The Temple of Quetzalcoatl and the Cult of Sacred War at Teotihuacan
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With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
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Foias, Antonia E. y Ronald L. Bishop 1994 El colapso Clásico Maya y las vajillas de Pasta Fina en la región de Petexbatun. En VII Simposio de Investigaciones Arqueológicas en Guatemala, 1993 (editado por J.P. Laporte y H. Escobedo), pp.469-489. Museo Nacional de Arqueología y Etnología, Guatemala. 42 EL COLAPSO CLÁSICO MAYA Y LAS VAJILLAS DE PASTA FINA EN LA REGIÓN DE PETEXBATUN Antonia E. Foias Ronald L. Bishop Una teoría prominente sobre el Colapso Clásico Maya de las Tierras Bajas Centrales se refiere a invasiones extranjeras de la región del río Pasión. Clave a esta hipótesis de invasiones extranjeras es un grupo de cerámica llamado vajillas de pasta fina: Gris Fino y Naranja Fino. Se propuso que estas vajillas fueron traídas del área de la Chontalpa por los invasores Putunes (Thompson 1970; Adams 1971, 1973; Sabloff 1973, 1975; Kowalski 1989; Ball y Taschek 1989; Schele y Freidel 1990). Este grupo viajó por el Usumacinta y después por el Pasión donde conquistaron los dos sitios de Ceibal y Altar de Sacrificios. La importancia de estas pastas finas queda entonces como marcador de esta invasión extranjera en las Tierras Bajas Mayas del Oeste. Seguidamente, presentamos nuevos datos sobre estas vajillas (Naranja Fino y Gris Fino) en la región de Petexbatun y discutiremos su significado dentro del problema del colapso en el drenaje del río Pasión. La región Petexbatun se localiza en el suroeste de Petén, Guatemala, entre el río Petexbatun al este, el río Pasión al norte y el río Chixoy-Salinas al oeste (Figura 1). Esta región ha sido el enfoque del Proyecto Arqueológico Regional Petexbatun de la Universidad de Vanderbilt y de la Fundación Mario Dary, bajo la dirección general de Dr. -
Ancient Maya: the Rise and Fall of a Rainforest Civilization Arthur Demarest Index More Information
Cambridge University Press 0521592240 - Ancient Maya: The Rise and Fall of a Rainforest Civilization Arthur Demarest Index More information Index Abaj Takalik (Guatemala) 64, 67, 69, 72, animals 76, 78, 84, 102 association with kings and priests 184, aboriculture 144–145 185 acropoli see epicenters and bird life, rain forests 123–126 agriculture 117–118 and rulers 229 animal husbandry 145 apiculture 145 Classic period 90, 146–147 archaeology effects of the collapse, Petexbatun 254 and chronology 17, 26 operations in relation to the role of elites and cultural evolution 22–23, 26, 27 and rulers 213 history 31 post-Spanish Conquest 290 genesis of scientific archaeology 37–41 Postclassic period, Yucatan 278 multidisciplinary archaeology 41–43 in relation to kingship 206 nineteenth century 34–37 specialization 166 Spanish Conquest 31–33 and trade 150 processual archaeology 23, 26 see also farming practices; gardens; rain settlement pattern archaeology 50, 52 forests architecture 99 Aguateca 230, 251, 252, 259, 261 corbeled vault architecture 90, 94, 95 craft production 164 northern lowlands, Late Classic period destruction 253 235–236 specialist craft production 168 Puuc area, Late Classic period 236 Ajaw complex 16 roof combs 95 ajaws, cult 103 talud-tablero architectural facades alliances, and vassalages 209 (Teotihuacan) 105, 108 Alm´endariz, Ricardo 33 Arroyo de Piedras (western Pet´en)259 alphabet 46, 48 astronomy 201 Alta Vista 79 and astrology 192–193 Altar de Sacrificios (Petexbatun) 38, 49, Atlantis (lost continent) 33, 35 81, 256, -
