DOCSLIB.ORG

Hugh Buchanan Paints the John Murray Archive Austen, Byron, Conan Doyle, Etc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hugh Buchanan Paints the John Murray Archive Austen, Byron, Conan Doyle, Etc Hugh Buchanan paints the John Murray Archive Austen, Byron, Conan Doyle, Etc ... National Library of Scotland George IV Bridge · Edinburgh EH1 1EW 26 June – 6 September 2015 John Martin Gallery 38 Albemarle Street · London W1S 4JG 18 September – 10 October 2015 Hugh Buchanan paints the John Murray Archive Austen, Byron, Conan Doyle, Etc ... John Martin Gallery · 2015 Foreword The John Murray Archive Preface An Artist in the Archive The John Murray Archive was transferred from 5o Albemarle As a first year graphics student at Edinburgh Art College in the twenty five miles of shelving, this is probably the largest pri­ Street (where the Murrays lived from 1812) to the National 1970’s I would often spend my lunch breaks wandering aim­ vate archive in Europe. It was work from this last project that Library of Scotland in Edinburgh in 2006. It is made up of lessly around the second hand bookshops of the Grassmarket, was shown at Summerhall in Edinburgh in 2013 as part of the over 150,000 manuscript letters as well as manuscripts of the buying the odd tattered volume here and there, never even Historical Fiction Festival. works of Byron, Walter Scott, Livingstone and many others. It dreaming that thirty years later I would be working with Later that summer I was sitting by the edge of a lake in is much more than just a collection of authors’ writings; it is similar but rather more important material in the National Berlin, where I had gone to paint porcelain, when I received an a complete publisher’s archive that includes ledgers, account Library five hundred yards away at the top of the hill. In sec­ email from David McClay of the National Library of Scotland. books and letter books. It spans one of the most exciting and ond year I dropped out of the Illustration course and switched ‘Why don’t you come and paint a proper archive?’ he asked; complex periods in our country’s history, a time of innumer­ to Drawing and Painting. From then on I put my bibliophilia ‘You’ve heard of John Murray’s I’m sure?’ And so began one able pioneering discoveries in science, medicine, exploration to one side and concentrated on watercolours of architectural of the most fascinating years of my life. Every week we would and archaeology. By the end of the nineteenth century the interiors, particularly the play of light across rooms. take two authors – Austen and Byron, Leigh Fermor and world was almost unrecognisable from what it had been at In 2008 in search of new subject matter I was drawn back to Lancaster, Scott and Hogg, Washington Irving and Isabella the beginning. And the Murrays were at the forefront of most the world of books and exhibited a series of paintings of librar­ Bird, Darwin and Livingstone … and attempt to assemble com­ of the developments. They published many of the key books ies. However, a critic pointed out in a review, that the spines positions from their incunabula – letters, maps, passports etc. of the period – Jane Austen’s Emma and Persuasion, Byron’s of endless rows of books were, after a while, rather boring. So Some were easy and some defeated us. Often we would have Childe Harold, Charles Lyell’s Principles of Geology, Charles I asked myself what it was about books that really did interest to back track, as better ideas occurred to us. The process of Darwin’s On the Origin of Species and David Livingstone’s me and I came to the conclusion that it was the paper itself, composition alone took six months. Missionary Travels to mention just a few. Murray also launched especially when torn or stained, crumpled, brittle or greasy. Bringing paint into the strong room was obviously out of the Quarterly Review in 1809, with the help of Walter Scott Archives in other words. Add some glistening wax seals and the question. Nor was this a cobwebbed vault, but a modern and George Canning, as a Tory counterblast to the Whig maybe a cobwebbed vault to the mix and I found that I had room filled with dexion shelving and humming with neon. Edinburgh Review. It became the leading literary and politi­ endless scope, not only for evoking the pathos of age, which But what we were able to do, by turning the overhead lights cal quarterly of the century, and brought people of power and has always interested me, but also some aspects of the lives off, and with the aid of low, hand held lamps, was to replicate influence into the Murray circle. of the people that created all those painstakingly transcribed the effects of raking sunlight – illuminating every crease fold JoHn R. MuRRay documents, be they great novels, ordinary letters, title deeds or and wrinkle in the documents. By laying them on different simple rental agreements. coloured papers we were also able to evoke some kind of mood My search for the archives that lived in my imagination – for the camera. those in Mervyn Peake’s Gormenghast and Umberto Eco’s The It had not originally been my intention to include images Name of the Rose – led me from Drumlanrig in Dumfriess­ of the authors or their principal characters, but, having started shire, (the finest in situ archive in Scotland), to Forchtenstein, on the Leigh Fermor passports, I saw that it added a clarity the Esterhazy stronghold south of Vienna. Stretching to and vigour to the compositions. Not only that, but dialogues 4 5 Introduction Byron’s Toothbrush and Other Stories began to open up between the portrait images and the docu­ With the John Murray Archive the National Library of Scot­ the size of the collection