy-yipee-yehey%21-5877400/actors Home Along Da Riles https://ko.listvote.com/lists/film/movies/home-along-da-riles-5888232/actors Kaya ni Mister, Kaya ni https://ko.listvote.com/lists/film/movies/kaya-ni-mister%2C-kaya-ni-misis-6380356/actors Misis Oo Na, Mahal Na Kung https://ko.listvote.com/lists/film/movies/oo-na%2C-mahal-na-kung-mahal-7095222/actors Mahal Richard Loves Lucy https://ko.listvote.com/lists/film/movies/richard-loves-lucy-7327467/actors Sa Linggo nAPO Sila https://ko.listvote.com/lists/film/movies/sa-linggo-napo-sila-7395478/actors Star Power https://ko.listvote.com/lists/film/movies/star-power-7600833/actors Wansapanataym https://ko.listvote.com/lists/film/movies/wansapanataym-7968064/actors https://ko.listvote.com/lists/film/movies/asap-%28tv- ASAP (TV í”„ë¡œê·¸ëž¨) %ED%94%84%EB%A1%9C%EA%B7%B8%EB%9E%A8%29-4654049/actors.

Copy Link

Recommended publications

Reinforcing Myths About Women in Philippine Culture 275
Mendoza / Reinforcing Myths About Women in Philippine Culture 275 REINFORCING MYTHS ABOUT WOMEN IN PHILIPPINE CULTURE Semiotic Analyses of the Sexbomb Girls in Eat Bulaga’s Laban o Bawi Trina Leah Mendoza University of the Philippines Los Baños [email protected] Abstract Movie and TV stars are an influential part of Philippine society. Not only do they entertain audiences with their television shows or movies, but their private lives and actions are arguably as interesting to the public. Celebrities and stars are admired, idolized, and looked up to by many of their followers, such that their values and actions can greatly influence their fans. However, their images may hold various meanings that are not evident to many people. This study analyzes a group of unconventional stars that changed the landscape of noontime viewing—the Sexbomb Girls—using a semiotic approach. It seeks to reveal the different images of women portrayed by the Sexbomb Girls, and understand how media can reinforce myths. The Sexbomb Girls were a social phenomenon and a product of production that depicted binary oppositions and metaphors: virgin/vamp, loud woman, and ordinary woman. These signs, binary oppositions, and metaphors served as myths that naturalized, influenced, and reinforced sexy female background dancers into becoming an ordinary part of noontime and game shows. Because they appeared six days a week in Eat Bulaga, the Sexbomb Girls have desensitized the Filipino masses such that seeing sexily clad background dancers in these shows has become ordinary and acceptable. Keywords binary oppositions; metaphors; semiotics; Sexbomb Girls; signs; social phenomenon Kritika Kultura 33/34 (2019/2020): 275–298 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Mendoza / Reinforcing Myths About Women in Philippine Culture 276 About the Author Trina Leah Mendoza is an assistant professor at the Department of Development Broadcasting and Telecommunication, College of Development Communication, University of the Philippines Los Baños (UPLB).
[Show full text]
'Bro' Takes Center Stage in 'Kapamilya' Christmas
Dec ‘09-Jan ‘10 Available online at www.Lopezlink.ph Season’s greetings from OML, MML and EL3…page 5 ‘Bro’ takes center stage in ‘Kapamilya’ Christmas Q3 financial results PASKO na, Kapamilya! ing Marketing’s company-wide Christmas ABS-CBN EBITDA You know it’s Christmas when décor in the tree lighting activity, Licensing’s Parol season’s colors start popping up on major thor- ni Bro, CCM’s tagline and station ID, reaches P5B...p.2 oughfares and the mall muzak is interspersed a Christmas bazaar and the Win sa with carols. And, for kapamilyas all over the world, Bituin viewers’ promo—into one Christmas is definitely around the corner when big campaign. the station ID featuring their favorite The core idea, in the beginning, singers, actors and other media personali- was simply to boost employee ties starts getting airplay on Channel 2. morale in the midst of the global For Christmas 2009, ABS-CBN came economic crisis and unite every- up with “Bro, Ikaw ang Star ng Pasko,” one in a ceremonial Christmas a “back-to-basics” campaign centered tree lighting ceremony. How- on “Bro,” as the child Santino calls Jesus ever, the idea was scrapped when Christ in the network’s sleeper hit “May they realized that there are “so many Bukas Pa.” Christmas tree lighting The campaign kicked off on Nov. events.” 4 with the launch of the Christmas station ID, and the lighting of an 18-foot parol led by ABS-CBN chairman Eugenio “Gabby” Lopez III, presi- dent Charo Santos-Concio and “ S o FPHC grants call other executives, and Kapamilya we said, why not talents, including Santino him- go back to the on half its Meralco self, Zaijian Jaranilla.