1 May Mo' Chahk, 181 Acanceh, 78 Accession, 92, 133, 140, 142–144
Cambridge University Press 978-0-521-66006-8 — The Classic Maya Stephen D. Houston , Takeshi Inomata Index More Information INDEX 1 May Mo’ Chahk, 181 Altun Ha, 107, 286, 310 Andrews, Anthony, 317 Acanceh, 78 Andrews, Wyllys, 75, 84 accession, 92, 133, 140, 142–144, 174, 198, 203, Aoyama, Kazuo, 122, 260, 262, 281 262, 303, 307 Arroyo de Piedra, 41 Adams, R. E. W., 107, 243 artist, 154, 257, 260, 263–266, 268–270, 276, agriculture, xiii, 3, 10, 15, 71, 74, 99, 103, 104, 278, 283. See also scribe 230, 233–239, 248, 288 atol, 219, 241 aguada, 245 axis mundi, 22 Aguateca, 3, 24, 25, 111, 114, 115, 123, 134, 137, 141, 143, 145, 158, 159, 178, 200, Bahlaj Chan K’awiil, 110, 137 204–206, 225, 231, 236, 239, 246, 247, bajos, 10, 74, 94, 96, 233, 235, 236, 243 260–263, 265, 266, 268, 275, 277, 283, bak’tun, 289, 300, 304 285, 295, 299–302, 306 bakab, 134, 141 abandonment of, 115, 295, 296, 298, 300–302, Balakbal, 106 305, 309 Balberta, 251 defensive walls at, 24, 25 balche, 222 floor assemblages at, 143, 204, 262, 266, 270, Ball, Joseph, 276 272, 285 ballcourt, 70, 94, 116, 134, 189, 214, 259 palace of, 256 ballgame, 72, 259 rulers of, 137, 261, 296 Barton Ramie, 68, 76, 310 scribe-artists at, 265 bean, 219, 229, 242, 248 Structure L8–8 at, 114, 115 Becan, 24, 96, 102, 114, 287 ajaw, 91, 102, 132, 135, 136, 140, 144, 146, 161, Bilbao, 100 169, 172, 174, 188 Bird Jaguar, 111. -
“Charlie Chaplin” Figures of the Maya Lowlands
RITUAL USE OF THE HUMAN FORM: A CONTEXTUAL ANALYSIS OF THE “CHARLIE CHAPLIN” FIGURES OF THE MAYA LOWLANDS by LISA M. LOMITOLA B.A. University of Central Florida, 2008 A thesis in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2012 ©2012 Lisa M. Lomitola ii ABSTRACT Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Petén region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Charlie Chaplin” figures and anthropomorphic figures found in ritual contexts outside of the Maya area. iii Dedicated to Corbin and Maya Lomitola iv ACKNOWLEDGMENTS I would like to thank Drs. Arlen and Diane Chase for the many opportunities they have given me both in the field and within the University of Central Florida. Their encouragement and guidance made this research possible. My experiences at the site of Caracol, Belize have instilled a love for archaeology in me that will last a lifetime. Thank you Dr. Barber for the advice and continual positivity; your passion and joy of archaeology inspires me. In addition, James Crandall and Jorge Garcia, thank you for your feedback, patience, and support; your friendship and experience are invaluable. -
Lista De Registros Aprobados Por La Comisión Nacional De
LISTA DE REGISTROS APROBADOS POR LA COMISIÓN NACIONAL DE ELECCIONES PARA DIPUTADAS Y DIPUTADOS LOCALES DEL ESTADO DE YUCATÁN POR EL PRINCIPIO DE REPRESENTACIÓN PROPORCIONAL Y PARA REGIDORES México DF., a 8 de marzo de 2015 De conformidad con lo establecido en el Estatuto de Morena y la convocatoria, para la selección de candidaturas para diputadas y diputados del congreso del Estado por el principio de representación proporcional y regidores, cuya integración será conforme a la Ley, para el proceso electoral 2015 en el Estado de Yucatán; la Comisión Nacional de Elecciones de Morena da a conocer la