DOCSLIB.ORG

Volume 58, Number 07 (July 1940) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 58, Number 07 (July 1940) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1940 Volume 58, Number 07 (July 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 07 (July 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/259 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ) . — < @ — — — —— . — — — — — — repertoire suggests the use of Summer enlarging ofthe £F\ •viert — I HOE Recent Additions mmsd(s m at qj d n fi coj to the Catalog of FAMOUS SONGS PUBLISHED MONTHLY By Theodore presser Co., Philadelphia, pa. H. E. KREHBIEL, Editor editorial and ADVISORY staff Volume Editor Price, $1.50 Each Tor ALTO DR. JAMES FRANCIS COOKE, Ditson Co. Hipsher, Associate Editor Oliver For SOPRANO outstanding writers on musical Dr. Edward Ellsworth America's • Mode by one of Contents William M. Felton. Music Editor music critic of leading metropolitan Contents subjects, for years the Guy McCoy volumes of Famous bongs Verna Arvev Or. Nicholas Doury Elizabeth Ciest journals, this collection in the four Beethoven. Good Friend, for Hullah. Three Fishers RoyPeery Went Dr. S. Fry George C. Knck Dr. Rob Jensen. publications, hew, U Robert Braine Henry Bach. Gone from Me Evermore. Murmuring Bree7es. foremost in vocal music Jesus’ Sake, Forbear. Sailing. Reed stands first and Katl W. Gehrkens Guy Maier Peter Hugh O Let Me Press Thy Cheek platform are with- Know’st Thou the Land? Pietro Deiro Know. if artists of the radio or the concert Rcvelli Henry S. Sawyer Balfe. Couldsc Thou But to Mine. any, Jensen. Spring Night. William D. Leading teachers, almost uni- Carried in Stock by copy for their voice. Voice Night. ' Becker. Springtime. out the Bohm. Silent as ° u Mc PrM5 Th* Check Kjerulf. Last Night. with their compre- versally, have adopted these volumes to Mine. THEODORE PRESSER Brodsky. To My Mother. FOUNDED 1883 BY Dealers Everywhere Beethoven. Remembrance. material classic, romantic, dramatic— Music Lassen. It Was a Dream. hensive and varied — Kjerulf. Lasi Night. 1 Joyful and Mournful. principles of good singing. In ad- Brahms. Like a Blossoming 1 the for use in inculcating the Know’st Thou Land? Liszt. The Loreley. other Lilac. Lassen. It Was a Dream. SOLO dition to the English texts, the original texts in SHEET MUSIC—PIANO Important Piano Night. Ode. I An Bohm. Silent as Loewe. The Bellringer’s the Sapphic Think of Thee. languages usually are given. The physical make-up of Enchanted Cardens Clarence Kohlmann Adjunct Daughter. Lullaby. 1 Instruction Brahms. The Little Dustman. beautifully en- Liszt. The Love books is especially noteworthy; printed from That Linketh ( Gr 3 ) Cradle Song. 1940 Ada May Piaget Caccini. Amarilli. Soul to Soul. (Contents j^or Brook A-Murmuring BOOK OF THE Massenet. Sweet Good-Night. graved plates on a fine quality paper and substantially bound Little ^ THE ENSEMBLE Chopin. The Maiden’s Wish. .301' PIANO Maiden’s Wish. .. in heavy paper covers. Chopin. The Mossenet. Sweet Prances Terry (Gr. 2) BERNARD WACNESS Mendelssohn. On Wings of Good Night. PRICE 25 