Game Design Document

Total Page:16

File Type:pdf, Size:1020Kb

Game Design Document Game Design Document By Jared Skold and Miray Hepguler Summer 2019 Version History Date Description Who 07/15/2019 Initial GDD has been created Miray 07/20/2019 Rule and Card Descriptions Jared 07/24/2019 Changed rules (tuning) Miray 07/28/2019 Expansion of topics Miray 07/30/2019 Demographics, Marketing, Influencer, Gameplay Miray 08/02/2019 References, Gameplay Miray 08/02/2019 Balancing, Declaration, Metaphor Miray 08/04/2019 Cards, Metaphor, General Editing Jared 08/02/2019 Created player personas Jared 08/04/2019 Added details to metaphor, changed card no., target audience, taxonomy, art Miray style topics, design goals 08/04/2019 Updated Cards, Metaphor, Created SWOT, General Editing & Updates Jared 08/05/2019 Created Paper prototype and did Test 3 & 4 Jared 08/06/2019 Updated Market Comp. and Rules/Turns Jared 08/06/2019 Formatting, Metaphor, Further Design Explanations Miray 08/07/2019 Pros and Cons, Metaphor, various grammar fixes Jared 08/07/2019 Card designs added Miray 08/07/2019 Printed/cut cards, recorded playthrough video, added section for link Jared 08/08/2019 Added logo Jared 08/08/2019 Formatting Miray Table of Contents Overview ....................................................................................................................................................... 7 Genre ........................................................................................................................................................ 7 Number of Players .................................................................................................................................... 7 Playtime .................................................................................................................................................... 7 Target Audience ........................................................................................................................................ 7 Unique Selling Points ................................................................................................................................ 7 What’s in the Box? .................................................................................................................................... 7 Source Material ............................................................................................................................................. 7 Concept Breakdown ................................................................................................................................. 8 Pros ....................................................................................................................................................... 8 Cons ...................................................................................................................................................... 8 Design Goals ............................................................................................................................................. 8 Demographics ............................................................................................................................................... 9 Target Audience ........................................................................................................................................ 9 Market Research ........................................................................................................................................... 9 Influencers ................................................................................................................................................ 9 XYbrid ................................................................................................................................................... 9 Evolution ............................................................................................................................................ 10 Bears vs Babies ................................................................................................................................... 10 Game Components ..................................................................................................................................... 11 Cards ....................................................................................................................................................... 11 General Characteristics ...................................................................................................................... 11 Monster Cards................................................................................................................................ 11 Mutation Cards .............................................................................................................................. 11 Trait Cards ...................................................................................................................................... 12 Metaphor .................................................................................................................................................... 12 Prototype and Playtesting ........................................................................................................................... 15 Test 1 ...................................................................................................................................................... 15 Test 2 ...................................................................................................................................................... 16 Test 3 ...................................................................................................................................................... 17 Test 4 ...................................................................................................................................................... 17 Risks and Mitigations .................................................................................................................................. 18 Balancing ..................................................................................................................................................... 18 Gameplay .................................................................................................................................................... 19 Goal ......................................................................................................................................................... 19 Set-Up ..................................................................................................................................................... 19 First Player .............................................................................................................................................. 20 Distributing Monster Cards .................................................................................................................... 20 Drawing Trait Cards ................................................................................................................................ 20 Matching Monsters’ Traits ..................................................................................................................... 20 Player Turn Structure .............................................................................................................................. 21 Discard Pile ............................................................................................................................................. 22 Winning and Losing Conditions .............................................................................................................. 22 Playthrough Video .................................................................................................................................. 23 Further Design Explanations ................................................................................................................... 23 Public and Private Information .......................................................................................................... 23 Resources ........................................................................................................................................... 23 Research ...................................................................................................................................................... 24 Implementation of the Theme ............................................................................................................... 24 Target Audience ...................................................................................................................................... 24 Target Segmentation and Player Taxonomy ...................................................................................... 25 Player Personas .................................................................................................................................. 26 Intended Art Style ................................................................................................................................... 27 References .................................................................................................................................................. 29 Games Cited ...........................................................................................................................................
Recommended publications
  • Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
    TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America.
