Books, Gold and Elixir: Alchemy and Religious Orders in Early Modern Naples
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Arcana & Curiosa
ARCANA & CURIOSA MY PERSONAL LIBRARY * Notes: * The data listed here have been exported from an .fp5 file and they may contain some formatting glitch. Any ambiguities however may be solved by consulting the websites quoted in the records of downloaded materials and/or the main online OPACs, especially the University of Manchester’s COPAC (http://copac.ac.uk/) and OPALE, the online catalogue of the Bibliothèque Nationale de France (http://catalogue.bnf.fr/). * This catalogue included printed materials as well as electronic resources published online; there is no separation of the two in sections, but all are recorded in the same database for quick reference, because I don’t always remember whether my copy of a certain work is printed or electronic. * The records are listed A-Z by surname of first author and first word in the title (articles included). * A passage to the Afterworld, http://www.knowth.com/newgrange.htm, download aprile 2003, ripubblicato da «The World of Hibernia», Cultura materiale e archeologia A Proper newe Booke of Cokerye (mid-16th c.), http://www.staff.uni- marburg.de/~gloning/bookecok.htm, download maggio 2004, Cultura materiale e archeologia Ad fontes: gnostic sources in the BPH, J.R. Ritman Library -- Bibliotheca Philosophica Hermetica. The Library of Hermetic Philosophy in Amsterdam, http://www.xs4all.nl/~bph/, download agosto 2002, Alchimia Aesch-Mezareph, traduzione inglese di W. Wynn Westcott, The Alchemy Web, http://www.levity.com/alchemy, download ottobre 2001, Adam McLean, Alchimia Alchemical and chemical -
DOW Final Text Panels
Wunderkammer In the 1550s a new kind of collecting emerged among wealthy Europeans as they confronted the explosion of knowledge following the discovery of distant lands and new, basic scientific principles. Emperors, princes, nobles, and merchants assembled paintings, precious objects, scientific instruments, games, and natural wonders to create individualized micro- cosms. In these chambers of wonder (Wunderkammern)—and their smaller counterparts, the cabinets of wonder (Wunderkabinette)—rare and unusual natural specimens co-existed with exquisite artificial pro- ductions and the latest technological inventions. Designed as store- houses of knowledge and instruments for learning, these all-embracing collections also provided occasions for intellectual amusement, med- itation on God’s creation, and the display of wealth and status. Playful and profound, compact yet universal, these singular spaces encouraged visitors to assemble objects into ever-changing configu- rations—like their cyber equivalent, the Internet. Both invite constant visual engagement as the primary mode of interaction. By bringing the exceptional into the world at hand, Wunderkammern accustomed the eye to visual stimulations not unlike those dominating our contemporary life. Leading toward the modern public museum, Wunderkammern inspired the mind to expand the limits of imagination and to be transported beyond the here and now. Little Epiphanies With the invention of the microscope in the early 1600s, viewers could experience sudden insight (epiphanies) into a formerly invisible universe of minute things. The multiple-lens compound microscope, initially produced by Dutch opticians and commercialized about 1660, was the first such instrument. Paradoxically, the single-lens microscope seems to have been invented after the compound microscope. Even though chromatic aberration—caused by the differences in refraction of the colored rays of the spectrum—often blurred and distorted the images, fundamental scientific discoveries were enabled by both types of early microscopes. -
On the Alleged Use of Keplerian Telescopes in Naples in the 1610S
