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The BG News December 12, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-2003 The BG News December 12, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 2003" (2003). BG News (Student Newspaper). 7211. https://scholarworks.bgsu.edu/bg-news/7211 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY December 12, 2003 HOCKEY: BG hockey takes on PARTLY CLOUDY Findlay, looking to break HIGH: 31 I LOW: 18 their winless streak www.hgnews.com A daily independent student press VOLUME 98 ISSUE 71 before holiday; PAGE 5 NEWS Third Ohio 'Pif open on Wooster By Monica Frost then choose between a selection a.m. to 3 a.m. Thursday through University. "It's a healthy alter- . REPORICO of fresh meat or vegetarian Saturday from 11 a.m. to 4 a.m. native to fast food," Paglio said. Watch out local sandwich options. Customers can also and Sunday from noon until 3 "Everything is so fresh - I just shops — there's a new kid on the customize their pita selection a.m. love them." block. with cheeses, vegetable top- Stein said he believes The Pita The Pita Pit has 11 pitas under ". -
MICHIGAN MONTHLY ______November, 2018 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ November, 2018 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT LIONS – Ford Field; DetroitLions.com or UNIVERSITY OF MICHIGAN WOLVERINES – 866- FordField.com; on Fox unless otherwise specified 296-MTIX, MGOBLUE.com/Tickets Nov. 4 at Minnesota Vikings; 1 pm Nov. 3 vs. Penn State Nov. 11 at Chicago Bears; 1 pm Nov. 10 at Rutgers Nov. 18 vs. Carolina Panthers; 1 pm Nov. 17 vs. Indiana Nov. 22 vs. Chicago Bears; 12:30 pm; CBS Nov. 24 at Ohio State Buckeyes; noon; Fox Dec. 2 vs. Los Angeles Rams; 1 pm Dec. 1 Big Ten Championship Dec. 9 at Arizona Cardinals; 4:25 pm Dec. 16 at Buffalo Bills; 1 pm MICHIGAN STATE UNIVERSITY – Dec. 23 vs. Minnesota Vikings; 1 pm msuspartans.com Dec. 30 at Green Bay Packers; 1 pm Nov. 3 at Maryland Terrapins DETROIT RED WINGS – LITTLE CAESARS Nov. 10 vs. Ohio State Buckeyes ARENA – on FSD unless otherwise stated Nov. 17 at Nebraska Cornhuskers Nov. 24 vs. Rutgers Scarlet Knights Nov. 1 vs. New Jersey Devils; 7:30 pm Dec. 1 Big Ten Championship Game; 8 pm; Fox Nov. 3 vs. Edmonton Oilers; 7 pm; also CBC Nov. 6 vs. Vancouver Canucks; 7:30 pm; FSD+ DETROIT PISTONS – LITTLE CAESAR’S ARENA Nov. 9 vs. N.Y. Rangers; 7:30 pm Nov. 10 at Carolina Hurricanes; 7 pm Nov. 3 at Philadelphia 76ers; 1 pm Nov. 13 vs. Arizona Coyotes; 7:30 pm Nov. 5 vs. Miami Heat; 7 pm Nov. 15 at Ottawa Senators; 7:30 pm Nov. 7 at Orlando Magic; 7 pm Nov. -
Billboard Magazine
HOT R&B SONGSWorldMags.net™ R&B ALBUMS™ Taylor, 2 WKS. LAST THIS TITLE CERTIFICATION Artist PEAK WKS. ON LAST THIS ARTIST CERTIFICATION Title WKS. ON AGO WEEK WEEK POS. CHART WEEK WEEK CHART PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL IMPRINT/DISTRIBUTING LABEL Banks #1 0 #1 TEYANA TAYLOR VII BANKS: BROOKE NIPAR BANKS: 12 WKS DON’T TELL ‘EM Jeremih Featuring YG 122 1 WK 1 1 1 1 M.SCHULTZ,DJ MUSTARD (J.FELTON,M.SCHULTZ,D.MCFARLANE,K.D.R.JACKSON,B.BENITES,M.MUNZING,L.ANZILOTTI,T.AUSTIN) MICK SCHULTZ/DEF JAM G.O.O.D./DEF JAM Take A TUESDAY I LOVE MAKONNEN Featuring Drake CHRIS BROWN X 8 3 29 4 2 RCA 2 0 M.SHERAN,L.WAYNE,SONNY DIGITAL (M.SHERAN,O.ALEEM,A.GRAHAM) OVO SOUND/WARNER BROS. NEW FLAME Chris Brown Featuring Usher & Rick Ross 219 PRINCE ART OFFICIAL AGE 6 Bow J.B.JOHNSON (C.M.BROWN,J.B.JOHNSON,K.THOMAS,M.N.SIMMONDS,W.L.ROBERTS II,M.PITTS,E.BELLINGER) RCA NPG/WARNER BROS. 30 0 HOLD YOU DOWN ARETHA FRANKLIN Sings The Great Diva Classics Newcomer Teyana Taylor DJ Khaled Feat. Chris Brown, August Alsina, Future & Jeremih 413 2 4 3 LDB,LEE ON THE BEATS,B.KORN,DJ KHALED (K.M.KHALED,C.M.BROWN,A.ALSINA,N.WILBURN CASH,J.FELTON,A.L.NORRIS,B.KORN) WE THE BEST/CASH MONEY/REPUBLIC RCA travels directly to No. 1 00 on Top R&B/Hip-Hop TOUCHIN, LOVIN Trey Songz Featuring Nicki Minaj 519 JAGGED EDGE JE Heartbreak II 2 THE FEATHERSTONES (T.NEVERSON,K.ROSS,F.BRIM,W.FEATHERSTONE,J.FEATHERSTONE,C.FEATHERSTONE,M.FEATHERSTONE . -
