Imax Enjoys Record-Shattering Opening at Chinese Box Office During Chinese New Year

Total Page:16

File Type:pdf, Size:1020Kb

Imax Enjoys Record-Shattering Opening at Chinese Box Office During Chinese New Year IMAX ENJOYS RECORD-SHATTERING OPENING AT CHINESE BOX OFFICE DURING CHINESE NEW YEAR IMAX® Releases of Detective China Town 2, Monster Hunt 2 and Operation Red Sea Generate Combined Four-Day Box Office of ¥112 Million (US$18 Million) LOS ANGELES and SHANGHAI – Feb. 20, 2018 – IMAX Corporation (NYSE: IMAX) and IMAX China (HKSE: 1970) today announced that IMAX reported record-shattering opening box office during the Chinese New Year. Driven by the strong performance of three IMAX local-language films – Detective China Town 2, Monster Hunt 2 and Operation Red Sea – IMAX grossed ¥112 million (US$18 million) over the four-day period starting Feb. 16 across IMAX® theatres in China. This marked IMAX China’s best Chinese New Year four-day performance ever, and represents a 60 percent increase in the box office over the same holiday period in 2017. IMAX theatres earned ¥40million (US$6.4 million) on Feb. 16, marking the best-ever opening day, single day and highest Chinese New Year opening day for IMAX in China. Detective China Town 2, Monster Hunt 2 and Operation Red Sea represented the top three films in China over the four-day period, with the films trading the top spot throughout the period. IMAX theatres represented 83 out of the top 100 locations for 2018 Chinese New Year weekend. “We’d like to extend our sincere congratulations to our long-time partners and friends at Wanda Pictures, Edko Film and Bona Film on their successful openings,” said Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment. “This weekend’s record-breaking results clearly highlight the benefits of our new programming strategies, which include a multi-film approach, as well as new marketing initiatives. By providing Chinese audiences with a greater variety of high-quality content, we were able to capitalize on audience preferences and maximize our box office returns. We look forward to the continued success of the three films across our China network during the Chinese New Year period.” The IMAX releases of Monster Hunt 2, Detective Chinatown 2 and the IMAX® 3D release of Operation Red Sea were digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX's customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie. ### About IMAX China IMAX China is a subsidiary of IMAX Corporation, and is incorporated under the laws of Cayman Islands. IMAX China was established by IMAX Corporation specifically to oversee the expansion of IMAX's business throughout Greater China. IMAX China trades on the Hong Kong Stock Exchange under the stock code "HK.1970." About IMAX Corporation IMAX, an innovator in entertainment technology, combines proprietary software, architecture and equipment to create experiences that take you beyond the edge of your seat to a world you’ve never imagined. Top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and, as such, IMAX’s network is among the most important and successful theatrical distribution platforms for major event films around the globe. IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Dublin, Tokyo and Shanghai. As of Sept.30, 2017, there were 1,302 IMAX theaters (1,203 commercial multiplexes, 13 commercial destinations and 86 institutions) in 75 countries. On Oct. 8, 2015, shares of IMAX China, a subsidiary of IMAX Corp., began trading on the Hong Kong Stock Exchange under the stock code “HK.1970.” IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience®, The IMAX Experience®, IMAX Is Believing® and IMAX nXos® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies). ### For additional information please contact: Business Media: Investors: IMAX Corporation – New York IMAX Corporation – New York Ann Sommerlath Michael K. Mougias 212-821-0155 212-821-0187 [email protected] [email protected] Sloane & Company– New York IMAX China – Beijing Whit Clay Frances Fu 212-446-1864 [email protected] [email protected] Entertainment Media: Principal Communications Group – Los Angeles Melissa Zukerman/Paul Pflug 323-658-1555 [email protected] [email protected] .
Recommended publications
  • 9780367508234 Text.Pdf
    Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019).
