Aztec Archaeology: Codices and Ethno- History Academic Year 2019-2020 15 Credits
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The Remarkable Hydrological Works of the Aztec Civilization
Water for the Future: Hydrology in Perspective (Proceedings of the Rome Symposium, April 1987). IAHS Publ. no. 164,1987. The remarkable hydrological works of the Aztec civilization JOSE A. RAYNAL-VILLASENOR Water Resources Program, Engineering Graduate Studies Division, Universidad Nacional Autonoma de Mexico, 04510 Mexico, DF , Mexico ABSTRACT The Aztec civilization has been described as one of the most remarkable cultures in the world, not only because of its material achievements, but also because of its rapid evolution from a tribe of nomads to a highly sophisticated society which was able to produce beautiful pieces of poetry as well as complex urban developments. The Aztecs surrounded, in the beginning, by enemies, built a city in the middle of a lake. Among the remarkable pieces of engineering produced by the Aztec culture, are their hydrological works. The Aztecs were able to build magnificent aqueducts as well as flood control works and they were responsible for the develop ment of a unique hydroponic form of irrigation: the chinampas. This paper describes their main hydrological works of the Aztec's, and their most important water gods are considered and their relation to the culture explained. Les ouvrages remarquables hydrologiques de la civilisation aztèque RESUME La civilisation aztèque a été décrite comme une des cultures les plus remarquables du monde, non seulement a cause de ses réalisations matérielles mais aussi en raison de son évolution rapide d'une tribu de nomades à une société fort sophistiquée qui a su produire de beaux morceaux de poésie aussi bien que des développements urbains complexes, et qui a construit une cité au milieu d'un lac, bien que les Aztèques aient été entourés d'ennemis au début. -
A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline
A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline Jerónimo Reyes On my honor, Professors Andrea Lepage and Elliot King mark the only aid to this thesis. “… the ruler sits on the serpent mat, and the crown and the skull in front of him indicate… that if he maintained his place on the mat, the reward was rulership, and if he lost control, the result was death.” - Aztec rulership metaphor1 1 Emily Umberger, " The Metaphorical Underpinnings of Aztec History: The Case of the 1473 Civil War," Ancient Mesoamerica 18, 1 (2007): 18. I dedicate this thesis to my mom, my sister, and my brother for teaching me what family is, to Professor Andrea Lepage for helping me learn about my people, to Professors George Bent, and Melissa Kerin for giving me the words necessary to find my voice, and to everyone and anyone finding their identity within the self and the other. Table of Contents List of Illustrations ………………………………………………………………… page 5 Introduction: Threads Become Tapestry ………………………………………… page 6 Chapter I: The Sum of its Parts ………………………………………………… page 15 Chapter II: Commodification ………………………………………………… page 25 Commodification of History ………………………………………… page 28 Commodification of Religion ………………………………………… page 34 Commodification of the People ………………………………………… page 44 Conclusion ……………………………………………………………………... page 53 Illustrations ……………………………………………………………………... page 54 Appendices ……………………………………………………………………... page 58 Bibliography ……………………………………………………………………... page 60 …. List of Illustrations Figure 1: Statue of Coatlicue, Late Period, 1439 (disputed) Figure 2: Peasant Ritual Figurines, Date Unknown Figure 3: Tula Warrior Figure Figure 4: Mexica copy of Tula Warrior Figure, Late Aztec Period Figure 5: Coyolxauhqui Stone, Late Aztec Period, 1473 Figure 6: Male Coyolxauhqui, carving on greenstone pendant, found in cache beneath the Coyolxauhqui Stone, Date Unknown Figure 7: Vessel with Tezcatlipoca Relief, Late Aztec Period, ca. -
The Bilimek Pulque Vessel (From in His Argument for the Tentative Date of 1 Ozomatli, Seler (1902-1923:2:923) Called Atten- Nicholson and Quiñones Keber 1983:No
