Experiences of PTSD Sufferers Who Participate in Internet-Based Virtual World Activities in Desktop Virtual Reality Environments
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The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
Introduction
Music THE SOUND AND THE UNSOUND Introduction “I don’t care how good of a home a child has been brought up in, and how it’s been taught to do right; if that child hasn’t accepted the experience of the New Birth, rock and roll music catches his attention just as quick as he hears it. Because in him, born in him by nature, is a carnal spirit. And the power of the Devil is so great today that it catches the spirit of that little one.”1 Americans are addicted to music. It is an addiction that last year alone, cost us seven billion dollars2 and helped make music the most prosperous industry on earth. However, we are not without company. The whole world has tuned in with us to become a part of the greatest social phenomena in all of history: Rock’n’roIl music. Rock is now a generation old, and that in itself is nothing short of a miracle for something that was dismissed by the previous generation as being a flash-in-the-pan, in-one-ear-and-out-the-other, teenage craze. Even though we live in an era of blinding changes, rock has been able to assimilate, integrate and even mutate its way through nearly five decades to become something that is much more than music in the ear of the rock- believer. Resurrecting the deep-seated spiritual attributes of its ancient forbearers, rock has now achieved the elevated status of deification. In every sense, it has become a religion, complete with a full contingent of its own high priests and false prophets. -
Volume 58, Number 07 (July 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1940 Volume 58, Number 07 (July 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 07 (July 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/259 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ) . — < @ — — — —— . — — — — — — repertoire suggests the use of Summer enlarging ofthe £F\ •viert — I HOE Recent Additions mmsd(s m at qj d n fi coj to the Catalog of FAMOUS SONGS PUBLISHED MONTHLY By Theodore presser Co., Philadelphia, pa. H. E. KREHBIEL, Editor editorial and ADVISORY staff Volume Editor Price, $1.50 Each Tor ALTO DR. JAMES FRANCIS COOKE, Ditson Co. Hipsher, Associate Editor Oliver For SOPRANO outstanding writers on musical Dr. Edward Ellsworth America's • Mode by one of Contents William M. Felton. Music Editor music critic of leading metropolitan Contents subjects, for years the Guy McCoy volumes of Famous bongs Verna Arvev Or. Nicholas Doury Elizabeth Ciest journals, this collection in the four Beethoven. Good Friend, for Hullah. Three Fishers RoyPeery Went Dr. S. Fry George C. Knck Dr. Rob Jensen. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Mastering Equalizer User's Guide
Mastering Equalizer User’s Guide version 1.0 – June 2020 Addicted To Music Egipska 4, 03-922 Warsaw, POLAND phone: +48 604649220 e-mail: info@bettermaker. com web: www.bettermaker. com 1 The Bettermaker crew would like to thank all the people that were deeply involved in the development of our first products, from EQ230P till this day. Thanks to all the Beta-testers that gave us hands-on tips and all people involved in the conceptual stage. We hope we have listened to you carefully so as to produce an ideal tool in the hands of every engineer. Thank you guys! I would like to personally thank my development team, the past and the present as their passion to work and bright minds made all that happen. I would not take all my wild concepts to the point they are now without you guys. Marek Walaszek 2 I. Introduction Congratulations on your purchase of the Bettermaker Mastering Equalizer - all analog sound with the flexibility of digital control! Welcome to the family! The hybrid audio equalizer now in your possession is the result of years of research and development in emerging digital control technologies. The final hand-built result is currently glowing happily in your rack (lucky You). The Mastering Equalizer brings the flexibility, ease of use, and instant recall-ability of software plug-ins to the realm of High Fidelity analog processing, like no other analog equalizer on the market. The Company Addicted to Music has begun in 2004 in Warsaw, Poland as a recording and mixing studio. Long before it was a hardware company, we were deeply involved in the international music and recording scene. -
August 2006 2 BMW Club Journal • August 2006 the Journal CONTENTS Editorial Ramblings