can be overwhelming. However, it is ments themselves. Raeburn’s portrait of Scott is the basis of land can boast of having one of the world’s largest and most the quality of the archive which is truly striking. As well as the engraving on the Bank of Scotland ten pound note. So important literary archives. It was perhaps inevitable there­ providing insight into the creative and writing process through the postcard of Raeburn’s portrait that I used in the Childe fore that Hugh Buchanan, an artist renowned for his work in original drafts, rewrites and proofs of works, there is forensic Harold composition should be identical; and yet, when it came archives and libraries, would eventually find himself immersed detail on each book’s sales and reception. Sometimes this is a to painting the banknote and the postcard I subconsciously in that remarkable collection. story of unparalleled success, at other times of disappointing interpreted Scott’s image in different ways. When placed with Having admired Hugh’s paintings for a number of years failure. Whatever the story it is one worth discovering. The the cheques – coincident with his bankruptcy – he appears I was delighted to have the opportunity to introduce him lively correspondence between publisher and author can range to be pleading and mournful – while in my depiction of him to the history and archives of John Murray and now to see from fraught, celebratory, gossiping and poignant as the lives with his correspondence with Byron he appears complacent the impressive results of his engagement with the collection; of the authors are as often as not the topics of discussion as and defiant. nineteen captivating watercolours, representing nine Murray their literary endeavours. Through working with the John Murray Archive I have authors. Whilst most of the names of these literary greats will Growing success led John Murray II in 1812 to transfer his learned so much about the humanity of the authors, from the be well known, the name and connection with John Murray business from London’s Fleet Street to the more fashionable way Paddy Leigh Fermor carelessly repaired his maps with will, perhaps, be less so. Albemarle Street. There he established the most glittering lit­ photocopies and sellotape, to the messages hidden within The publishing house of John Murray was founded in erary circle where scientists and politicians could mingle with the mottos of the Ettrick Shepherd’s incongruously elaborate London’s Fleet Street by the Scotsman John McMurray. He explorers and poets. It was here for example in 1814 that Lord wax seals. Then there is Byron’s handwriting – the surpris­ had been advised to drop what one friend described as the Byron and Walter Scott, the two most popular writers of the ingly pedantic curlicues on the envelopes contrasting with ‘wild highland Mac’ from his name in deference to the strong day, first met. It was in that same room years later that Murray the drunken scrawl within. And lastly there are Jane Austen’s anti­Scottish feeling in the city at that time. However, the was involved in one of the most notorious of literary crimes: cheques, written out by Murray to her brother after her early Murray family maintained their strong Scottish connections the burning of Byron’s memoirs, thought by Murray’s literary death. They have an ineffably plangent quality that, along with throughout successive generations, so much so that when the advisor William Gifford to be ‘fit only for a brothel and would so much in this priceless collection, informs us on a level that current John Murray, seventh of that illustrious name, decided damn Lord Byron to certain infamy if published.’ biography can rarely reach, to bring 234 years of business independence to an end it was to However, the Murray family made amends for this destruc­ HuGH bucHanan the National Library of Scotland that their unparalleled pub­ tion by putting together over the generations the greatest lishing archives eventually came.
Load more

Recommended publications
  • By Kathryn Sutherland
    JANE AUSTEN’S DEALINGS WITH JOHN MURRAY AND HIS FIRM by kathryn sutherland Jane Austen had dealings with several publishers, eventually issuing her novels through two: Thomas Egerton and John Murray. For both, Austen may have been their first female novelist. This essay examines Austen-related materials in the John Murray Archive in the National Library of Scotland. It works in two directions: it considers references to Austen in the papers of John Murray II, finding some previously overlooked details; and it uses the example of Austen to draw out some implications of searching amongst the diverse papers of a publishing house for evidence of a relatively unknown (at the time) author. Together, the two approaches argue for the value of archival work in providing a fuller context of analysis. After an overview of Austen’s relations with Egerton and Murray, the essay takes the form of two case studies. The first traces a chance connection in the Murray papers between Austen’s fortunes and those of her Swiss contemporary, Germaine de Stae¨l. The second re-examines Austen’s move from Egerton to Murray, and the part played in this by William Gifford, editor of Murray’s Quarterly Review and his regular reader for the press. Although Murray made his offer for Emma in autumn 1815, letters in the archive show Gifford advising him on one, possibly two, of Austen’s novels a year earlier, in 1814. Together, these studies track early testimony to authorial esteem. The essay also attempts to draw out some methodological implications of archival work, among which are the broad informational parameters we need to set for the recovery of evidence.