CHAPTER 9 The BilimekPulqueVessel:Starlore, Calendrics,andCosmologyof LatePostclassicCentralMexico The Bilimek Vessel of the Museum für Völkerkunde in Vienna is a tour de force of Aztec lapidary art (Figure 1). Carved in dark-green phyllite, the vessel is covered with complex iconographic scenes. Eduard Seler (1902, 1902-1923:2:913-952) was the first to interpret its a function and iconographic significance, noting that the imagery concerns the beverage pulque, or octli, the fermented juice of the maguey. In his pioneering analysis, Seler discussed many of the more esoteric aspects of the cult of pulque in ancient highland Mexico. In this study, I address the significance of pulque in Aztec mythology, cosmology, and calendrics and note that the Bilimek Vessel is a powerful period-ending statement pertaining to star gods of the night sky, cosmic battle, and the completion of the Aztec 52-year cycle. The Iconography of the Bilimek Vessel The most prominent element on the Bilimek Vessel is the large head projecting from the side of the vase (Figure 2a). Noting the bone jaw and fringe of malinalli grass hair, Seler (1902-1923:2:916) suggested that the head represents the day sign Malinalli, which for the b Aztec frequently appears as a skeletal head with malinalli hair (Figure 2b). However, because the head is not accompanied by the numeral coefficient required for a completetonalpohualli Figure 2. Comparison of face date, Seler rejected the Malinalli identification. Based on the appearance of the date 8 Flint on front of Bilimek Vessel with Aztec Malinalli sign: (a) face on on the vessel rim, Seler suggested that the face is the day sign Ozomatli, with an inferred Bilimek Vessel, note malinalli tonalpohualli reference to the trecena 1 Ozomatli (1902-1923:2:922-923). -
Monumentos Historicos
Bole tín d e MONUMENTOS / HISTORICOS 16 INSTITUTO NACIONAL DE ANTItOPOLOGIA E HISTORIA BOLETÍN DE MONUMENTOS HISTÓRICOS Tercera época, núm. 16–|–mayo-agosto 2009 CONSUELO SÁIZAR CONSEJO EDITORIAL Presidenta del Consejo Nacional para la Cultura y las Artes Natalia Fiorentini Cañedo Nuria Salazar Simarro Concepción Amerlinck de Corsi INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA Leonardo Icaza Lomelí Virginia Guzmán Monroy ALFONSO DE MARIA Y CAMPOS Leopoldo Rodríguez Morales Director General Luis Alberto Martos López RAFAEL PÉREZ MIRANDA Hugo Antonio Arciniega Avila Secretario Técnico Eloísa Uribe Hernández BENITO TAIBO CONSEJO DE ASESORES Coordinador Nacional de Difusión Eduardo Báez Macías Clara Bargellini Cioni AGUSTÍN SALGADO AGUILAR Amaya Larrucea Gárritz Coordinador Nacional de Monumentos Históricos Rogelio Ruiz Gomar HÉCTOR TOLEDANO Constantino Reyes Valerio (†) Director de Publicaciones, CND Lourdes Aburto Osnaya Guillermo Tovar y de Teresa SAÚL ALCÁNTARA Rafael Fierro Gossman Director de Apoyo Técnico, CNMH Javier Villalobos Jaramillo NATALIA FIORENTINI CAÑEDO Pablo Chico Ponce de León Carlos Navarrete Cáceres Subdirectora de Investigación, CNMH Luis Arnal Simón BENIGNO CASAS Antonio Rubial Subdirector de Publicaciones Periódicas, CND COORDINACIÓN EDITORIAL María del Carmen Olvera Calvo Ana Eugenia Reyes y Cabañas Leonardo F. Icaza Lomelí | Editor invitado PORTADA: Fuente abastecida por un río. Fragmento del Códice Constancia de Gastos, siglo XVI. Benigno Casas | Producción editorial Col. de Códices del Museo Nacional de Anropología. -
Rethinking the Conquest : an Exploration of the Similarities Between Pre-Contact Spanish and Mexica Society, Culture, and Royalty
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2015 Rethinking the Conquest : an exploration of the similarities between pre-contact Spanish and Mexica society, culture, and royalty Samantha Billing University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2015 Samantha Billing Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Latin American History Commons Recommended Citation Billing, Samantha, "Rethinking the Conquest : an exploration of the similarities between pre-contact Spanish and Mexica society, culture, and royalty" (2015). Dissertations and Theses @ UNI. 155. https://scholarworks.uni.edu/etd/155 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by SAMANTHA BILLING 2015 All Rights Reserved RETHINKING THE CONQUEST: AN EXPLORATION OF THE SIMILARITIES BETWEEN PRE‐CONTACT SPANISH AND MEXICA SOCIETY, CULTURE, AND ROYALTY An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts Samantha Billing University of Northern Iowa May 2015 ABSTRACT The Spanish Conquest has been historically marked by the year 1521 and is popularly thought of as an absolute and complete process of indigenous subjugation in the New World. Alongside this idea comes the widespread narrative that describes a barbaric, uncivilized group of indigenous people being conquered and subjugated by a more sophisticated and superior group of Europeans. -