    [Show full text]
  • Star Channels, May 23
    MAY 23 - 29, 2021 staradvertiser.com S WA N SONG Scott Bakula stars as Special Agent-in-Charge Dwayne “King” Pride, alongside Necar Zadegan as second in command Hannah Khoury, and Charles Michael Davis as fi xer Quentin Carter, in the series fi nale of NCIS: New Orleans. Pride leads a team of investigators tasked with looking into crimes involving military personnel in this spinoff of NCIS. Airing on Sunday, May 23, on CBS. ST JULY 1 SECOND SEASON Mele A‘e VIRTUAL AUDITION THE NEXT PERFORMANCE COULD BE YOURS. DEADLINE IS SUBMIT YOUR VIRTUAL AUDITION NOW! This is your chance to break through. Mele A¶e is a new program from ¶ũe^ehmaZmlahp\Zl^lAZpZb¶blg^qm`^g^kZmbhgh_fnlb\ZeZkmblml'?bef^]hg¶ũe^ehllmZm^&h_&ma^&Zkm olelo.org lhng]lmZ`^%Lmn]bh**++%l^e^\m^]Zkmblmlpbeei^k_hkfma^bkhpghkb`bgZelhg`l'Oblbmolelo.org/auditions 590228_MeleAe_Season2wDeadline_2in_F.indd 1 5/6/21 10:59 AM ON THE COVER | NCIS: NEW ORLEANS The end of an era ‘NCIS: New Orleans’ that the show’s current seventh season would While “NCIS: New Orleans” may not have be its last and that the series finale would air reached the same heights as the original or its takes its final bow this May. Though surely disappointed, Bakula fellow spinoff “NCIS: Los Angeles,” it has none- handled the news graciously and expressed theless attracted a loyal following that will be By Kyla Brewer gratitude for his time on the show. sad to see it go, something CBS executive Kelly TV Media “Sad to end our love affair with this phenom- Kahl acknowledged in a recent news release.
    [Show full text]
  • To Dedicate New Parish Hall the Louisa Methodist Church
    LLouisaouisa LLifeife JJulyu l y 2277 - AAugustu g u s t 223,3 , 220180 1 8 • OONENE CCOPYOPY FFREEREE LOUISA COUNTY, VIRGINIA Four County Players Presents Young Frankenstein... Page 11 Business LKA Signs & Designs Page 3 Event The Louisa Ag Fair Page 10 TThehe LLouisaouisa MMethodistethodist CChurchhurch People MMineralineral RResidentesident To Dedicate New Parish Hall JJesseesse HHarperarper LLovesoves WWorkingorking WWithith HHerer HandsHands PPageage 4 PPageage 1122 “Let us dance in the sun, wearing wild fl owers in our hair...” - Susan Polis Schutz Visit OSPA.NET for Schedules Or Call (540) 672-9038 2 • LOUISA LIFE• July 27- August 23, 2018 LouisaLife A monthly publication Publisher/Editor C. M. Santos [email protected] Advertising Director Judi Price 434-207-0223 [email protected] Office Manager Edee Povol [email protected] Graphic Designer Marilyn Ellinger Writers Linda Salisbury Pat Wilson Contributors Four County Players Email: [email protected] Advertising sales: [email protected] Mailing address: P.O. Box 59, Palmyra, VA 22963. Office location: 2987 Lake Monticello Road, Palmyra, VA 22963 Phone: (434) 591-1000 Fax: (434) 589-1704 General: Louisa Life is published monthly by Valley Publishing Corp. A total of 6,000 copies are circulated throughout Louisa County. One copy is free, additional copies are $1 each payable in advance to the publisher. Christina Brining places vinyl in the large format printer, a step in creating a sign. All photos by Pat Wilson Subscriptions: Copies will be mailed for the subscrip- tion price of $40 per year. Please mail a check and a note with your name and address to: Louisa Life Subscriptions Dept., P.O.
