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Weirdo Canyon Dispatch 2018
Review: Roadburn Thursday 19th April 2017 By Sander van den Driesche It’s that time of the year again, the After Yellow Eyes it’s straight to the much anticipated annual pilgrimage to Main Stage to see Dark Buddha Rising Tilburg to join with many hundreds of perform with Oranssi Pazuzu as the travellers for Walter’s party at Waste of Space Orchestra, which is Roadburn. As I get off the train the another highly anticipated show, and in heat kicks me right in the face, what a this case one that won’t be played massive difference to the dull and rainy anywhere else (as far as I know). What morning I left behind in Scotland. This happened on that big stage was is glorious weather for a Roadburn phenomenal, we witnessed a near hour Festival! Bring it on! of glorious drone-infused psychedelic proggy doom. In fact, it felt a bit too early for me personally in the timing of the festival to experience such an extraordinarily mind-blowing set, but it was a remarkable collaboration and performance. I can’t wait for the Live at Roadburn release to come out (someone make it happen please!). Yellow Eyes by Niels Vinck After getting my bearings with the new venues, I enter Het Patronaat for the first of my highly anticipated performances of the festival, Yellow Eyes. But after three blistering minutes of ferocious black metal the PA system seems to disagree and we have our first “Zeal & Ardor moment” of 2018. It’s Waste of Space Orchestra by Niels Vinck not even remotely funny to see the On the same Main Stage, Earthless Roadburn crew frantically trying to played the first of their sets as figure out what went wrong, but luckily Roadburn’s artist in residence. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract. -
S~C;KRI~I LIBRARIES 2
Metrical Theory and English Verse by David McKay B.A., Philosophy Swarthmore College, 1994 Submitted to the Department of Linguistics and Philosophy in Partial Fulfillment of the Requirements for the Degree of Master of Science in Linguistics at the Massachusetts Institute of Technology February 1997 copyright 1997 Massachusetts Institute of Technology All rights reserved Signature of Author .................................. ..e...................eLnu'i 'cs nd" h s'op Dep ent of Linguistics and Philosophy January 15, 1997 Certified by.............................................. Samuel Jay Keyser Professor of Linguistics; Special Assistant to the Provost; Peter de Florez Chair Thesis Supervisor Accepted by Wayne O'Neil , ,',3cAc' uSZ f'S " Chairman OF 'FECHNOLOGY' Department of Linguistics and Philosophy MAR 1 91997 s~c;KRI~I LIBRARIES 2 Metrical Theory and English Verse by David McKay Submitted to the Department of Linguistics and Philosophy on January 15, 1997, in Partial Fulfillment of the Requirements for the Degree of Master of Science in Linguistics ABSTRACT I propose a generative linguistic theory of rhythmic structure in English verse based on principles of metrical phonology, in which metrical grids are built up by natural metrical rules on the basis of a phonological repesentation, and are then subject to various constraints, including important constraints on phonological phrasing. I use this theory to analyze poems by Yeats, Hopkins, Longfellow, Swinburne, and Shakespeare. I show that the theory can account for a great variety of verse rhythms in natural way, including some which have not previously been analyzed, and I show that it allows an analysis of Hopkins' verse in Sprung Rhythm which is more accurate than, and theoretically preferable to, earlier analyses in the tradition of generative metrics. -
Hot Snakes Suicide Invoice Songs