The BMW Club JOURNAL £2.00 August 2006 2 BMW Club Journal • August 2006 The Journal CONTENTS Editorial Ramblings............................... 4 August 2006 National and Section Officers............. 6 The Official BMW Club President’s Platform........................... 7 within the UK and Torque Reaction...................................8 Republic of Ireland The new BMW R1200R..................... 22 Affiliated to BMW Club Europa e.V Beaulieu 2006 .......................... 24 www.bmwclub.org.uk Tour De Force Revisited ............... 25 General Enquiries: 0800 0854045 Motorad News ................................. 36 FREEPOST THE BMW CLUB National Rally Advert........................... 41 The BMW Club is the Trading name of The B.M.W. Motorcycle Club Ltd Registered in England, Registration Diary of Events................................... 39 number 4261129 whose Registered Office: Charter Court, Around the Compass.......................... 48 Midland Road, Hemel Hempstead, Herts, HP2 5GE German Jottings.................................. 49 All Rights Reserved Book Review ..................................... 53 HONORARY EDITORIAL TEAM EuroRide 2002 ( 1 of 2 ) .................... 54 Please send all letters to Paul Nadin, Where We Meet................................... 60 Mutual Aid to Owen Vaughan, features Section News...................................... 61 Dave Bertram. All other correspondence or queries should be sent to the Editor. Social and Register Secretaries.......... 61 EDITOR: CHRIS FLEMING, 58 Janes Lane, Bur- Mutual -
Convention Program Master 4/13/12 4:33 PM Page 1
132_entire book_Convention Program Master 4/13/12 4:33 PM Page 1 CONTENTS 132ND TECHNICAL MEETINGS AND PROFESSIONAL EVENTS Message from the AES President........................................3 Message from the Convention Chair...................................5 General Information: Registration Information ....................................................7 Technical Papers, Workshops, Tutorials, and Special Events Hours .................................................8 Exhibit Hours .....................................................................8 Membership Services .......................................................8 AES Publications ..............................................................8 132nd Convention Papers .................................................8 Public Transportation Information ......................................9 Opening Ceremonies: Awards Presentation and Keynote Speaker ....................11 Technical Tours ...................................................................13 Special Events.....................................................................16 Student Events ...................................................................21 Technical Council and Technical Committee Meetings ......................................................................25 Standards Committee Meetings ........................................26 Technical Paper Sessions ..................................................27 Engineering Briefs ..............................................................91 -
Mastering Limiter User's Guide
Mastering Limiter User’s Guide version 1.1 – June 2020 Addicted To Music Egipska 4, 03-922 Warsaw, POLAND phone: +48 604649220 e-mail: info@bettermaker. com web: www.bettermaker. com The Bettermaker crew would like to thank all the people that were deeply involved in the development of our first products, from EQ230P till this day. Thanks to all the Beta-testers that gave us hands-on tips and all people involved in the conceptual stage. We hope we have listened to you carefully so as to produce an ideal tool in the hands of every engineer. Thank you guys! I would like to personally thank my development team, the past and the present as their passion to work and bright minds made all that happen. I would not take all my wild concepts to the point they are now without you guys. Marek Walaszek Table of Contents I. Introduction 1. Company 2. Bettermaker Mastering Limiter II. Important Safety Information 1. Turning the unit on for the first time 2. Safety Warnings III. Construction of the Mastering Limiter 1. Analog section 2. Digital section 3. Front panel and LCD touchscreen 4. Internal signal path diagram IV. General Operation 1. Connecting the Mastering Limiter to your system 2. Level calibration 3. Main Menu 4. Settings 5. Presets 6. Limiter & Clipper 7. Color 8. Spectrum Analyzer 9. Analog-style metering 10. K-metering 11. Loudness measurements 12. Phase & correlation metering 13. Custom metering V. DAW integration 1. System requirements and installation 2. DAW automation and presets 3. Plugin operation 4. Firmware update VI. -
Over 1000 Student Voices
Over 1000 VAPA Student Voices 01) “I like band because I like playing music but I don't always get the time to play but now I'm in band I can play my favorite instrument every other day. I think the arts are important because music is like another part of your life. It's another way to express your self. A fun memory is when me and my friend Fabian was messing around and we made our own beat but he could never get his note right.” - James Mattox, NCMS - 7th grade 02) “I like band because I like how we could get any instrument and learn how to play it we may not be good like a professional but we learn and we are able to perform in front of people. I think the arts are important because it's a part of our life and also because whenever we learn things our brains get bigger. What I personally like about band was when we perform for example when we went last semester in the fall to Band Pageant and we saw all those different bands perform.” - Alessandra Luevano 03) “I like band because at home I am really stressed and always in trouble so at band I play music and I get relaxed playing music and hearing it to. I think the arts is important because art has been going hundreds of years and people still do it like us in band class. What I like about band is that we get to perform for other people in different places.” - Kevin Ortiz, NCM 7- grade 04) “I like band because I get to play an instrument and I learn something new. -