    [Show full text]
  • The 15Th International Gothic Association Conference A
    The 15th International Gothic Association Conference Lewis University, Romeoville, Illinois July 30 - August 2, 2019 Speakers, Abstracts, and Biographies A NICOLE ACETO “Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut”: The Terror of Domestic Femininity in Shirley Jackson’s The Haunting of Hill House Abstract From the beginning of Shirley Jackson’s The Haunting of Hill House, ordinary domestic spaces are inextricably tied with insanity. In describing the setting for her haunted house novel, she makes the audience aware that every part of the house conforms to the ideal of the conservative American home: walls are described as upright, and “doors [are] sensibly shut” (my emphasis). This opening paragraph ensures that the audience visualizes a house much like their own, despite the description of the house as “not sane.” The equation of the story with conventional American families is extended through Jackson’s main character of Eleanor, the obedient daughter, and main antagonist Hugh Crain, the tyrannical patriarch who guards the house and the movement of the heroine within its walls, much like traditional British gothic novels. Using Freud’s theory of the uncanny to explain Eleanor’s relationship with Hill House, as well as Anne Radcliffe’s conception of terror as a stimulating emotion, I will explore the ways in which Eleanor is both drawn to and repelled by Hill House, and, by extension, confinement within traditional domestic roles. This combination of emotions makes her the perfect victim of Hugh Crain’s prisonlike home, eventually entrapping her within its walls. I argue that Jackson is commenting on the restriction of women within domestic roles, and the insanity that ensues when women accept this restriction.
    [Show full text]
  • A-Z Movies August
    AUGUST 2021 A-Z MOVIES 1% Mickey Mantle compete against each Of SHARKBOY Sci-Fi/Fantasy (M lv) Based on a true story. An American John Cleese, Amy Irving. MOVIES PREMIERE 2017 other to break Babe Ruth’s single- AND LAVAGIRL August 7, 16 student spending a semester abroad Lured out to the Old West, Fievel the Drama (MA 15+ alsv) season home run record. MOVIES KIDS 2005 Family Sigourney Weaver, Charles S Dutton. in Perugia, Italy, garners international mouse joins forces with a famed dog After being put into an extended sleep attention after she is put on trial sheriff to thwart a sinister plot. August 22 August 6, 15, 25 Matt Nable, Ryan Corr. 100% WOLF Taylor Lautner, Taylor Dooley. state after her last fight with the aliens, for her part in the murder of British The heir to the throne of a notorious MOVIES FAMILY 2020 Family (PG) A boy’s imaginary superhero friends Ellen Ripley crash-lands onto a planet housemate, Meredith Kercher. AN AMISH MURDER outlaw motorcycle club must betray August 9, 18, 31 come to life and join him on a series which is inhabited by the former LIFETIME MOVIES 2013 his president to save his brother’s life. Jai Courtney, Samara Weaving. of adventures. inmates of a maximum-security prison. AMERIcaN DREAMZ Thriller/Suspense (M av) The heir to a family of werewolves MOVIES COMEDY 2006 Comedy (M ls) August 5, 10, 14, 20, 24, 29 12 STRONG experiences his first transformation ALIEN: RESURRECTION August 13, 19 Neve Campbell, Noam Jenkins. MOVIES ACTION 2018 on his 13th birthday, morphing into THE ADVENTURES OF TOM MOVIES GREATS 1997 Hugh Grant, Dennis Quaid.
    [Show full text]
  • Neoliberal Gothic
    i Neoliberal Gothic 99781526113443_pi-214.indd781526113443_pi-214.indd i 22/22/2017/22/2017 22:21:46:21:46 PPMM ii T e Series’ Board of General Editors Elisabeth Bronfen, University of Zurich, Switzerland Steven Bruhm, University of Western Ontario, Canada Ken Gelder, University of Melbourne, Australia Jerrold Hogle , University of Arizona, USA (Chair) Avril Horner , Kingston University, UK William Hughes, Bath Spa University, UK T e Editorial Advisory Board Glennis Byron, University of Stirling, Scotland Robert Miles, University of Victoria, Canada David Punter, University of Bristol, England Andrew Smith, University of Glamorgan, Wales Anne Williams, University of Georgia, USA Previously published Monstrous media/ spectral subjects: imaging gothic f om the nineteenth century to the present Edited by Fred Bot ing and Catherine Spooner Globalgothic Edited by Glennis Byron EcoGothic Edited by Andrew Smith and William Hughes Each volume in this series contains new essays on the many forms assumed by – as well as the most important themes and topics in – the ever-expanding range of international ‘gothic’ f ctions from the eighteenth to the twenty- f rst century. Launched by leading members of the International Gothic Association (IGA) and some editors and advisory board members of its journal, Gothic Studies , this series thus of ers cut ing- edge analyses of the great many variations in the gothic mode over time and all over the world, whether these have occurred in literature, f lm, theatre, art, several forms of cybernetic media, or other manifestations ranging from ‘goth’ group identities to avant garde displays of aesthetic and even political critique. T e ‘gothic story’ began in earnest in 1760s England, both in f ction and in drama, with Horace Walpole’s ef orts to combine the ‘ancient’ or supernatural and the ‘modern’ or realistic romance.