Hot Snakes Suicide Invoice Songs Is Simone legion when Judah cross-questions transiently? Uncontaminated Nickolas pedestrianizing very sith while Jameson remains knightless and sap. Unreasonably wandle, Sully indulging klebsiella and repoint small-arms. We require a show and every order on higher still be applied to hot snakes to supports all back for a loop of Look into your contacts or connect Facebook and wife what your friends listen to. Combining the angular lashings of control Like Jehu with the strut and bravado of Rocket from the Crypt and a healthy dose of pure form, the Snakes have assembled a sound straight from shock heart of knowledge itself. Already have an account? These two dudes Rick and John record songs in a charge that I absolutely. Get you block will fetch the hot snakes suicide invoice songs by uploading a chilly dip in. You can change this revenue by editing your profile. Their debut EP is a rocket down memory lane, bringing forth the raw blood soaked angst that you would expect from these guys. Your devices to hot snakes suicide invoice songs. Reunited to suicide invoice songs from your meaning with an absolutely pulse pounding, terse energy with. Plan once a major arabic labels such as the westin san diegan and transcend everything. An Apple Music subscription gets you millions of songs, new music first, handpicked recommendations and more. Reunited and suicide invoice songs and more funds to be able to millions of this country or rejection of this record was hot snakes suicide invoice songs. Farm or at one to hot snakes suicide invoice songs. -
EARTHLESS Release Date Pre-Order Start Black Heaven Uu 16/03/2018 Uu 12/01/2018
New Release Information uu March EARTHLESS Release Date Pre-Order Start Black Heaven uu 16/03/2018 uu 12/01/2018 uu available as CD and 140g LP in gatefold uu advertising in many important music magazines JAN/FEB 2018 Price Code: LP15 uu album reviews, interviews in all important Metal magazines in NE 4264-1 LP Europe’s JAN/FEB 2018 issues (140g black in gatefold) uu song placements in European magazine compilations uu Spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 Price Code: CD03 uu Facebook, YouTube, Twitter, Google+ organic promotion NE 4264-0 CD-Digi uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) Style: Psychedelic uu video and pre-roll ads on YouTube Rock uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a back- Territory: World ground on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release uu Tracklists: DIGI: 01. Gifted By The Wind EARTHLESS SHOW A NEW SIDE 02. End To End Guess what? 03. Electric Flame 04. Volt Rush EARTHLESS has a surprise for you. Whereas the band’s three previous albums featured anywhere from two to four completely instrumental space rock 05. -
A CATHOLIC CRITICISM of E. E. CUMMINGS a Study of Form
UNIVERSITY D-OTTAWA ~ ECOLE DES GRADUES A CATHOLIC CRITICISM OF E. E. CUMMINGS c ', i- •J. f » ifX. • A Study of Form, Technique and Content in one of the Controversial Poets of Our Time from the Traditional Christian Viewpoint* By Stephen Breen Thesis presented to the Faculty of Arts of the University of Ottawa through the Department of English as partial fulfill ment of the requirements for the degree of Doctor of Philosophy. 6. fWf Ottawa, Canada, 1958 AjU*A^&->w( \J \ 5 «• Q~\^- UNIVERSITY OF OTTAWA - SCHOOL OF GRADUATE STUDIES UMI Number: DC53307 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53307 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D-OTTAWA ~ ECOLE DES GRADUES ACKNOWLEDGEMENTS This thesis topic was selected under the guidance of the Chairman of the English Department, Professor Emmett 0'Grady, and executed under the guidance of Dr. Paul Marcotte in its initial stages, with Dr. Brian Robinson directing its organization and conclusion. -
NEW RELEASE for the Week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! CHAI "WINK" (SUB POP) SP1420 CASS/ LP/ CD May 21 street date. Since breaking out in 2018, CHAI have been associated with explosive joy. At the core of their music, CHAI have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences' reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home. Their third full-length and first for Sub Pop, "WINK" contains CHAI's mellowest and most minimal music, and also their most affecting and exciting songwriting by far. CHAI draw R&B and hip-hop into their mix of dance-punk and pop-rock, all while remaining undeniably CHAI. DINOSAUR JR. "Sweep It Into Space" (JAGJAGUWAR) JAG366 LP/ CD DINOSAUR JR. "Sweep It Into Space (JAGJAGUWAR) JAG366LPC1 LP (translucent purple ripple)" April 23 street date. Here is "Sweep It Into Space", the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Rockers (These are excerpts from my book "A History of Rock and Dance Music") Eastern rockers TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Jon Spencer Blues Explosion's influence (loud and sloppy garage-blues) was still felt throughout