La Doctrina De Xochipilli
La Doctrina de Xochipilli Jenaro Ismael Reyes Tovar María Guadalupe Rodríguez Licea Dibujos: Rubén Soto Orozco Sabiduría Gnóstica Material didáctico de uso interno y exclusivo de estudiantes del Instituto Cultural Quetzalcóatl de Antropología Psicoanalítica, A.C. www.samaelgnosis.net | www.samaelgnosis.org | www.samaelgnosis.us La Doctrina de Xochipilli www.samaelgnosis.net La Doctrina de Xochipilli Autores del libro y fotografías: Jenaro Ismael Reyes Tovar y María Guadalupe Rodríguez Licea Portada y dibujos: Rubén Soto Orozco © Todos los derechos reservados. Flores, símbolo de la belleza espiritual y la alegría del alma. [Teotihuacán] Página web: www.samaelgnosis.net www.samaelgnosis.org www.samaelgnosis.us El contenido de este libro está basado en las conferencias y libros del V.M. Samael Aun Weor. Es el resultado del trabajo y cariño que ponen los instructores gnósticos y el equipo de voluntarios del Instituto Cultural Quetzalcóatl. 2 La Doctrina de Xochipilli www.samaelgnosis.net Introducción l amor es la fuerza más poderosa que existe en todo el cosmos infinito; tiene el poder de transformar radicalmente al ser humano, es capaz de llevarlo, de ser un simple E gusano del lodo del mundo a las esferas más sublimes y divinas. En el origen de los tiempos, el amor dio existencia al universo; y, una vez creado, esta fuerza tiene la capacidad de sostenerlo firme en su marcha; por tanto, si es tal el poder que tiene, cuando el ser humano lo llega a encarnar, éste posee, en consecuencia, la potestad para transformar su vida completamente. El amor todo lo puede, todo lo penetra, todo lo vence. -
Oral Tradition 25.2
Oral Tradition, 25/2 (2010): 325-363 “Secret Language” in Oral and Graphic Form: Religious-Magic Discourse in Aztec Speeches and Manuscripts Katarzyna Mikulska Dąbrowska Introduction On the eve of the conquest, oral communication dominated Mesoamerican society, with systems similar to those defined by Walter Ong (1992 [1982]), Paul Zumthor (1983), and Albert Lord (1960 [2000]), although a written form did exist. Its limitations were partly due to the fact that it was used only by a limited group of people (Craveri 2004:29), and because the Mixtec and Nahua systems do not totally conform to a linear writing system.1 These forms of graphic communication are presented in pictographic manuscripts, commonly known as codices. The analysis of these sources represents an almost independent discipline, as they increasingly become an ever more important source for Mesoamerican history, religion, and anthropology. The methodology used to study them largely depends on how the scholar defines “writing.” Some apply the most rigid definition of a system based on the spoken language and reflecting its forms and/or structures (e.g., Coulmas 1996:xxvi), while others accept a broader definition of semasiographic systems that can transmit ideas independent of actual spoken language (yet function at the same logical level) and thus also constitute writing (e.g., Sampson 1985:26-31). The aim of this study is to analyze the linguistic “magical-religious” register of the Nahua people, designated as such because it was used for communication with the sacred realm. In this respect, it represents one of the “sacred languages,” as classified by Zumthor (1983:53). -
The Temple of Quetzalcoatl and the Cult of Sacred War at Teotihuacan
