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Who We Are Werner Conzelmann
CATWORKX MIDSUMMER DAY 2016 ALM WITH ATLASSIAN-TOOLS IN SUPPLY CHAIN WERNER CONZELMANN, HARMAN JUNE 17 HARMAN International. Confidential. Copyright 2016. Agenda 1. Who we are 2. Facts 3. From requirement to developer 4. From developer to product 5. Challenges 6. Overview 7. Questions HARMAN International. Confidential. Copyright 2016. 2 Who we are Innovation breeds quantifiable success • $6.825 Billion revenues* • 29,000 Professionals worldwide • 6,100 Patents and patents pending • EBITDA $825 Million* • 12,600 Engineers • 56 Design awards in 2015 • EPS $6.20* • 25+ Countries: Americas, Europe • 3 GRAMMY® Awards-AKG, JBL, • $23 Billion automotive order backlog** and Asia Lexicon *FY2016 Guidance • 16+ Legendary brands • 2 Academy Awards **As of June 30, 2015 MARKET LEADER GLOBALLY DIVERSE INNOVATION LEADER HARMAN International. Confidential. Copyright 2016. 3 Who we are • Over 80 years of industry groundbreaking “firsts” 2004 1999 JBL one of first to HK Soundsticks debut 1953 1975 release audio docks for iPod. at MOMA Harman Kardon Becker launches introduces first FM tuner first car cassette radio 2008 STC joins OHA and enables Android for the CDMA market 1958 1983 1928 Harman Kardon Crown taps JBL to 2002 World’s first talking movie releases the world’s develop first THX licensed system features Lansing’s Three JBL first stereo receiver HD loudspeakers engineers receive 2012 1989 Academy Awards JBL introduces Flip 1953 Digitech Whammy 1970’s AKG invents world’s first 2004 first dynamic cardiod JBL co-develops foot-controlled pitch 2013 Harman microphone the Wall Of Sound shifting guitar pedal STC developed the first dual-sided for the Grateful Dead enables first Bluetooth smartphone for Yota 1949 wireless Crown introduces first 1997 1984 connectivity open reel tape recorder First car 1971 JBL in Lincoln Town Car in the car with built-in power amp radio/CD/nav. -
LIVE SOUND MIXING CONSOLES FULL LINE CATALOGUE 2015 Harman Professional Catalog 2015
Harman Professional Catalog 2015 RUSH LIVE SOUND MIXING CONSOLES FULL LINE CATALOGUE 2015 Harman Professional Catalog 2015 Vi6 DIGITAL LIVE SOUND MIXING CONSOLE • Vistonics™ II touchscreen interface relieves the burden BEYOND INTUITIVE CONTROL of complex mental mapping with pristine audio quality SERIES • FaderGlow™ illumination of fader tracks for at a glance Vi status display With groundbreaking Soundcraft® Vistonics™ and FaderGlow™ • Simultaneous mixing of up to 96 inputs on 32 faders technologies combining visual information and operational in 3 banks into 35 outputs, with 24 insert send/return pairs assignable to any of the input or output channels controls in one area, Vi Series live sound consoles remove the • 32 Mono or stereo Group/Aux/Matrix busses burden of complex mental mapping, freeing the operator to • 40-bit floating point digital audio processing concentrate on the mix. A simple touch of the screen is all it takes • Cat5 or Cat7 connection to remote stagebox to access channel functions including routing, input gain, digital • Optional Fibre Optic interface gain trim, delay, high and low pass filters, 4-band parametric EQ, • Lexicon / BSS Audio processing compressor, limiter, gate, de-esser and pan. • 96 inputs to mix • 16 VCA Groups and 4 independent Mute Groups Partnering a compact control surface with a powerful SCore • 4-band fully parametric EQ on every input and output, Live processing engine and remote stageboxes, Vi6 delivers with HPF and LPF on every input simultaneous mixing of up to 96 inputs on 32 faders in 3 banks • GEQ on every bus. into 35 outputs, with 24 insert send/return pairs assignable to any • 8 independent stereo Lexicon FX processors of the input or output channels. -
Audio Pioneer Sidney Harman Dead at 92 13 April 2011
Audio pioneer Sidney Harman dead at 92 13 April 2011 left the company in 1953 and put up $5,000 to launch their own firm, Harman Kardon. They produced the first FM tuner in 1953 and the first stereo receiver, the Festival TA230, in 1958. Harman sold his share in Harman Kardon but bought it back and went on to acquire JBL, another maker of audio products. Harman sold the company again -- to Beatrice Foods for around $100 million -- in the 1970s to become the undersecretary of commerce in the Sidney Harman (L) and Jane Harman pose for administration of US president Jimmy Carter. photographers at Kennedy Center Hall of States in Washington, DC, 2009. Sidney Harman, who bought After leaving the