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The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
LIVE SOUND MIXING CONSOLES FULL LINE CATALOGUE 2015 Harman Professional Catalog 2015
Harman Professional Catalog 2015 RUSH LIVE SOUND MIXING CONSOLES FULL LINE CATALOGUE 2015 Harman Professional Catalog 2015 Vi6 DIGITAL LIVE SOUND MIXING CONSOLE • Vistonics™ II touchscreen interface relieves the burden BEYOND INTUITIVE CONTROL of complex mental mapping with pristine audio quality SERIES • FaderGlow™ illumination of fader tracks for at a glance Vi status display With groundbreaking Soundcraft® Vistonics™ and FaderGlow™ • Simultaneous mixing of up to 96 inputs on 32 faders technologies combining visual information and operational in 3 banks into 35 outputs, with 24 insert send/return pairs assignable to any of the input or output channels controls in one area, Vi Series live sound consoles remove the • 32 Mono or stereo Group/Aux/Matrix busses burden of complex mental mapping, freeing the operator to • 40-bit floating point digital audio processing concentrate on the mix. A simple touch of the screen is all it takes • Cat5 or Cat7 connection to remote stagebox to access channel functions including routing, input gain, digital • Optional Fibre Optic interface gain trim, delay, high and low pass filters, 4-band parametric EQ, • Lexicon / BSS Audio processing compressor, limiter, gate, de-esser and pan. • 96 inputs to mix • 16 VCA Groups and 4 independent Mute Groups Partnering a compact control surface with a powerful SCore • 4-band fully parametric EQ on every input and output, Live processing engine and remote stageboxes, Vi6 delivers with HPF and LPF on every input simultaneous mixing of up to 96 inputs on 32 faders in 3 banks • GEQ on every bus. into 35 outputs, with 24 insert send/return pairs assignable to any • 8 independent stereo Lexicon FX processors of the input or output channels. -
Palmexpo Magazine
PALM AV-ICN EXPO MAGAZINE PRO AUDIO | STAGE | STUDIO | AV INTEGRATED SYSTEMS | DISPLAY | LIGHTING Interviews Case Study ProAVL’s Caroline Moss and Sudeep Audio’s Aditya AV solutions by Eyte Sue Gould share their vision Mehta talks about Technologies at T-System and understanding of the global converSAtions as the Experience Center pro sound and AV market. channel completes ten years. Corporate Feature: NJSM’s 25 years in the Sound Rental business. NEWS & TECHNOLOGY AV Sound & Stage Audio & Music Production Lighting DJ Tech PRODUCT FOCUS Switchers and Matrices MAY-JUNE 2021 Sophisticated Engineering AV8805 AV Processor 13 Channel Processor Email : [email protected] Toll Free: 1800-209-7848 PALM AV-ICN CONTENT CHIEF Anil Shiv Raj Chopra [email protected] CONTENT ANCHOR Smita Rai [email protected] Mob: +91 982 094 3398 CONTENT MANAGER Tamshil Choudhary Aditya Mehta with his father Nikhil Mehta [email protected] upholds the legacy of Sudeep Audio with converSAtions Mob: +91 992 063 1292 ASSISTANT MANAGER - AD SALES 10 Priyanka Shukla [email protected] Mob: +91 810 850 4929 Features DTP MANAGER Lalita Tengle Interview - ProAudio [email protected] 10 converSAtions with SudeepAudio: Aditya Mehta shares his journey and vision as his YouTube chan- nel converSAtions completes Ten years in the Industry. Peter Pereira [email protected] Install story 15 Tech Savvy Environment for T-Systems: Eyte Technology Crafts a Tech Savvy Environment for T-sys- tems. WEB DEVELOPER Amol Kanchawade Interview - ProAV Media [email protected] 17 Pursuing the Pro Audio Trail: In conversation with Caroline Moss, Editor, ProAVL and Sue Gould, Sales Director, ProAVL. -
Euphonix MC Mix Test: Fxpansion BFD2 Test
3/März 2008 5,60 € Österreich 5,60 € ț Schweiz 11,20 sFr ț BeNeLux 5,60 € www.professional-audio.de Professional audio Magazin 3/März 2008 Test: Channelstrip dbx 376 Geheimtipp für 700 Euro Test: USB-Interface Tascam US-1641 Multitalent für DAW-Produktionen Neue Workshop-Serie Test: Fxpansion BFD2 Audio Mastering Drumsampler mit mit PC-Workstations Suchtpotential Test: Channelstrip dbx 376 Test: ½ Exklusivtest: Technik: Datenreduktion in der Audiotechnik Technik: Brandneuer ½ DAW-Controller: Euphonix MC Mix Test: Fxpansion BFD2 Test: ½ Setzt neue Maßstäbe bei Geschwindigkeit, Komfort und Preis/Leistung Außerdem lesen Sie: Report: NAMM-Show 2008 Surroundtechnik: Datenreduktion