[Show full text]
Art of Nation Building
SINING-BAYAN: ART OF NATION BUILDING Social Artistry Fieldbook to Promote Good Citizenship Values for Prosperity and Integrity PHILIPPINE COPYRIGHT 2009 by the United Nations Development Programme Philippines, Makati City, Philippines, UP National College of Public Administration and Governance, Quezon City and Bagong Lumad Artists Foundation, Inc. Edited by Vicente D. Mariano Editorial Assistant: Maricel T. Fernandez Border Design by Alma Quinto Project Director: Alex B. Brillantes Jr. Resident Social Artist: Joey Ayala Project Coordinator: Pauline S. Bautista Siningbayan Pilot Team: Joey Ayala, Pauline Bautista, Jaku Ayala Production Team: Joey Ayala Pauline Bautista Maricel Fernandez Jaku Ayala Ma. Cristina Aguinaldo Mercedita Miranda Vincent Silarde ALL RIGHTS RESERVED Apart from fair dealing for the purpose of research or review, as permitted under the copyright, this book is subject to the condition that it should not, by way of trade or otherwise, be lent, sold, or circulated in any form, without the prior permission in writing of the publisher. The scanning, uploading and distribution of this book via the Internet or via other means without the permission of the publisher is illegal and punishable by applied laws. ALL SONGS COPYRIGHT Joey Ayala PRINTED IN THE PHILIPPINES by JAPI Printzone, Corp. Text Set in Garamond ISBN 978 971 94150 1 5 TABLE OF CONTENTS i MESSAGE Mary Ann Fernandez-Mendoza Commissioner, Civil Service Commission ii FOREWORD Bro. Rolando Dizon, FSC Chair, National Congress on Good Citizenship iv PREFACE: Siningbayan: Art of Nation Building Alex B. Brillantes, Jr. Dean, UP-NCPAG vi ACKNOWLEDGEMENTS vii INTRODUCTION Joey Ayala President, Bagong Lumad Artists Foundation Inc.(BLAFI) 1 Musical Reflection: KUNG KAYA MONG ISIPIN Joey Ayala 2 SININGBAYAN Joey Ayala 5 PART I : PAGSASALOOB (CONTEMPLACY) 9 “BUILDING THE GOOD SOCIETY WE WANT” My Hope as a Teacher in Political and Governance Jose V.