    [Show full text]
  • 'Discover' Issue 41 Pages 11-25 (PDF)
    MY LIBRARY Owen Dudley Edwards’s father said he owed his career to a librarian and the former Edinburgh University history lecturer gets his point OWEN DUDLEY EDWARDS love A HYMN OF A familiar voice on the PA system at closing time leads Owen Dudley Edwards, who marks this year as his 50th as a National Library of Scotland reader, on a walk along the shelves of memory, featuring past librarians. Each exudes patience, inspires academics, talks in eloquent tones – or excludes undergraduates SUMMER 2019 | DISCOVER | 11 MY LIBRARY t is 6.40pm on Monday to Thursday, of authoritative Irish historiography or else 4.40pm on Friday or established in the academic journal Irish Saturday, and a voice is telling us to Historical Studies. Father was giving a draw our work to a conclusion. In 10 striking proof of what academics should minutes’ time it will tell us to finish know to be a truism, that behind every Iall work and hand in any of the property scholarly enterprise is one or more of the National Library of Scotland which librarians without whom it would have we may be using. been written on water. The Library is my home away from Richard Ellmann, master-biographer home, my best beloved public workplace of Joyce and Wilde, and David Krause, since I retired from lecturing in history at critic and editor of Sean O’Casey and his the University of Edinburgh 14 years ago, Letters, told me of their own debts to but cherished by me for a half-century. the National Library of Ireland.
    [Show full text]
  • Preface and Acknowledgments
    Preface and Acknowledgments This is a book about books— books of travel and of exploration that sought to describe, examine, and explain different parts of the world, between the late eighteenth century and the mid- nineteenth century. Our focus is on the works of non- European exploration and travel published by the house of Murray, Britain’s leading publisher of travel accounts and exploration nar- ratives in this period, between their fi rst venture in this respect, the 1773 publication of Sydney Parkinson’s A Journal of a Voyage to the South Seas, in His Majesty’s Ship, the Endeavour, and Leopold McClintock’s The Voyage of the ‘Fox’ in the Arctic Seas (1859), and with the activities of John Murray I (1737– 93), John Murray II (1778– 1843), and John Murray III (1808– 92) in turning authors’ words into print. This book is also about the world of bookmaking. Publishers such as Murray helped create interest in the world’s exploration and in travel writing by offering authors a route to social standing and sci- entifi c status— even, to a degree, literary celebrity. What is also true is that the several John Murrays and their editors, in working with their authors’ often hard- won words, commonly modifi ed the original accounts of explor- ers and travelers, partly for style, partly for content, partly to guard the reputation of author and of the publishing house, and always with an eye to the market. In a period in which European travelers and explorers turned their attention to the world beyond Europe and wrote works of lasting sig- nifi cance about their endeavors, what was printed and published was, of- ten, an altered and mediated version of the events of travel and exploration themselves.
    [Show full text]
  • The First Anglo-Afghan War, 1839-42 44
    Open Research Online The Open University’s repository of research publications and other research outputs Reading between the lines, 1839-1939 : popular narratives of the Afghan frontier Thesis How to cite: Malhotra, Shane Gail (2013). Reading between the lines, 1839-1939 : popular narratives of the Afghan frontier. PhD thesis The Open University. For guidance on citations see FAQs. c 2013 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000d5b1 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Title Page Name: Shane Gail Malhotra Affiliation: English Department, Faculty of Arts, The Open University Dissertation: 'Reading Between the Lines, 1839-1939: Popular Narratives of the Afghan Frontier' Degree: PhD, English Disclaimer 1: I hereby declare that the following thesis titled 'Reading Between the Lines, 1839-1939: Popular Narratives of the Afghan Frontier', is all my own work and no part of it has previously been submitted for a degree or other qualification to this or any other university or institution, nor has any material previously been published. Disclaimer 2: I hereby declare that the following thesis titled 'Reading Between the Lines, 1839-1939: Popular Narratives of the Afghan Frontier' is within the word limit for PhD theses as stipulated by the Research School and Arts Faculty, The Open University.