administration, he bought Harman Newsweek magazine last year and merged it with The International back from Beatrice for $55 million. Daily Beast website, died on Tuesday, his family Harman Kardon had been sold to a Japanese announced. He was 92. company in the meantime and Harman was only able to reacquire his flagship in 1985. Harman became chairman emeritus of the Audio pioneer Sidney Harman, who bought company in 2008 and devoted much of his time and Newsweek magazine last year and merged it with money to his philanthropic activities, which included The Daily Beast website, died on Tuesday. He was the Folger Shakespeare Library in Washington and 92. the Aspen Institute think tank. Harman, who was married to Jane Harman, a In a surprise move last year, Harman bought former member of the US House of money-losing Newsweek from The Washington Representatives from California, died in Post Co. -
Carmakers Pushing for Full Car OTA Software Updates by 2020
Vol. 28, No. 1 u hansenreport.com u February 2015 Auto Industry Looking Carmakers Pushing for Full Car for Defenses against OTA Software Updates by 2020 Cybersecurity Attacks Anyone who uses a computer or a smart- park assist view with reverse camera guides, phone is familiar with over-the-air software among other modifications. updates. I’ve gotten used to updates, which When an update is available, Model S The auto industry is very aware that to- come unbidden. My computer and my owners are notified on the central display day’s vehicles are not well defended against smartphone are better today than when I with an option to install immediately or cyberattacks. Tomorrow’s vehicles, with bought them. schedule the installation at a later time. multiple wireless connections to the cloud Years ahead of every other carmaker, They are further advised to connect the and the world outside the vehicle, will be Tesla, the Silicon Valley maker of electric vehicle to their home’s Wi-Fi network, for even more vulnerable. But carmakers are cars, has made OTA updates routine. Since the fastest update speed, and put the vehi- unsure what to do about the cybersecurity the first Model S was delivered in Septem- cle into park. The average software update threat and concerned about how much ber 2012, Tesla has made 28 software takes 45 minutes. their mitigation efforts will cost. The indus- changes, according to teslasmotorclub.com, try is scrambling to understand the threat and conducted at least 18 OTA software The World’s Carmakers Follow Tesla and find solutions. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Euphonix MC Mix Test: Fxpansion BFD2 Test
3/März 2008 5,60 € Österreich 5,60 € ț Schweiz 11,20 sFr ț BeNeLux 5,60 € www.professional-audio.de Professional audio Magazin 3/März 2008 Test: Channelstrip dbx 376 Geheimtipp für 700 Euro Test: USB-Interface Tascam US-1641 Multitalent für DAW-Produktionen Neue Workshop-Serie Test: Fxpansion BFD2 Audio Mastering Drumsampler mit mit PC-Workstations Suchtpotential Test: Channelstrip dbx 376 Test: ½ Exklusivtest: Technik: Datenreduktion in der Audiotechnik Technik: Brandneuer ½ DAW-Controller: Euphonix MC Mix Test: Fxpansion BFD2 Test: ½ Setzt neue Maßstäbe bei Geschwindigkeit, Komfort und Preis/Leistung Außerdem lesen Sie: Report: NAMM-Show 2008 Surroundtechnik: Datenreduktion in der Audiotechnik Test: 8-Kanal-Interface Phonic Firefl y 808 Test: 5.1-Mehrkanal-Lautsprecher-Set Genelec 8030A/7060B ½ Test: Großmembran-Mikrofon Audio Technica AT 4050 Test: 16-Kanal-Analogmischer Soundcraft FX16ii Test: Euphonix MC Mix Test: Test: Faltungshall-Plug-in Studio Devices Refl ections LE V1.1 & Bree Casedy Library TEST ANALOGMISCHPULT Soundcraft FX16ii robusten, gut klingenden Konsolen für den Tour-Alltag. Sie legten damit den Grundstein für die Firma Soundcraft. Was vor über 30 Jahren mitten in Lon- don mit einer kleinen Manufaktur be- gann, hat sich über die Jahrzehnte zu Sound-Kraft einem der wichtigsten Hersteller analo- ger und digitaler Konsolen entwickelt. Heute bietet Soundcraft Mischpulte in Von Michael Nötges ridge und Graham Blyth das weltweit allen Größen und Ausstattungen für die erste Mischpult im Flight-Case auf den Bereiche Live-Sound, Recording, Post- ir schreiben das Jahr 1973: Wäh- Markt. Entwickler Blyth und Toningeni- Production sowie TV- und Radio an. Wrend sich Elvis und Priscilla Pres- eur Dudderidge haben die Zeichen der Mittlerweile zu Harman International ley scheiden lassen und Led Zeppelin Zeit richtig gedeutet. -
Presentations Revel Designs and Produces Innovative, No-Compromise Loudspeakers That Expand the Art of Home Sound Reproduction