[Show full text]
Mula Wowowee Hanggang Ultra: Telebisyon, Uri at Ideolohiya [From Wowowee to Ultra: Television, Class and Ideology] Choy Pangilinan
Mula Wowowee hanggang Ultra: Telebisyon, Uri at Ideolohiya [From Wowowee to Ultra: Television, Class and Ideology] CHOY PANGILINAN Philippine Humanities Review Volume 14 Number 2, April 2012, pp. 35 - 66 ISSN-0031-7802 © 2012 University of the Philippines 36 PANGILINAN MULA WOWOWEE HANGGANG ULTRA: TELEBISYON, URI AT IDEOLOHIYA [FROM WOWOWEE TO ULTRA: TELEVISION, CLASS AND IDEOLOGY] CHOY PANGILINAN This paper is a critical intervention and interrogation of the noontime television show Wowowee which was televised from 5 February 2005 to 30 July 2010 in ABS-CBN 2. The show has then moved to ABC 5. Although its move to another TV network and the characteristics of its subsequent format deserve a separate paper, it can be said that the discursive language utilized by game shows rarewly deviate from the formulaic and profit-driven logic systemic to the media industry. This paper offers not only a specific mode of knowing and assessment of a particular television text (Wowowee) but also a theoretical grid and lens that might aid future scholars of television studies and popular culture who aim to dismantle the ramification of apolitical theorizations in the field of academic warfare and media criticism. I aim to problematize how televisual imageries, mediated significations, and regimes of discourses in television articulate a deodorized and depoliticized rendering of specific societal contradictions experienced by the broad masses through poverty, underdevelopment, and injustice. Coming from this theoretical position, I aim to show how the “culture industry,” such as the show Wowowee, legitimizes and authenticates existing power relations and modes of domination between contending classes in Philippine society.
[Show full text]
40368512.Pdf
Msgr. Gutierrez Elections 2010 Ogie Cruz All Saints’ Day: Get Out Pinakamagaling na Zacchaeus: from sin to aktres sa lahat ng repentance. ...p. 15 and Vote! panahon... p. 22 October 29 - November 4, 2010 Japan’s Itochu invests $120M in Isabela ethanolItochu Corp. plant of Japan is investing $120 million in an PROMISED LAND ethanol plant in San Mariano, Veritas taps Smart for e-trading Isabela, which is expected to become the Philippines’ biggest project to benefit urban poor and the only integrated biofuel plant by 2012. A Gift from Heaven The project would be under- “Hulog siya ng langit sa taken by Green Future Innova- atin (She’s a gift from tions Inc. (GFII), a joint venture of Itochu, another Japanese firm heaven),” she told her hus- JGC Corp., the Philippine Bio- band who was still with- ethanol and Energy Investments holding judgment until Corp., and Taiwanese holding the final ruling. But in her firm GCO. heart, Ditas was already Under the plan, the joint convinced Mikaela was Shown in the photo during the MOA-signing ceremony held recently (from left to right) are: Perry V. Bayani, Marketing Group Head for Talk her daughter. Like she had ‘N Text; Orlando B. Vea, SMART Chief Wireless Advisor; Manuel V. Pan- said, Ditas believed she’s a gilinan, PLDT and Smart Chairman; Fr. Benigno P. Beltran, SVD, Chair- gift from heaven, granted man and CEO of Veritas; Carlos Palad, COO of Veritas; Girlie Santos, Environment Planner for Veritas. through the intercession of her deceased father. This Residents of Tondo may of Smokey Mountain and was why she even bore his soon enjoy the benefits of Tondo, will use Smart’s name, “Miguel” which is buying and selling goods communication and e-com- the Spanish and male ver- over the internet through merce solutions to support sion of “Mikaela”.
[Show full text]
DECEMBER 2013 FINAL:Filipino Star
Vol. XXXI No.12 December 2013 http://www.filipinostar.org Ethnic Press holds 2nd professional seminars By Zenaida Ferry Kharroubi communicate. Markham, ON - December 8, There were many interesting 2013 - About 260 members of the topics discussed by each National Ethnic Press and Media speaker/lecturer in different fields of Council of Canada attended the 2nd expertise that fulfilled the objectives of professional development seminar that the National Ethnic Press and Media was held from December 6 to 8, 2013 Council of Canada. to provide at Seneca College. The first one was professional skills and competence for held three years ago, November 20-22, its members. Besides giving 2009, also held at Seneca College recognition to the importance of the which provided most of the speakers ethnic media as Canada’s “other and lecturers for the seminars.This voices”, it was also a great opportunity seminar was made possible through to do networking. the Government of Canada’s Canadian Among the most relevant topic Periodical Fund under the Department discussed is the role of the ethnic of Canadian Heritage. media - why local news matters - The opening plenary session delivered by Ms. April Lindgren, was presided by the “Networking Canadian Ethnic Community Media Guru:, Donna Messer, who gave an Specialist, an associate professor in the excellent motivational lecture on School of Journalism at Ryerson “Effectuve Business Networking”, in an University. She pointed out that local inter-active fashion that drew repeated news coverage represents an applauses from the audience. Her important competitive advantage for main theme was the three C’s of Some of the participants in the seminars: from left: Helen Wang, Ned Blair, NEPMCC vice- See Page 4 Ethnic Media Networking - collaborate, commit, and president, Business Development, Zenaida Kharroubi, Kostas Karatsikis, Mario Ayala, and Maria Ayala.
