Neoliberal Gothic
i Neoliberal Gothic 99781526113443_pi-214.indd781526113443_pi-214.indd i 22/22/2017/22/2017 22:21:46:21:46 PPMM ii T e Series’ Board of General Editors Elisabeth Bronfen, University of Zurich, Switzerland Steven Bruhm, University of Western Ontario, Canada Ken Gelder, University of Melbourne, Australia Jerrold Hogle , University of Arizona, USA (Chair) Avril Horner , Kingston University, UK William Hughes, Bath Spa University, UK T e Editorial Advisory Board Glennis Byron, University of Stirling, Scotland Robert Miles, University of Victoria, Canada David Punter, University of Bristol, England Andrew Smith, University of Glamorgan, Wales Anne Williams, University of Georgia, USA Previously published Monstrous media/ spectral subjects: imaging gothic f om the nineteenth century to the present Edited by Fred Bot ing and Catherine Spooner Globalgothic Edited by Glennis Byron EcoGothic Edited by Andrew Smith and William Hughes Each volume in this series contains new essays on the many forms assumed by – as well as the most important themes and topics in – the ever-expanding range of international ‘gothic’ f ctions from the eighteenth to the twenty- f rst century. Launched by leading members of the International Gothic Association (IGA) and some editors and advisory board members of its journal, Gothic Studies , this series thus of ers cut ing- edge analyses of the great many variations in the gothic mode over time and all over the world, whether these have occurred in literature, f lm, theatre, art, several forms of cybernetic media, or other manifestations ranging from ‘goth’ group identities to avant garde displays of aesthetic and even political critique. T e ‘gothic story’ began in earnest in 1760s England, both in f ction and in drama, with Horace Walpole’s ef orts to combine the ‘ancient’ or supernatural and the ‘modern’ or realistic romance.
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