The Temple of Quetzalcoatl and the cult of sacred war at Teotihuacan KARLA. TAUBE The Temple of Quetzalcoatl at Teotihuacan has been warrior elements found in the Maya region also appear the source of startling archaeological discoveries since among the Classic Zapotee of Oaxaca. Finally, using the early portion of this century. Beginning in 1918, ethnohistoric data pertaining to the Aztec, Iwill discuss excavations by Manuel Gamio revealed an elaborate the possible ethos surrounding the Teotihuacan cult and beautifully preserved facade underlying later of war. construction. Although excavations were performed intermittently during the subsequent decades, some of The Temple of Quetzalcoatl and the Tezcacoac the most important discoveries have occurred during the last several years. Recent investigations have Located in the rear center of the great Ciudadela revealed mass dedicatory burials in the foundations of compound, the Temple of Quetzalcoatl is one of the the Temple of Quetzalcoatl (Sugiyama 1989; Cabrera, largest pyramidal structures at Teotihuacan. In volume, Sugiyama, and Cowgill 1988); at the time of this it ranks only third after the Pyramid of the Moon and writing, more than eighty individuals have been the Pyramid of the Sun (Cowgill 1983: 322). As a result discovered interred in the foundations of the pyramid. of the Teotihuacan Mapping Project, it is now known Sugiyama (1989) persuasively argues that many of the that the Temple of Quetzalcoatl and the enclosing individuals appear to be either warriors or dressed in Ciudadela are located in the center of the ancient city the office of war. (Mill?n 1976: 236). The Ciudadela iswidely considered The archaeological investigations by Cabrera, to have been the seat of Teotihuacan rulership, and Sugiyama, and Cowgill are ongoing, and to comment held the palaces of the principal Teotihuacan lords extensively on the implications of their work would be (e.g., Armillas 1964: 307; Mill?n 1973: 55; Coe 1981: both premature and presumptuous. -
Aztec Festivals of the Rain Gods
Michael Graulich Aztec Festivals of the Rain Gods Aunque contiene ritos indiscutiblemente agrícolas, el antiguo calendario festivo de veintenas (o 'meses') de la época azteca resulta totalmente desplazado en cuanto a las temporadas, puesto que carece de intercalados que adaptan el año solar de 365 días a la duración efectiva del año tropical. Creo haber demostrado en diversas pu- blicaciones que las fiestas pueden ser interpretadas en rigor sólo en relación con su posición original, no corrida aún. El presente trabajo muestra cómo los rituales y la re- partición absolutamente regular y lógica de las vein- tenas, dedicadas esencialmente a las deidades de la llu- via - tres en la temporada de lluvias y una en la tempo- rada de sequía - confirman el fenómeno del desplaza- miento. The Central Mexican festivals of the solar year are described with consi- derable detail in XVIth century sources and some of them have even been stu- died by modern investigators (Paso y Troncoso 1898; Seler 1899; Margain Araujo 1945; Acosta Saignes 1950; Nowotny 1968; Broda 1970, 1971; Kirchhoff 1971). New interpretations are nevertheless still possible, especially since the festivals have never been studied as a whole, with reference to the myths they reenacted, and therefore, could not be put in a proper perspective. Until now, the rituals of the 18 veintenas {twenty-day 'months') have always been interpreted according to their position in the solar year at the time they were first described to the Spaniards. Such festivals with agricultural rites have been interpreted, for example, as sowing or harvest festivals on the sole ground that in the 16th century they more or less coincided with those seasonal events. -
PADRON PERSONAS MORALES 2019 Para Enviar
GOBIERNO DEL ESTADO DE MORELOS SECRETARIA DE OBRAS PUBLICAS DIRECCION GENERAL DE LICITACIONES Y CONTRATACION DE OBRA PUBLICA REGISTRO DE PERSONAS MORALES 2019 NUMERO DE RAZON SOCIAL DIRECCION FISCAL R.F.C. REPRESENTANTE LEGAL SOCIOS DE LA EMPRESA REGISTRO CALLE VALLE DE NAVIA, NO. 9, COL. ENRIQUE GARCIA ARAGON VALLE DE ARAGON, 3A. SECCION, ADMINISTRADOR UNICO ENRIQUE GARCIA ARAGON 5 DAEN S.A. DE C.V. DAE-000124-1H1 ECATEPEC DE MORELOS, ESTADO DE DAVID ANTONIO GARCIA ARAGON MARTHA PATRICIA GARCIA ARAGON MEXICO C.P. 55280 APODERADO GENERAL DORINA ESPINOZA SAUCEDA DIRECTOR GENERAL PRIVADA AHUATEPEC, NO. 106, COL. SERVICIOS DE INGENIERIA E JESUS OCAMPO URIBE DORINA ESPINOZA SAUCEDA 7 LOMAS DE LA SELVA, CUERNAVACA, SII-970515-PG9 PABLO ANTONIO DELGADILLO REYNOSO IVAN BLAGOEV BOGDANOV INFORMATICA S.C. MORELOS, MEXICO C.P. 62270 IVAN BLAGOEV BOGDANOV