in der Audiotechnik Test: 8-Kanal-Interface Phonic Firefl y 808 Test: 5.1-Mehrkanal-Lautsprecher-Set Genelec 8030A/7060B ½ Test: Großmembran-Mikrofon Audio Technica AT 4050 Test: 16-Kanal-Analogmischer Soundcraft FX16ii Test: Euphonix MC Mix Test: Test: Faltungshall-Plug-in Studio Devices Refl ections LE V1.1 & Bree Casedy Library TEST ANALOGMISCHPULT Soundcraft FX16ii robusten, gut klingenden Konsolen für den Tour-Alltag. Sie legten damit den Grundstein für die Firma Soundcraft. Was vor über 30 Jahren mitten in Lon- don mit einer kleinen Manufaktur be- gann, hat sich über die Jahrzehnte zu Sound-Kraft einem der wichtigsten Hersteller analo- ger und digitaler Konsolen entwickelt. Heute bietet Soundcraft Mischpulte in Von Michael Nötges ridge und Graham Blyth das weltweit allen Größen und Ausstattungen für die erste Mischpult im Flight-Case auf den Bereiche Live-Sound, Recording, Post- ir schreiben das Jahr 1973: Wäh- Markt. Entwickler Blyth und Toningeni- Production sowie TV- und Radio an. Wrend sich Elvis und Priscilla Pres- eur Dudderidge haben die Zeichen der Mittlerweile zu Harman International ley scheiden lassen und Led Zeppelin Zeit richtig gedeutet. -
Program PDF File
ORGANIZED BY THE AUDIO ENGINEERING SOCIETY INC. Invitation & Preliminary Program 108TH AES CONVENTION PALAIS DES CONGRÈS PARIS, FRANCE 2000 FEBRUARY 19-22 PRELIMINARY PROGRAM CHAIRMAN’S WELCOME Dear Attendants, Only a few weeks to go until the 108th AES Convention opens its doors to pro- audio specialists from around the world. With an extensive Convention Program and Equipment Exhibition, the first AES event of the new millennium will present technologies and ideas, both established and visionary. This Paris Convention is the ideal location to help guide you through the latest trends and technological changes. The turn of the millennium heralds groundbreaking innovations in the pro-audio sector. Multichannel audio, for example, seems as important a breakthrough as was the introduction of stereo. After a long period of technical fine-tuning, we are faced with the basic aesthetic and artistic questions, and once again the AES is there to help you make the right choices. For over 50 years, the AES and its Conventions have been the link within the international audio community: a forum for exchange of new ideas. At the dawn of the new millennium and the age of globalisation, the role of the AES will be more important than ever before. As Chairman, and on behalf of the 108th Convention Committee, I am very pleased to announce an exhaustive Convention Program: 19 paper sessions that To participate, please include over 100 papers, many technical tours and 15 challenging workshops, return the advance registration form by providing a framework for professional fact-finding on the highest level. February 11, 2000 The student activities too will be more intense than ever before, thus contributing to the AES Convention’s recognition throughout the world as a major platform for future generations of audio engineers. -
Experiences of PTSD Sufferers Who Participate in Internet-Based Virtual World Activities in Desktop Virtual Reality Environments
Walden University ScholarWorks Walden Dissertations and Doctoral Studies Walden Dissertations and Doctoral Studies Collection 2020 Experiences of PTSD Sufferers Who Participate in Internet-Based Virtual World Activities in Desktop Virtual Reality Environments Colleen Margaret Crary Walden University Follow this and additional works at: https://scholarworks.waldenu.edu/dissertations Part of the Psychology Commons This Dissertation is brought to you for free and open access by the Walden Dissertations and Doctoral Studies Collection at ScholarWorks. It has been accepted for inclusion in Walden Dissertations and Doctoral Studies by an authorized administrator of ScholarWorks. For more information, please contact [email protected]. Walden University College of Social and Behavioral Sciences This is to certify that the doctoral dissertation by Colleen M. Crary has been found to be complete and satisfactory in all respects, and that any and all revisions required by the review committee have been made. Review Committee Dr. Edoardo Naggiar, Committee Chairperson, Psychology Faculty Dr. Hedy Dexter, Committee Member, Psychology Faculty Dr. Bonnie Nastasi, University