relación de solicitudes de registro aprobadas derivadas del proceso de insaculación realizado el 26 de febrero de 2015, conforme al orden de prelación para la integración de las planillas respectivas: REGIDURIAS LUGAR DE MUNICIPIO LA A PATERNO A MATERNO NOMBRE PLANILLA MUNICIPIO 3 ORDAZ CARRILLO MANUEL JESUS ACANCEH MUNICIPIO 4 SEL DZUL MARIA LUCIA ACANCEH MUNICIPIO 5 EXTERNO ACANCEH MUNICIPIO 6 CUTZ PECH NAOMY ESTEFANY ACANCEH MUNICIPIO 7 COB CANCHE JOSE FAUSTINO ACANCEH MUNICIPIO 8 EXTERNA ACANCEH MUNICIPIO 9 HOMBRE ACANCEH MUNICIPIO 10 MUJER ACANCEH MUNICIPIO 11 EXTERNO ACANCEH MUNICIPIO ESTRELL 3 Y UC YGNACIO BACA A MUNICIPIO MARTHA 4 GOMEZ MATU BACA MERCEDES MUNICIPIO 5 EXTERNO BACA MUNICIPIO 6 ALONZO CHAN EDDY MARIA BACA MUNICIPIO 7 RAMIREZ PACHECO AARÓN DE JESUS BACA MUNICIPIO 8 EXTERNA BACA MUNICIPIO 3 LIZAMA BAEZA MIGUEL ANGEL BUCTZOTZ MUNICIPIO 4 RIVERO ALCOCER MARIA VICTORIA BUCTZOTZ MUNICIPIO 5 EXTERNO BUCTZOTZ MUNICIPIO 6 MENDEZ -
Pre-Columbian, Mesoamerican Art & Artifacts
Guide to Research at Hirsch Library Pre-Columbian, Mesoamerican Art & Artifacts Before researching a work of art from the MFAH collection, the work should be viewed in the museum, if possible. The cultural context and descriptions of works in books and journals will be far more meaningful if you have taken advantage of this opportunity. Most good writing about art begins with careful inspections of the objects themselves, followed by informed library research. If the project includes the compiling of a bibliography, it will be most valuable if a full range of resources is consulted, including reference works, books, and journal articles. Listing on-line sources and survey books is usually much less informative. To find articles in scholarly journals, use indexes such as Art Abstracts or, the Bibliography of the History of Art. Exhibition catalogs and books about the holdings of other museums may contain entries written about related objects that could also provide guidance and examples of how to write about art. To find books, use keywords in the on-line catalog. Once relevant titles are located, careful attention to how those items are cataloged will lead to similar books with those subject headings. Footnotes and bibliographies in books and articles can also lead to other sources. University libraries will usually offer further holdings on a subject, and the Electronic Resources Room in the library can be used to access their on-line catalogs. Sylvan Barnet’s, A Short Guide to Writing About Art, 6th edition, provides a useful description of the process of looking, reading, and writing. -
CROSSING Boundaries
(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o))(( o)) •(( o)) •(( o)) CROSSING Boundaries Maya Censers from the Guatemala Highlands by sarah kurnick k c i n r u K h a r a S (( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o))(( o)) •(( o)) •(( o)) www.museum.upenn.edu/expedition 25 (( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o)) •(( o))(( o)) •(( o)) •(( o)) he ancient maya universe consists of three realms—the earth, the sky, and the Under- world. Rather than three distinct domains, these realms form a continuum; their bound - aries are fluid rather than fixed, permeable Trather than rigid. The sacred Tree of Life, a manifestation of the resurrected Maize God, stands at the center of the universe, supporting the sky. Frequently depicted as a ceiba tree and symbolized as a cross, this sacred