On the Alleged Use of Keplerian Telescopes in Naples in the 1610s By Paolo Del Santo Museo Galileo: Institute and Museum of History of Science – Florence (Italy) Abstract The alleged use of Keplerian telescopes by Fabio Colonna (c. 1567 – 1640), in Naples, since as early as October 1614, as claimed in some recent papers, is shown to be in fact untenable and due to a misconception. At the 37th Annual Conference of the Società Italiana degli Storici della Fisica e dell'Astronomia (Italian Society of the Historians of Physics and Astronomy, SISFA), held in Bari in September 2017, Mauro Gargano gave a talk entitled Della Porta, Colonna e Fontana e le prime osservazioni astronomiche a Napoli. This contribution, which appeared in the Proceedings of the Conference (Gargano, 2019a), was then followed by a paper —actually, very close to the former, which, in turn, is very close to a previous one (Gargano, 2017)— published, in the same year, in the Journal of Astronomical History and Heritage (Gargano, 2019b). In both of these writings, Gargano claimed that the Neapolitan naturalist Fabio Colonna (c. 1567 – 1640), member of the Accademia dei Lincei, would have made observations with a so-called “Keplerian” or “astronomical” telescope (i.e. with converging eyepiece), in the early autumn of 1614. The events related to the birth and development of Keplerian telescope —named after Johannes Kepler, who theorised this optical configuration in his Dioptrice, published in 1611— are complex and not well-documented, and their examination lies beyond the scope of this paper. However, from a historiographical point of view, the news that someone was already using such a configuration since as early as autumn 1614 for astronomical observations, if true, would have not negligible implications, which Gargano himself does not seem to realize. -
Resistance to Christianity. the Heresies at the Origins of the 18<Sup
Library.Anarhija.Net The Resistance to Christianity. The Heresies at the Origins of the 18th Century Raoul Vaneigem Raoul Vaneigem The Resistance to Christianity. The Heresies at the Origins ofthe 18th Century 1993 Retrieved on December 21, 2009 from www.notbored.org Published by Editions Artheme Fayard in 1993. Translated from the French by NOT BORED! All footnotes by the author, except where noted. March 2007. Thanks to Christopher Gray and Kim Paice for material support and encouragement. To Contact NOT BORED! [email protected] ISSN 1084–7340. Snail mail: POB 1115, Stuyvesant Station, New York City 10009–9998 lib.anarhija.net 1993 Contents Translator’s Introduction 10 Foreword 20 Chapter 1: A Nation Sacrificed to History 33 Chapter 2: Diaspora and Anti-Semitism 54 Jewish Proselytism and Anti-Semitism . 57 Chapter 3: The Judean Sects 65 The Sadduceans ....................... 65 The Pharisians ........................ 68 The Zealot Movement .................... 72 Chapter 4: The Men of the Community, or the Essenes 82 History of the Sect ...................... 83 Monachism and Ecclesiastic Organization . 87 Essenism is the True Original Christianity . 91 The Messiah ......................... 92 The Essene Churches .................... 97 A Dualist Tendency . 100 Towards a Judeo-Christian Syncretism . 102 Chapter 5: The Baptist Movement of the Samaritan Messiah Dusis/Dosithea 105 Shadow and Light from Samaria . 105 The Messiah Dusis/Dunstan/Dosithea . 107 2 • Wiesel, W., “Bibliography of Spiritual Libertines,” in Religion Chapter 6: Simon of Samaria and Gnostic Radicality 113 in Geschicte und Gegenwort. The So-Called Disciples of Simon . 126 • Wilker, R.-L., Le Mythe des Origines Chretiennes, Paris, 1971. Chapter 7: The phallic and fusional cults 129 The Naassenes or Ophites . -
Folke Gernert Fictionalizing Heterodoxy
Folke Gernert Fictionalizing heterodoxy Folke Gernert Fictionalizing heterodoxy Various uses of knowledge in the Spanish world from the Archpriest of Hita to Mateo Alemán ISBN 978-3-11-062872-2 e-ISBN (PDF) 978-3-11-062877-7 e-ISBN (EPUB) 978-3-11-062878-4 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2019941632. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Folke Gernert, published by Walter de Gruyter GmbH, Berlin/Boston Printing and binding: CPI books GmbH, Leck www.degruyter.com Contents Acknowledgements VII Introduction 1 The Tratado de la divinança by Lope de Barrientos, in the European Context 7 PhysiognomyinPrintand its Readers 20 The Legitimacy of the Partially Occult Sciences, Physiognomyand Chiromancy in the Face of the Inquisition 35 The Precariousness of Knowing the Occult: The Problematic Status of Physiognomy 59 The Physiognomic Knowledge of the Archpriest of Hita 81 The Problematic Competences of the Female Rogue: La LozanaAndaluza and La pícara Justina 100 Predictive Astrology: From King Alcaraz to La Lozana Andaluza 112 Miscellaneous Knowledge, Good and Bad, in aBookofChivalry: the Baldo of 1542 127 The Accumulation of (un)useful Knowledge in the Moralistic Commentaries of the Baldo and the Guzmán de Alfarache 153 Bibliography 173 Index 198 Acknowledgements The essays collected in this book are English translations of previouslypub- lished material. -