Client: Company: Harman International | Revel Project Director: Mr. Kevin Voecks, Director of Engineering, Revel Harman International is the parent company for Infinity, Harman/Kardon, JBL, JBL Pro, Lexicon, AKG, Crown, Mark Levinson, Revel and Studer. Revel is Harman International’s flagship speaker line, with the single goal to produce the world’s finest loudspeakers. Revel offers speakers from $1,000 per pair to $23,000 per pair. Presentations Revel designs and produces innovative, no-compromise loudspeakers that expand the art of home sound reproduction. With a complete focus on maximum performance and unparalleled quality, Revel delivers an experience with all of the pas- sion and emotion intended by the artist. Revel benefits from the vast resources of its parent, Harman International Industries: Harman Kardon, Infinity, JBL, JBL Pro, Mark Levinson and their mainstay, Harman automotive audio. Revel remains an independent company completely focused on maximum performance and quality above all other issues. The technical resources, testing facilities, and decades of experience in transducer and speaker system design encompassed by the Harman companies are enormous assets avail- able to the Revel engineers. Deliverable: Presentation content, graphics, animations, speaker notes, PDF for emailing. Copyright© 2014 | grahamclivelowe.com Copyright© 2014 | grahamclivelowe.com Page 1 Detail: Revel was a new luxury home audio loudspeaker to be sold by specialty audio-video dealers across the U.S. and abroad. The Revel Ultima Salon and Gem had set new levels of performance with the Revel Ultima which retailed at $17,000 per pair. Revel needed a presentation that showed their brand, their methodology and salience in a very crowded market. -
O Fenômeno K-Pop – Reflexões Iniciais Sob a Ótica Da Construção Do Ídolo E O Mercado Musical Pop Sul-Coreano1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 40º Congresso Brasileiro de Ciências da Comunicação – Curitiba - PR – 04 a 09/09/2017 O FENÔMENO K-POP – REFLEXÕES INICIAIS SOB A ÓTICA DA CONSTRUÇÃO DO ÍDOLO E O MERCADO MUSICAL POP SUL-COREANO1 Letícia Ayumi Yamasaki2 Rafael de Jesus Gomes3 Universidade do Estado de Mato Grosso (UNEMAT) Resumo: A finalidade deste artigo é discutir de que forma a indústria fonográfica começa a se reinventar a partir da abrangência da internet e da cultura participativa (JENKINS, 2008) e suas estratégias para sobreviver nesse mercado. Dessa forma, pretende-se analisar aqui o fenômeno K-Pop (Korean Popular Music) e suas técnicas para a construção do ídolo, licenciamento de produtos e seu respectivo sucesso no mercado global de música. A partir de uma reflexão inicial, discutiremos aqui como a indústria cultural está absorvendo esses elementos e construindo novos produtos. Como aporte metodológico, reuniu-se a pesquisa bibliográfica a partir dos conceitos sobre produtos culturais, economia afetiva além de pesquisa em sites focados no universo da cultura Pop Sul-Coreana. Palavras-chave: K-Pop, convergência, estratégias, indústria cultural 1. INTRODUÇÃO Um mercado que fatura bilhões de dólares por ano, altamente influenciado pelo uso de tecnologias durante o processo de produção, consumo e sua relação com a lógica do capital (BOLAÑO, 2010); (ARAGÃO, 2008); (BRITTOS, 1999); (DIAS, 2010). Este é o cenário da indústria fonográfica que, nos últimos 20 anos precisa lidar com o faturamento de suas produções e, ao mesmo tempo, precisa também se adaptar aos processos de compartilhamento via aplicativos, streamings e serviços on demand (JENKINS, 2008); (KELLNER, 2004). -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Program PDF File
ORGANIZED BY THE AUDIO ENGINEERING SOCIETY INC. Invitation & Preliminary Program 108TH AES CONVENTION PALAIS DES CONGRÈS PARIS, FRANCE 2000 FEBRUARY 19-22 PRELIMINARY PROGRAM CHAIRMAN’S WELCOME Dear Attendants, Only a few weeks to go until the 108th AES Convention opens its doors to pro- audio specialists from around the world. With an extensive Convention Program and Equipment Exhibition, the first AES event of the new millennium will present technologies and ideas, both established and visionary. This Paris Convention is the ideal location to help guide you through the latest trends and technological changes. The turn of the millennium heralds groundbreaking innovations in the pro-audio sector. Multichannel audio, for example, seems as important a breakthrough as was the introduction of stereo. After a long period of technical