[Show full text]
Techn Ical N Otes
A Literature Review of Emergency and Non-Emergency Events Minkyu Lee Fire Protection Research Foundation © August 2012 TECHNICAL NOTES The Fire Protection Research Foundation One Batterymarch Park Quincy, Massachusetts, U.S.A. 02169-7471 E-Mail: [email protected] Web: www.nfpa.org/foundation Page 1 of 45 (This page left intentionally blank) Page 2 of 45 Executive Summary NFPA 101, Life Safety Code® , contains information that is useful not only in fire related emergencies but also in non-fire emergencies and non-emergency situations. To better clarify the application of NFPA 101 to non-fire emergency and non-emergency situations, multiple applicable scenarios have been identified and summarized in this document. These incidents and documents were gathered to provide background information for the Technical Committees for NFPA 101 (and other documents), for the evaluation of the potential for non-fire-emergencies and non-emergency scenarios which include some form of individual and crowd dynamics. Acknowledgements The Fire Protection Research Foundation expresses gratitude to those that assisted with the development and review of the information contained in this report. The Research Foundation appreciates the guidance provide by the Project Technical Panel: Rita Fahy, Harold Hansen, Jason Averill, Amy Murdock, Robert Solomon, and Jeff Tubbs. Special thanks are expressed to the National Fire Protection Association (NFPA) for funding this project. Note: This document was revised in October 2012. Specifically, the number of casualties that occurred at the Electric Daisy Carnival (incident number 25 on pages 12 and 28) was modified from 19 deaths to no death based on further clarifying information.
[Show full text]
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Mediating Global Filipinos: The Filipino Channel and the Filipino Diaspora Permalink https://escholarship.org/uc/item/8jh604ks Author Lu, Ethel Regis Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Mediating Global Filipinos: The Filipino Channel and the Filipino Diaspora By Ethel Marie P. Regis A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Catherine Ceniza Choy, Chair Professor Elaine H. Kim Professor Khatharya Um Professor Irene Bloemraad Fall 2013 Abstract Mediating Global Filipinos: The Filipino Channel and the Filipino Diaspora by Ethel Marie P. Regis Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Catherine Ceniza Choy, Chair Mediating Global Filipinos: The Filipino Channel and the Filipino Diaspora examines the notion of the “global Filipino” as imagined and constructed vis-à-vis television programs on The Filipino Channel (TFC). This study contends that transnational Philippine media broadly construct the notion of “global Filipinos” as diverse, productive, multicultural citizens, which in effect establishes a unified overseas Filipino citizenry for Philippine economic Welfare and global cultural capital. Despite the netWork’s attempts at representing difference and inclusion, what the notion of “global Filipinos” does not address are the structural and social inequities that affect the everyday lives Filipino diasporans and the Ways in Which immigrants and second generation Filipino Americans alike carefully negotiate family ties and the politics of their changing identities and commitments.