Introduction
Music THE SOUND AND THE UNSOUND Introduction “I don’t care how good of a home a child has been brought up in, and how it’s been taught to do right; if that child hasn’t accepted the experience of the New Birth, rock and roll music catches his attention just as quick as he hears it. Because in him, born in him by nature, is a carnal spirit. And the power of the Devil is so great today that it catches the spirit of that little one.”1 Americans are addicted to music. It is an addiction that last year alone, cost us seven billion dollars2 and helped make music the most prosperous industry on earth. However, we are not without company. The whole world has tuned in with us to become a part of the greatest social phenomena in all of history: Rock’n’roIl music. Rock is now a generation old, and that in itself is nothing short of a miracle for something that was dismissed by the previous generation as being a flash-in-the-pan, in-one-ear-and-out-the-other, teenage craze. Even though we live in an era of blinding changes, rock has been able to assimilate, integrate and even mutate its way through nearly five decades to become something that is much more than music in the ear of the rock- believer. Resurrecting the deep-seated spiritual attributes of its ancient forbearers, rock has now achieved the elevated status of deification. In every sense, it has become a religion, complete with a full contingent of its own high priests and false prophets. -
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8Th Ave 28Th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8th Ave 28th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255 14. Jerome Foster a.k.a. Knobody Akon STREET RECORDS CORPORATION, 1755 Broadway 6th , NY 10019 New York, USA Phone +1 212 331 2628 / Fax +1 212 331 2620 16. Rob Walker Clipse, N.E.R.D, Kelis, Robin Thicke STAR TRAK ENTERTAINMENT, 1755 Broadway , NY 10019 New York, USA Phone +1 212 841 8040 / Fax +1 212 841 8099 Ken Bailey A&R Urban Breakthrough credits: Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 William Engram A&R Urban Breakthrough credits: Bobby Valentino Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 Ron Fair President, A&R Pop / Rock / Urban Accepts only solicited material Breakthrough credits: The Calling Christina Aguilera Keyshia Cole Lit Pussycat Dolls Vanessa Carlton Other credits: Mya Vanessa Carlton Current artists: Black Eyed Peas Keyshia Cole Pussycat Dolls Sheryl Crow A&M RECORDS 2220 Colorado Avenue Suite 1230 CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 6270 Marcus Heisser A&R Urban Accepts unsolicited material Breakthrough credits: G-Unit Lloyd Banks Tony Yayo Young Buck Current artists: 50 Cent G-Unit Lloyd Banks Mobb Depp Tony Yayo Young Buck INTERSCOPE RECORDS 2220 Colorado Avenue CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 7908 www.interscope.com Record Company A&R Teresa La Barbera-Whites -