CENTS Little"*J ark Frost The Birdling. VOLUME LVIII, No. Cindy. Hollenbeck Music. Cowen. In the Chimney Corner An Orchard In Bloom— COURSE Lithuanian Song. ’ Mendelssohn. The First * The First Violet. Violet. Davis (Gr. 2) .... • • • V,’ Y 434 Y Pieces in Coenen. Lovely Spring. Suleika. Dvorak. Songs My Mother Penguin (With Words) —5ara/t Cole- (Duet and Second Piano Parts to Roff. Love Finds Out WORLD OF MUSIC. The For BASS Taught Me. the W«y. man Bragdon (Gr. 1) Book One) Dell’ Acqua. A Rural Song. Mozart. The Violet. Sandman’s Song Richard L. Bruce Fesca. Spring Song. ties. The Eyes of Spring So EDITORIAL 435 The Price, 75c (Gr. *5; Delibes. O Sea, Dreadful Sea. Purcell. Nymphs and Contents In Springtime. Azure. The Champions 2) tivT Stanford hing (Gr. *»)•••• Shepherds. Cradle Song. Spring Morning— Dvorak. Words) Songs My Mother Beethoven. Good Friend, for Jude. The Mighty Deep. Folk Songs: YOUTH AND MUSIC Swing High! Swing Low ! (With Youth. .Blanche Lemmon 43T •*••’** Taught Me. Raff. Love Finds Out the Way. Jesus’ Sake Forbear. All Through the Night Rubinstein. Thou'rt Like America's Pioneer A Cappella Choir of Louise £. Stairs (Gr. 1) Kjerulf. Last Night. unto a - —OCTAVO PUBLICATIONS— Nature’s Adoration. (Welsh). High (With Words) —Sarah Cole Folk Songs: Flower. Swinging Ries. Springfaith. Lassen. It Was a Dream. MUSIC AND CULTURE CHORUS—MIXED VOICES (S.A.T.B.) Sweet My Love. Charmante Marguerite The Dream. Paul J. Smith 438 man Bragdon (Gr. 1) fL All Through the Night Brahms. Ah! Disney Cartoons (UK. 6) oo i Most Wondrous It Must Be. (French ) The Asra. The -Music of the Walt Winter Frolic Ralph Federer (a cappella) (Welsh). Liszt. Thou’rt Like unto a ••••• Mila Trouk 430 A Come, Sleep •G . F. Broadband Chopin. Bacchanal. I t.peratic Nomads in Opera Land 15 Flower. How Can Leave Thee. The Dcwdrops Glitter. Seashore 441 (OD-15011 - The Coolun (Irish) . .Dr. Carl E. ) Rubinstein. Thou'rt Like unto It is Cultivated. (German) Longing. The Love of Music and How 442 Cover the Sea (Egyptian How Can I Leave Thee. a Flower. Clay. Gipsy John. Loewe. W. F. Oates Dark Cloud, Archibald Douglass. Loch Lomond (Scotch). The First American Pianist 443 MUSIC PIANO DUET Deane Shure (a cappella) (German . Antrim SHEET Spiritual) . — The Lark. .Doron K. Cornelius. What Sound Is That? Edward. Mv Love's an Arbutus Solnt-Soins. The Bell. Fate Was Their Fortune 20 Loch Lomond (Scotch). M. Isitlor Philipp 445 (One Piano—Four Hands) (OD-15022) (Irish ) In a Garden of Genius Three Ravens (English ) Scarlatti. The Violet. Dvorak. Songs My Mother Marschner. Heaven in the Vale. Scorlotti. Alexander Gretchanlnoff (a Cap- Cease My Heart from Wagness (Gr. 3) 50T The Echo— Taught Me. When Love Is Kind (Irish). Gypsy Life Bernard (S.A.T.B. divided) French. Rus- Mattei. Oh, Hear the Wild Wounding. MUSIC IN THE HOME .... pella) Fesca. In Springtime. Schubert. To Be Sung on the 440 English text (OD-14996) 25 English. Drink to Me Only Wind Blow. Franz. He Came. Singing Films Advance 0 ,, sian, and Water. Schubert. To Music. ik£. ?r • t„h Reed 447 Litres Today (Palestinian Folk Foerster. I Love