    [Show full text]
  • 148 Archivaria 77 As the Foregoing Examples Demonstrate, the Books
    148 Archivaria 77 As the foregoing examples demonstrate, the books differ in approach, tone, and purpose, and each has different strengths. Harris aims to provide a com- prehensive, concise, and objective overview of Canadian copyright law. Murray and Trosow do not claim to be comprehensive; instead, they cover selected top- ics, often in some depth, although they fall short on the details of the law. In some cases, Harris provides more detail. Nor do Murray and Trosow claim to be objective – their stance is clearly pro-user, and they are prepared to state their opinions and speculate about the interpretation of certain provisions in new ways that make more copyright-protected material legally available for use. Rapid technological change has completely altered the copyright landscape, and applying copyright in the digital environment continues to be a challenge. Information professionals ignore copyright at their peril. For that reason, both books deserve a place on the Canadian information professional’s bookshelf. One can never have too many copyright resources readily available, and these new editions are a welcome and accessible addition to support our understand- ing of copyright. Jean Dryden Toronto The Story Behind the Book: Preserving Authors’ and Publishers’ Archives. LAURA MILLAR. Vancouver: Canadian Centre for Studies in Publishing, 2009. 224 pp. ISBN 978-0-9738727-4-3. In this smoothly written book, Laura Millar presents a concise introduction to archives, archivists, and basic records management, gearing it to the needs of authors and others in the publishing field. This work expands on Millar’s slim 1989 volume, Archival Gold: Managing & Preserving Publishers’ Records, also issued by the Canadian Centre for Studies in Publishing at Simon Fraser University.
    [Show full text]
  • 'Discover' Issue 29 (PDF)
    THE MAGAZINE OF THE NATIONAL LIBRARY OF SCOTLAND | WWW.NLS.UK | ISSUE 29 SUMMER 2015 CELEBRATING PENGUIN AT 80 JARVIS COCKER P–P–P–PICKS HIS FAVOURITE PAPERBACK PLUS VAL McDERMID INVESTIGATES THE BEAUTIFUL GAME LIFTING THE LID ON THE HISTORY OF COOKING CUSTOMER MAGAZINE OF THE YEAR WELCOME Penguins on parade Now in its eighth decade, we reveal how one of the world’s most iconic publishers continues to delight readers in the digital age What do the singer Jarvis her beloved club. Read about Cocker, the former footballer her journey on page 12. Pat Nevin and the children’s We invite you to use all DISCOVER author Lauren Child have in the senses in this issue as Issue 29 summer 2015 common? Tey all treasure a we launch our exhibition, dog-eared paperback from Lifting the Lid, as part of CONTACT US We welcome all comments, questions, one of the world’s most iconic the Year of Food and Drink submissions and subscription enquiries. publishers. in Scotland. Please write to us at the National Library So many of us have a To celebrate, Sue Lawrence, of Scotland address below or email treasured Penguin book the former MasterChef [email protected] tucked away somewhere, winner, has created a cake FOR THE NATIONAL LIBRARY bought for a long train from a vintage recipe found EDITOR-IN-CHIEF journey, handed down by in our collections. You can Alexandra Miller a loved one, or picked up in read about the chef’s culinary EDITORIAL ADVISER a second-hand bookshop. adventure and find her Willis Pickard Eight decades after Penguin recipe on page 21.