    [Show full text]
  • Mainstream Cinema As a Tool for China's Soft Power
    Master’s Degree programme in Languages, Economics and Institutions of Asia and North Africa “Second Cycle (D.M. 270/2004)” Final Thesis Mainstream cinema as a tool for China’s soft power Supervisor Ch. Prof. Federico Alberto Greselin Assistant supervisor Ch. Prof. Tiziano Vescovi Graduand Alessia Forner Matriculation Number 846622 Academic Year 2017 / 2018 To the two stars that have guided me from above TABLE OF CONTENTS 1 Introduction 5 Chapter one: Soft power: a general overview and the beginning of China’s soft power era 7 1.1 Joseph Nye’s definition of soft power 7 1.2 Culture: the core of soft power 10 1.3 The entry of the concept of soft power in China and its translations 12 1.4 Hu Jintao’s speech at the 17th National Congress of the Communist Party of China and China’s first steps towards its soft power strategy 14 Chapter two: China’s focus on cultural soft power and the Chinese film industry 19 2.1 China’s investments in the film industry and films as a soft power resource 19 2.2 The situation of the Chinese film industry in the 1980s and 1990s: is Hollywood China’s lifeline? 26 2.3 Main melody films and the correlation with the China dream (( : taking the documentary Amazing China ()() and the film American Dreams in China (() as an example 32 2.4 Focus on the film Wolf Warrior II II) : a successful soft power strategy 56 Chapter three: Sino-US collaborations 65 3.1 Hollywood and China: same bed, different dreams 65 3.2 The different types of collaborations between China and Hollywood 69 3.3 Is China changing Hollywood? 78
    [Show full text]
  • Detective Chinatown 2015 Full Movie
    1 / 4 Detective Chinatown( 2015 Full Movie Feb 16, 2021 — Getty. Audiences sure are eager to return to the movies! Moviegoers in China broke a box office world record over the weekend when Detective .... Detective Chinatown (2015 Chinese Feature | 136 minutes) ... After failing to become a cop, a mystery .... Synopsis. After being rejected from the police college, a mannerly man travels to Bangkok where he and an energetic distant relative must solve a murder .... Nov 29, 2020 — The "Flower Concept" is the largest vendor of enjoyment in Romania. Today, our guest able to watch Detective Chinatown movie in softest video .... After failing to become a police officer, Qin Feng vacations in Bangkok and visits his detective cousin, who needs his help with a murder case.. Movies like Detective Chinatown 2015. After being rejected from the police college, a mannerly man travels to Bangkok where he and an energetic distant .... Jan 20, 2021 — Film Detective Chinatown (2015) yts & Detective Chinatown (2015) yify ... 31, 2015 in 720p WEB / 1080p Full HD & 2160p / 4k Bluray quality.. Dec 31, 2015 — Full Cast & Crew. Social. Reviews 0; Discussions 0. We don't have any reviews for Detective Chinatown. Media. Most Popular; Videos 1 ... Detective Chinatown 2 2018 [Full Movie] Driven by the desire for the huge reward, ... Detective Chinatown (Chinese: 唐人街探案) is a 2015 Chinese comedy .... Movies similar to Detective Chinatown (2015): Focus, Easy Street, The Adventurer, The Cure, The Immigrant, Coney Island, The Rink, Behind the Screen, .... Detective Chinatown (Chinese: 唐人街探案) is a 2015 Chinese comedy-mystery buddy film directed by Chen Sicheng and starring Wang Baoqiang and Liu Haoran.
    [Show full text]
  • IMAX China Holdings Soft Momentum After Avengers
    14 June 2018 Hong Kong EQUITIES IMAX China Holdings 1970 HK Neutral Soft momentum after Avengers Price (at 06:39, 13 Jun 2018 GMT) HK$27.60 Valuation HK$ 26.00-29.00 Key points - PER Downgrade to Neutral with TP lowered to HK$27.77 12-month target HK$ 27.77 We expect IMAX China’s BO growth to slow down after Avengers with its Upside/Downside % +0.6 network expansion peaking 12-month TSR % +1.8 We expect earnings to drop by 4% YoY in 2H18, with a 4% 18-20E CAGR Volatility Index High GICS sector Media Market cap HK$m 9,903 Event Market cap US$m 1,246 Downgrade to Neutral. IMAX China’s share price has rallied by 45% from the Free float % 32 trough earlier this year (vs +4% for HSI), on the good box office (BO) 30-day avg turnover US$m 5.1 performance of Avengers and strong 1Q. However, we expect the earnings Number shares on issue m 358.8 growth momentum going forward to inevitably slow down on the expected soft film slate and more importantly, the peaking of network installations. We expect Investment fundamentals its earnings to decline by 4% YoY in 2H18, after a +36% YoY in 1H18E, with a Year end 31 Dec 2017A 2018E 2019E 2020E Revenue m 126.5 138.6 146.9 150.7 4% 18-20E earnings CAGR. Downgrade to Neutral from Outperform. EBIT m 57.3 65.1 68.7 70.4 EBIT growth % 20.7 13.5 5.6 2.4 Impact Reported profit m 43.7 49.0 51.8 53.1 Softer momentum after Avengers.