Thee. with Eyes. • • Israel Whither. Thine In Autumn. The Discs Go 'Round and 'Round • HANDS Mendelssohn. Returning. My Sweet Repose. A//red Lmdsaj/a Horcjan 448 SHEET MUSIC—TWO PIANOS, FOUR Chant) arr. by Harvey Gaul (a cappella) Impatience. Faure. Palms. Slumber Song. Concerts Over the Airways Franz. He Came. The The Young Nun. Cadman 440 —Charles English text (OD-14528) . .15 Meyerbeer. The Monk. Bookshelf R- Meredith Dance of the Sunbeams ( Gavotte) Yiddish and Marie. My Sweet Repose. Faith in Spring The Etude Music Lover's Fesca. Far from My Birthplace. Godard, B. Florian’s Song. Cadman arc. by J. W. Osborn Jewish Spring Song (Jewish Folksong) — Mililotti. Heart-broken Wakefield Mariner. Death and the Girl. .70T arr. Harvey Gaul (a cappella) Godard, B. Florian’s Song. Schumann. Messages. MUSIC AND STUDY _ .. (Gr. 3) by Fischer. In Cellar Cool. Gounod. The Evening. Is „ w Nessler. Who Sylvia? F nC T ' 450 15 O Sunny Beam. It Was Not So to Be. Making Sight Reading Easy m? ji (OD-15017) Goetz. Happy Day. Folk Song. All Through the Theodora J.Foth 451 Alexander Gretchanlnoff (a O The Lotusflower. Pergolese. Graben-Hoffmann. Stars with Schumann. Sunny Beam. Playing the Piano Between Four and Eight The Rhyme Night (Welsh). Nina. O Mater 452 (S.A.T.B. divided) French, Devotion. Golden Feet Are Wander- He More Knightly The Teacher’s Round Table -Um SHEET MUSIC—VIOLIN cappella) Gounod. To Spring. F'ressel. Than the 453 .15 The Woodlands ing. t Russian, and English text (OD-14997).. Franz. From Grief I Cannot All Noblest. What Is the Matter with My Voice Don Morrison (Gr. 3) Sinding. I Heard the Gull. Are Turning. William H. Buckley 455 Fairy Trumpets— Graben-Hoffmann. My Peace Is Measure. My Peace Is Gone. I Will Not Some Problems of the Choirmaster Solved -20T The Mother Sings. Grieve 457 Violin Solo ••••••• VCS., 2-PART (S.A.) Gone. For Music. Purcell. Mark H. Htndsley CHORUS—TREBLE I Attempt from Love's I«fl. Devotion. Band Pageantry Trumpets—“Don Morrison (Gr. o) Serenade. _ Faa tn 459 Fairy Sickness of the Handp ,'- (Lullaby) Rob Roy Peery Spohr. Rose Softly Blooming. to Fly. The Care , Z£ 7°., , 40T Slumber On Grieg. I Love Thee. I Love Thee. Strodello. Gehrkens 400 Violin and Piano German. The or Pity. O Savior. Questions and Answers Karl W. (OD-15018) 10 Broken Ring, Radecke. The Swallow’s Sunshine Song. 461 Taubert. My Darling Was So Mill of Song. Profit in the Piano Class . Ada Kicnter Gumbert. Ye Merry Birds. the Valley. Sullivan. The Lost Fun and Fair. Rubinstein. d'Hardelot. Chord. Prelude. Master Lesson on Prelude Opus 28, No. 3-PART (S.S.A.) Giordani. Darling, The Asra. Without Thee. Chopin’s Most Popular Short CHORUS—TREBLE VCS., d'Hardelot. Without Thee. In a March Night. My Own. Orville Lindquist 402 SHEET MUSIC—VOCAL SOLO Gold Rolls Here Beneath Me. Taubert. Cradle Song. 20, in C minor Miles Gounod. The Valley. Hoydn. Mv Mother Bids Deiro 493 The Bees—Russell Hancock Me Technical Training for the Child Accordionist • Pietro Haydn.
Load more

Recommended publications
  • The BG News December 12, 2003
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ".