[Show full text]
Whereas, Whereas, Whereas, Where~S
FOURTEENTH CONGRESS OF THE 1 REPUBLIC OF THE PHILIPPINES 1 First Regular Session 1 P.S. Res. No. 111 INTRODUCED BY THE HONORABLE MAR ROXAS A RESOLUTION DIRECTING THE COMMITTEE ON TRADE AND COMMERCE TO CONDUCT AN INQUIRY, IN AID OF LEGISLATION, ON THE CONTROVERSY SURROUNDING THE 20 AUGUST 2007 EPISODE OF THE WILYONARYO’ SEGMENT OF ABS-CBN CHANNEL 2 GAME SHOW ‘WOWOWEE.” WHEW, it is the policy of the State to protect the interests and general welfare of consumers and to establish standards of conduct for business and industry, which include the regulation of what is known as ‘Sales Promotion’ as defined under Republic Act No. 7394, entitled “The Consumer Act of the Philippines;” WHEREAS,‘Wilyonaryo’ is a new game segment in the ABS-CBN Channel 2 game show “Wowowee”hosted by Willie Revillame, which started last 18 August 2007; WHEREAS,as shown on the ‘Wowowee” show, in order to become a contestant in the ‘Wilyonaryo’ segment, a person must send a text message to the show with a corresponding charge, which is a text-based sales promotion andfor marketing covered under Republic Act No. 7394, entitled “The Consumer Act of the Philippines,” and therefore, under the direct control and supervision of the Department of Trade and Industry, the government agency primarily tasked in regulating similar television game shows; WHEREAS,a contestant in the ‘Wilyonaryo’ game segment who would make it to the jackpot round is asked to pick a colored wheel then made to choose between ‘Wilyonaryo’or ‘Winame.’ A contestant who chooses ‘Wilyonaryo’ has a chance to win Two Million Pesos (Php2,000,000.00), One Million Pesos (Php1,000,000.00), Five Hundred Thousand Pesos (Php500,000.00), or a house and lot, while a contestant who chooses ‘Winame’ means opting to get the cash amount offered by Willie Revillame instead of the hidden prize in the chosen colored wheel.
[Show full text]
Magicsing Chip Tagalog - STARCHIP (Tagalog+Eng) W/ 300 Popular English and Tagalog Songs
MagicSing Chip Tagalog - STARCHIP (Tagalog+Eng) w/ 300 popular English and Tagalog songs. It comes with song list (Hard Copy). Compatible ET23KH, ET25K, ET9K, ET19Kv, ET18Kv, ET13K, ET12K, ET12S, MT14K, ET15K, ET21K to EG-18000, ED-11000, ED-9000, ED-8000, ED-7000, ED-6000, ED-2000 (MS II) NO. Song Title Popularized by 1 AH DOO DOO DOO WILLIE REVILLAME 2 BOOM TARAT-TARAT WILLIE REVILLAME 3 HEPHEP HOORAY (HAPPY BIRTHDAY) WILLIE REVILLAME 4 IGILING-GILING WILLIE REVILLAME 5 IYUGYOG MO WILLIE REVILLAME 6 PANGARAP NA BITUIN SARAH GERONIMO 7 PARA SA 'YO ANG LABAN NA 'TO MANNY PACQUIAO 8 SAYAW DARLING WILLIE REVILLAME 9 (OUR LOVE) DON'T THROW IT ALL AWAY VINA MORALES 10 A VERY SPECIAL LOVE SARAH GERONIMO 11 AALOG-ALOG WILLIE REVILLAME 12 ALL MY LIFE CESAR MONTANO 13 ALL OF ME CHARLIE GREEN 14 ALWAYS SHERYN REGIS 15 ALWAYS YOU CHARICE PEMPENGCO 16 ANAK GARY VALENCIANO 17 AND I AM TELLING YOU (I'M NOT GOING) CHARICE PEMPENGCO 18 ANG GANDA KO SANDARA PARK 19 ANG PAG-IBIG KONG ITO SHERYN REGIS 20 ANG SARAP DITO PROJECT 1 21 ANGHEL NA WALANG LANGIT KRISTEL 22 ARAW NATIN 'TO LITTLE BIG STAR KIDS 23 AWIT NG PANGARAP YENG CONSTANTINO 24 AWIT PARA SA 'YO JAMIE RIVERA 25 AYOS NA ANG BUTO-BUTO VHONG NAVARRO 26 BAGONG SIMULA STATION ID YENG, COOKIE CHUA, KEVIN ROY 27 BAKIT COOKIE & GLOC 9 28 BAKIT AKO MAHIHIYA AIZA SEGUERRA 29 BAKIT BA INIIBIG KA PIOLO PASCUAL & REGINE VELASQUEZ 30 BAKIT NGA BA MAHAL KITA LAARNI LOZADA 31 BANANA SPLIT COOL CHIX 32 BA'T DI MO PAGBIGYAN KING 33 BECAUSE OF YOU GARY VALENCIANO 34 BEN RHAP SALAZAR 35 BITUING WALANG NINGNING