    [Show full text]
  • Monster Family (2017) Una Famiglia Diventa "Mostruosa" Per Colpa Di Dracula, Ma L'umorismo È Triviale E Scontato
    Monster Family (2017) Una famiglia diventa "mostruosa" per colpa di Dracula, ma l'umorismo è triviale e scontato. Un film di Holger Tappe con Emily Watson, Jason Isaacs, Nick Frost, Jessica Brown Findlay, Celia Imrie, Catherine Tate, Ethan Rouse, Ewan Bailey, Emma Tate, Jessica McDonald. Genere Animazione durata 96 minuti. Produzione Germania 2017. Uscita nelle sale: giovedì 19 ottobre 2017 Quando una maledizione colpisce i Wishbone e li trasforma in mostri, i quattro dovranno unire le forze per riuscire a venirne fuori. Andrea Fornasiero - www.mymovies.it Emma crede di telefonare a un negozio di costumi, ma ha sbagliato numero e si ritrova a parlare con Dracula, che rimane ammaliato dalla sua voce. Per conquistarla decide di servirsi della strega Baba Yaga e fare in modo che trasformi Emma in una vampira. La donna, insieme al marito e ai due figli, viene colpita dalla magia della strega dopo una festa in maschera, ma anche la sua famiglia è trasformata insieme a lei: il padre in un mostro di Frankenstein, la figlia in una mummia e il figlio in un uomo-lupo. Mentre cercano di obbligare la strega a cancellare la maledizione, con l'aiuto di una collega di Emma figlia dei fiori, Dracula usa tutti i suoi poteri per corteggiare la donna, fino a portarla nel suo castello. 'Monster Family' è un film d'animazione 3D dal target dichiaratamente famigliare, dove proprio l'unione degli affetti viene posta al di sopra di tutto e si rivela capace di superare ogni avversità. Questo però accade nel modo più banale possibile, con un umorismo triviale e senza alcuna invenzione che possa conquistare anche un pubblico di teenager o maggiorenni.
    [Show full text]
  • It's Alive! the Making of Subdivision Schematics
    It’s Alive! The Making of Subdivision Schematics Jenni Moore, GISP The Woes of Dr. Victor Frankenstein Frankentrain Railway Scenes from Young Frankenstein (1974),Frankenstein (1931) Track charts Timetables GIS data Engineering drawings Schematic drawings http://graphic-engine.swarthmore.edu/tag/monsters/ Track Charts Circa 1919 http://www.zekedev.com/sites/boston_line/ Track Charts Circa 1951 Track Charts Circa 1958 Timetable http://www.readingmodeler.com/index.php/articles/96-downloads/199-downloads-timetables-etc Engineering Drawings GIS Data Scene from Young Frankenstein (1974) It’s Alive! Scene from Young Frankenstein (1974) But what is it? Strength of network dataset Strength of schematic data Track Track MainTrack Track MainTrack 600 60.0 Geographic and Schematic Views of Data Same Data, Different Views: Geographic Selection Geographic View Schematic View Same Data, Different Views: Schematic Selection Geographic View Schematic View Strength of output composition principles Data Driven Pages Layout Data Index Layer https://desktop.arcgis.com/en/desktop/latest/map/page-layouts/what-are-data-driven-pages-.htm Subdivision Schematics Scene from Frankenstein (1931) Frankentrain SHELLEY DIVISION Railway PROMETHEUS SUBDIVISION WEST WALTON TO VICTOR LINE 1818 l l TO WEST WALTON TO VICTOR " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " 145 140 135 130 125 " WEST WALTON CROSSOVER 147.9 WALTON EAST WALTON MP 139.9 WEST MARGARET EAST MARGARET HIGH CLERVAL CROSSOVER 134.4 CROSSOVER 131.4 MP 149.9