    [Show full text]
  • Ebook Download This Is Grime Ebook, Epub
    THIS IS GRIME PDF, EPUB, EBOOK Hattie Collins | 320 pages | 04 Apr 2017 | HODDER & STOUGHTON | 9781473639270 | English | London, United Kingdom This Is Grime PDF Book The grime scene has been rapidly expanding over the last couple of years having emerged in the early s in London, with current grime artists racking up millions of views for their quick-witted and contentious tracks online and filling out shows across the country. Sign up to our weekly e- newsletter Email address Sign up. The "Daily" is a reference to the fact that the outlet originally intended to release grime related content every single day. Norway adjusts Covid vaccine advice for doctors after admitting they 'cannot rule out' side effects from the Most Popular. The awkward case of 'his or her'. Definition of grime. This site uses cookies. It's all fun and games until someone beats your h Views Read Edit View history. During the hearing, David Purnell, defending, described Mondo as a talented musician and sportsman who had been capped 10 times representing his country in six-a-side football. Fernie, aka Golden Mirror Fortunes, is a gay Latinx Catholic brujx witch — a combo that is sure to resonate…. Scalise calls for House to hail Capitol Police officers. Drill music, with its slower trap beats, is having a moment. Accessed 16 Jan. This Is Grime. From Wikipedia, the free encyclopedia. More On: penn station. Police are scrambling to recover , pieces of information which were WIPED from records in blunder An unwillingness to be chained to mass-produced labels and an unwavering honesty mean that grime is starting a new movement of backlash to the oppressive systems of contemporary society through home-made beats and backing tracks and enraged lyrics.
    [Show full text]
  • CHS Baseball Team Op Ens Season Tate's Best Track Girls Competing Here in Chelsea Relays
    mmm WEATHER QUOTE Mln. Mux Preclp. Thursday, April 1? 43 61 0.02 "A few honest men are'better Friday, A[>rll i3 42 uo IMO than numbers, If you choose god­ Saturday. April 14 40 62 0.11 Sunday, April 15 40 47 Truce ly, honest men to be captains of Monday, April 16 34 54 u.fio horse, honest men will follow." Tuesday, April 1? U 57 j1.no , —Oliver Cromwell. Wednesday, April 18 40 63 0,00 • PI us 15c per copy ONE HUNDRED-NINTH YEAR—No. 45 16 Pages This Week 2 Supplements CHELSEA, MICHIGAN, THURSDAY, APRIL 19, 1979 USPS 101-720 SUBSCRIPTION: $«.00 PER YEAR CHS Baseball tate's Best Track Team Girls Competing Here Open s season In Chelsea Relays » At long last the weatherman Roger Mo^re, John Dunn and Jefl cooperated ahd allowed the Chel­ Dils each contributed one hit to South.- School Twelve Strong Teams sea High school varsity baseball the effort. Three Bulldogs tied in the RBI's team to take the field and begin department, with Augustine, Moore this season. and Jeff Oils' each driving in two. Fun Fair Set Entered in Saturday Meet the Bulldogs took out their ear­ Lou Jahnke and John Dunn each ly season frustration on South; Ly­ brought home one. Some of the best track girls in jump team and Chelsea's pair of For Saturday the state will be in town this Sa­ Lorrie Vandegrift and Tracy Boh- on, soundly trouncing sthe Lions, Mike Eisele, the starting pitch­ 11-2, Tuesday afternoon at home.
    [Show full text]
  • CHURCH and PEOPLE " Holyrussia," the Empire Is Called, and the Troops of The
    CHAPTER V CHURCH AND PEOPLE " HOLYRussia," the Empire is called, and the troops of the Tsar are his " Christ-loving army." The slow train stops at a wayside station, and..among the grey cot- The Church. tages on the hillside rises a white church hardly supporting the weight of a heavy blue cupola. The train approaches a great city, and from behind factory chimneys cupolas loom up, and when the factory chimneys are passed it is the domes and belfries of the churches that dominate the city. " Set yourselves in the shadow of the sign of the Cross, O Russian folk of true believers," is the appeal that the Crown makes to the people at critical moments in its history. With these words began the Manifesto of Alexander I1 announcing the emancipation of the serfs. And these same words were used bfthose mutineers on the battleship Potenzkin who appeared before Odessa in 1905. The svrnbols of the Orthodox Church are set around Russian life like banners, like ancient watch- towers. The Church is an element in the national conscious- ness. It enters into the details of life, moulds custom, main- tains a traditional atmosphere to the influence of which a Russian, from the very fact that he is a Russian, involuntarily submits. A Russian may, and most Russian intelligents do, deny the Church in theory, but in taking his share in the collective life of the nation he, at many points, recognises the Ch'urch as a fact. More than that. In those borcler- lands of emotion that until life's end evade the control of toilsomely acquired personal conviction, the Church retains a foothold, yielding only slowly and in the course of generations to modern influences.