tree of life is the axis-mundi of the Maya universe, uniting and serving as a passage between its different domains. For the ancient Maya, the sense of smell was closely related to notions of the afterlife and connected those who inhabited the earth to those who inhabited the other realms of the universe. Both deities and the deceased nour - ished themselves by consuming smells; they consumed the aromas of burning incense, cooked food, and other organic materials. Censers—the vessels in which these objects were burned—thus served as receptacles that allowed the living to communicate with, and offer nour - ishment to, deities and the deceased. The University of Pennsylvania Museum of Archaeology and Anthropology currently houses a collection of Maya During the 1920s, Robert Burkitt excavated several Maya ceramic censers excavated by Robert Burkitt in the incense burners, or censers, from the sites of Chama and Guatemala highlands during the 1920s. -
Entidad Municipio Localidad Long
Entidad Municipio Localidad Long Lat Campeche Calkiní BÉCAL 900139 202629 Campeche Calkiní EL GRAN PODER 900150 202530 Campeche Calkiní LAS CAROLINAS 900156 202527 Campeche Calkiní LOS PINOS 900158 202522 Campeche Calkiní NINGUNO 900152 202527 Campeche Calkiní TANCHÍ 895839 202645 Yucatán Abalá ABALÁ 894047 203848 Yucatán Abalá CACAO 894447 204134 Yucatán Abalá CACAO 894447 204134 Yucatán Abalá MUCUYCHÉ 893615 203720 Yucatán Abalá MUCUYCHÉ 893615 203720 Yucatán Abalá PEBA 894108 204321 Yucatán Abalá PEBA 894108 204321 Yucatán Abalá SAN JUAN TEHBACAL 893749 204308 Yucatán Abalá SAN JUAN TEHBACAL 893749 204308 Yucatán Abalá SIHUNCHÉN 894053 204131 Yucatán Abalá SIHUNCHÉN 894053 204131 Yucatán Abalá TEMOZÓN 893908 204123 Yucatán Abalá TEMOZÓN 893908 204123 Yucatán Abalá UAYALCEH 893538 204140 Yucatán Abalá VÍCTOR 894054 203938 Yucatán Abalá VÍCTOR 894054 203938 Yucatán Acanceh ACANCEH 892713 204846 Yucatán Acanceh ACANCEH 892713 204846 Yucatán Acanceh CANICAB 892553 205137 Yucatán Acanceh CANICAB 892553 205137 Yucatán Acanceh CHAKAHIL 892803 205435 Yucatán Acanceh CHAKAHIL 892803 205435 Yucatán Acanceh CIBCEH 892915 204912 Yucatán Acanceh CIBCEH 892915 204912 Yucatán Acanceh DZITINÁ 892402 204703 Yucatán Acanceh DZITINÁ 892402 204703 Yucatán Acanceh GUADALUPANO 892604 205023 Yucatán Acanceh GUADALUPANO 892604 205023 Yucatán Acanceh LAS CONCORDIAS 892603 205020 Yucatán Acanceh LAS CONCORDIAS 892603 205020 Yucatán Acanceh LAS MARGARITAS 892527 205118 Yucatán Acanceh LAS MARGARITAS 892527 205118 Yucatán Acanceh NINGUNO 892745 204927 Yucatán -
Aztec Mythology
Aztec Mythology One of the main things that must be appreciated about Aztec mythology is that it has both similarities and differences to European polytheistic religions. The idea of what a god was, and how they acted, was not the same between the two cultures. Along with all other native American religions, the Aztec faith developed from the Shamanism brought by the first migrants over the Bering Strait, and developed independently of influences from across the Atlantic (and Pacific). The concept of dualism is one that students of Chinese religions should be aware of; the idea of balance was primary in this belief system. Gods were not entirely good or entirely bad, being complex characters with many different aspects and their own desires and motivations. This is highlighted by the relation between Quetzalcoatl and Tezcatlipoca. When the Spanish arrived with their European