Reviewer, Psychology Faculty Chief Academic Officer and Provost Sue Subocz, Ph.D. Walden University 2020 Abstract Experiences of PTSD Sufferers Who Participate in Internet-Based Virtual World Activities in Desktop Virtual Reality Environments by Colleen M. Crary BA, San Diego State University, 1994 MA, The Chicago School of Professional Psychology, 2010 Dissertation Submitted in Fulfillment of the Requirements for the Degree of Doctor of Philosophy Psychology Research Walden University August 2020 Abstract Treatments for posttraumatic stress have remained largely static for 3 decades, resulting in low recovery rates, high degrees of retrogression, and noncompliance by patients, calling for new approaches for posttraumatic stress disorder (PTSD) treatment. -
Introduction
Music THE SOUND AND THE UNSOUND Introduction “I don’t care how good of a home a child has been brought up in, and how it’s been taught to do right; if that child hasn’t accepted the experience of the New Birth, rock and roll music catches his attention just as quick as he hears it. Because in him, born in him by nature, is a carnal spirit. And the power of the Devil is so great today that it catches the spirit of that little one.”1 Americans are addicted to music. It is an addiction that last year alone, cost us seven billion dollars2 and helped make music the most prosperous industry on earth. However, we are not without company. The whole world has tuned in with us to become a part of the greatest social phenomena in all of history: Rock’n’roIl music. Rock is now a generation old, and that in itself is nothing short of a miracle for something that was dismissed by the previous generation as being a flash-in-the-pan, in-one-ear-and-out-the-other, teenage craze. Even though we live in an era of blinding changes, rock has been able to assimilate, integrate and even mutate its way through nearly five decades to become something that is much more than music in the ear of the rock- believer. Resurrecting the deep-seated spiritual attributes of its ancient forbearers, rock has now achieved the elevated status of deification. In every sense, it has become a religion, complete with a full contingent of its own high priests and false prophets. -
Volume 58, Number 07 (July 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1940 Volume 58, Number 07 (July 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 07 (July 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/259 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ) . — < @ — — — —— . — — — — — — repertoire suggests the use of Summer enlarging ofthe £F\ •viert — I HOE Recent Additions mmsd(s m at qj d n fi coj to the Catalog of FAMOUS SONGS PUBLISHED MONTHLY By Theodore presser Co., Philadelphia, pa. H. E. KREHBIEL, Editor editorial and ADVISORY staff Volume Editor Price, $1.50 Each Tor ALTO DR. JAMES FRANCIS COOKE, Ditson Co. Hipsher, Associate Editor Oliver For SOPRANO outstanding writers on musical Dr. Edward Ellsworth America's • Mode by one of Contents William M. Felton. Music Editor music critic of leading metropolitan Contents subjects, for years the Guy McCoy volumes of Famous bongs Verna Arvev Or. Nicholas Doury Elizabeth Ciest journals, this collection in the four Beethoven. Good Friend, for Hullah. Three Fishers RoyPeery Went Dr. S. Fry George C. Knck Dr. Rob Jensen. -
Multi-Purpose Consoles Spirit Range Brochure
MULTI-PURPOSE CONSOLES FX16 16 Mono Channels with onboard Lexicon Effects FX8 8 Mono Channels with onboard Lexicon Effects SX SPIRIT RANGE 12 Mono & 4 Stereo Inputs BROCHURE M SERIES 4/8/12 Mono & 4 Stereo Inputs E SERIES 6 or 8 Mono & 4 Stereo Inputs NOTEPAD 4 Mono & 2 Stereo Inputs CONTENTS Quick Selector Compare Spirit Mixer Inputs & Features Quickly Features Table Page 4 Spirit Mixers at a glance 4 ? Power Features What makes Spirit consoles special Features in depth Pages 4 - 7 Power Features 4 - 7 FX16 16 Mono Channels with onboard Lexicon Effects Full Product Description Pages 8 & 9 The Mixers in detail 8 - 18 Dimensions Page 24 Specifications Page 25 FX8 8 Mono Channels with onboard Lexicon Effects Full Product Description Pages 10 & 11 Dimensions Page 24 Specifications Page 25 sx 12 Mono & 4 Stereo Inputs Full Product Description Pages 12 & 13 Dimensions Page 24 Specifications Page 25 M Series 4/8/12 Mono & 4 Stereo