    [Show full text]
  • Belonging and Popular Culture Interdisciplines 1 (2018)
    Lindholm, Belonging and popular culture InterDisciplines 1 (2018) Belonging and popular culture The work of Chilean artist Ana Tijoux Susan Lindholm Introduction Current public debates on migration in the Global North often focus on issues of integration and multiculturalism, that is, questions surrounding the reassertion of national identity and definitions of the nation-state. In these debates, the figure of the embodied and imagined migrant can be seen as one that serves to condense »concerns with race, space and time and the politics of belonging« (Westwood and Phizacklea 2000, 3). How- ever, these public debates tend to pay less attention to the experience of individual migrants and groups who move across national borders and the structural preconditions based on social issues such as race, culture, and gender they encounter and negotiate. In order to be able to discuss and theoretically frame such experiences, researchers have suggested moving beyond methodological nationalism by, for instance, identifying and analyzing different spaces in which individuals identified as the cultural or racial »Other« express experiences of marginalization and exclusion (Westwood and Phizacklea 2000; Anthias 2008; Amelina et al. 2012; Nowicka and Cieslik 2014; Vasilev 2018). While hip-hop culture is often described as a platform through which marginalized youths are able to make such experiences of social exclusion visible, it is also a highly gendered space that, in its mainstream version, is filled with expressions of hypermasculinity and misogyny (Kumpf 2013, 207; Sernhede and Söderman 2010, 51). Such dominance of masculine- coded expressions, in turn, contributes to the marginalization of female and queer artists in mainstream hip-hop culture (Rose 2008; Pough 2007).
    [Show full text]
  • The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
    Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons.
    [Show full text]
  • The Rebirth of Religion in Russia
    View of the Holy of Holies of Russia, showing the high wall and lofty watch-towers which enclose it. Originally a fort, the Kremlin is now a museum, mausoleum, and treasure-house of things precious in Russian life and Russian religion. In no other equal area in the world ANNALS OF HISTORY is there crowded such an array of historic cathedrals THE REBIrtH OF RELIGION IN RUSSIA and monaster- ies, sacred relics, trophies of war, The Church Reorganized While Bolshevik Cannons sacerdotal robes, gold and silver Spread Destruction in the Nation’s vessels, precious Holy of Holies stones, pearls, and jewels to the value of millions of Y HOMAS HITTEMORE dollars, etc. B T W Note: The text, he Holy Kremlin of Moscow has During the bombardment a Chinese photographs, and Tbecome a Bolshevik fortress. From workman, looking on, was heard to captions of this ar- the 9th to the 16th of November, 1917, say, “The Russian is not good; bad ticle were originally published in National for more than seven days under a man; he shoots on his God.” Geographic 34:5 hurricane of fire, the city was stormed (November 1918): and finally carried by the Bolsheviks Outraged and despoiled, the Kremlin 378–401. in terrible fratricidal war. Since then is in bonds today, guarded by foreign the sacred citadel has been playing a mercenaries. The forty times forty new and ignominious role in the his- churches of the white stone city seem tory of Russia. to draw a little closer in answer to the trumpet calls of the Kremlin domes.
    [Show full text]
  • Read an Excerpt
    The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality.