    [Show full text]
  • Detective Chinatown 2 to Be Released in Imax® Theatres Across China Feb
    DETECTIVE CHINATOWN 2 TO BE RELEASED IN IMAX® THEATRES ACROSS CHINA FEB. 16 FOR CHINESE NEW YEAR Beijing- January 19, 2018- IMAX China Holding, Inc. (HKSE:1970) today announced that Wanda Picture’s Detective Chinatown 2 will be digitally remastered into the IMAX® format and released in IMAX® theatres across China on Feb. 16, the first day of Chinese New Year. The film also released a featurette today, where three leading actors Baoqiang Wang, Haoran Liu, and Shawn Xiao sent greetings to IMAX fans and unveiled the partnership. Directed and written by Chen Sicheng, Detective Chinatown 2 stars Baoqiang Wang, Haoran Liu, Natasha Liu Bordizzo, Yuxian Shang and Xun Wang. A sequel to Detective Chinatown, Detective Chinatown 2 sets stage in New York Chinatown. The detective team welcomed a new member and expanded from “Little Tang and Old Qin” to a three-people group. Famous detectives from other parts of the world also showed up in this highly diversified city. As they compete for the World Detective Competition, they found out an unexpected truth behind... “We look forward to collaborating with our long-standing partners at Wanda Pictures to release the next installment of this popular detective comedy series in the immersive IMAX format,” said Greg Foster, CEO of IMAX Entertainment and Senior Executive Vice President, IMAX Corp. “Detective Chinatown 2 continues the comedic style and intriguing storyline of its predecessor, while offering high-end visuals, including breathtaking car chases and action scenes, that will provide moviegoers a thrilling and highly entertaining IMAX experience during the Chinese New Year.” The IMAX release of Detective Chinatown 2 will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology.
    [Show full text]
  • MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
    MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe.
    [Show full text]
  • Final Copy 2020 06 23 Niu
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: Digital visual effects in contemporary Hollywood cinema aesthetics, networks and transnational practice General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Niu, Muqun Title: DIGITAL VISUAL EFFECTS IN CONTEMPORARY HOLLYWOOD CINEMA AESTHETICS, NETWORKS AND TRANSNATIONAL PRACTICE General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License.
    [Show full text]
  • Focus 2016 World Film Market Trends Tendances Du Marché Mondial Du Lm Pages Pub Int Focus 2010:Pub Focus 29/04/10 10:54 Page 1
    FOCUS WORLD FILM MARKET TRENDS TENDANCES DU MARCHÉ MONDIAL DU FILM 2016_ focus 2016 World Film Market Trends Tendances du marché mondial du lm Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Julio Talavera Milla ([email protected]) Film Analysts, Department for Information on Markets and Financing, European Audiovisual Observatory Editorial assistants, LUMIERE Database Laura Ene, Valérie Haessig, Gabriela Karandzhulova Lay-out: Acom* Europe © 2016, Marché du Film Printed: Global Rouge, Les Deux-Ponts 2 Editorial As a publication of the Marché du Film, FOCUS FOCUS, une publication du Marché du Film, sera will be an essential reference for professional une référence incontournable pour tous les partici- attendees this year. Not only will it help you grasp pants professionnels cette année. Elle vous aidera the changing practices of the film industry, but it non seulement à appréhender les pratiques en con- also provides specific information on production stante évolution de l’industrie cinématographique, and distribution around the world. mais elle vous informera également de manière plus spécifique sur les secteurs de la production Once again, we are glad to collaborate with et de la distribution dans le monde entier. Susanne Nikoltchev and her team. With this part- nership, we aim to provide you with valuable Nous avons le plaisir de collaborer de nouveau insight into the world of film market trends.