    [Show full text]
  • Issues) and Begin with the Summer Is• Sue
    AN ILLUSTRATED QUARTERLY A i ^/^JLiXtiLnJ** fay* ZuL ju *~x s*~ ~f"'/^/^^%& / Printers in the Kitchen and Other Recent Discoveries: G. E. Bentley, Jr.'s Annual Checklist VOLUME 39 NUMBER 1 SUMMER 2005 £%Uae AN ILLUSTRATED QUARTERLY www.blakequarterly.org VOLUME 39 NUMBER 1 SUMMER 2005 CONTENTS Article Blake's Proverbs of Hell: St. Paul and the Nakedness of Woman William Blake and His Circle: By Howard Jacobson 48 A Checklist of Publications and Discoveries in 2004 By G. E. Bentley, Jr. Review Minute Particulars Joyce H. Townsend, ed., William Blake: The Painter at Work Reviewed by Alexander Gourlay 49 Blake's Four ... "Zoa's"? By Justin Van Kleeck 38 Poem William Blake's A Pastoral Figure: Some Newly Revealed Verso Sketches Cold Colloquy By Robert N. Essick 44 By Warren Stevenson 54 "Great and Singular Genius": Further References to Blake (and Cromek) in the Scots Magazine By David Groves 47 ADVISORY BOARD G. E. Bentley, Jr., University of Toronto, retired Nelson Hilton, University of Georgia Martin Butlin, London Anne K. Mellor, University of California, Los Angeles Detlef W Dorrbecker, University of Trier Joseph Viscomi, University of North Carolina at Chapel Hill Robert N. Essick, University of California, Riverside David Worrall, The Nottingham Trent University Angela Esterhammer, University of Western Ontario CONTRIBUTORS G. E. Bentley, Jr., 246 Macpherson Avenue, Toronto, Ontario M4V 1A2 Canada G. E. BENTLEY, JR., writes on Blake's bibliography, biography, Nelson Hilton, Department of English, University of texts—and copperplates (in press). Georgia, Athens GA 30602 Email: [email protected] JUSTIN VAN KLEECK is a Ph.D.
    [Show full text]
  • Alex Park Diss After Defense 1013
    BYRON’S DON JUAN: FORMS OF PUBLICATION, MEANINGS, AND MONEY A Dissertation by JAE YOUNG PARK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2011 Major Subject: English Byron’s Don Juan: Forms of Publication, Meanings, and Money Copyright 2011 Jae Young Park BYRON’S DON JUAN: FORMS OF PUBLICATION, MEANINGS, AND MONEY A Dissertation by JAE YOUNG PARK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Terence Hoagwood Committee Members, Margaret Ezell Clinton Machann James M. Rosenheim Head of Department, Nancy Warren December 2011 Major Subject: English iii ABSTRACT Byron’s Don Juan: Forms of Publication, Meanings, and Money. (December 2011) Jae Young Park, B.A., Sungkyunkwan University; M.A., Texas A&M University Chair of Advisory Committee: Dr. Terence Hoagwood This dissertation examines Byron’s Don Juan and his attitude towards profits from the copyright money for publishing his poems. Recent studies on Don Juan and Byron have paid great attention to the poem especially in terms of the author’s status as an unprecedented noble literary celebrity. Thus the hermeneutics of the poem has very often had a tendency to bind itself within the biographical understanding of the poet’s socio-political practices. It is true that these studies are meaningful in that they highlighted and reconsidered the significance of the author’s unique life so as to illustrate biographical and historical contexts of this Romantic text.
    [Show full text]
  • National Library of Scotland
    About the National Library of Scotland The National Library of Scotland is a major European research library and one of the world’s leading centres for the study of Scotland and the Scots - an information treasure trove for Scotland’s knowledge, history and culture. The Library’s collections are of world-class importance. The Library holds well over 14 million items, including printed items, approximately 100,000 manuscripts and nearly 2 million maps. Every week it collects approximately 6,000 new items via Legal Deposit. Since 2008 NLS also incorporates the Scottish Screen Archive, Scotland's national moving image collection. It holds more than 32,000 films and videos presenting over 100 years of Scotland's history. Manuscripts and archives are the responsibility of the Manuscripts Division. The first manuscript was acquired by the predecessor of the NLS, the Advocates Library, in 1683, and since 1925 the Library has been the repository of the major collections of manuscripts and archives which cover many aspects of the lives, activities and interests of Scots at home and abroad. The Library is a major centre for David Livingstone studies, with a large collection of letters, journals, maps and other papers of Livingstone, and papers of several friends and associates in his African missions and explorations, including figures such as Sir Henry M. Stanley, Sir John Kirk and Robert Moffat. The collection also features diary segments written by Livingstone on his final expedition, which would later be written up in his Last Journal . Livingstone wrote the entries in 1870- 71on scraps of paper and on pages torn from printed books and newspapers.