    [Show full text]
  • Movies That Will Get You in the Holiday Spirit
    Act of Violence 556 Crime Drama A Adriana Trigiani’s Very Valentine crippled World War II veteran stalks a Romance A woman tries to save her contractor whose prison-camp betrayal family’s wedding shoe business that is caused a massacre. Van Heflin, Robert teetering on the brink of financial col- Alfred Molina, Jason Isaacs. (1:50) ’11 Ryan, Janet Leigh, Mary Astor. (NR, 1:22) lapse. Kelen Coleman, Jacqueline Bisset, 9 A EPIX2 381 Feb. 8 2:20p, EPIXHIT 382 ’49 TCM 132 Feb. 9 10:30a Liam McIntyre, Paolo Bernardini. (2:00) 56 ’19 LIFE 108 Feb. 14 10a Abducted Action A war hero Feb. 15 9a Action Point Comedy D.C. is the takes matters into his own hands About a Boy 555 Comedy-Drama An crackpot owner of a low-rent amusement Adventures in Love & Babysitting A park where the rides are designed with Romance-Comedy Forced to baby- when a kidnapper snatches his irresponsible playboy becomes emotion- minimum safety for maximum fun. When a sit with her college nemesis, a young young daughter during a home invasion. ally attached to a woman’s 12-year-old corporate mega-park opens nearby, D.C. woman starts to see the man in a new Scout Taylor-Compton, Daniel Joseph, son. Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult. (PG-13, 1:40) ’02 and his loony crew of misfits must pull light. Tammin Sursok, Travis Van Winkle, Michael Urie, Najarra Townsend. (NR, out all the stops to try and save the day. Tiffany Hines, Stephen Boss. (2:00) ’15 1:50) ’20 SHOX-E 322 Feb.
    [Show full text]
  • Relaunching Cinema: Content for Recovery 1 Film Collections
    RELAUNCHING : CINEMA ALL-TIME CLASSICS AWARD WINNERS CONTENT FOR BAME VOICES BEST OF BRITISH BIG SCREEN SPECTACLE RECOVERY COMEDY KICKS DOCUMENTARY FEATURES EVENT CINEMA FAMILY FUN FOREIGN LANGUAGE FRANCHISE FAVOURITES HORROR HITS INDIE GEMS LGBTIQ+ CINEMA LOCKDOWN, BACK AGAIN MODERN CLASSICS MUSICAL PLEASURES NEW VISIONS PERIOD DRAMA ROMANTIC ENCOUNTERS SCI-FI AND FANTASY SILVER SCREENERS SUPERHERO SMASHES TEEN SPIRIT WOMEN IN FILM INTRODUCTION his document is intended for the use of UK film programmers and exhibitors of all shapes and sizes. It is certainly not exhaustive T in its content listing, and instead represents an easy to read and locate guide to the wealth of potential titles readily available to play in UK cinemas once they reopen in the coming weeks. Highlighted filmed content has been separated into groups, by genre, theme, flavour or audience demographic, which should hopefully aid programme planning and decision making as cinemas get themselves back up to operational speed. With something for everyone, the 450 amassed titles may feature in more than one category, and further content is also likely available upon request and interaction with individual distributors. Each title here has information on running time and certificate, plus any additional format detail. Distributors are also listed for each title, and at the back of the document there is an easy to use, full list of distribution direct sales contacts split by company. This collection of content has been compiled from many of the UK’s distribution companies under the aegis of FDA, and it forms part of the unified sector business recovery planning currently being undertaken by both FDA and UKCA, via the cross-industry body, Cinema First.