sensibilities, they were quick to name one good and one evil, identifying Quetzalcoatl with Christ and Tezcatlipoca with Satan during their attempts to integrate the Nahua peoples into Christianity. But to the Aztecs neither god would have been “better” than the other; they are just different and opposing sides of the same duality. Indeed, their identities are rather nebulous, with Quetzalcoatl often being referred to as “White Tezcatlipoca” and Tezcatlipoca as “Black Quetzalcoatl”. The Mexica, as is explained in the history section, came from North of Mexico in a location they named “Aztlan” (from which Europeans developed the term Aztec). During their migration south they were exposed to and assimilated elements of several native religions, including those of the Toltecs, Mayans, and Zapotecs. -
CHRONOLOGY of the RÍO BEC SETTLEMENT and ARCHITECTURE Eric Taladoire, Sara Dzul, Philippe Nondédéo, Mélanie Forné
CHRONOLOGY OF THE RÍO BEC SETTLEMENT AND ARCHITECTURE Eric Taladoire, Sara Dzul, Philippe Nondédéo, Mélanie Forné To cite this version: Eric Taladoire, Sara Dzul, Philippe Nondédéo, Mélanie Forné. CHRONOLOGY OF THE RÍO BEC SETTLEMENT AND ARCHITECTURE. Ancient Mesoamerica, Cambridge University Press (CUP), 2013, 24 (02), pp.353-372. 10.1017/S0956536113000254. hal-01851495 HAL Id: hal-01851495 https://hal.archives-ouvertes.fr/hal-01851495 Submitted on 30 Jul 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Ancient Mesoamerica, 24 (2013), 353–372 Copyright © Cambridge University Press, 2014 doi:10.1017/S0956536113000254 CHRONOLOGY OF THE RÍO BEC SETTLEMENT AND ARCHITECTURE Eric Taladoire,a Sara Dzul,b Philippe Nondédéo,a and Mélanie Fornéc aCNRS-Université de Paris Panthéon-Sorbonne, UMR 8096 Archéologie des Amériques, 21 allée de l’Université, F-92023, Nanterre Cedex, France bCentro Regional INAH, Yucatan, Antigua Carretera a Progreso s/n, km 6.5, prolongación Montejo. Col. Gonzalo Guerrero, C.P. 97310. Mérida, Yucatán cPost-doctoral researcher, Cancuen Project, CEMCA-Antenne Amérique Centrale Ambassade de France 5 Av. 8-59 Zone 14, Guatemala C-A Abstract Chronology is a crucial issue given the specific settlement patterns of the Río Bec region located on the northern fringe of the Maya central lowlands. -
Revisiting the Postclassic Burials at Lamanai, Belize: a Second Look at the Unique Ventrally Placed, Legs Flexed Burials
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Revisiting the Postclassic Burials at Lamanai, Belize: A Second Look at the Unique Ventrally Placed, Legs Flexed Burials. Victoria Izzo University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Izzo, Victoria, "Revisiting the Postclassic Burials at Lamanai, Belize: A Second Look at the Unique Ventrally Placed, Legs Flexed Burials." (2018). Electronic Theses and Dissertations, 2004-2019. 6024. https://stars.library.ucf.edu/etd/6024 REVISITING THE POSTCLASSIC BURIALS AT LAMANAI, BELIZE: A SECOND LOOK AT THE UNIQUE VENTRALLY PLACED, LEGS FLEXED BURIALS by VICTORIA STUART ROSE IZZO B.A., Northern Arizona University, 2016 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2018 ABSTRACT Analysis of unique mortuary patterns is often used to evaluate the social lives of the deceased and also those of the living who placed them there. The Ventrally Placed, Legs Flexed (VPLF) burials at the site of Lamanai in Belize, dating to the Postclassic period (1000 - 1544), have been recorded as a Maya mortuary pattern since the late 1970’s.