Transhumanism and the Mysteries of Kitchen Mastery
http://www.diva-portal.org This is the published version of a paper published in Confero: Essays on Education, Philosophy and Politics. Citation for the original published paper (version of record): Fors, V., Berg, M., Eriksson, J. (2016) Cooking for perfection: Transhumanism and the mysteries of kitchen mastery. Confero: Essays on Education, Philosophy and Politics, 4(2): 111-135 https://doi.org/10.3384/confero.2001-4562.161213 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-32762 Confero | Vol. 4 | no. 2 | 2016 | pp. 111-135 | doi: 10.3384/confero.2001-4562.161213 Cooking for perfection: Transhumanism and the mysteries of kitchen mastery Martin Berg, Vaike Fors, and Jonnie Eriksson ow is such a mundane everyday activity as cooking redesigned into biohacking through the concept of transhumanism, and how are foodstuffs of different sorts framed in ways that allow them to become part of such a ”biohack design”? This H article will elaborate on these questions and thereby contribute to understandings of contemporary practices of biohacking through the lens of transhumanism. As we describe below, biohacking is a diverse and emergent movement that pulls people together in the joint enterprise of investigating the boundaries of what people can do on their own to learn more about their bodies. Intrinsic to this movement is the transhumanist idea that the human potential can develop beyond what we today acknowledge as bodily boundaries. Thus, transhumanist philosophies lend themselves well to deeper understandings of these phenomena. -
Federico Cesi E L'accademia Dei Lincei
GIUSEPPE MONTALENTI Federico Cesi e l’Accademia dei Lincei Con scritti di GIOVANNI CONSO, FRANCESCO GABRIELI GIOVANNI PUGLIESE CARRATELLI Nella sede dell’Istituto Napoli 2006 copertina 2 ISTITUTO ITALIANO PER GLI STUDI FILOSOFICI QUADERNI DEL TRENTENNALE 1975-2005 11 1 2 GIUSEPPE MONTALENTI Federico Cesi e l’Accademia dei Lincei Con scritti di GIOVANNI CONSO, FRANCESCO GABRIELI GIOVANNI PUGLIESE CARRATELLI Nella sede dell’Istituto Napoli 2006 3 A cura di Antonio Gargano, Segretario generale dell’Istituto Italiano per gli Studi Filosofici © Istituto Italiano per gli Studi Filosofici Palazzo Serra di Cassano Napoli - Via Monte di Dio, 14 4 INDICE GIUSEPPE MONTALENTI, Federico Cesi e l’Accademia dei Lincei 7 GIOVANNI CONSO, Indirizzo di saluto al Convegno “La ricerca in Italia” 29 FRANCESCO GABRIELI, L’Istituto Italiano per gli Studi Filosofici e gli studi sulle civiltà orientali 35 FRANCESCO GABRIELI, La mostra delle pubblicazioni dell’Istituto Italiano per gli Studi Filosofici 41 GIOVANNI PUGLIESE CARRATELLI, Libertà di ricerca e di insegnamento e funzione dell’Università di Stato 43 APPENDICE FEDERICO CESI, Del natural desiderio di sapere et Institutione dei Lincei per adempimento di esso 61 5 6 GIUSEPPE MONTALENTI FEDERICO CESI E L’ACCADEMIA DEI LINCEI * Con vivo piacere ho accettato l’onorifico incarico di inaugurare l’edizione napoletana della mostra che l’Accademia Nazionale dei Lincei ha organizzato ed esposto a Roma nelle prestigiose stanze della Farnesina in occasione del quarto centenario della nascita del fondatore dell’Accademia dei Lincei, Federico Cesi. Sono lieto di avere l’occasione di ritrovarmi a prendere la parola in questa città, Napoli, nella quale ho vissuto per piú di venti anni, lavorando sia alla Stazione Zoologica, sia all’Università, alla cattedra di genetica. -
And Some Other Medieval Names of the Philosophers' Stone