    [Show full text]
  • Foxtel Movies Premiere
    movie guideSEPTEMBER 2021 Superintelligence (PG) Saturday September 25 at 8.30pm on Foxtel Movies Premiere [401] WEDNESDAY 1 THURSDAY 2 FRIDAY 3 SATURDAY 4 SUNDAY 5 MONDAY 6 TUESDAY 7 6.00 Just Mercy 6.00 The White Crow (cont.) 6.00 A Call To Spy (cont.) 6.00 Archive (cont.) 6.00 Where’d You Go, 6.00 Captive State 6.00 The Death... (cont.) (2019) (M a) 0 (cont.) 6.30 Blinded By The Light 7.30 The Grudge 7.10 Rams Bernadette (2019) (MA 15+ v) 0 7.10 Miss Fisher And This film has advertising approval. 7.35 Lucy In The Sky (2019) (PG) 0 (2020) (MA 15+ ahv) 0 (2020) (PG) 0 (2019) (M al) 0 7.45 Escape From Pretoria The Crypt Of Tears TBC Check the classification closer to 0 0 0 the release date. (2019) (M ls) 8.30 Richard Jewell 9.05 Dark Waters 9.10 The Iron Mask 7.55 Just Getting Started (2020) (M av) (2020) (M av) 9.40 The Night Clerk (2019) (M alsv) 0 (2019) (M al) 0 (2019) (M av) 0 (2017) (M lv) 0 9.35 Kursk 8.50 Just Mercy (2020) (M alnsv) 0 10.45 Emma. 11.15 Nomadland 11.15 1917 9.30 Jojo Rabbit (2018) (M al) 0 (2019) (M a) 0 11.15 Just Getting Started (2020) (PG) 0 (2020) (M n) 0 (2019) (MA 15+ av) 0 (2019) (M alv) 0 11.35 Redemption Day 11.10 Force Of Nature General (2017) (M lv) 0 12.50 Ammonite 1.05 Happiest Season 1.15 Papillon 11.20 Wrong Turn (2021) (MA 15+ v) 0 (2020) (MA 15+ lv) 0 12.50 Bad Boys For Life (2020) (MA 15+ ns) 0 (2020) (M l) 0 (2017) (MA 15+ av) 0 (2021) (MA 15+ hv) 0 1.20 Jungleland 12.55 The Gentlemen (2020) (MA 15+ lv) 0 2.50 Resistance 2.50 Dirt Music 3.30 Drone 1.15 Hotel Mumbai (2019) (MA 15+ ls) 0 (2019) (MA 15+ lv) 0 2.55 The Kill Team (2020) (M av) 0 (2019) (M als) 0 (2017) (M alv) 0 (2018) (MA 15+ av) 0 2.55 Summerland 2.50 Zack Snyder’s Parental guidance (2019) (MA 15+ al) 0 4.55 Birds Of Prey 4.40 Wrong Turn 5.05 Don’t Go 3.20 The Tax Collector (2020) (PG) 0 Justice Is Gray recommended 4.25 Midway (2020) (MA 15+ alv) 0 (2021) (MA 15+ hv) 0 (2018) (M adls) 0 (2020) (MA 15+ alv) 0 4.40 Running With (2021) (MA 15+ v) 0 (2019) Action/Adventure.
    [Show full text]
  • Hotel Transylvania 3: Summer Vacation (2018)
    HOTEL TRANSYLVANIA 3: SUMMER VACATION (2018) ● July 13th, 2018 ● 1 hr 37 minutes ● $80 million budget (Estimated) ​ ● Directed by Genndy Tartakovsky ● Written by Michael McCullers, Genndy Tartakovsky ● Production company: Sony Animation Pictures ● Rated PG for some action and rude humor ● Premiered at the Annecy International Animated Film Festival on June 13, 2018 QUICK THOUGHTS ● Marisa Serafini ● Phil Svitek DEVELOPMENT ● First animated film that was dubbed into Arabic for Saudi Arabian audiences ● September 2015, Michelle Murdocca, the film's producer, said before the second film's release that the studio was "talking about number 3 and moving forward and taking the franchise to the next level." ● In November 2015, Sony Pictures Animation announced that the third film, under the tentative title of Hotel Transylvania 3, had been set for release on September 21, 2018. ​ ​ ● Tartakovsky later announced that he would return as the director for the third installment. He returned after he received inspiration from a "miserable" family vacation, and from the Chevy Chase National Lampoon's Vacation movies, as the film takes place aboard a ​ ​ cruise ship. ● Summer Vacation was originally scheduled for release on September 21, 2018, a date ​ that was later moved up two months, to July 13, 2018. ● Outside North America, the film is subtitled "A Monster Vacation" instead of "Summer Vacation". WRITING (Michael McCullers, Genndy Tartakovsky) ​ ● Russian-born filmmaker Genndy Tartakovsky drew on his feelings as an immigrant to tell a story about tolerance and acceptance. ● Tartakovsky, who was born in Moscow and came to the U.S. as a child in the ‘70s, tells The Hollywood Reporter that the film's themes has personal meaning for him.
    [Show full text]