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The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
Experiences of PTSD Sufferers Who Participate in Internet-Based Virtual World Activities in Desktop Virtual Reality Environments
Walden University ScholarWorks Walden Dissertations and Doctoral Studies Walden Dissertations and Doctoral Studies Collection 2020 Experiences of PTSD Sufferers Who Participate in Internet-Based Virtual World Activities in Desktop Virtual Reality Environments Colleen Margaret Crary Walden University Follow this and additional works at: https://scholarworks.waldenu.edu/dissertations Part of the Psychology Commons This Dissertation is brought to you for free and open access by the Walden Dissertations and Doctoral Studies Collection at ScholarWorks. It has been accepted for inclusion in Walden Dissertations and Doctoral Studies by an authorized administrator of ScholarWorks. For more information, please contact [email protected]. Walden University College of Social and Behavioral Sciences This is to certify that the doctoral dissertation by Colleen M. Crary has been found to be complete and satisfactory in all respects, and that any and all revisions required by the review committee have been made. Review Committee Dr. Edoardo Naggiar, Committee Chairperson, Psychology Faculty Dr. Hedy Dexter, Committee Member, Psychology Faculty Dr. Bonnie Nastasi, University Reviewer, Psychology Faculty Chief Academic Officer and Provost Sue Subocz, Ph.D. Walden University 2020 Abstract Experiences of PTSD Sufferers Who Participate in Internet-Based Virtual World Activities in Desktop Virtual Reality Environments by Colleen M. Crary BA, San Diego State University, 1994 MA, The Chicago School of Professional Psychology, 2010 Dissertation Submitted in Fulfillment of the Requirements for the Degree of Doctor of Philosophy Psychology Research Walden University August 2020 Abstract Treatments for posttraumatic stress have remained largely static for 3 decades, resulting in low recovery rates, high degrees of retrogression, and noncompliance by patients, calling for new approaches for posttraumatic stress disorder (PTSD) treatment. -
Volume 58, Number 07 (July 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1940 Volume 58, Number 07 (July 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 07 (July 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/259 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ) . — < @ — — — —— . — — — — — — repertoire suggests the use of Summer enlarging ofthe £F\ •viert — I HOE Recent Additions mmsd(s m at qj d n fi coj to the Catalog of FAMOUS SONGS PUBLISHED MONTHLY By Theodore presser Co., Philadelphia, pa. H. E. KREHBIEL, Editor editorial and ADVISORY staff Volume Editor Price, $1.50 Each Tor ALTO DR. JAMES FRANCIS COOKE, Ditson Co. Hipsher, Associate Editor Oliver For SOPRANO outstanding writers on musical Dr. Edward Ellsworth America's • Mode by one of Contents William M. Felton. Music Editor music critic of leading metropolitan Contents subjects, for years the Guy McCoy volumes of Famous bongs Verna Arvev Or. Nicholas Doury Elizabeth Ciest journals, this collection in the four Beethoven. Good Friend, for Hullah. Three Fishers RoyPeery Went Dr. S. Fry George C. Knck Dr. Rob Jensen. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Mastering Equalizer User's Guide
Mastering Equalizer User’s Guide version 1.0 – June 2020 Addicted To Music Egipska 4, 03-922 Warsaw, POLAND phone: +48 604649220 e-mail: info@bettermaker. com web: www.bettermaker. com 1 The Bettermaker crew would like to thank all the people that were deeply involved in the development of our first products, from EQ230P till this day. Thanks to all the Beta-testers that gave us hands-on tips and all people involved in the conceptual stage. We hope we have listened to you carefully so as to produce an ideal tool in the hands of every engineer. Thank you guys! I would like to personally thank my development team, the past and the present as their passion to work and bright minds made all that happen. I would not take all my wild concepts to the point they are now without you guys. Marek Walaszek 2 I. Introduction Congratulations on your purchase of the Bettermaker Mastering Equalizer - all analog sound with the flexibility of digital control! Welcome to the family! The hybrid audio equalizer now in your possession is the result of years of research and development in emerging digital control technologies. The final hand-built result is currently glowing happily in your rack (lucky You). The Mastering Equalizer brings the flexibility, ease of use, and instant recall-ability of software plug-ins to the realm of High Fidelity analog processing, like no other analog equalizer on the market. The Company Addicted to Music has begun in 2004 in Warsaw, Poland as a recording and mixing studio. Long before it was a hardware company, we were deeply involved in the international music and recording scene. -
The Technological Impact on Well-Being Through Listening to Music
- PSTS Master Thesis The technological impact on well-being through listening to music A theoretical exploration of the impact of technology on the circumstances under which listening to music can induce emotions and with that influence well-being Master Thesis By Jerom van Geffen ~ April, 2016 First supervisor: Student number: Dr. Johnny Hartz Søraker s1008145 Examiner: E-mail address: Dr. Saskia Nagel [email protected] This thesis is submitted for the fulfilment of the degree of Master of Science in Philosophy of Science, Technology and Society with a specialization in the Technology and Values track. This program is offered by the department of Philosophy in the faculty of Behavioural, Management and Social Sciences at the University of Twente. 2 - PSTS Master Thesis Acknowledgements Music plays a predominant role in the everyday lives of many people. Besides that it is being used in games, movies, shops, restaurants and casinos, many people still consider music listening as a pleasant activity. I am no exception to that. I can hardly imagine a moment during a regular day that I am on my own without listening to music. Everywhere I go, I bring my old-school mp3-player with me. Music enables me to cheer me up or to drag me through difficult moments. Not in the last place it was music that helped me finishing this master thesis. Although I do not master any musical instrument myself, I do consider music to play a major role in my life. This is the reason that I decided to combine my interest for music with my study, Philosophy of Science, Technology and Society (PSTS). -
August 2006 2 BMW Club Journal • August 2006 the Journal CONTENTS Editorial Ramblings