A note on lapis philosophicus, lapis philosophorum, and some other medieval names of the philosophers’ stone The first occurrences of philosophres ston registered in the Middle English Dictionary are from non-technical poems of the end of the fourteenth century: the Confessio Amantis refers to “the parfit Elixir Of thilke philosophres Ston,” and the Canon’s Yeoman like wise refers to the goal of alchemy in the words “The philosophres stoon, Elixir clept, we sechen.” 1 The fact that Gower and Chaucer evidently expected their readers to under stand the term although there is no earlier evidence of its circulation in English suggests very strongly that those readers would have encountered it in another language: in this case evidently Latin. In accordance with its usual policy, MED had little to say about the etymology of the English lexical item: it noted that philosophre is “From OFfilosofe & L philosophusf but gave no indication that philosophres ston translated a Latin lexical item. Although there have been a number of discussions of Chaucer’s alchemical know ledge, these do not appear to ask where in post-classical Latin the etymon of philosophres ston is first attested. The object of this note is to explore some answers to that question. Their formula tion began with consultancy work for the third edition of the Oxford English Dictionary, generated in the course of the revision of the entry philosophers' stone.2 This was origi nally published in fascicle Ph-Piper of the first edition of OED, which appeared under the editorship of James Murray in June 1906. -
La Magie Naturelle De Giovan Battista Della Porta Donato Verardi
La science et les secrets de la nature à Naples à la Renaissance : la magie naturelle de Giovan Battista Della Porta Donato Verardi To cite this version: Donato Verardi. La science et les secrets de la nature à Naples à la Renaissance : la magie naturelle de Giovan Battista Della Porta. Histoire. Université Paris-Est, 2017. Français. NNT : 2017PESC0091. tel-01938280 HAL Id: tel-01938280 https://tel.archives-ouvertes.fr/tel-01938280 Submitted on 28 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIVERSITÀ DI PISA – UNIVERSITÉ PARIS EST (École doctorale Cultures et Sociétés) Dottorato di ricerca in cotutela in / Doctorat de recherche en FILOSOFIA (XXIX Ciclo): Storia della Filosofia / HISTOIRE : Histoire du Moyen Âge DONATO VERARDI La scienza e i segreti della natura a Napoli nel Rinascimento: la magia naturale di Giovan Battista Della Porta Direttori di ricerca/ Directeurs de recherche: Prof. NICOLAS WEILL-PAROT Prof. ALFONSO M. IACONO Componenti della commissione/ Membres du jury: Nicolas Weill-Parot, Roberto Poma, Alfredo Perifano, Stéphane Toussaint, Alfonso M. Iacono, Vittoria Perrone Compagni, Simonetta Bassi, Sandra Plastina 1 Ringraziamenti Al momento di consegnare la presente tesi dottorale sono lieto di ringraziare in primis i miei direttori di ricerca, il professor Nicolas Weill-Parot, che ha seguito costantemente il mio lavoro, e il professor Alfonso M. -
The Opposite Poles of a Debate - Lapides Figurati and the Accademia Dei Lincei1 Citation: A
Firenze University Press www.fupress.com/substantia The Opposite Poles of a Debate - Lapides figurati and the Accademia dei Lincei1 Citation: A. Ottaviani (2021) The Oppo- site Poles of a Debate - Lapides figu- rati and the Accademia dei Lincei. Substantia 5(1) Suppl.: 19-28. doi: Alessandro Ottaviani 10.36253/Substantia-1275 Università di Cagliari, Dipartimento di Pedagogia, Psicologia, Filosofia, via Is Mirrionis Copyright: © 2021 A. Ottaviani. This is 1, 09123 Cagliari an open access, peer-reviewed article E-mail: [email protected] published by Firenze University Press (http://www.fupress.com/substantia) and distributed under the terms of the Abstract. The essay analyses the research carried out by some members of the Acca- Creative Commons Attribution License, demia dei Lincei on lapides figurati, namely by Fabio Colonna on animal fossils, and by which permits unrestricted use, distri- Federico Cesi and Francesco Stelluti on plant fossils; the aim is to show the role played bution, and reproduction in any medi- by the Accademia dei Lincei in establishing during the second half of the seventeenth um, provided the original author and century the opposite poles of the debate on the lapides figurati, on the one hand as source are credited. chronological indices of a past world and, on the other, as sudden outcome of the vis Data Availability Statement: All rel- vegetativa. evant data are within the paper and its Supporting Information files. Keywords: Accademia dei Lincei, Fabio Colonna, Federico Cesi, Francesco Stelluti, Fossils, lapides figurati, Rationes seminales. Competing Interests: The Author(s) declare(s) no conflict of interest. 1. -