the country, as proven by the Immortal Lee County Killers in Alabama with The Essential Fuck-Up Blues (2001); the Black Keys in Ohio with The Big Come Up (2002); and by the Kills in Florida, playing the version popularized by the White Stripes on No Wow (2005). The Fiery Furnaces (4), formed by Matthew Friedberger and Eleanor Friedberger, siblings from Chicago who relocated to New York, exhibited a versatile and multi-faceted style on Gallowsbird's Bark (2003). Anti- crooning vocals and spiked guitar riffs as well as wildly unstable dynamics evoked the Rolling Stones at their most drunken/deranged, or Captain Beefheart's Magic Band fronted by Janis Joplin. At the same time the exuberant neglect of their arrangements was reminiscent of Pere Ubu. Blueberry Boat (2004) stretched out into longer and more ambitious songs, collages of genres and tours de force of arrangement (including electronic keyboards) that were meant to create a new form of musical theater. That form came to life on Rehearsing My Choir (2005), a work structured as a dialogue between an older woman and a younger one over a substratum of eccentric and cacophonous sounds. -
EARTHLESS (US) Till Debaser Medis 26/10
2014-06-26 11:17 CEST EARTHLESS (US) till Debaser Medis 26/10 För första gången live i Sverige kommer Earthless till Fritz's Corner och Debaser Medis. Om ni gillar tungt riffande psychrock är det denna spelning ni ska gå på i höst. EARTHLESS (US) San Diegobandet Earthless släppte sitt nya efterlängtade album, ”From The Ages” förra oktober via Tee Pee Records (hem åt bland andra Sleep, Witch, The Warlocks, Graveyard). Det första studioalbumet sedan trions hyllade ”Rhythms From A Cosmic Sky” 2007 spelades in med hjälp av ljudtrollkarlen Phil Manley (Trans Am, The Fucking Champs, Life Coach). Från och med bildandet i början av 2000-talet har Earthless skapat en kraftfull, unik och fritänkande instrumentell musik, influerad av en blandning av tysk krautrock och japansk bluesrock. Musikalisk står de och gungar på samma scen som Jimi Hendrix men även som Black Sabbath och trion har omnämnts som ett ”sonic kaleidoscope of lava and lightning” och har utnämnts till Californiens mest högljudda band. Medlemmarna i Earthless har en gedigen backkatalog. Trumslagaren (och före detta professionella skateboard åkaren) Mario Rubalcaba spelar också till vardags i mäktiga hardcorebandet OFF!, han spelade även trummor med Rocket From The Crypt samt Hot Snakes. Basisten, Mike Eginton, spelade med Electric Nazarene och gitarristen, Isaiah Mitchell, spelade med Howlin Rain, Nebula och Drunk Horse samt spelar med Bay Areabandet Golden Void. ”EARTHLESS purvey majestic acid rock, a genre that bakes the neurons with industrious instrumentals. And this trio blisters -
2007 SXSW Festival
2/22/2018 SXSW 2007 Band Lineup Released About Us Live Sessions Interviews Best Albums of 2012 Subscribe Tickets HearYa - Indie Music Blog Indie Music Blog, Live Sessions, and Daily MP3 Downloads. SXSW 2007 Band Lineup Released by oz on February 12, 2007 http://www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.hearya.co Finally…we can start planning SXSW. The list of bands was released a week ago, but I was in Tahoe and couldn’t post it. Thanks to DoneWaiting.com for reformatting the list (it’s a lot of bands) and for the party updates. Our SXSW strategy planning will be much easier thanks to their coverage. Aa (Brooklyn NY); AA Sound System (Edmonton AB); A Band of Bees (Ventnor UK); Aberdeen City (Boston MA); The A-Bones (Brooklyn NY); About (Amsterdam THE NETHERLANDS); A Cursive Memory (Los Angeles CA); Peter Adams And The Nocturnal Collective (Cincinnati OH); Pierre Aderne (Rio de Janeiro BRAZIL); Aesop Rock (Brooklyn NY); A Fine Frenzy (Los Angeles CA); After Forever (Reuver THE NETHERLANDS); Afterhours (Milano ITALY); Against Me! (Gainesville FL); Airbourne (Melbourne AUSTRALIA); Air Traffic (Bournemouth UK); Akimbo (Seattle WA); Tetuzi Akiyama (Tokyo JAPAN); Alabama Thunderpussy (Richmond VA); Alamo Race Track (Amsterdam THE NETHERLANDS); The Alarm Clocks (Cleveland OH); Allison (Mexico D.F. MEXICO); All the Saints (Atlanta GA); All Time Low (Baltimore MD); ALOKE (New York NY); Alternative Champs (Charlotte NC); AM (New Orleans LA); Amber Pacific (Seattle WA); Scott Amendola (Berkeley CA); American Flamewhip (Winnipeg MB); American