fine-tuning, we are faced with the basic aesthetic and artistic questions, and once again the AES is there to help you make the right choices. For over 50 years, the AES and its Conventions have been the link within the international audio community: a forum for exchange of new ideas. At the dawn of the new millennium and the age of globalisation, the role of the AES will be more important than ever before. As Chairman, and on behalf of the 108th Convention Committee, I am very pleased to announce an exhaustive Convention Program: 19 paper sessions that To participate, please include over 100 papers, many technical tours and 15 challenging workshops, return the advance registration form by providing a framework for professional fact-finding on the highest level. February 11, 2000 The student activities too will be more intense than ever before, thus contributing to the AES Convention’s recognition throughout the world as a major platform for future generations of audio engineers. -
Pioneering High-Fidelity Entrepreneur Sidney Harman and U.S. Rep
Hi-Fi Entrepreneur Sidney Harman, U.S. Rep. Jane Harman to spea... http://www.calpolynews.calpoly.edu/news_releases/2006/February/... Feb. 10, 2006 Contact: Sandra Ogren University Advancement (805) 756-1445 Pioneering High-Fidelity Entrepreneur Sidney Harman and U.S. Rep. Jane Harman To Speak at Cal Poly Feb. 20 SAN LUIS OBISPO -- Cal Poly is proud to present a public lecture by two dynamic speakers: Sidney Harman, the man credited with building the entire high-fidelity audio industry and for whom Sidney Harman Hall is named, and U.S. Rep. Jane Harman, (D-36th District-Venice, CA), the ranking Democrat on the House Permanent Select Committee on Intelligence and a member of the Homeland Security Committee. Their visit to San Luis Obispo comes as the Performing Arts Center’s Christopher Cohan Center nears the 10th anniversary of its September 1996 opening. The couple will be on campus Monday, Feb. 20, to present “Observations on Governance, Arts, Business and Technology” and to answer questions from the audience. The free public presentation will be at 9 a.m. in Harman Hall with refreshments at 8:30 a.m. Sidney Harman, who is equally immersed in the competitive world of business and the cultural world of the arts, will talk about the intersection of art, technology and business. His keen interest in and appreciation for this subject led him to support an artist-in-residence program at a business school in New York City. He is also involved in the funding and design of a new performing arts center in Washington, D.C. -
Multi-Purpose Consoles Spirit Range Brochure
MULTI-PURPOSE CONSOLES FX16 16 Mono Channels with onboard Lexicon Effects FX8 8 Mono Channels with onboard Lexicon Effects SX SPIRIT RANGE 12 Mono & 4 Stereo Inputs BROCHURE M SERIES 4/8/12 Mono & 4 Stereo Inputs E SERIES 6 or 8 Mono & 4 Stereo Inputs NOTEPAD 4 Mono & 2 Stereo Inputs CONTENTS Quick Selector Compare Spirit Mixer Inputs & Features Quickly Features Table Page 4 Spirit Mixers at a glance 4 ? Power Features What makes Spirit consoles special Features in depth Pages 4 - 7 Power Features 4 - 7 FX16 16 Mono Channels with onboard Lexicon Effects Full Product Description Pages 8 & 9 The Mixers in detail 8 - 18 Dimensions Page 24 Specifications Page 25 FX8 8 Mono Channels with onboard Lexicon Effects Full Product Description Pages 10 & 11 Dimensions Page 24 Specifications Page 25 sx 12 Mono & 4 Stereo Inputs Full Product Description Pages 12 & 13 Dimensions Page 24 Specifications Page 25 M Series 4/8/12 Mono & 4 Stereo Inputs Full Product Description Pages 14 & 15 Dimensions Page 24 Specifications Page 25 E Series 6 or 8 Mono & 4 Stereo Inputs Full Product Description Pages 16 & 17 Dimensions Page 24 Specifications Page 25 Notepad 4 Mono & 2 Stereo Inputs Full Product Description Page 18 Dimensions Page 24 Specifications Page 25 Applications Using Spirit Mixers in Various Situations Introduction Page 19 Mic/Line Live Mixing Page 20 Insert Houses of Worship Page 21 Installed Sound Page 21 Mic/Line Mixer Applications 19 - 23 Submixing Page 22 Mic/Line Video Editing Page 22 Small/Home Studio Page 22 Dimensions & 24 - 25 Mic/Line Studio Recording Page 23 Specifications Mic/Line Frequently Asked 26 Other Soundcraft Products Questions How to find out more See Back Cover Glossary of 27 Technical Terms Other Soundcraft back cover products 2 WORLD CLASS MIXERS TEXAS When the Spirit range was first launched, mixing desks were either large and expensive, or small but ineffective.