APODERADO GENERAL CALLE BUGAMBILIAS, LOTE 27, CONSTRUCCION E INGENIERIA IBC IRIS BERENICE HERNANDEZ ATILANO IRIS BERENICE HERNANDEZ ATILANO 11 MANZANA 2, COL. OBRERO POPULAR, CII-060509-MR4 ADMINISTRADOR UNICO CLAUDIA VILCHIS CARDENAS S.A. DE C.V. XOCHITEPEC, MORELOS C.P. 62790 ANGEL ANUAR ATALA CAMPOS CALLE AMADO NERVO No. 122 COL. DESARROLLADOR EN GRUPO RETRAT ADMINISTRADOR UNICO ANGEL ANUAR ATALA CAMPOS 17 MODERNA, BENITO JUAREZ, CIUDAD DGR-030717-7J3 JOSE ANTONIO ABAD GONZALEZ JOSE ANTONIO ABAD GONZALEZ S.A. DE C.V. DE MEXICO C.P. 03510 DIRECTOR GENERAL DAVID GONZALEZ PACHECO CALLE AMORES, NO. 2010, COL. DEL ADMINISTRADOR UNICO VICTOR HELADIO MOLINA RODRIGUEZ 21 NATURA INGENIERIA S.A. DE C.V. VALLE, BENITO JUAREZ, CIUDAD DE NIN-940607-MY9 VICTOR HELADIO MOLINA RODRIGUEZ DAVID GONZALEZ PACHECO MEXICO, MEXICO C.P. -
Mexica (Aztec) & Tlaxcala Accounts of the Spanish Conquest, 1500S
Glasgow University Library MEXICA (AZTEC) & TLAXCALA ACCOUNTS OF THE SPANISH CONQUEST, 1500s Miguel León-Portilla,* a Mexican anthropologist, compiled native1519 accounts of the Spanish conquest of Mexico, publishing them in Visión de los Vencidos (Vision of the Vanquished, Attack of the Spanish on the Mixtón town of Nochist- 1959) to present a chronological account from the perspective lan, 1541, in Diego Muñoz Camargo, Historia de of the Indians of Mexico, including the Mexica (Aztec) and the Tlaxcala, ca. 1581-1584 Tlaxcala. Adapted from the Cronica Mexicana, accounts compiled by Fernando Alvarado Tezozomoc, the grandson of Motecuhzoma, ca. 1578 Motecuhzoma summoned the chief officials of all the villages. He told them to search their villages for magicians and to bring him any they found. The officials returned with a number of these wizards, who were announced and then brought into the king’s presence. They knelt before him, and with one knee to the floor, and did him the greatest reverence. He asked them: “Have you not seen strange omens in the sky or on the earth? In the cases under the earth, or in the lakes and streams? A weeping woman, or strange men? Visions, or phantasms, or other such things?” But the magicians had not seen any of the omens that Motecuhzoma sought to understand, and therefore could not advise him. “What can we say? The future has already been determined and decreed in heaven, and Motecuhzoma will behold and suffer a great mystery which must come to pass in his land. If our king wishes to know more about it, he will know soon enough, for it comes swiftly. -
Clothes Make the God: the Ehecatl of Calixtlahuaca, Mexico
Clothes Make the God: The Ehecatl of Calixtlahuaca, Mexico Jennifer Lynn Burley During the fifteenth and early sixteenth centuries in of this addition to his name, he is regularly identified by a Central Mexico, the Aztec government commissioned works red, protruding buccal mask, the Calixtlahuaca Ehecatl’s of art throughout the inner provinces of its empire as well as permanent feature. in the capital, Tenochtitlan, where Mexico City now stands. The deity image belongs to a group of sculptures that One of the provincial areas was the colony of Calixtlahuaca, Aztec scholar Richard Townsend terms cult effigies—anthro- located in the Tollocan province, 70 miles west of the impe- pomorphic figures that were the object of ceremonies.5 As rial capital. A number of Aztec period sculptures have been evidenced by the absence of permanent clothing and lack found at this site.1 Among these is the only known imperial- of detail in the body, this type of effigy would have been style deity image found at a temple in the Aztec realm, the dressed and its clothing could be changed for different oc- unclothed sculpture of the Aztec wind god, Ehecatl (Figure casions. As in other Aztec productions, the Calixtlahuaca 1). The stone sculpture was found at Calixtlahuaca during Ehecatl’s garments were an essential part of the deity image, José Garcia Payón’s excavation of the site in the 1930s on the and the image cannot be interpreted without considering its southeast side of Structure 3, a round temple known to be the costume. Townsend’s analysis emphasizes the supernatural type of building associated with the wind in Mesoamerica.2 aspect of cult effigies, but they had other meanings as well.