TASTE and PRUDENCE in the ART of JUSEPE DE RIBERA by Hannah Joy Friedman a Dissertation Submitted to the Johns Hopkins Universit
TASTE AND PRUDENCE IN THE ART OF JUSEPE DE RIBERA by Hannah Joy Friedman A dissertation submitted to the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland May, 2016 Copyright Hannah Joy Friedman, 2016 (c) Abstract: Throughout his long career in southern Italy, the Spanish artist Jusepe de Ribera (1591- 1652) showed a vested interest in the shifting practices and expectations that went into looking at pictures. As I argue, the artist’s evident preoccupation with sensory experience is inseparable from his attention to the ways in which people evaluated and spoke about art. Ribera’s depictions of sensory experience, in works such as the circa 1615 Five Senses, the circa 1622 Studies of Features, and the 1637 Isaac Blessing Jacob, approach the subject of the bodily senses in terms of evaluation and questioning, emphasizing the link between sensory experience and prudence. Ribera worked at a time and place when practices of connoisseurship were not, as they are today, a narrow set of preoccupations with attribution and chronology but a wide range of qualitative evaluations, and early sources describe him as a tasteful participant in a spoken connoisseurial culture. In these texts, the usage of the term “taste,” gusto, links the assessment of Ribera’s work to his own capacity to judge the works of other artists. Both taste and prudence were crucial social skills within the courtly culture that composed the upper tier of Ribera’s audience, and his pictures respond to the tensions surrounding sincerity of expression or acceptance of sensory experience in a novel and often satirical vein. -
NUOVE VIE DELLA MODERNITÀ Percorsi Della Flosofa Moderna in Giacinto Gimma I Quaderni Di Alvearium
“I QUADERNI DI ALVEARIUM” 4 Fabio A. Sulpizio NUOVE VIE DELLA MODERNITÀ Percorsi della flosofa moderna in Giacinto Gimma I Quaderni di Alvearium Fabio A. Sulpizio NUOVE VIE DELLA MODERNITÀ Percorsi della flosofa moderna in Giacinto Gimma ISBN: 978-8894968-67-5 2020 FABIO A. SULPIZIO Nuove vie della modernità. Percorsi della filosofia moderna in Giacinto Gimma ClioEduEdizioni 2020 5 Indice Introduzione p. 7 Capitolo I: Dalla pHilosopHia recepta ai nuovi modelli del sapere p. 27 Capitolo II: Favole, medicina e magia p. 67 Capitolo III: La critica al meccanicismo cartesiano e il primato degli Italiani p. 95 Appendice p. 117 Bibliografia p. 129 Indice dei nomi p. 163 7 Introduzione Pour bien savoir les choses, il en faut savoir le detail; et comme il est Presque infini, nos connaissances sont toujours superficielles et imparfaites. François de La Rochefoucauld È da molti anni che l’ipotesi dell’egemonia, in realtà molto presunta, di un cartesianesimo mentalistico cHe avrebbe sostituito la vecchia tradizione dei Tommaso Cornelio (1614-1684) e dei Leonardo Di Capua (1617- 1695), e che avrebbe dominato la scena filosofica e scientifica italiana nel primo ventennio del XVIII secolo, si è rivelata quanto meno angusta e riduttiva. Una simile visione delle cose si rivela incapace di apprezzare e valorizzare quei fermenti culturali e politici che, suscitati da una crisi gnoseologica profonda, diedero vita a dibattiti scientifici e confronti chiarificatori tra diverse soluzioni filosofiche1. Nonostante l’impegno dei Gesuiti e dei settori più conservatori della cultura del Regno di Napoli, infatti, la forte istanza di rinnovamento culturale e scientifico, che per lungo tempo aveva proceduto di pari passo con il progredire di una nuova coscienza politica, non venne mai meno: Da Francesco D’Andrea a Giuseppe Valletta, la lettura delle opere di Grozio e di Pufendorf avevano configurato una sorta di ‘giusnaturalismo investigante’, ed avevano consentito valide esperienze intellettuali nell’elaborazione di un nuovo progetto, più o meno esplicito, dello Stato-società2.