EARTHLESS (US) Till Debaser Medis 26/10

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2014-06-26 11:17 CEST EARTHLESS (US) till Debaser Medis 26/10 För första gången live i Sverige kommer Earthless till Fritz's Corner och Debaser Medis. Om ni gillar tungt riffande psychrock är det denna spelning ni ska gå på i höst. EARTHLESS (US) San Diegobandet Earthless släppte sitt nya efterlängtade album, ”From The Ages” förra oktober via Tee Pee Records (hem åt bland andra Sleep, Witch, The Warlocks, Graveyard). Det första studioalbumet sedan trions hyllade ”Rhythms From A Cosmic Sky” 2007 spelades in med hjälp av ljudtrollkarlen Phil Manley (Trans Am, The Fucking Champs, Life Coach). Från och med bildandet i början av 2000-talet har Earthless skapat en kraftfull, unik och fritänkande instrumentell musik, influerad av en blandning av tysk krautrock och japansk bluesrock. Musikalisk står de och gungar på samma scen som Jimi Hendrix men även som Black Sabbath och trion har omnämnts som ett ”sonic kaleidoscope of lava and lightning” och har utnämnts till Californiens mest högljudda band. Medlemmarna i Earthless har en gedigen backkatalog. Trumslagaren (och före detta professionella skateboard åkaren) Mario Rubalcaba spelar också till vardags i mäktiga hardcorebandet OFF!, han spelade även trummor med Rocket From The Crypt samt Hot Snakes. Basisten, Mike Eginton, spelade med Electric Nazarene och gitarristen, Isaiah Mitchell, spelade med Howlin Rain, Nebula och Drunk Horse samt spelar med Bay Areabandet Golden Void. ”EARTHLESS purvey majestic acid rock, a genre that bakes the neurons with industrious instrumentals. And this trio blisters more brain cells than most. EARTHLESS keeps even this interpretation ruggedly exploratory, moving with transcendent skill from classic rock badlands to heavy metal cosmos." - SF WEEKLY Mer info: http://debaser.se/kalender/14171/ -------------------------------------------------------------------------------------------- DEBASER är med sina ställen Debaser Strand, Debaser Medis, Debaser Malmö och Debaser Humlegården Sveriges största klubbscen för i första hand pop och rock med en sammanlagd kapacitet på 1850 gäster under veckans flesta dagar. På Debaser Strand finns även vår restaurang Calexico's och Bar Brooklyn. För mer info besök:www.debaser.se Presskontakt: [email protected].

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Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
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Razorcake Issue
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Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract.
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