[Show full text]
The New Manila Sound: Music and Mass Culture, 1990S and Beyond James Gabrillo
The New Manila Sound: Music and Mass Culture, 1990s and Beyond A dissertation submitted for the degree of Doctor of Philosophy in Music James Gabrillo Peterhouse, University of Cambridge November 2018 This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other quali- fication at the University of Cambridge or any other University or similar institution. It does not exceed the word limit prescribed by the Degree Committee. "2 of 293" The New Manila Sound: Music and Mass Culture, 1990s and Beyond James Gabrillo Abstract This dissertation provides the first detailed account of the mass musical culture of the Philippines that originated in the 1990s and continues to be the most popular style of musical entertainment in the country — a scene I dub the New Manila Sound. Through a combination of archival research, musical analysis, and ethnographic fieldwork, my ex- amination focuses on its two major pioneers: the musical television programme Eat Bula- ga! (Lunchtime Surprise) and the pop-rock band Aegis. I document the scene’s rise and development as it attracted mostly consumers from the lower classes and influenced oth- er programmes and musicians to adapt its content and aesthetics. The scene’s trademark kitsch qualities of parody, humour, and exaggeration served as forms of diversion to au- diences recovering from the turbulent dictatorship of Ferdinand Marcos from 1965 to 1986, when musical works primarily comprised of state-commissioned nationalist an- thems, Western art music, and protest songs.
[Show full text]
Studio Tours
June 2009 With a year to go before the May 2010 elections, ABS-CBN launches Available online at www.Lopezlink.ph Story on page 9 Meralco manage- ment buo pa rin...p.2 Studio Tours: Walking the talk ABS-CBN’s Studio Tours and Museum Walk department is abuzz group’s 1969 “Man on the Moon” broadcast; and the Kris Aquino with activity when LopezLink drops in one afternoon. In a corner starrer “Feng Shui.” A small preview room gives tour participants a of the reception area, guests cluster around a display of Kapamilya crash course on the history of ABS-CBN (see sidebar). These stops collectibles. At the other end of the room, uniformed staff members are part of the tour/museum walk that attracts droves of fans to the juggle phone calls underneath framed celebrity handprints. ABS-CBN headquarters every month. A few steps away, mock-ups of different ABS-CBN produc- Pre-Studio Tours, getting a close look at the ABS-CBN studios tions—a centerpiece feature of the whole Studio Tours and Mu- and facilities, to a certain degree, was a matter of luck and good seum Walk experience—take up several showrooms. At the time of timing. For example, students hoping for a free behind-the-scenes LopezLink’s visit, these included TV shows “Wowowee,” “Maalaala Mo Kaya” and the defunct “Rounin”; the news and current affairs Turn to page 6 All you need to know about swine flu...page 10 Gifts for Dad, cool school stuff for the kids in Power Plant Mall …page 12 Balikbayans plan their homecoming around a Studio Tours visit.
[Show full text]

Ì˜​Í™” Ëª…Ë¶€ (Ìž'í'ˆìœ¼ë¡Œ)

Ì˜Í™” Ëª…Ë¶€ (Ìž'í'ˆìœ¼ë¡Œ)