Volume 58, Number 07 (July 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1940 Volume 58, Number 07 (July 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 07 (July 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/259 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ) . — < @ — — — —— . — — — — — — repertoire suggests the use of Summer enlarging ofthe £F\ •viert — I HOE Recent Additions mmsd(s m at qj d n fi coj to the Catalog of FAMOUS SONGS PUBLISHED MONTHLY By Theodore presser Co., Philadelphia, pa. H. E. KREHBIEL, Editor editorial and ADVISORY staff Volume Editor Price, $1.50 Each Tor ALTO DR. JAMES FRANCIS COOKE, Ditson Co. Hipsher, Associate Editor Oliver For SOPRANO outstanding writers on musical Dr. Edward Ellsworth America's • Mode by one of Contents William M. Felton. Music Editor music critic of leading metropolitan Contents subjects, for years the Guy McCoy volumes of Famous bongs Verna Arvev Or. Nicholas Doury Elizabeth Ciest journals, this collection in the four Beethoven. Good Friend, for Hullah. Three Fishers RoyPeery Went Dr. S. Fry George C. Knck Dr. Rob Jensen. -
Citizen Queen Release “No Ego”
CITIZEN QUEEN RELEASE “NO EGO” LISTEN & WATCH THE VIDEO HERE (To Download Artwork & Press Images Click Here) (February 19th, 2021 – New York, New York) – Today, vocal quintet Citizen Queen release their second original song “No Ego,” an infectious, attitude-driven, empowered bop via RCA Records. Working with some of the hottest writers and producers in the industry, “No Ego” is written by pop maverick Justin Tranter (Selena Gomez, Justin Bieber) and Grammy-Award winning female hit- making duo NOVA WAV (Beyoncé, Ariana Grande). The track is produced by NOVA WAV. Showcasing the girls’ range of talent, the accompanying music video is directed by Ethan Lader (Mariah Carey, Mary J. Blige) and choreographed by Jamaica (Justin Bieber, Usher, Ciara). Watch HERE. In December, the group debuted original music with power anthem “Call Me Queen” which Nylon included in their Soundcheck column and stated “Modern representation plus Danity Kane-levels of pop ear-worminess? This is the girl group we deserve!” while Refinery29 said “Citizen Queen kicks down the doors with their powerful official debut, and the perfectly placed harmonies, bass, and vocal percussion on the original song all but promise a top spot for the talented newbies.” Alongside their executive producer team of Justin Tranter and NOVA WAV, Citizen Queen has spent the better part of last year developing an arsenal of slickly-produced, superbly sung R&B-laced pop bangers and ballads. More to come from Citizen Queen soon. Photo Credit: Lauren Dunn About Citizen Queen: Comprised of five supremely talented female vocalists, Kaedi Dalley (20), Hannah Mrozak (22), Cora Isabel, (19) Nina Nelson (22) and Kaylah Sharve’ (22), Citizen Queen is diverse in vocal style and background, but united in their mission to carry the torch as the next generation of girl group excellence. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Keri Hilson FAN TV
Presents KERI HILSON Keri Lynn Hilson (born December 5, 1982 in Decatur, Georgia) is a Grammy award nominated American R&B singer- songwriter signed to Timbaland’s Mosley Music Group. She is also a part of a collective of writers and producers known as The Clutch, and has written hits for many artists including Britney Spears, Usher, Ciara, Ludacris and Omarion. After performing on Xzibit’s song Hey Now (Mean Muggin’) and Timbaland’s album Shock Value she released her debut album, In A Perfect World…, in 2009. It spawned the hit singles Energy, Turnin’ Me On and Knock You Down which featured Kanye West and Ne-Yo and reached #3 on the Billboard Hot 100. Hilson has been writing music for other artists since 2001, including Britney Spears, Ciara, Usher, and Ludacris. Despite having made a name for herself as an arranger and background vocalist, lending her vocal talents to many of the songs she wrote on, Hilson remained behind the scenes for the most part until 2004, when she was featured on Xzibit’s single, “Hey Now (Mean Muggin)” and made her performing debut singing the track live at the 2004 MTV Europe Awards. In 2006, Hilson reappeared on the music scene in the video for Nelly Furtado’s single “Promiscuous”. Meanwhile, she signed as an artist with Timbaland’s newly formed Interscope associated label Mosley Music Group and the pair started work on her debut album ‘”In A Perfect World…”. The same year, she was featured on “After Love” from Diddy’s album Press Play which was originally written for Danity Kane. -