    [Show full text]
  • A History of Rhythm, Metronomes, and the Mechanization of Musicality
    THE METRONOMIC PERFORMANCE PRACTICE: A HISTORY OF RHYTHM, METRONOMES, AND THE MECHANIZATION OF MUSICALITY by ALEXANDER EVAN BONUS A DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________Alexander Evan Bonus candidate for the ______________________Doctor of Philosophy degree *. Dr. Mary Davis (signed)_______________________________________________ (chair of the committee) Dr. Daniel Goldmark ________________________________________________ Dr. Peter Bennett ________________________________________________ Dr. Martha Woodmansee ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________2/25/2010 *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2010 by Alexander Evan Bonus All rights reserved CONTENTS LIST OF FIGURES . ii LIST OF TABLES . v Preface . vi ABSTRACT . xviii Chapter I. THE HUMANITY OF MUSICAL TIME, THE INSUFFICIENCIES OF RHYTHMICAL NOTATION, AND THE FAILURE OF CLOCKWORK METRONOMES, CIRCA 1600-1900 . 1 II. MAELZEL’S MACHINES: A RECEPTION HISTORY OF MAELZEL, HIS MECHANICAL CULTURE, AND THE METRONOME . .112 III. THE SCIENTIFIC METRONOME . 180 IV. METRONOMIC RHYTHM, THE CHRONOGRAPHIC
    [Show full text]
  • DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
    DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM.
    [Show full text]
  • Volume 46, Number 01 (January 1928) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1928 Volume 46, Number 01 (January 1928) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 46, Number 01 (January 1928)." , (1928). https://digitalcommons.gardner-webb.edu/etude/752 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. The Journal of the ^Musical Home Everywhere THE ETUDE ) ''Music MCagazi January 1928 NEW YEARS AMBITIONS Panted by C. W. Snyder PRICE 25 CENTS $2.00 A YEAR •/ ' * ' . • - - - V ■ / * ETV D E jssMastf-r ift 1 Outstanding Piano Composen Whose Works Are Worth Knowing festers fjruguay.H Canada,’ tiS* STjE? Auditor! Td WARD^JwOTtHHIPOTER “? , Subscrib/rs We will gladly send any ot tnese compositions to piano teachers, allowing the privilege of ex¬ amining them on our “On Sale” plan and per¬ mitting the return ofot those not desired.aesirea. Askask forior “On Order Blank and the details of ?his helpful plan if you have never enjoyed its jVL/ 12 IS d-1 ffir n kJ> PRINTED IN THE UN,TED STATES OP AMERICA * — ' - ™L,SHE, > -V THEODORE PRESSER CO.
    [Show full text]
  • NOVEMBER 20, 2003 3 Season Hinges on Development Coach Hopes Veterans Will Give Leadership to Talented Freshmen
    WSSMNMNUMBnvlflMRV IWMMMB,* 22807 ■ PU.II NOV202BB 13 ■ ftp 17 TNtKirasi MM RMk It IMS* MMH M WtWlH* »«• in an effort lo prove how much food is wasted at Students abandon their George Foreman Grills to set the IMU faces Northeastern University Saturday with IMU, Community Service-Learning provides a table for a new tradition — pre-Thanksgiving dinner with hopes of sending its seniors off with a win, while contin- study at D-hall to show the numbers. IMUfriends. uing its success for the future. James Madison University Today: Mostly sunny Hie>:S8 THE REEZE ** Low: 38 - Program places faculty in dorms Rain floods parking lot KRYA PAPAF1IV Professor living in Chesapeake Hall is first participant in project tewiir fih«t>triiphrr Heavy rain freshman dormitories. Wednesday BY KRISTY NICOLICH Life, situates faculty members in dor- mitories in an effort to make them Burkhart-Evans hopes to focus on caused water to senior writer more approachable and help them "helping freshman students in a real rise, In Cl Lot on This year, JMU has taken teacher- learn more about the students' lives. and concrete way by integrating liv- Grace Street, "The best way to get a true picture ing and learning," according to an flooding cart In student interaction a step beyond the the rear of the FMIR press release. classroom — into the dorm room. is to go where the students live," said parking lot. Since the tall semester began, Suad Cox, the program's first participant. The major goals of the program are Cox, a College of Business professor, "The FMIR is an adviser, mentor and a "to help freshmen transition, increase has been living on the first floor of friend to the students." faculty awareness of student concerns Chesapeake Hall.
    [Show full text]