    [Show full text]
  • JANE AUSTEN's DEALINGS with JOHN MURRAY and HIS FIRM Author(S): KATHRYN SUTHERLAND Source: the Review of English Studies, New Series, Vol
    JANE AUSTEN'S DEALINGS WITH JOHN MURRAY AND HIS FIRM Author(s): KATHRYN SUTHERLAND Source: The Review of English Studies, New Series, Vol. 64, No. 263 (FEBRUARY 2013), pp. 105-126 Published by: Oxford University Press Stable URL: https://www.jstor.org/stable/42003759 Accessed: 20-03-2019 20:14 UTC REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/42003759?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to The Review of English Studies This content downloaded from 158.110.4.31 on Wed, 20 Mar 2019 20:14:58 UTC All use subject to https://about.jstor.org/terms JANE AUSTEN'S DEALINGS WITH JOHN MURRAY AND HIS FIRM BY KATHRYN SUTHERLAND Jane Austen had dealings with several publishers, eventually issuing her novels through two: Thomas Egerton and John Murray. For both, Austen may have been their first female novelist. This essay examines Austen-related materials in the John Murray Archive in the National Library of Scotland.
    [Show full text]
  • Index of /Sites/Default/Al Direct/2007/May
    AL Direct, May 2, 2007 Contents U.S. & World News ALA News Booklist Online D.C. Update Division News Round Table News Awards Seen Online May 2, 2007 Tech Talk Actions & Answers Calendar U.S. & World News New York Public Library acquires gay rights archive A major archive of papers relating to the early gay-rights movement in America has been donated to the New York Public Library’s Manuscripts and Archives Division. The Barbara Gittings and Kay Tobin Lahusen Gay History Papers and Photographs consist Be at conference 7:30 of letters, photographs, handbills, p.m. on June 22 for the manuscripts, publications, and ephemera world premiere of The accumulated over nearly 50 years by the late Hollywood Librarian, a activist and writer Gittings (1932–2007) and her life partner, film by writer and photojournalist and author Lahusen.... director Ann Seidl that focuses on the work and Congressional chairmen request EPA briefing lives of librarians in the Four committee chairmen in the U.S. House of Representatives have entertaining and signed a letter to Environmental Protection Agency Administrator appealing context of Stephen Johnson requesting an update on the agency’s recent American movies. activities with regard to its libraries. With a deadline of May 4, the inquiry concerns recent reports about the continued disposal or dispersal of library materials, even after recent testimony from Johnson that a moratorium on such activities had been put into place.... Providence okays 60 pink slips, just in case With negotiations continuing between Providence (R.I.) Public Library officials and city leaders about the municipal contribution for FY2008 to the operating budget of the private nonprofit library, the PPL board approved April 26 sending layoff notices to as many as 60 of the library’s nearly 100 staff members.
    [Show full text]
  • Issues) and Searcher Based at the Centre for Eighteenth Century Studies, Begin with the Summer Issue
    AN ILLUSTRATED QUARTERLY Blake Books: Publications and Discoveries, 2006 VOLUME 41 NUMBER 1 SUMMER 2007 &Uk e AN ILLUSTRATED QUARTERLY www.blakequarterly.org VOLUME 41 NUMBER 1 SUMMER 2007 CONTENTS Article Minute Particulars William Blake and His Circle: Blake in the Times Digital Archive A Checklist of Publications and Discoveries in 2006 By Keri Davies 45 By G. E. Bentley, Jr., with the Assistance ofHikari Sato for Japanese Publications "VISIONS OP BLAKE, THE ARTIST": An Early Reference to William Blake in the Timet By Angus Whitehead 46 Review Blake Society Annual Lecture, 28 November 2006: Patti Smith at St. James's Church, Piccadilly Reviewed by Magnus Ankarsjo ■II ADVISORY BOARD (,. I . Bentley, Jr., University of Toronto, retired Nelson Hilton, University of Georgia Martin Butlin, London Anne K. Mellor, University of California, Los Angeles Detlcf w. Ddrrbecker, University of Trier Joseph Viscomi, University of North Carolina at Chapel Hill Robert N. Lssick, University of California, Riverside David Worrall, The Nottingham Trent University Angela Esterhammer, University of Western Ontario CONTRIBUTORS David Worrall, Faculty of Humanities, The Nottingham Trent University, Clifton Lane, Nottingham NG11 8NS UK Email: [email protected] G. E. BENTLEY, JR., is a recovering book collector but is still ad• dicted to scholarship, at the moment to Blake's heavy metal and bibliomania (a confession) and Blake's murderesses. MAGNUS ANKARSJO ([email protected]) is a lecturer at Nottingham Trent University and Loughborough Universi• ty. He is the author of William Blake and Gender (2006) and is currently completing the manuscript of Reconstructing Blake, on the substantial changes that Blake studies are now under• going in the wake of recent discoveries about Blake's life, par• ticularly his Moravian family background.
    [Show full text]