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Marché Du Film2019 MARCHÉ DU FILM 2019 FOCUS WORLD FILM MARKET TRENDS TENDANCES DU MARCHÉ MONDIAL DU FILM Observatoire européen de l’audiovisuel European Audiovisual Observatory Europäische Audiovisuelle Informationsstelle MARCHÉ DU FILM LOVES FESTIVALS MARCHÉ DU FILM OPENING NIGHT - 15 May Shanghai International Film Festival DOC TALKS & DOC DAY - 17 to 21 May CPH:DOX, DOK Leipzig, IDFA, Visions du Réel, Doc Alliance FRONTIERES PLATFORM - 18 & 19 May Fantasia International Film Festival GOES TO CANNES - 18 to 20 May Annecy, HAF (Hong Kong), Los Cabos, Málaga, New Horizons’ (Poland), Thessaloniki FANTASTIC 7 - 19 May Bucheon, Cairo, Guadalajara, Macao, Sitges, SXSW, Toronto MIXER FESTIVALS - 22 May Film Freeway CINANDO AWARDS - 22 May Best Emerging Festival Programmer and more than 1300 registered programmers attending! www.marchedufi lm.com/en/global-events ©Alexandra Fleurantin / Marché du Film MDFlovesFESTIVALS_MDF2019-155x240_AUTOPUB.indd 1 26/04/2019 15:50 focus 2019 World Film Market Trends Tendances du marché mondial du film Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Patrizia Simone ([email protected]) Film Analysts, Department for Market Information, European Audiovisual Observatory Lay-out: Acom* Media (Paris) © 2019, Marché du Film Printed: Global Rouge (Les Deux-Ponts) The European Audiovisual Observatory, set up in Créé en 1992, l’Observatoire européen de l’audio- 1992, is a public-service body whose mission is to visuel est un organisme de service public qui a pour supply information services (concerning film, televi- mission de proposer des services d’information au sion, home video, on demand audiovisual services secteur audiovisuel en Europe (concernant le cinéma, as well as related public policies) to the audiovisual la télévision, la vidéo, les services audiovisuels à la industry in Europe. The Observatory has 41 member demande et les politiques publiques afférentes). Il countries, along with the European Union represent- compte actuellement 41 Etats membres, ainsi que ed by the European Commission. The Observatory is l’Union européenne qui est représentée par la Com- part of the Council of Europe and located in Stras- mission européenne. L’Observatoire fait partie du bourg, France. It carries out its mission with the help Conseil de l’Europe et a son siège à Strasbourg en of a network of partners, correspondents and profes- France. Pour accomplir sa mission, il s’appuie sur un réseau de partenaires, de correspondants et d’orga- sional organisations. The Observatory provides infor- nisations professionnelles. L’Observatoire propose des mation on markets, financing and legal aspects of informations relatives aux différents marchés audio- the audiovisual sector and edits the “FOCUS, World visuels, au financement et aux aspects juridiques du Film Market Trends”. secteur ; il édite aussi FOCUS, Tendances du marché ➥ http://www.obs.coe.int mondial du film. 2 Editorial FOCUS has now been a publication for more FOCUS est une publication depuis plus de than two decades and I am very proud of our long- deux décennies et je suis très fier de notre rela- term relationship with the European Audiovisual tion de longue date avec l’Observatoire Européen Observatory. For the last 60 years the Marché du de l’Audiovisuel. Depuis 60 ans, le Marché du Film a connu une évolution ininterrompue, et Film has continued to evolve, while the film industry l’industrie cinématographique elle-même est en itself is changing dramatically at the present time. plein changement. FOCUS est une référence incon- FOCUS remains more than ever an essential refer- tournable pour les participants professionnels. ence guide for professional attendees. Not only Elle vous aidera non seulement à appréhender will it help you grasp the changing practices of les pratiques en constante mutation de l’industrie the film industry, but it also provides specific infor- cinématographique, et vous fournira également des informations plus spécifiques sur les secteurs mation on production and distribution around de la production et la distribution dans le monde the world. Special thanks to Susanne Nikoltchev entier vous offrant une vue d’ensemble exhaustive and her team, with whom we have worked to de l’industrie cinématographique. Nos remercie- provide you with invaluable insight into the world ments tous particuliers à Susanne Nikoltchev et of film market trends. à son équipe, avec lesquels nous avons œuvré dans l’espoir de vous fournir des renseignements Jérôme Paillard précieux sur les tendances du Marché du Film. Executive Director Marché du Film Jérôme Paillard Directeur Délégué Marché du Film We are very pleased to collaborate once Nous sommes très heureux de notre nouvelle again with the Marché du Film and we proudly collaboration avec le Marché du Film et fiers de present