Płyty CD Z Muzyką
1 WYKONAWCA/KOMPOZYTOR TYTUŁ CZAS 100 ESSENTIAL POWER BALLADS 1 ok.69 min. 100 ESSENTIAL POWER BALLADS 2 ok.66 min. 100 ESSENTIAL POWER BALLADS 3 ok.77 min. 100 ESSENTIAL POWER BALLADS 4 ok.65 min. 100 ESSENTIAL POWER BALLADS 5 ok.73 min. 100 ESSENTIAL POWER BALLADS 6 ok.73 min. 100 LAT FILHARMONII W WARSZAWIE ok.68 min. 16 FILM AND TV HITS ok.62 min. 2 CELLOS Celloverse ok.48 min. 2 CELLOS In2ition ok.47 min. 2 CELLOS 2 Cellos ok.43 min. 1994 PREVIEW DISC Składanka z muzyką klasyczną ok.75 min. 20 BRAVO HITS 1 ok.74 min. 20 BRAVO HITS 2 ok.78 min. 20 BRAVO HITS 3 ok.77 min. 20 BRAVO HITS 4 ok.77 min 20 BRAVO HITS 5 ok.74 min. 20 TOP DANCE HITS ok.71 min. 200 % DANCE HITS ok.72 min. 2019 NEW YEAR’S CONCERT CD 1 ok.56 min. CD 2 ok.54 min. 3 TENORS AT CHRISTMAS ok.61 min. 30 LAT TELEEXPRESSU CD 1 ok.78 min. CD 2 ok.73 min. 300 % HITS OF HAPPY NEW YEAR ‘97 ok.63 min. 500 % HITS OF SUNSHINE HOLIDAYS ok.71 min. 600 % HITS OF 1997 ok.62 min 70 LAT EMPIK : MUZYKA FILMOWA CD 1 ok.60 min. CD 2 ok.76 min. 700 % HITS OF ... CARNIVAL’98 ok.69 min. 80’ S COLLECTION : 1984 CD 1 ok.47 min. CD 2 ok.50 min. 800 % OF NEW DANCE HITS ok.70 min 900 % OF NEW DANCE HITS ok.71 min. A AALIYAH I Care 4 U ok.68 min. -
Artist Title Date Label Ravesignal Heaven on Earth 3.12.1990 R&S
Artist Title Date Label ravesignal heaven on earth 3.12.1990 r&s records ravesignal golden dreams 3.12.1990 r&s records ravesignal wonderland 3.12.1990 r&s records ravesignal get a buzz 3.12.1990 r&s records spectrum brazil 1.1.1990 r&s records spectrum the incrowd 1.1.1990 r&s records spectrum spectral 1.1.1990 r&s records spectrum amplification 1.1.1990 r&s records free force always there 3.12.1990 action 4 action solaradar don't cry 1.12.1990 eye to eye records l.u.p.o. feat. cathy keep it up 1.1.1990 media records production mimmo mix my way 1.1.1990 whole records dv8 freedom 3.12.1990 strictly rhythm ten city superficial people 3.12.1990 atlantic rozalla bour to luv ya 12/3/1990 pulse 8 ultra naté scandal 12.03.1990 eternal orr-some we can make it (hardcore remix) 3.12.1990 debut evolution bridge simplicity 3.12.1990 ruby red records evolution bridge meree in two 3.12.1990 ruby red records psychotropic hypnosis 1.1.1990 o2 records subject: 13 eternity 3.12.1990 vinyl solution 4 for money it's a moment in time 1.1.1990 tam tam djum djum difference 3.12.1990 outer rhythm heychild heychild's theme 3.12.1990 preview project 1 rush the bridge 1.1.1990 tam tam cyclone a place called bliss 3.12.1990 network x call it techno 3.12.1990 x digital boy gimme a fat beat 3.12.1990 dance department flying records less stress don't dream it's over 13.12.1990 boy's own productions c.f.m band dance to the music (body action) 12/3/1990 underworld mariah carey someday 3.12.1990 columbia georgie porgie do you remember 12/3/1990 tempest frequency hey, hey, hey 3.12.1990 lower east side productions penetration forced entry 3.12.1990 go bang! Artist Title Date Label the brothers grimm déjà vu 12.3.1990 champion danny "d" & d.j. -
2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland
2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland ABSTRACTS updated April 24, 2015 Adams, Bill J. Liminal Observation in Multidisciplinary Performance: MTV Meets Franz Schubert In the traditional song recital format, songs are performed standing near a piano - no costumes, no special lighting, and with little more than generalized movement and facial expressions to convey the story. The combination of superior poetry and carefully composed music react to create the art song in which one plus one is three. The words of Goethe plus the music of Schubert, for example, explode into a work of art which is simultaneously expansive and diminutive, thrilling and horrifying. The performance of the masterpiece Erlkönig is more than the sum of its parts. Of course, if one does not understand the German text or if part of the performance is recorded, how does this effect the equation? What if visual images are added which may compliment or contradict the poetic story? This lecture-demonstration will explore performance by creating and/or destroying relationships within the song and throughout the audience by manipulating visual image, text, and live performance. Through this process new paradigms might be established building audiences for song recitals, creating fodder for filmmakers, inspiring the composition of new works, and providing educational tools for performers and teachers. Adams, Daniel C. Provincial begets Cosmopolitan: The Kommunala Musikskolan and the Swedish Pop Music Explosion This paper is an examination of the ironic role of the municipal music schools, (kommunala musikskolan ) in the emergence of Sweden as the world’s largest per capita exporter of commercial music.