    [Show full text]
  • How China's Censorship and Influence Affect Films Worldwide
    October 28, 2015 Directed by Hollywood, Edited by China: How China’s Censorship and Influence Affect Films Worldwide Sean O’Connor, Research Fellow, Economics and Trade and Nicholas Armstrong, Esq., Research Fellow Disclaimer: This paper is the product of professional research performed by staff of the U.S.-China Economic and Security Review Commission, and was prepared at the request of the Commission to support its deliberations. Posting of the report to the Commission’s website is intended to promote greater public understanding of the issues addressed by the Commission in its ongoing assessment of U.S.- China economic relations and their implications for U.S. security, as mandated by Public Law 106-398 and Public Law 108-7. However, the public release of this document does not necessarily imply an endorsement by the Commission, any individual Commissioner, or the Commission’s other professional staff, of the views or conclusions expressed in this staff research report. Table of Contents Abstract ......................................................................................................................................................................3 Background ................................................................................................................................................................4 China’s Growing Film Market ...................................................................................................................................5 China’s Film Industry Development ......................................................................................................................6
    [Show full text]
  • Exceptional Marketing of “Monster Hunt 2” Brings in RMB 200 Million Presales
    Exceptional Marketing of “Monster Hunt 2” Brings in RMB 200 Million Presales Presented by Edko Films Hong Kong, “Monster Hunt 2” opened in Mainland China and Hong Kong on 16 February 2018 (the 1st day of Lunar New Year). The full-fledged promotion campaign included a worldwide premiere in a primetime special feature on 14 February (Lunar New Year's Eve) on Zhejiang Television, a television channel known for hosting variety shows and singing contests. Taiwanese pop band Mayday performed at the event. The lead cast of “Monster Hunt 2”, including Tony Leung and Li Yuchun, were celebrity guests invited to the big party game show. The night was filled with dancing, festivities and “Monster Hunt 2” previews. The first primetime television commercials following the signature CCTV annual New Year's Gala was that of “Monster Hunt 2”. Edko Films invested heavily in the marketing on the two television channels. Opened in 2016, “Monster Hunt” grossed a record-breaking RMB 2.438 billion. William Kong, Executive Director of Edko Films and the financer of “Monster Hunt”, found great confidence in filming a sequel with a bigger cast and crew, including A-lister Tony Leung. In addition to television, marketing events were plenty in other premises and on media platforms. Baby monster Wuba’s face was seen all over major shopping malls in Beijing, Shanghai and Guangzhou. Chinese New Year related merchandise, such as couplets and red envelopes, were distributed throughout. The auspicious and audacious marketing campaigns led to massive record-breaking success at box office with RMB 200 million at ticket presales in the history of Chinese cinema.
    [Show full text]
  • Academy Invites 842 to Membership
    MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The
    [Show full text]
  • Behind Film Performance in China's Changing Institutional Context
    Asia Pac J Manag DOI 10.1007/s10490-016-9501-0 Behind film performance in China’s changing institutional context: The impact of signals Caroline Elliott1 & Palitha Konara 2 & Haiyi Ling3 & Chengang Wang4 & Yingqi Wei 5 # The Author(s) 2017. This article is published with open access at Springerlink.com Abstract Grounded in signaling theory, this paper investigates the signals reflecting product quality, innovativeness, reputation and cultural background which influence film performance, that is, film survival (duration on cinema screen) and box office success, in China’s changing institutional context. This market has grown substantially and still possesses potential for further development. However, China’s unique institu- tional context presents challenges. By examining an expanded range of potential signals, two of which have not previously been examined in the literature, namely imported films and enhanced format film formats such as 3D and IMAX, we develop a conceptual framework and argue that signaling theory needs to be combined with institutional context. Similar to findings for film industries in other countries, we find quality and reputational signals including budget, star power, sequels, and online * Yingqi Wei [email protected] Caroline Elliott [email protected] Palitha Konara [email protected] Haiyi Ling [email protected] Chengang Wang [email protected] 1 Aston Business School, Aston University, Birmingham B4 7ET, UK 2 Business School, University of Huddersfield, Huddersfield HD1 3DH, UK 3 Foresea Life Insurance Co., Ltd., Shenzhen, China 4 School of Management, Bradford University, Bradford BD9 4JL, UK 5 Business School, Leeds University, Leeds LS2 9JT, UK Elliott C.
    [Show full text]