the 21st edition of FOCUS – World Film vous présenter la 21e édition du FOCUS – Tendances Market Trends, which provides an overview of du marché mondial du film, qui donne un aperçu de la dynamique des marchés du cinéma dans le the development of theatrical markets world- monde. Les travaux de l’Observatoire ont cepen- wide. The Observatory’s work, however, has an dant une portée bien plus grande en ciblant des even greater reach also targeting more specific sujets spécifiques.Il en va ainsi de notre tout dernier topics. For example, our most recent research into rapport sur le financement des films européens how European films are financed and LUMIERE ou encore de LUMIERE VOD, le nouveau réper- VOD, our new directory of European films avail- toire sur les films européens disponibles sur les ser- able via on-demand services in Europe. Get our vices de VOD en Europe. Retrouvez gratuitement free analyses of the film industry on www.obs. nos études sur l’industrie cinématographique sur coe.int and discuss our findings with us at our www.obs.coe.int et venez en débattre avec nous conferences! Our traditional Cannes conference à l’occasion de nos conférences ! La prochaine est celle de Cannes (18 mai à 9h30) et portera sur is next (18th May at 9:30) and will address the le financement des films en Europe. Venez nous issue of film financing in Europe. Come and join rejoindre au Cinéma Olympia ! us in the Olympia Cinema! Susanne Nikoltchev Susanne Nikoltchev Directrice exécutive Executive Director Observatoire européen de l’audiovisuel European Audiovisual Observatory 3 The European Audiovisual Observatory A varied range of information products and services Free fl agship publications Mapping of national rules IRIS Plus - The promotion Fiction fi lm fi nancing Yearbook 2018/2019 for the promotion of of independent audiovisual in Europe Key Trends European works in Europe production Free databases LUMIERE VOD - The directory of IRIS MERLIN - Database on legal AVMSDatabase on the transposition European fi lms available on on-demand information relevant to the audiovisual of the AVMS Directive into national services in Europe sector in Europe legislation http://lumierevod.obs.coe.int http://merlin.obs.coe.int http://avmsd.obs.coe.int LUMIERE - Database on admissions MAVISE - Database on TV and EFARN Film Research Library - to fi lms released in Europe on-demand audiovisual services Studies and data from the European http://lumiere.obs.coe.int and companies in Europe fi lm agencies http://mavise.obs.coe.int/ http://fi lmresearch.eu 76 Allée de la Robertsau, European 67000 Strasbourg, France Tel: +33(0)3 90 21 60 00 Audiovisual Email: [email protected] Observatory http://www.obs.coe.int 4 focus 2019 Contents Introduction 7 World 11 Europe European Union 14 France 22 Germany 24 Italy 26 Spain 28 United Kingdom 30 Russian Federation 32 Poland 34 Turkey 35 Other Western Europe 36 Nordic Countries 38 Baltics and Central Europe 40 South-Eastern Europe 41 Americas North America 42 Latin America 44 Australia and New Zealand 48 Asia China 50 Japan 52 India 54 South Korea 56 Other Asia 58 Africa 60 Middle East 62 Sources 64 5 THE MOST INSPIRING DAYS CANNES XR 14 – 19 May - Palais -1, aisle 14 NEXT 14 – 23 May - Palais -1, aisle 18 ANIMATION DAY 19 May - 9:30 - Olympia 1 FANTASTIC FANATICS MIXER 19 May - 18:00 - Plages des Palmes DOC DAY 21 May - 9:30 - Plage Gray d’Albion - 15:30 - Olympia 1 DOC LOVERS MIXER 21 May - 18:00 - Plages des Palmes SHOOT THE BOOK 21 May - 10:30 - Palais +4, Ambassadeurs FESTIVALS & SALES AGENTS MIXER 22 May - 18:00 - Plages des Palmes www.marchedufilm.com/en/global-events ©Alexandra Fleurantin / Marché du Film MOST_INSPIRING_DAYS_MDF2019-150x240_AUTOPUB.indd 1 26/04/2019 14:31 Introduction As usual, this 2019 edition of the Film Focus provides a worldwide picture of the production, distribution and exploitation of films. This flagship publication of the Observatory for the Marché du Film de Cannes is one of the many ways we provide essential and unbiased information and data on the audiovisual sector. Some other recent film-related projects highlight our aim to contribute to better THE informed decisions. Analysing film financing Assessing international cooperation The Observatory published the first ever MOST Co-production is one of the ways to improve analysis of over 400 European fiction film financing plans. Key takeaways include the the circulation of films. Figures suggest that diversity of the film production landscape in the number of co-productions is increasing, INSPIRING terms of budgets and the influence of market that they perform better in cinemas, and size; the variety of financing sources, with the that they are more widely available, even lead role played by direct public support; the beyond the majority co-producing country.
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