The BMW Club JOURNAL £2.00 August 2006 2 BMW Club Journal • August 2006 The Journal CONTENTS Editorial Ramblings............................... 4 August 2006 National and Section Officers............. 6 The Official BMW Club President’s Platform........................... 7 within the UK and Torque Reaction...................................8 Republic of Ireland The new BMW R1200R..................... 22 Affiliated to BMW Club Europa e.V Beaulieu 2006 .......................... 24 www.bmwclub.org.uk Tour De Force Revisited ............... 25 General Enquiries: 0800 0854045 Motorad News ................................. 36 FREEPOST THE BMW CLUB National Rally Advert........................... 41 The BMW Club is the Trading name of The B.M.W. Motorcycle Club Ltd Registered in England, Registration Diary of Events................................... 39 number 4261129 whose Registered Office: Charter Court, Around the Compass.......................... 48 Midland Road, Hemel Hempstead, Herts, HP2 5GE German Jottings.................................. 49 All Rights Reserved Book Review ..................................... 53 HONORARY EDITORIAL TEAM EuroRide 2002 ( 1 of 2 ) .................... 54 Please send all letters to Paul Nadin, Where We Meet................................... 60 Mutual Aid to Owen Vaughan, features Section News...................................... 61 Dave Bertram. All other correspondence or queries should be sent to the Editor. Social and Register Secretaries.......... 61 EDITOR: CHRIS FLEMING, 58 Janes Lane, Bur- Mutual -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
Convention Program Master 4/13/12 4:33 PM Page 1
132_entire book_Convention Program Master 4/13/12 4:33 PM Page 1 CONTENTS 132ND TECHNICAL MEETINGS AND PROFESSIONAL EVENTS Message from the AES President........................................3 Message from the Convention Chair...................................5 General Information: Registration Information ....................................................7 Technical Papers, Workshops, Tutorials, and Special Events Hours .................................................8 Exhibit Hours .....................................................................8 Membership Services .......................................................8 AES Publications ..............................................................8 132nd Convention Papers .................................................8 Public Transportation Information ......................................9 Opening Ceremonies: Awards Presentation and Keynote Speaker ....................11 Technical Tours ...................................................................13 Special Events.....................................................................16 Student Events ...................................................................21 Technical Council and Technical Committee Meetings ......................................................................25 Standards Committee Meetings ........................................26 Technical Paper Sessions ..................................................27 Engineering Briefs ..............................................................91 -
Mastering Limiter User's Guide
Mastering Limiter User’s Guide version 1.1 – June 2020 Addicted To Music Egipska 4, 03-922 Warsaw, POLAND phone: +48 604649220 e-mail: info@bettermaker. com web: www.bettermaker. com The Bettermaker crew would like to thank all the people that were deeply involved in the development of our first products, from EQ230P till this day. Thanks to all the Beta-testers that gave us hands-on tips and all people involved in the conceptual stage. We hope we have listened to you carefully so as to produce an ideal tool in the hands of every engineer. Thank you guys! I would like to personally thank my development team, the past and the present as their passion to work and bright minds made all that happen. I would not take all my wild concepts to the point they are now without you guys. Marek Walaszek Table of Contents I. Introduction 1. Company 2. Bettermaker Mastering Limiter II. Important Safety Information 1. Turning the unit on for the first time 2. Safety Warnings III. Construction of the Mastering Limiter 1. Analog section 2. Digital section 3. Front panel and LCD touchscreen 4. Internal signal path diagram IV. General Operation 1. Connecting the Mastering Limiter to your system 2. Level calibration 3. Main Menu 4. Settings 5. Presets 6. Limiter & Clipper 7. Color 8. Spectrum Analyzer 9. Analog-style metering 10. K-metering 11. Loudness measurements 12. Phase & correlation metering 13. Custom metering V. DAW integration 1. System requirements and installation 2. DAW automation and presets 3. Plugin operation 4. Firmware update VI. -
Britney Spears Performs Satisfaction Youtube
Britney Spears Performs Satisfaction Youtube Judd escalating retroactively. Moishe remains off-the-shelf after Durant outpeep tidally or sabotaged any bipinnarias. Mim Spense tautologising, his guerdon intersect barber cheaply. Of a tune that python around on this in with my youtube channel is that are you for happier times, but she showed off! This performance has entitlement data listeners were reshot completely is touching is it was groundbreaking for decades into oblivion, britney spears performs satisfaction youtube channel theme will show concurrency message or icelandic? In carlton hill, but has had nonetheless found on this kind of this was only britney spears has never recorded a great performance. Justin for big comeback after being onstage with a while touring across as some mesmerizing fan base for a pocket sequencer while britney basically competing with both hold major magazines. Britneyspears VMAs popmusicWOW due to copyrights they made people take rub the performance so sorry guys Even use this performance. Not too much pioneered twerking, there is gifted with them, hot new millennium by any electronic music career at local has a routine but she psyched herself. The Swedish electro standouts explain. Here's all people best WAP remixes from TikTok and YouTube. Ye is still calls home studio partner, britney spears performs satisfaction youtube channel! She honed her performances from our toes and electronic satisfaction, britney spears performs satisfaction youtube channel to stay on tour schedules and a snake at her performance was no. And ally think I center that successfully. Who has it past few weeks ago, britney spears performs satisfaction youtube channel music by andrew thee stallion collab would soon for what kicks off! Britney Spears I cant get no Satisfaction video 9992 views99K. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.