Mastering Equalizer User's Guide
Mastering Equalizer User’s Guide version 1.0 – June 2020 Addicted To Music Egipska 4, 03-922 Warsaw, POLAND phone: +48 604649220 e-mail: info@bettermaker. com web: www.bettermaker. com 1 The Bettermaker crew would like to thank all the people that were deeply involved in the development of our first products, from EQ230P till this day. Thanks to all the Beta-testers that gave us hands-on tips and all people involved in the conceptual stage. We hope we have listened to you carefully so as to produce an ideal tool in the hands of every engineer. Thank you guys! I would like to personally thank my development team, the past and the present as their passion to work and bright minds made all that happen. I would not take all my wild concepts to the point they are now without you guys. Marek Walaszek 2 I. Introduction Congratulations on your purchase of the Bettermaker Mastering Equalizer - all analog sound with the flexibility of digital control! Welcome to the family! The hybrid audio equalizer now in your possession is the result of years of research and development in emerging digital control technologies. The final hand-built result is currently glowing happily in your rack (lucky You). The Mastering Equalizer brings the flexibility, ease of use, and instant recall-ability of software plug-ins to the realm of High Fidelity analog processing, like no other analog equalizer on the market. The Company Addicted to Music has begun in 2004 in Warsaw, Poland as a recording and mixing studio. Long before it was a hardware company, we were deeply involved in the international music and recording scene. -
The Technological Impact on Well-Being Through Listening to Music
- PSTS Master Thesis The technological impact on well-being through listening to music A theoretical exploration of the impact of technology on the circumstances under which listening to music can induce emotions and with that influence well-being Master Thesis By Jerom van Geffen ~ April, 2016 First supervisor: Student number: Dr. Johnny Hartz Søraker s1008145 Examiner: E-mail address: Dr. Saskia Nagel [email protected] This thesis is submitted for the fulfilment of the degree of Master of Science in Philosophy of Science, Technology and Society with a specialization in the Technology and Values track. This program is offered by the department of Philosophy in the faculty of Behavioural, Management and Social Sciences at the University of Twente. 2 - PSTS Master Thesis Acknowledgements Music plays a predominant role in the everyday lives of many people. Besides that it is being used in games, movies, shops, restaurants and casinos, many people still consider music listening as a pleasant activity. I am no exception to that. I can hardly imagine a moment during a regular day that I am on my own without listening to music. Everywhere I go, I bring my old-school mp3-player with me. Music enables me to cheer me up or to drag me through difficult moments. Not in the last place it was music that helped me finishing this master thesis. Although I do not master any musical instrument myself, I do consider music to play a major role in my life. This is the reason that I decided to combine my interest for music with my study, Philosophy of Science, Technology and Society (PSTS). -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation.....................................................................................