Inputs Full Product Description Pages 14 & 15 Dimensions Page 24 Specifications Page 25 E Series 6 or 8 Mono & 4 Stereo Inputs Full Product Description Pages 16 & 17 Dimensions Page 24 Specifications Page 25 Notepad 4 Mono & 2 Stereo Inputs Full Product Description Page 18 Dimensions Page 24 Specifications Page 25 Applications Using Spirit Mixers in Various Situations Introduction Page 19 Mic/Line Live Mixing Page 20 Insert Houses of Worship Page 21 Installed Sound Page 21 Mic/Line Mixer Applications 19 - 23 Submixing Page 22 Mic/Line Video Editing Page 22 Small/Home Studio Page 22 Dimensions & 24 - 25 Mic/Line Studio Recording Page 23 Specifications Mic/Line Frequently Asked 26 Other Soundcraft Products Questions How to find out more See Back Cover Glossary of 27 Technical Terms Other Soundcraft back cover products 2 WORLD CLASS MIXERS TEXAS When the Spirit range was first launched, mixing desks were either large and expensive, or small but ineffective. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Mastering Equalizer User's Guide
Mastering Equalizer User’s Guide version 1.0 – June 2020 Addicted To Music Egipska 4, 03-922 Warsaw, POLAND phone: +48 604649220 e-mail: info@bettermaker. com web: www.bettermaker. com 1 The Bettermaker crew would like to thank all the people that were deeply involved in the development of our first products, from EQ230P till this day. Thanks to all the Beta-testers that gave us hands-on tips and all people involved in the conceptual stage. We hope we have listened to you carefully so as to produce an ideal tool in the hands of every engineer. Thank you guys! I would like to personally thank my development team, the past and the present as their passion to work and bright minds made all that happen. I would not take all my wild concepts to the point they are now without you guys. Marek Walaszek 2 I. Introduction Congratulations on your purchase of the Bettermaker Mastering Equalizer - all analog sound with the flexibility of digital control! Welcome to the family! The hybrid audio equalizer now in your possession is the result of years of research and development in emerging digital control technologies. The final hand-built result is currently glowing happily in your rack (lucky You). The Mastering Equalizer brings the flexibility, ease of use, and instant recall-ability of software plug-ins to the realm of High Fidelity analog processing, like no other analog equalizer on the market. The Company Addicted to Music has begun in 2004 in Warsaw, Poland as a recording and mixing studio. Long before it was a hardware company, we were deeply involved in the international music and recording scene. -
The Technological Impact on Well-Being Through Listening to Music
- PSTS Master Thesis The technological impact on well-being through listening to music A theoretical exploration of the impact of technology on the circumstances under which listening to music can induce emotions and with that influence well-being Master Thesis By Jerom van Geffen ~ April, 2016 First supervisor: Student number: Dr. Johnny Hartz Søraker s1008145 Examiner: E-mail address: Dr. Saskia Nagel [email protected] This thesis is submitted for the fulfilment of the degree of Master of Science in Philosophy of Science, Technology and Society with a specialization in the Technology and Values track. This program is offered by the department of Philosophy in the faculty of Behavioural, Management and Social Sciences at the University of Twente. 2 - PSTS Master Thesis Acknowledgements Music plays a predominant role in the everyday lives of many people. Besides that it is being used in games, movies, shops, restaurants and casinos, many people still consider music listening as a pleasant activity. I am no exception to that. I can hardly imagine a moment during a regular day that I am on my own without listening to music. Everywhere I go, I bring my old-school mp3-player with me. Music enables me to cheer me up or to drag me through difficult moments. Not in the last place it was music that helped me finishing this master thesis. Although I do not master any musical instrument myself, I do consider music to play a major role in my life. This is the reason that I decided to combine my interest for music with my study, Philosophy of Science, Technology and Society (PSTS).